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Liked It - 190984 Votes / Countries - UK, Canada / Release year - 2005 / Actor - Peter Capaldi / Sydney Newman. Can You Hear Me like Praxeus was woeful. This preview for next week's episode looks like I'll enjoy it better. Doctor Who: Spends 56 years on air. The Doctor: How long can I talk. Take a look at the newest Doctor, Jodie Whittaker and the beloved 12th Doctor Peter Capaldi. Plus, check out the evolution of the Doctor through the years. Top Rated TV #158, 115 wins & 205 nominations. See more awards  » Edit Cast Series cast summary: Matt Smith... The Doctor 57 episodes, 2010-2017 David Tennant... 59 episodes, 2005-2017 Peter Capaldi... 46 episodes, 2008-2017 Nicholas Briggs... Daleks 42 episodes, 2005-2020 Jenna Coleman... Clara 41 episodes, 2012-2017 Paul Kasey... Ood Sigma 37 episodes, 2005-2020 Karen Gillan... Amy Pond 38 episodes, 2008-2017 Billie Piper... Rose Tyler 40 episodes, 2005-2017 Kevin Hudson... Cyberman 28 episodes, 2005-2020 Arthur Darvill... Rory 27 episodes, 2010-2012 Jodie Whittaker... 23 episodes, 2017-2020 Ruari Mears... Cyberman 22 episodes, 2006-2013 Bradley Walsh... Graham O'Brien 21 episodes, 2018-2020 Tosin Cole... Ryan Sinclair Mandip Gill... Yasmin Khan Freema Agyeman... Martha Jones 25 episodes, 2006-2017 Storyline The Doctor, a Time Lord/Lady from the race whose home planet is Gallifrey, travels through time and space in their ship the T. A. R. D. I. S. (an acronym for Time and Relative Dimension In Space) with numerous companions. From time to time The Doctor regenerates into a new form (which is how the series has been running since the departure of the original actor, William Hartnell, in 1966. Written by Chris Wright Plot Summary Add Synopsis Taglines: The New Doctor Lands. (Series 8) See more  » Details Release Date: 17 March 2006 (USA) Box Office Opening Weekend USA: 228, 615, 5 January 2020 Cumulative Worldwide Gross: 76, 205 See more on IMDbPro  » Company Credits Technical Specs Runtime: 45 min (48 episodes) 50 min (3 episodes) 71 min (2 Episodes) 8, 460 min (Entire series) See full technical specs  » Did You Know? Trivia On Saturday, March 5, 2005 (three weeks before its television debut) a rough-cut version of Doctor Who: Rose (2005) was leaked onto the Internet by an unnamed employee of a third-party contractor to CBC in Canada. The person responsible had their employment immediately terminated. The version is mostly similar to the broadcast version, the most notable difference is that instead of using Murray Gold 's new version of the theme song, a remixed version of the original was used instead. See more » Quotes [ season 6 open for non-UK markets] Amy Pond: When I was a little girl I had an imaginary friend and when I grew up he came back. He's called The Doctor. He comes from somewhere else. He's got a box called the TARDIS that's bigger on the inside and can travel anywhere in time and space. I ran away with him and we've been running ever since. See more » Crazy Credits On the 2012 episodes, the title logo is decorated with a motif related to each episode's theme. On episode one, Asylum of the Daleks" it was decorated with dots like the ones covering a Dalek body. On episode 2, Dinosaurs on a Spaceship" it was decorated in green-like vegetation. On episode 3, A Town Called Mercy" it was made of wooden boards, like the buildings of the Far West town on the episode. And on episode 4, The Power of Three" it was decorated with a pattern made of cubes. See more » Alternate Versions When shown on Disney XD, some censorship is performed: spoken instances of the word "hell" are muted and the printed word is blurred when visible in its entirety, but not when it is partially obscured. See more » Soundtracks Doctor Who Theme Written by Ron Grainer Performed by BBC National Orchestra of Wales See more » Frequently Asked Questions See more ».

The Timeless Child's reappearance. a shocker. 😱. I'm a gown man this show still makes me tear up lol. YouTube Doctor Who. What a great villain! This episode was amazing. Both Zellin and Rakaya were so much fun to watch. This browser is supported only in Windows 10 and above. Videos Where to Watch About Can You Hear Me? Something is stalking the Doctor and infecting people's nightmares Praxeus Team TARDIS investigates two identical deaths on two different continents Orphan 55 A luxury resort is hiding a number of deadly secrets Spyfall, Part 2 In another dimension, a terrifying plan to destroy humanity is about to reach fruition Spyfall, Part 1 Intelligence agents are under attack from alien forces. MI6 turns to the only people who can help: The Doctor and….

Doctor Who Doctor Who title card (2018–pres. Genre Science fiction Drama Created by Sydney Newman C. E. Webber Donald Wilson Written by Various Starring Various Doctors (as of 2020, Jodie Whittaker) Various companions (as of 2020, Bradley Walsh, Tosin Cole, Mandip Gill) Theme music composer Ron Grainer Opening theme Doctor Who theme music Composer(s) Various composers (since 2018, Segun Akinola) Country of origin United Kingdom Original language(s) English No. of seasons 26 (1963–89. 1 TV film (1996) No. of series 12 (2005–pres. No. of episodes 858 ( 97 missing) 293 stories ( 1963–89 episodes. 2005–pres. episodes) Production Executive producer(s) Various (as of 2018, Matt Strevens and Chris Chibnall) Camera setup Single- and multiple-camera setups [1] Running time Regular episodes: 25 minutes (1963–84, 1986–89) 45 minutes (1985, 2005–17) 50 minutes (2018–pres. Specials: Various: 50–90 minutes Production company(s) BBC Studios Distributor BBC Studios Release Original network BBC One (1963–pres. BBC HD (2007–10) BBC One HD (2010–pres. Picture format 405-line Black-and-white (1963–67) 625-line Black-and-white (1968–69) 625-line PAL (1970–89) 525-line NTSC (1996) 576i 16:9 DTV (2005–08) 1080pSF 16:9 HDTV (2009–17) 1080pSF 2:1 HDTV (2018–pres. Audio format Mono (1963–87) Stereo (1988–2008) 5. 1 Surround Sound (2009–pres. Original release Classic era: 23 November 1963 – 6 December 1989 Film: 12 May 1996 Revived era: 26 March 2005 – present Chronology Related shows K-9 and Company Torchwood The Sarah Jane Adventures K-9 Class External links Doctor Who at the BBC Production website Doctor Who is a British science fiction television programme produced by the BBC since 1963. The programme depicts the adventures of a Time Lord called " the Doctor. an extraterrestrial being, to all appearances human, from the planet Gallifrey. The Doctor explores the universe in a time-travelling space ship called the TARDIS. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Accompanied by a number of companions, the Doctor combats a variety of foes while working to save civilisations and help people in need. The show is a significant part of British popular culture, 2] 3] and elsewhere it has gained a cult following. It has influenced generations of British television professionals, many of whom grew up watching the series. [4] The programme originally ran from 1963 to 1989. There was an unsuccessful attempt to revive regular production in 1996 with a backdoor pilot, in the form of a television film titled Doctor Who. The programme was relaunched in 2005, and since then has been produced in-house by BBC Wales in Cardiff. Doctor Who has also spawned numerous spin-offs, including comic books, films, novels, audio dramas, and the television series Torchwood (2006–2011) The Sarah Jane Adventures (2007–2011) K-9 (2009–2010) and Class (2016) and has been the subject of many parodies and references in popular culture. Thirteen actors have headlined the series as the Doctor. The transition from one actor to another is written into the plot of the show with the concept of regeneration into a new incarnation, a plot device in which a Time Lord "transforms" into a new body when the current one is too badly harmed to heal normally. Each actor's portrayal is unique, but all represent stages in the life of the same character, and together, they form a single lifetime with a single narrative. The time-travelling feature of the plot means that different incarnations of the Doctor occasionally meet. The Doctor is currently portrayed by Jodie Whittaker, who took on the role after Peter Capaldi 's exit in the 2017 Christmas special " Twice Upon a Time. Premise Doctor Who follows the adventures of the title character, a rogue Time Lord from the planet Gallifrey who goes by the name " the Doctor. The Doctor fled Gallifrey in a stolen TARDIS ( Time and Relative Dimension in Space. a time machine that travels by materialising into and dematerialising out of the time vortex. The TARDIS has a vast interior but appears smaller on the outside, and is equipped with a "chameleon circuit" intended to make the machine take on the appearance of local objects as a disguise; due to a malfunction, the Doctor's TARDIS remains fixed as a blue British police box. Across time and space, the Doctor's many incarnations often find events that pique their curiosity and try to prevent evil forces from harming innocent people or changing history, using only ingenuity and minimal resources, such as the versatile sonic screwdriver. The Doctor rarely travels alone and often brings one or more companions to share these adventures. These companions are usually humans, owing to the Doctor's fascination with planet Earth, which also leads to frequent collaborations with the international military task force UNIT when the Earth is threatened. The Doctor is centuries old and, as a Time Lord, has the ability to regenerate in case of mortal damage to the body, taking on a new appearance and personality. The Doctor has gained numerous reoccurring enemies during their travels, including the Daleks, the Cybermen, and the Master, another renegade Time Lord. History Doctor Who first appeared on BBC TV at 17:16:20 GMT on Saturday, 23 November 1963; this was eighty seconds later than the scheduled programme time, due to the assassination of John F. Kennedy the previous day. [5] 6] It was to be a regular weekly programme, each episode 25 minutes of transmission length. Discussions and plans for the programme had been in progress for a year. The head of drama Sydney Newman was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department (later head of serials) Donald Wilson and staff writer C. Webber. Writer Anthony Coburn, story editor David Whitaker and initial producer Verity Lambert also heavily contributed to the development of the series. [7] note 1] The programme was originally intended to appeal to a family audience [8] as an educational programme using time travel as a means to explore scientific ideas and famous moments in history. On 31 July 1963, Whitaker commissioned Terry Nation to write a story under the title The Mutants. As originally written, the Daleks and Thals were the victims of an alien neutron bomb attack but Nation later dropped the aliens and made the Daleks the aggressors. When the script was presented to Newman and Wilson it was immediately rejected as the programme was not permitted to contain any " bug-eyed monsters. According to producer Verity Lambert; We didn't have a lot of choice — we only had the Dalek serial to go. We had a bit of a crisis of confidence because Donald [Wilson] was so adamant that we shouldn't make it. Had we had anything else ready we would have made that. Nation's script became the second Doctor Who serial – The Daleks (also known as The Mutants. The serial introduced the eponymous aliens that would become the series' most popular monsters, and was responsible for the BBC's first merchandising boom. [9] The BBC drama department's serials division produced the programme for 26 seasons, broadcast on BBC 1. Falling viewing numbers, a decline in the public perception of the show and a less-prominent transmission slot saw production suspended in 1989 by Jonathan Powell, controller of BBC 1. [10] Although it was effectively cancelled with the decision not to commission a planned 27th season, which would have been broadcast in 1990, the BBC repeatedly affirmed, over several years, that the series would return. [11] While in-house production had ceased, the BBC hoped to find an independent production company to relaunch the show. Philip Segal, a British expatriate who worked for Columbia Pictures ' television arm in the United States, had approached the BBC about such a venture as early as July 1989, while the 26th season was still in production. [11] Segal's negotiations eventually led to a Doctor Who television film, broadcast on the Fox Network in 1996 as an international co-production between Fox, Universal Pictures, the BBC and BBC Worldwide. Although the film was successful in the UK (with 9. 1 million viewers) it was less so in the United States and did not lead to a series. [11] Licensed media such as novels and audio plays provided new stories, but as a television programme Doctor Who remained dormant until 2003. In September of that year, 12] BBC Television announced the in-house production of a new series after several years of attempts by BBC Worldwide to find backing for a feature film version. The executive producers of the new incarnation of the series were writer Russell T Davies and BBC Cymru Wales head of drama Julie Gardner. Doctor Who finally returned with the episode "Rose" on BBC One on 26 March 2005. [13] There have since been ten further series in 2006–2008, 2010–2015 and 2017–2018, and Christmas Day specials every year since 2005. No full series was broadcast in 2009, 14] although four additional specials starring David Tennant were made. Davies left the show in 2010 after the end of series 4 and the David Tennant specials were completed. Steven Moffat, a writer under Davies was announced as Davies' successor along with Matt Smith as the new doctor. [15] In January 2016, Moffat announced that he would step down after the 2017 finale, to be replaced by Chris Chibnall in 2018. [16] The tenth series debuted in April 2017, with a Christmas special preceding it in 2016. [17] The 2005 version of Doctor Who is a direct plot continuation of the original 1963–1989 series [note 2] and the 1996 telefilm. This is similar to the 1988 continuation of Mission Impossible, 18] but differs from most other series relaunches which have either been reboots (for example, Battlestar Galactica [19] and Bionic Woman) or set in the same universe as the original but in a different time period and with different characters (for example, Star Trek: The Next Generation and spin-offs. The programme has been sold to many other countries worldwide (see Viewership. Public consciousness It has been claimed that the transmission of the first episode was delayed by ten minutes due to extended news coverage of the assassination of US President John F. Kennedy the previous day; in fact it went out after a delay of eighty seconds. [20] The BBC believed that many viewers had missed this introduction to a new series due to the coverage of the assassination, as well as a series of power blackouts across the country, and they broadcast it again on 30 November 1963, just before episode two. [21] 22] The programme soon became a national institution in the United Kingdom, with a large following among the general viewing audience. [23] 24] Many renowned actors asked for or were offered guest-starring roles in various stories. [25] 26] 27] 28] With popularity came controversy over the show's suitability for children. Morality campaigner Mary Whitehouse repeatedly complained to the BBC in the 1970s over what she saw as the show's frightening and gory content. John Nathan-Turner produced the series during the 1980s and was heard to say that he looked forward to Whitehouse's comments, as the show's ratings would increase soon after she had made them. [29] The phrase " Hiding behind (or 'watching from behind' the sofa " entered British pop culture, signifying in humour the stereotypical early-series behaviour of children who wanted to avoid seeing frightening parts of a television programme while remaining in the room to watch the remainder of it. [30] The phrase retains this association with Doctor Who, to the point that in 1991 the Museum of the Moving Image in London named their exhibition celebrating the programme "Behind the Sofa. The electronic theme music too was perceived as eerie, novel, and frightening, at the time. A 2012 article placed this childhood juxtaposition of fear and thrill "at the center of many people's relationship with the show. 31] and a 2011 online vote at Digital Spy deemed the series the "scariest TV show of all time. 32] During Jon Pertwee 's second series as the Doctor, in the serial Terror of the Autons (1971) images of murderous plastic dolls, daffodils killing unsuspecting victims, and blank-featured policemen marked the apex of the show's ability to frighten children. [33] Other notable moments in that decade include a disembodied brain falling to the floor in The Brain of Morbius [34] and the Doctor apparently being drowned by a villain in The Deadly Assassin (both 1976. 35] The TARDIS prop used from 2010–2017. A BBC audience research survey conducted in 1972 found that, by their own definition of violence ( any act[s] which may cause physical and/or psychological injury, hurt or death to persons, animals or property, whether intentional or accidental" Doctor Who was the most violent of the drama programmes the corporation produced at the time. [36] The same report found that 3% of the surveyed audience regarded the show as "very unsuitable" for family viewing. [37] Responding to the findings of the survey in The Times newspaper, journalist Philip Howard maintained that, to compare the violence of Dr Who, sired by a horse-laugh out of a nightmare, with the more realistic violence of other television series, where actors who look like human beings bleed paint that looks like blood, is like comparing Monopoly with the property market in London: both are fantasies, but one is meant to be taken seriously. 36] The image of the TARDIS has become firmly linked to the show in the public's consciousness; BBC scriptwriter Anthony Coburn, who lived in the resort of Herne Bay, Kent, was one of the people who conceived the idea of a police box as a time machine. [38] In 1996, the BBC applied for a trade mark to use the TARDIS' blue police box design in merchandising associated with Doctor Who. [39] In 1998, the Metropolitan Police Authority filed an objection to the trade mark claim; but in 2002, the Patent Office ruled in favour of the BBC. [40] The programme's broad appeal attracts audiences of children and families as well as science fiction fans. [41] The 21st century revival of the programme has become the centrepiece of BBC One's Saturday schedule, and has "defined the channel. 42] Since its return, Doctor Who has consistently received high ratings, both in number of viewers and as measured by the Appreciation Index. [43] In 2007, Caitlin Moran, television reviewer for The Times, wrote that Doctor Who is "quintessential to being British. 3] Director Steven Spielberg has commented that "the world would be a poorer place without Doctor Who. 44] On 4 August 2013, a live programme titled Doctor Who Live: The Next Doctor [45] was broadcast on BBC One, during which the actor who was going to play the Twelfth Doctor was revealed. [46] The live show was watched by an average of 6. 27 million in the UK, and was also simulcast in the United States, Canada and Australia. [47] 48] Episodes Doctor Who originally ran for 26 seasons on BBC One, from 23 November 1963 until 6 December 1989. During the original run, each weekly episode formed part of a story (or "serial"  — usually of four to six parts in earlier years and three to four in later years. Some notable exceptions were: The Daleks' Master Plan, which aired twelve episodes (plus an earlier one-episode teaser, 49. Mission to the Unknown. featuring none of the regular cast [50. almost an entire season of seven-episode serials (season 7) the ten-episode serial The War Games; 51] and The Trial of a Time Lord, which ran for fourteen episodes (albeit divided into three production codes and four narrative segments) during season 23. [52] Occasionally serials were loosely connected by a story-line, such as season 8 focusing on the Doctor battling a rogue Time Lord called the Master, 53] 54] season 16 's quest for the Key to Time, 55] season 18 's journey through E-Space and the theme of entropy, 56] and season 20 's Black Guardian trilogy. [57] The programme was intended to be educational and for family viewing on the early Saturday evening schedule. [58] It initially alternated stories set in the past, which taught younger audience members about history, and with those in the future or outer space, focusing on science. [58] This was also reflected in the Doctor's original companions, one of whom was a science teacher and another a history teacher. [58] However, science fiction stories came to dominate the programme, and the history-orientated episodes, which were not popular with the production team, 58] were dropped after The Highlanders (1967. While the show continued to use historical settings, they were generally used as a backdrop for science fiction tales, with one exception: Black Orchid (1982) set in 1920s England. [59] The early stories were serialised in nature, with the narrative of one story flowing into the next, and each episode having its own title, although produced as distinct stories with their own production codes. [60] Following The Gunfighters (1966) however, each serial was given its own title, and the individual parts were simply assigned episode numbers. [60] Of the programme's many writers, Robert Holmes was the most prolific, 61] while Douglas Adams became the most well known outside Doctor Who itself, due to the popularity of his Hitchhiker's Guide to the Galaxy works. [62] 63] The serial format changed for the 2005 revival, with a series usually consisting of thirteen 45-minute, self-contained episodes (60 minutes with adverts, on overseas commercial channels) and an extended 60-minute episode broadcast on Christmas Day. This system was shortened to twelve episodes and one Christmas special following the revival's eighth series, and ten episodes from the eleventh series. Each series includes both standalone and multiple episodic stories, linked with a loose story arc that is resolved in the series finale. As in the early "classic" era, each episode, whether standalone or part of a larger story, has its own title. Occasionally, regular-series episodes will exceed the 45-minute run time; notably, the episodes " Journey's End " from 2008 and " The Eleventh Hour " from 2010 exceeded an hour in length. 858 Doctor Who instalments have been televised since 1963, ranging between 25-minute episodes (the most common format for the classic era) 45/50-minute episodes (for Resurrection of the Daleks in the 1984 series, a single season in 1985, and the most common format for the revival era since 2005) two feature-length productions (1983's The Five Doctors and the 1996 television film) twelve Christmas specials (most of 60 minutes' duration, one of 72 minutes) and four additional specials ranging from 60 to 75 minutes in 2009, 2010 and 2013. Four mini-episodes, running about eight minutes each, were also produced for the 1993, 2005 and 2007 Children in Need charity appeals, while another mini-episode was produced in 2008 for a Doctor Who -themed edition of The Proms. The 1993 2-part story, entitled Dimensions in Time, was made in collaboration with the cast of the BBC soap-opera EastEnders and was filmed partly on the EastEnders set. A two-part mini-episode was also produced for the 2011 edition of Comic Relief. Starting with the 2009 special " Planet of the Dead. the series was filmed in 1080i for HDTV, 64] and broadcast simultaneously on BBC One and BBC HD. To celebrate the 50th anniversary of the show, a special 3D episode. The Day of the Doctor. was broadcast in 2013. [65] In March 2013, it was announced that Tennant and Piper would be returning, 66] and that the episode would have a limited cinematic release worldwide. [67] In April 2015, Steven Moffat confirmed that Doctor Who would run for at least another five years, extending the show until 2020. [68] In June 2017, it was announced that due to the terms of a deal between BBC Worldwide and SMG Pictures in China, the company has first right of refusal on the purchase for the Chinese market of future series of the programme until and including Series 15. [69] 70] Missing episodes Between about 1967 and 1978, large amounts of older material stored in the BBC's various video tape and film libraries were either destroyed, note 3] wiped, or suffered from poor storage which led to severe deterioration from broadcast quality. This included many old episodes of Doctor Who, mostly stories featuring the first two Doctors: William Hartnell and Patrick Troughton. In all, 97 of 253 episodes produced during the first six years of the programme are not held in the BBC's archives (most notably seasons 3, 4, 5, from which 79 episodes are missing. In 1972, almost all episodes then made were known to exist at the BBC, 71] while by 1978 the practice of wiping tapes and destroying "spare" film copies had been brought to a stop. [72] No 1960s episodes exist on their original videotapes (all surviving prints being film transfers) though some were transferred to film for editing before transmission, and exist in their broadcast form. [73] Some episodes have been returned to the BBC from the archives of other countries who bought prints for broadcast, or by private individuals who acquired them by various means. Early colour videotape recordings made off-air by fans have also been retrieved, as well as excerpts filmed from the television screen onto 8 mm cine film and clips that were shown on other programmes. Audio versions of all of the lost episodes exist from home viewers who made tape recordings of the show. Short clips from every story with the exception of Marco Polo (1964. Mission to the Unknown. 1965) and The Massacre of St Bartholomew's Eve (1966) also exist. In addition to these, there are off-screen photographs made by photographer John Cura, who was hired by various production personnel to document many of their programmes during the 1950s and 1960s, including Doctor Who. These have been used in fan reconstructions of the serials. These amateur reconstructions have been tolerated by the BBC, provided they are not sold for profit and are distributed as low-quality copies. [74] One of the most sought-after lost episodes is part four of the last William Hartnell serial, The Tenth Planet (1966) which ends with the First Doctor transforming into the Second. The only portion of this in existence, barring a few poor-quality silent 8 mm clips, is the few seconds of the regeneration scene, as it was shown on the children's magazine show Blue Peter. [75] With the approval of the BBC, efforts are now under way to restore as many of the episodes as possible from the extant material. "Official" reconstructions have also been released by the BBC on VHS, on MP3 CD-ROM, and as special features on DVD. The BBC, in conjunction with animation studio Cosgrove Hall, reconstructed the missing episodes 1 and 4 of The Invasion (1968) using remastered audio tracks and the comprehensive stage notes for the original filming, for the serial's DVD release in November 2006. The missing episodes of The Reign of Terror were animated by animation company Theta-Sigma, in collaboration with Big Finish, and became available for purchase in May 2013 through [76] Subsequent animations made in 2013 include The Tenth Planet, The Ice Warriors (1967) and The Moonbase (1967. In April 2006, Blue Peter launched a challenge to find missing Doctor Who episodes with the promise of a full-scale Dalek model as a reward. [77] In December 2011, it was announced that part 3 of Galaxy 4 (1965) and part 2 of The Underwater Menace (1967) had been returned to the BBC by a fan who had purchased them in the mid-1980s without realising that the BBC did not hold copies of them. [78] On 10 October 2013, the BBC announced that films of eleven episodes, including nine missing episodes, had been found in a Nigerian television relay station in Jos. [79] Six of the eleven films discovered were the six-part serial The Enemy of the World (1968) from which all but the third episode had been missing. [80] The remaining films were from another six-part serial, The Web of Fear (1968) and included the previously missing episodes 2, 4, 5, and 6. Episode 3 of The Web of Fear is still missing. [81] Characters The Doctor The Doctor portrayed by series leads in chronological order. Left to right from top row; William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, Christopher Eccleston, David Tennant, Matt Smith, Peter Capaldi and Jodie Whittaker. The Doctor was initially shrouded in mystery. In the programme's early days, the character was an eccentric alien traveller of great intelligence who battled injustice while exploring time and space in an unreliable time machine, the " TARDIS. an acronym for Time and Relative Dimension in Space) which notably appears much larger on the inside than on the outside (a quality referred to as "dimensional transcendentality. note 4] 82] The initially irascible and slightly sinister Doctor quickly mellowed into a more compassionate figure and was eventually revealed to be a Time Lord from the planet Gallifrey, which the Doctor fled by stealing the TARDIS. Changes of appearance Producers introduced the concept of regeneration to permit the recasting of the main character. This was prompted by the poor health of the original star, William Hartnell. The term "regeneration" was not conceived until the Doctor's third on-screen regeneration; Hartnell's Doctor merely described undergoing a "renewal" and the Second Doctor underwent a "change of appearance. 83] 84] The device has allowed for the recasting of the actor various times in the show's history, as well as the depiction of alternative Doctors either from the Doctor's relative past or future. [85] The serials The Deadly Assassin (1976) and Mawdryn Undead (1983) established that a Time Lord can only regenerate 12 times, for a total of 13 incarnations. This line became stuck in the public consciousness despite not often being repeated, and was recognised by producers of the show as a plot obstacle for when the show finally had to regenerate the Doctor a thirteenth time. [86] 87] The episode " The Time of the Doctor. 2013) depicted the Doctor acquiring a new cycle of regenerations, starting from the Twelfth Doctor, due to the Eleventh Doctor being the product of the Doctor's twelfth regeneration from his original set. [88] 89] Although the idea of casting a woman as the Doctor had been suggested by the show's writers several times, including by Newman in 1986 and Davies in 2008, until 2017, all official depictions were played by men. [90] 91] Jodie Whittaker took over the role as the Thirteenth Doctor at the end of the 2017 Christmas special, and is the first woman to be cast as the character. Whittaker had previously starred in television series such as Return to Cranford, Broadchurch alongside David Tennant ( Tenth Doctor) and the dystopian anthology Black Mirror. [92] The show introduced the Time Lords' ability to change gender on regeneration in earlier episodes, first in dialogue, then with Michelle Gomez 's version of The Master. Series lead Incarnation Tenure [note 5] William Hartnell First Doctor 1963–66 Patrick Troughton Second Doctor 1966–69 Jon Pertwee Third Doctor 1970–74 Tom Baker Fourth Doctor 1974–81 Peter Davison Fifth Doctor 1982–84 Colin Baker Sixth Doctor 1984–86 Sylvester McCoy Seventh Doctor 1987–89 Paul McGann Eighth Doctor 1996 Christopher Eccleston Ninth Doctor 2005 David Tennant Tenth Doctor 2005–10 Matt Smith Eleventh Doctor 2010–13 Peter Capaldi Twelfth Doctor 2014–17 Jodie Whittaker Thirteenth Doctor 2018–present In addition to those actors who have headlined the series, others have portrayed versions of the Doctor in guest roles. Notably, in 2013, John Hurt guest-starred as a hitherto unknown incarnation of the Doctor known as the War Doctor in the run-up to the show's 50th anniversary special " The Day of the Doctor. 93] He is shown in mini-episode " The Night of the Doctor " retroactively inserted into the show's fictional chronology between McGann and Eccleston's Doctors, although his introduction was written so as not to disturb the established numerical naming of the Doctors. [94] Another example is from the 1986 serial The Trial of a Time Lord, where Michael Jayston portrayed the Valeyard, who is described as an amalgamation of the darker sides of the Doctor's nature, somewhere between the twelfth and final incarnation. On rare occasions, other actors have stood in for the lead. In The Five Doctors, Richard Hurndall played the First Doctor due to William Hartnell's death in 1975; 34 years later David Bradley similarly replaced Hartnell in Twice Upon a Time. In Time and the Rani, Sylvester McCoy briefly played the Sixth Doctor during the regeneration sequence, carrying on as the Seventh. For more information, see the list of actors who have played the Doctor. In other media, the Doctor has been played by various other actors, including Peter Cushing in two films. The casting of a new Doctor has often inspired debate and speculation. Common topics of focus include the Doctor's gender (prior to the casting of Whittaker, all official incarnations were male) race (all Doctors were white prior to the casting of Jo Martin in " Fugitive of the Judoon. and age (the youngest actor to be cast is Smith at 26, and the oldest are Capaldi and Hartnell, both 55. 95] 96] 97] Meetings of different incarnations There have been instances of actors returning at later dates to reprise the role of their specific Doctor. In 1973's The Three Doctors, William Hartnell and Patrick Troughton returned alongside Jon Pertwee. For 1983's The Five Doctors, Troughton and Pertwee returned to star with Peter Davison, and Tom Baker appeared in previously unseen footage from the uncompleted Shada serial. For this episode, Richard Hurndall replaced William Hartnell. Patrick Troughton again returned in 1985's The Two Doctors with Colin Baker. In 2007, Peter Davison returned in the Children in Need short " Time Crash " alongside David Tennant. In " The Name of the Doctor. 2013) the Eleventh Doctor meets a previously unseen incarnation of himself, subsequently revealed to be the War Doctor. [93] In the following episode. The Day of the Doctor. David Tennant's Tenth Doctor appeared alongside Matt Smith as the Eleventh Doctor and John Hurt as the War Doctor, as well as brief footage from all of the previous actors. [98] Additionally, multiple incarnations of the Doctor have met in various audio dramas and novels based on the television show. In 2017, the First Doctor (this time portrayed by David Bradley) returned alongside Peter Capaldi in " The Doctor Falls " and " Twice Upon a Time. Revelations about the Doctor Throughout the programme's long history, there have been revelations about the Doctor that have raised additional questions. In The Brain of Morbius (1976) it was hinted that the First Doctor might not have been the first incarnation (although the other faces depicted might have been incarnations of the Time Lord Morbius. In subsequent stories the First Doctor was depicted as the earliest incarnation of the Doctor. In Mawdryn Undead (1983) the Fifth Doctor explicitly confirmed that he was then currently in his fifth incarnation. Later that same year, during 1983's 20th Anniversary special The Five Doctors, the First Doctor enquires as to the Fifth Doctor's regeneration; when the Fifth Doctor confirms "Fourth" the First Doctor excitedly replies "Goodness me. So there are five of me now. In 2010, the Eleventh Doctor similarly calls himself "the Eleventh" in " The Lodger. In the 2013 episode "The Time of the Doctor. the Eleventh Doctor clarified he was the product of the twelfth regeneration, due to a previous incarnation which he chose not to count and one other aborted regeneration. The name Eleventh is still used for this incarnation; the same episode depicts the prophesied "Fall of the Eleventh" which had been trailed throughout the series. During the Seventh Doctor's era, it was hinted that the Doctor was more than just an ordinary Time Lord. In the 1996 television film, the Eighth Doctor describes himself as being "half human. 99] The BBC's FAQ for the programme notes that "purists tend to disregard this. 100] instead focusing on his Gallifreyan heritage. The programme's first serial, An Unearthly Child, shows that the Doctor has a granddaughter, Susan Foreman. In the 1967 serial, Tomb of the Cybermen, when Victoria Waterfield doubts the Doctor can remember his family because of, being so ancient" the Doctor says that he can when he really wants to—"The rest of the time they sleep in my mind. The 2005 series reveals that the Ninth Doctor thought he was the last surviving Time Lord, and that his home planet had been destroyed; in " The Empty Child. 2005) Dr. Constantine states that, Before the war even began, I was a father and a grandfather. Now I am neither. The Doctor remarks in response, Yeah, I know the feeling. In " Smith and Jones. 2007) when asked if he had a brother, he replied, No, not any more. In both " Fear Her. 2006) and " The Doctor's Daughter. 2008) he states that he had, in the past, been a father. In " The Wedding of River Song. 2011) it is implied that the Doctor's true name is a secret that must never be revealed; this is explored further in " The Name of the Doctor. 2013) when River Song speaking his name allows the Great Intelligence to enter his tomb, and in "The Time of the Doctor" 2013) where speaking his true name becomes the signal by which the Time Lords would know they can safely return to the universe. Companions The companion figure – generally a human – has been a constant feature in Doctor Who since the programme's inception in 1963. One of the roles of the companion is to be a reminder for the Doctor's "moral duty. 101] The Doctor's first companions seen on screen were his granddaughter Susan Foreman ( Carole Ann Ford) and her teachers Barbara Wright ( Jacqueline Hill) and Ian Chesterton ( William Russell. These characters were intended to act as audience surrogates, through which the audience would discover information about the Doctor who was to act as a mysterious father figure. [101] The only story from the original series in which the Doctor travels alone is The Deadly Assassin (1976. Notable companions from the earlier series included Romana ( Mary Tamm and Lalla Ward) a Time Lady; Sarah Jane Smith ( Elisabeth Sladen) and Jo Grant ( Katy Manning. Dramatically, these characters provide a figure with whom the audience can identify, and serve to further the story by requesting exposition from the Doctor and manufacturing peril for the Doctor to resolve. The Doctor regularly gains new companions and loses old ones; sometimes they return home or find new causes — or loves — on worlds they have visited. Some have died during the course of the series. Companions are usually human, or humanoid aliens. Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. [102] 103] The primary companions of the Ninth and Tenth Doctors were Rose Tyler ( Billie Piper) Martha Jones ( Freema Agyeman) and Donna Noble ( Catherine Tate) with Mickey Smith ( Noel Clarke) and Jack Harkness ( John Barrowman) recurring as secondary companion figures. [104] The Eleventh Doctor became the first to travel with a married couple, Amy Pond ( Karen Gillan) and Rory Williams ( Arthur Darvill) whilst out-of-sync meetings with River Song ( Alex Kingston) and Clara Oswald ( Jenna Coleman) provided ongoing story arcs. The tenth series introduced Pearl Mackie as Bill Potts [105] the Doctor's first openly-gay companion. Pearl Mackie said that the increased representation for LGBTQ people is important on a mainstream show. [106] Some companions have gone on to re-appear, either in the main series or in spin-offs. Sarah Jane Smith became the central character in The Sarah Jane Adventures (2007–11) following a return to Doctor Who in 2006. Guest stars in the series included former companions Jo Grant, K9, and Brigadier Lethbridge-Stewart ( Nicholas Courtney. The character of Jack Harkness also served to launch a spin-off, Torchwood, 2006–2011) in which Martha Jones also appeared. Adversaries When Sydney Newman commissioned the series, he specifically did not want to perpetuate the cliché of the " bug-eyed monster " of science fiction. [107] However, monsters were popular with audiences and so became a staple of Doctor Who almost from the beginning. With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who. [108] The Autons with the Nestene Consciousness and Daleks returned in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords including Rassilon in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. [109] Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorians) Ood, Judoon, Weeping Angels and the Silence. Besides infrequent appearances by enemies such as the Ice Warriors, Ogrons, the Rani, and Black Guardian, three adversaries have become particularly iconic: the Daleks, the Cybermen, and the Master. Daleks A Dalek at the Doctor Who Experience, Cardiff The Dalek race, which first appeared in the show's second serial in 1963, 110] are Doctor Who ' s oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopuses with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearance being the 2019 episodes " Resolution. Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors. The Daleks were created by writer Terry Nation (who intended them to be an allegory of the Nazis) 111] and BBC designer Raymond Cusick. [112] The Daleks' début in the programme's second serial, The Daleks (1963–64) made both the Daleks and Doctor Who very popular. A Dalek appeared on a postage stamp celebrating British popular culture in 1999, photographed by Lord Snowdon. In " Victory of the Daleks " a new set of Daleks were introduced that come in a range of colours; the colour denoting its role within the species. [113] Cybermen Cybermen were originally a wholly organic species of humanoids originating on Earth's twin planet Mondas that began to implant more and more artificial parts into their bodies. This led to the race becoming coldly logical and calculating cyborgs, with emotions usually only shown when naked aggression was called for. With the demise of Mondas, they acquired Telos as their new home planet. They continue to be a recurring 'monster' within the Doctor Who franchise. The 2006 series introduced a totally new variation of Cybermen. These Cybus Cybermen were created in a parallel universe by the mad inventor John Lumic; he was attempting to preserve the humans by transplanting their brains into powerful metal bodies, sending them orders using a mobile phone network and inhibiting their emotions with an electronic chip. The Master The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as " Professor Moriarty to the Doctor's Sherlock Holmes. 114] the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts. Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode " Utopia. During that story, the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor 's tenure. [115] As of the 2014 episode " Dark Water. it was revealed that the Master had become a female incarnation or "Time Lady" going by the name of "Missy" short for Mistress, the feminine equivalent of "Master. This incarnation is played by Michelle Gomez. John Simm returned in his role as the Master in the tenth series. [116] Music Theme music The Doctor Who theme music was one of the first electronic music signature tunes for television, and after more than a half century remains one of the most easily recognised. The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills and was released as a single on Decca F 11837 in 1964. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80. It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, Jeez, Delia, did I write that. 117] Although Grainer was willing to give Derbyshire the co-composer credit, it was against BBC policy at the time. [118] 119] A different arrangement was recorded by Peter Howell for season 18 (1980) which was in turn replaced by Dominic Glynn 's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986. Keff McCulloch provided the new arrangement for the Seventh Doctor 's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer 's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode " The Christmas Invasion. A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode. Voyage of the Damned. Gold returned as composer for the 2010 series. [120] He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. [121] In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special " The Snowmen. and a further revision of the arrangement was made for the 50th Anniversary special " The Day of the Doctor " in November 2013. [122] Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, Who Is the Doctor. note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " Doctorin' the Tardis " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis. 123] Others who have covered or reinterpreted the theme include Orbital, 123] Pink Floyd, 123] the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond. On 26 June 2018, producer Chris Chibnall announced that the musical score for series 11 would be provided by Royal Birmingham Conservatoire alumnus Segun Akinola. [124] Incidental music Most of the innovative incidental music for Doctor Who has been specially commissioned from freelance composers, although in the early years some episodes also used stock music, as well as occasional excerpts from original recordings or cover versions of songs by popular music acts such as The Beatles and The Beach Boys. Since its 2005 return, the series has featured occasional use of excerpts of pop music from the 1970s to the 2000s. The incidental music for the first Doctor Who adventure, An Unearthly Child, was written by Norman Kay. Many of the stories of the William Hartnell period were scored by electronic music pioneer Tristram Cary, whose Doctor Who credits include The Daleks, Marco Polo, The Daleks' Master Plan, The Gunfighters and The Mutants. Other composers in this early period included Richard Rodney Bennett, Carey Blyton and Geoffrey Burgon. The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979. He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor. In 1980 starting with the serial The Leisure Hive the task of creating incidental music was assigned to the Radiophonic Workshop. Paddy Kingsland and Peter Howell contributed many scores in this period and other contributors included Roger Limb, Malcolm Clarke and Jonathan Gibbs. The Radiophonic Workshop was dropped after 1986's The Trial of a Time Lord series, and Keff McCulloch took over as the series' main composer until the end of its run, with Dominic Glynn and Mark Ayres also contributing scores. From the 2005 revival to the 2017 Christmas episode " Twice Upon a Time. 125] all incidental music for the series was composed by Murray Gold and Ben Foster, and has been performed by the BBC National Orchestra of Wales from the 2005 Christmas episode " The Christmas Invasion " onwards. A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and Russell T Davies answered questions during the interval and Daleks and Cybermen appeared whilst music from their stories was played. The concert aired on BBCi on Christmas Day 2006. A Doctor Who Prom was celebrated on 27 July 2008 in the Royal Albert Hall as part of the annual BBC Proms. The BBC Philharmonic and the London Philharmonic Choir performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based on the theme of space and time. The event was presented by Freema Agyeman and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode " Music of the Spheres. written by Russell T Davies and starring David Tennant. [126] On 26 June 2018, producer Chris Chibnall announced that the musical score for the eleventh series would be provided by Royal Birmingham Conservatoire alumnus Segun Akinola. [124] Six soundtrack releases have been released since 2005. The first featured tracks from the first two series, 127] the second and third featured music from the third and fourth series respectively. The fourth was released on 4 October 2010 as a two disc special edition and contained music from the 2008–2010 specials ( The Next Doctor to " End of Time Part 2. 128] 129] The soundtrack for Series 5 was released on 8 November 2010. [130] In February 2011, a soundtrack was released for the 2010 Christmas special: A Christmas Carol. 131] and in December 2011 the soundtrack for Series 6 was released, both by Silva Screen Records. [132] In 2013, a 50th-anniversary boxed set of audio CDs was released featuring music and sound effects from Doctor Who's 50-year history. The celebration continued in 2016 with the release of Doctor Who: The 50th Anniversary Collection Four LP Box Set by New York City-based Spacelab9. The company pressed 1, 000 copies of the set on "Metallic Silver" vinyl, dubbed the "Cyberman Edition. 133] Viewership United Kingdom The image of the TARDIS is iconic in British popular culture. Premiering the day after the assassination of John F. Kennedy, the first episode of Doctor Who was repeated with the second episode the following week. Doctor Who has always appeared initially on the BBC's mainstream BBC One channel, where it is regarded as a family show, drawing audiences of many millions of viewers; episodes were also repeated on BBC Three, before its transition to an online-only channel. The programme's popularity has waxed and waned over the decades, with three notable periods of high ratings. [134] The first of these was the " Dalekmania " period (circa 1964–1965) when the popularity of the Daleks regularly brought Doctor Who ratings of between 9 and 14 million, even for stories which did not feature them. [134] The second was the mid to late 1970s, when Tom Baker occasionally drew audiences of over 12 million. [134] An audience survey during the 1970s revealed that at the time 60% of the viewership were adults. citation needed] During the ITV network strike of 1979, viewership peaked at 16 million. citation needed] Figures remained respectable into the 1980s, but fell noticeably after the programme's 23rd series was postponed in 1985 and the show was off the air for 18 months. At the time of Season 19's broadcast in 1982 the show was being watched by a global audience of 98 million, 88 million in 38 foreign countries, and an average of ten million in the United Kingdom. citation needed] Its late 1980s performance of three to five million viewers was seen as poor at the time and was, according to the BBC Board of Control, a leading cause of the programme's 1989 suspension. Some fans considered this disingenuous, since the programme was scheduled against the soap opera Coronation Street, the most popular show at the time. [135] 136] During Tennant's run (the third notable period of high ratings) the show had consistently high viewership; with the Christmas specials regularly attracting over 10 million. [134] The BBC One broadcast of " Rose. the first episode of the 2005 revival, drew an average audience of 10. 81 million, third highest for BBC One that week and seventh across all channels. [134] 137] 138] The current revival also garners the highest audience Appreciation Index of any drama on television. [139] International Map of countries that have or currently broadcast Doctor Who in either its current or classic incarnation (map correct as of October 2014) Doctor Who has been broadcast internationally outside of the United Kingdom since 1964, a year after the show first aired. As of 1 January 2013, the modern series has been or is currently broadcast weekly in more than 50 countries. citation needed] Doctor Who is one of the five top-grossing titles for BBC Worldwide, the BBC's commercial arm. [140] BBC Worldwide CEO John Smith has said that Doctor Who is one of a small number of "Superbrands" which Worldwide will promote heavily. [141] Only four episodes have ever had their premiere showings on channels other than BBC One. The 1983 20th anniversary special The Five Doctors had its début on 23 November (the actual date of the anniversary) on a number of PBS stations two days prior to its BBC One broadcast. The 1988 story Silver Nemesis was broadcast with all three episodes airing back to back on TVNZ in New Zealand in November, after the first episode had been shown in the UK but before the final two instalments had aired there. Finally, the 1996 television film premiered on 12 May 1996 on CITV in Edmonton, Canada, 15 days before the BBC One showing, and two days before it aired on Fox in the United States. citation needed] Oceania New Zealand was the first country outside the United Kingdom to screen Doctor Who, beginning in September 1964, and continued to screen the series for many years, including the new series from 2005. citation needed] In 2018, the series is aired on Fridays on TVNZ 2, and on TVNZ On Demand on the same episode as the UK. [142] In Australia, the show has had a strong fan base since its inception, having been exclusively first run by the Australian Broadcasting Corporation (ABC) since January 1965. (See Doctor Who in Australia) The ABC has periodically repeated episodes; of note were the weekly screenings of all available classic episodes starting in 2003, for the show's 40th anniversary, and the weekdaily screenings of all available revived episodes in 2013 for the show's 50th anniversary. The ABC broadcasts the modern series first run on ABC1 and ABC ME, with repeats on ABC2. The ABC also provided partial funding for the 20th anniversary special The Five Doctors in 1983. citation needed] Americas The series also has a fan base in the United States, where it was shown in syndication from the 1970s to the 1990s, particularly on PBS stations. [143] TVOntario picked up the show in 1976 beginning with The Three Doctors and aired each series (several years late) through to series 24 in 1991. From 1979 to 1981, TVO airings were bookended by science-fiction writer Judith Merril who introduced the episode and then, after the episode concluded, tried to place it in an educational context in keeping with TVO's status as an educational channel. Its airing of The Talons of Weng-Chiang was cancelled as a result of accusations that the story was racist; the story was later broadcast in the 1990s on cable station YTV. CBC began showing the series again in 2005. The series moved to the Canadian cable channel Space in 2009. citation needed] For the Canadian broadcast, Christopher Eccleston recorded special video introductions for each episode (including a trivia question as part of a viewer contest) and excerpts from the Doctor Who Confidential documentary were played over the closing credits; for the broadcast of " The Christmas Invasion " on 26 December 2005, Billie Piper recorded a special video introduction. CBC began airing series two on 9 October 2006 at 20:00 E/P (20:30 in Newfoundland and Labrador) shortly after that day's CFL double header on Thanksgiving in most of the country. citation needed] Series three began broadcasting on CBC on 18 June 2007 followed by the second Christmas special. The Runaway Bride " at midnight, 144] and the Sci Fi Channel began on 6 July 2007 starting with the second Christmas special at 8:00 pm E/P followed by the first episode. [145] Series four aired in the United States on the Sci Fi Channel (now known as Syfy) beginning in April 2008. [146] It aired on CBC beginning 19 September 2008, although the CBC did not air the Voyage of the Damned special. [147] The Canadian cable network Space (now known as CTV Sci-Fi Channel) broadcast "The Next Doctor" in March 2009) and all subsequent series and specials. [148] Asia Series 1 through 3 of Doctor Who were broadcast on various NHK channels from 2006 to 2008 with Japanese subtitles. [149] Beginning in 2 August 2009, upon the launch of Disney XD in Japan, the series has been broadcast with Japanese dubbing. [150] Home media This section needs to be updated. Please update this article to reflect recent events or newly available information. June 2018) A wide selection of serials are available from BBC Video on DVD, on sale in the United Kingdom, Australia, Canada and the United States. Every fully extant serial has been released on VHS, and BBC Worldwide continues to regularly release serials on DVD. The 2005 series is also available in its entirety on UMD for the PlayStation Portable. Eight original series serials have been released on Laserdisc [151] and many have also been released on Betamax tape and Video 2000. One episode of Doctor Who ( The Infinite Quest) was released on VCD. Only the series from 2005 onwards are also available on Blu-ray, except for the 1970 story Spearhead from Space, released in July 2013 and the 1996 TV film Doctor Who released in September 2016. [152] Many early releases have been re-released as special editions, with more bonus features. citation needed] Adaptations and other appearances Dr. Who films There are two Dr. Who [ sic] feature films: Dr. Who and the Daleks, released in 1965 and Daleks' Invasion Earth 2150 A. D. in 1966. Both are retellings of existing television stories (specifically, the first two Dalek serials, The Daleks and The Dalek Invasion of Earth respectively) with a larger budget and alterations to the series concept. In these films, Peter Cushing plays a human scientist [153] named "Dr. Who" who travels with his granddaughter, niece and other companions in a time machine he has invented. The Cushing version of the character reappears in both comic strips and a short story, the latter attempting to reconcile the film continuity with that of the series. In addition, several planned films were proposed, including a sequel, The Chase, loosely based on the original series story, for the Cushing Doctor, plus many attempted television movie and big screen productions to revive the original Doctor Who, after the original series was cancelled. Paul McGann starred in the only television film as the eighth incarnation of the Doctor. After the film, he continued the role in audio books and was confirmed as the eighth incarnation through flashback footage and a mini episode in the 2005 revival, effectively linking the two series and the television movie. In 2011, David Yates announced that he had started work with the BBC on a Doctor Who film, a project that would take three or more years to complete. Yates indicated that the film would take a different approach to Doctor Who, 154] although then Doctor Who showrunner Steven Moffat stated later that any such film would not be a reboot of the series and a film should be made by the BBC team and star the current TV Doctor. [155] 156] Spin-offs Doctor Who has appeared on stage numerous times. In the early 1970s, Trevor Martin played the role in Doctor Who and the Daleks in the Seven Keys to Doomsday. In the late 1980s, Jon Pertwee and Colin Baker both played the Doctor at different times during the run of a play titled Doctor Who – The Ultimate Adventure. For two performances, while Pertwee was ill, David Banks (better known for playing Cybermen) played the Doctor. Other original plays have been staged as amateur productions, with other actors playing the Doctor, while Terry Nation wrote The Curse of the Daleks, a stage play mounted in the late 1960s, but without the Doctor. A pilot episode. A Girl's Best Friend. for a potential spinoff series, K-9 and Company, was aired in 1981 with Elisabeth Sladen reprising her role as companion Sarah Jane Smith and John Leeson as the voice of K9, but was not picked up as a regular series. Concept art for an animated Doctor Who series was produced by animation company Nelvana in the 1980s, but the series was not produced. [157] Following the success of the 2005 series produced by Russell T Davies, the BBC commissioned Davies to produce a 13-part spin-off series titled Torchwood (an anagram of "Doctor Who. set in modern-day Cardiff and investigating alien activities and crime. The series debuted on BBC Three on 22 October 2006. [158] John Barrowman reprised his role of Jack Harkness from the 2005 series of Doctor Who. [159] Two other actresses who appeared in Doctor Who also star in the series; Eve Myles as Gwen Cooper, who also played the similarly named servant girl Gwyneth in the 2005 Doctor Who episode " The Unquiet Dead. 160] and Naoko Mori who reprised her role as Toshiko Sato first seen in " Aliens of London. A second series of Torchwood aired in 2008; for three episodes, the cast was joined by Freema Agyeman reprising her Doctor Who role of Martha Jones. A third series was broadcast from 6 to 10 July 2009, and consisted of a single five-part story called Children of Earth which was set largely in London. A fourth series, Torchwood: Miracle Day jointly produced by BBC Wales, BBC Worldwide and the American entertainment company Starz debuted in 2011. The series was predominantly set in the United States, though Wales remained part of the show's setting. The Sarah Jane Adventures, starring Elisabeth Sladen who reprised her role as investigative journalist Sarah Jane Smith, was developed by CBBC; a special aired on New Year's Day 2007 and a full series began on 24 September 2007. [161] A second series followed in 2008, notable for (as noted above) featuring the return of Brigadier Lethbridge-Stewart. A third in 2009 featured a crossover appearance from the main show by David Tennant as the Tenth Doctor. In 2010, a further such appearance featured Matt Smith as the Eleventh Doctor alongside former companion actress Katy Manning reprising her role as Jo Grant. A final, three-story fifth series was transmitted in autumn 2011 – uncompleted due to the death of Elisabeth Sladen in early 2011. An animated serial, The Infinite Quest, aired alongside the 2007 series of Doctor Who as part of the children's television series Totally Doctor Who. The serial featured the voices of series regulars David Tennant and Freema Agyeman but is not considered part of the 2007 series. [162] A second animated serial, Dreamland, aired in six parts on the BBC Red Button service, and the official Doctor Who website in 2009. [163] Class, featuring students of Coal Hill School, was first aired on-line on BBC Three from 22 October 2016, as a series of eight 45 minute episodes, written by Patrick Ness. [164] 165] Peter Capaldi as the Twelfth Doctor appears in the show's first episode. [166] The series was picked up by BBC America on 8 January 2016 and by BBC One a day later. [167] On 7 September 2017, BBC Three controller Damian Kavanagh confirmed that the series had officially been cancelled. [168] Numerous other spin-off series have been created not by the BBC but by the respective owners of the characters and concepts. Such spin-offs include the novel and audio drama series Faction Paradox, Iris Wildthyme and Bernice Summerfield; as well as the made-for-video series P. R. O. B. the Australian-produced television series K-9, which aired a 26-episode first season on Disney XD; 169] and the audio spin-off Counter-Measures. [170] Aftershows When the revived series of Doctor Who was brought back, an aftershow series was created by the BBC, titled Doctor Who Confidential. There have been three aftershow series created, with the latest one titled Doctor Who: The Fan Show, which began airing from the tenth series. Each series follows behind-the-scenes footage on the making of Doctor Who through clips and interviews with the cast, production crew and other people, including those who have participated in the television series in some manner. Each episode deals with a different topic, and in most cases refers to the Doctor Who episode that preceded it. Series First aired Last aired Narrator / Presenter Doctor Who Confidential 87 26 March 2005 1 October 2011 David Tennant (2005) Simon Pegg (2005) Mark Gatiss (2005–06) Anthony Head (2006–10) Noel Clarke (2009) Alex Price (2010) Russell Tovey (2010–11) Doctor Who Extra 90 23 August 2014 5 December 2015 Matt Botten Rufus Hound Matt Lucas Charity Wakefield Doctor Who: The Fan Show 166 8 May 2015 3 August 2018 Christel Dee (main host) Luke Spillane (co-host) Doctor Who: Access All Areas 10 13 October 2018 13 December 2018 Yinka Bokinni Charity episodes In 1983, coinciding with the series' 20th anniversary, The Five Doctors was shown as part of the annual BBC Children in Need Appeal, however it was not a charity-based production, simply scheduled within the line-up of Friday 25 November 1983. This was the programme's very first co-production with Australian broadcaster ABC. [171] Featuring three of the first five Doctors, a new actor to replace the deceased William Hartnell, and unused footage to represent Tom Baker. [172] This was a full-length, 90-minute film, the longest single episode of Doctor Who produced to date (the television movie ran slightly longer on broadcast where it included commercial breaks. 173. citation needed] In 1993, for the franchise's 30th anniversary, another charity special, titled Dimensions in Time was produced for Children in Need, featuring all of the surviving actors who played the Doctor and a number of previous companions. It also featured a crossover with the soap opera EastEnders, the action taking place in the latter's Albert Square location and around Greenwich. The special was one of several special 3D programmes the BBC produced at the time, using a 3D system that made use of the Pulfrich effect requiring glasses with one darkened lens; the picture would look normal to those viewers who watched without the glasses. In 1999, another special, Doctor Who and the Curse of Fatal Death, was made for Comic Relief and later released on VHS. An affectionate parody of the television series, it was split into four segments, mimicking the traditional serial format, complete with cliffhangers, and running down the same corridor several times when being chased (the version released on video was split into only two episodes. In the story, the Doctor ( Rowan Atkinson) encounters both the Master ( Jonathan Pryce) and the Daleks. During the special the Doctor is forced to regenerate several times, with his subsequent incarnations played by, in order, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley. The script was written by Steven Moffat, later to be head writer and executive producer to the revived series. [174] Since the return of Doctor Who in 2005, the franchise has produced two original "mini-episodes" to support Children in Need. The first, aired in November 2005, was an untitled seven-minute scene which introduced David Tennant as the Tenth Doctor. It was followed in November 2007 by " Time Crash. a 7-minute scene which featured the Tenth Doctor meeting the Fifth Doctor Peter Davison. A set of two mini-episodes, titled "Space" and "Time" respectively, were produced to support Comic Relief. They were aired during the Comic Relief 2011 event. [175] During 2011 Children in Need, an exclusively filmed segment showed the Doctor addressing the viewer, attempting to persuade them to purchase items of his clothing, which were going up for auction for Children in Need. The 2012 edition of CiN featured the mini-episode The Great Detective. Spoofs and cultural references Doctor Who has been satirised and spoofed on many occasions by comedians including Spike Milligan (a Dalek invades his bathroom — Milligan, naked, hurls a soap sponge at it) and Lenny Henry. Jon Culshaw frequently impersonates the Fourth Doctor in the BBC Dead Ringers series. [176] Doctor Who fandom has also been lampooned on programs such as Saturday Night Live, The Chaser's War on Everything, Mystery Science Theater 3000, Family Guy, American Dad! Futurama, South Park, Community as Inspector Spacetime, The Simpsons and The Big Bang Theory. As part of the 50th anniversary programmes, former Fifth Doctor Peter Davison directed, wrote and co-starred in the parody The Five(ish) Doctors Reboot, which also starred two other former Doctors, Colin Baker and Sylvester McCoy, and cameo appearances from cast and crew involved in the programme, including showrunner Steven Moffat and Doctors Paul McGann, David Tennant and Matt Smith. [177] The Doctor in his fourth incarnation has been represented on several episodes of The Simpsons [178] and Matt Groening 's other animated series Futurama. [179] 180] There have also been many references to Doctor Who in popular culture and other science fiction, including Star Trek: The Next Generation. The Neutral Zone. 181] and Leverage. In the Channel 4 series Queer as Folk (created by later Doctor Who executive producer Russell T. Davies) the character of Vince was portrayed as an avid Doctor Who fan, with references appearing many times throughout in the form of clips from the programme. In a similar manner, the character of Oliver on Coupling (created and written by current show runner Steven Moffat) is portrayed as a Doctor Who collector and enthusiast. References to Doctor Who have also appeared in the young adult fantasy novels Brisingr [182] and High Wizardry, 183] the video game Rock Band, 184] the Adult Swim comedy show Robot Chicken, the Family Guy episodes " Blue Harvest " and " 420. and the game RuneScape. It has also be referenced in Destroy All Humans! 2, by civilians in the game's variation of England, 185] and multiple times throughout the Ace Attorney series. [186] Doctor Who has been a reference in several political cartoons, from a 1964 cartoon in the Daily Mail depicting Charles de Gaulle as a Dalek [187] to a 2008 edition of This Modern World by Tom Tomorrow in which the Tenth Doctor informs an incredulous character from 2003 that the Democratic Party will nominate an African-American as its presidential candidate. [188] The word "TARDIS" is an entry in the Shorter Oxford English Dictionary [189] and the iOS dictionary. Museums and exhibitions There have been various exhibitions of Doctor Who in the United Kingdom, including the now closed exhibitions at: Land's End ( Cornwall) Blackpool Llangollen Kelvingrove Museum, Glasgow Coventry Transport Museum, Coventry Centre for Life, Newcastle upon Tyne Melbourne, Australia (only international DW concert to be performed) Kensington Olympia Two, London Longleat, which ran for 30 years. [190] Cardiff (the city where the series is filmed. 191] The exhibition closed down on the 9th of September 2017 Merchandise Since its beginnings, Doctor Who has generated hundreds of products related to the show, from toys and games to collectible picture cards and postage stamps. These include board games, card games, gamebooks, computer games, roleplaying games, action figures and a pinball game. Many games have been released that feature the Daleks, including Dalek computer games. Audios The earliest Doctor Who -related audio release was a 21-minute narrated abridgement of the First Doctor television story The Chase released in 1966. Ten years later, the first original Doctor Who audio was released on LP record; Doctor Who and the Pescatons featuring the Fourth Doctor. The first commercially available audiobook was an abridged reading of the Fourth Doctor story State of Decay in 1981. In 1988, during a hiatus in the television show, Slipback, the first radio drama, was transmitted. Since 1999, Big Finish Productions has released several different series of Doctor Who audios on CD. The earliest of these featured the Fifth, Sixth and Seventh Doctors, with Paul McGann's Eight Doctor joining the line in 2001. Tom Baker's Fourth Doctor began appearing for Big Finish in 2012. Along with the main range, adventures of the First, Second and Third Doctors have been produced in both limited cast and full cast formats, as well as audiobooks. The 2013 series Destiny of the Doctor, produced as part of the series' 50th Anniversary celebrations, marked the first time Big Finish created stories (in this case audiobooks) featuring the Doctors from the revived show. Along with this, in May 2016 the Tenth Doctor, David Tennant, appeared alongside Catherine Tate in a collection of three audio adventures. In addition to these main lines, both the BBC and Big Finish have produced original audio dramas and audiobooks based on spin-off material, such as Torchwood and The Sarah Jane Adventures series. Books Doctor Who books have been published from the mid-sixties through to the present day. From 1965 to 1991 the books published were primarily novelised adaptations of broadcast episodes; beginning in 1991 an extensive line of original fiction was launched, the Virgin New Adventures and Virgin Missing Adventures. Since the relaunch of the programme in 2005, a new range of novels have been published by BBC Books. Numerous non-fiction books about the series, including guidebooks and critical studies, have also been published, and a dedicated Doctor Who Magazine with newsstand circulation has been published regularly since 1979. This is published by Panini, as is the Doctor Who Adventures magazine for younger fans. See also: List of Doctor Who novelisations List of Doctor Who anthologies (2009–present) Eighth Doctor Adventures Past Doctor Adventures New Series Adventures Video games Numerous Doctor Who video games have been created from the mid-80s through to the present day. One of the recent ones is a match-3 game released in November 2013 for iOS, Android, Amazon App Store and Facebook called Doctor Who: Legacy. It has been constantly updated since its release and features all of the Doctors as playable characters as well as over 100 companions. [192] Another video game instalment is LEGO Dimensions – in which Doctor Who is one of the many "Level Packs" in the game. At the moment, the pack contains the Twelfth Doctor (who can reincarnate into the others) K9, the TARDIS and a Victorian London adventure level area. The game and pack released in November 2015. Another recent game is called Doctor Who Infinity, which was released on Steam on 7 August 2018. [193] It was nominated for "Best Start-up" at The Independent Game Developers' Association Awards 2018. [194] 195] Chronology and canonicity Since the creation of the Doctor Who character by BBC Television in the early 1960s, a myriad of stories have been published about Doctor Who, in different media: apart from the actual television episodes that continue to be produced by the BBC, there have also been novels, comics, short stories, audio books, radio plays, interactive video games, game books, webcasts, DVD extras, and stage performances. The BBC takes no position on the canonicity of any of such stories, and producers of the show have expressed distaste for the idea of canonicity. [196] Awards The show has received recognition as one of Britain's finest television programmes, winning the 2006 British Academy Television Award for Best Drama Series and five consecutive (2005–2010) awards at the National Television Awards during Russell T Davies ' tenure as executive producer. [197] 198] In 2011, Matt Smith became the first Doctor to be nominated for a BAFTA Television Award for Best Actor and in 2016, Michelle Gomez became the first female to receive a BAFTA nomination for the series, getting a Best Supporting Actress nomination for her work as Missy. In 2013, the Peabody Awards honoured Doctor Who with an Institutional Peabody "for evolving with technology and the times like nothing else in the known television universe. 199] The programme is listed in Guinness World Records as the longest-running science fiction television show in the world, 200] the "most successful" science fiction series of all time—based on its overall broadcast ratings, DVD and book sales, and iTunes traffic— [201] and for the largest ever simulcast of a TV drama with its 50th anniversary special. [202] During its original run, it was recognised for its imaginative stories, creative low-budget special effects, and pioneering use of electronic music (originally produced by the BBC Radiophonic Workshop. In 1975, Season 11 of the series won a Writers' Guild of Great Britain award for Best Writing in a Children's Serial. In 1996, BBC television held the "Auntie Awards" as the culmination of their "TV60" series, celebrating 60 years of BBC television broadcasting, where Doctor Who was voted as the "Best Popular Drama" the corporation had ever produced, ahead of such ratings heavyweights as EastEnders and Casualty. [203] In 2000, Doctor Who was ranked third in a list of the 100 Greatest British Television Programmes of the 20th century, produced by the British Film Institute and voted on by industry professionals. [204] In 2005, the series came first in a survey by SFX magazine of "The Greatest UK Science Fiction and Fantasy Television Series Ever. Also, in the 100 Greatest Kids' TV shows (a Channel 4 countdown in 2001) the 1963–1989 run was placed at number eight. The revived series has received recognition from critics and the public, across various awards ceremonies. It won five BAFTA TV Awards, including Best Drama Series, the highest-profile and most prestigious British television award for which the series has ever been nominated. [205] It was very popular at the BAFTA Cymru Awards, with 25 wins overall including Best Drama Series (twice) Best Screenplay/Screenwriter (thrice) and Best Actor. [206] It was also nominated for 7 Saturn Awards, winning the only Best International Series in the ceremony's history. In 2009, Doctor Who was voted the 3rd greatest show of the 2000s by Channel 4, behind Top Gear and The Apprentice. The episode " Vincent and the Doctor " was shortlisted for a Mind Award at the 2010 Mind Mental Health Media Awards for its "touching" portrayal of Vincent van Gogh. [207] It has won the Short Form of the Hugo Award for Best Dramatic Presentation, the oldest science fiction/fantasy award for films and series, six times since 2006. The winning episodes were " The Empty Child. The Doctor Dances. 2006. The Girl in the Fireplace. 2007. Blink. 2008. The Waters of Mars. 2010. The Pandorica Opens. The Big Bang. 2011) and " The Doctor's Wife. 2012. 208] 209] 210] 211] The 2016 Christmas special " The Return of Doctor Mysterio " is also a finalists for the 2017 Hugo Awards. [212] Doctor Who star Matt Smith won Best Actor in the 2012 National Television awards alongside Karen Gillan who won Best Actress. Doctor Who has been nominated for over 200 awards and has won over a hundred of them. In 2004 and 2007, Doctor Who was ranked #18 and #22 on TV Guide 's Top Cult Shows Ever. [213] 214] In 2013, TV Guide ranked it as the #6 sci-fi show. [215] As a British series, the majority of its nominations and awards have been for national competitions such as the BAFTAs, but it has occasionally received nominations in mainstream American awards, most notably a nomination for "Favorite Sci-Fi Show" in the 2008 People's Choice Awards and the series has been nominated multiple times in the Spike Scream Awards, with Smith winning Best Science Fiction Actor in 2011. The Canadian Constellation Awards have also recognised the series. Scholarly views Bradshaw, Simon, Anthony Keen and Graham Sleight (eds. 2011) The Unsilent Library: Essays on the Russell T Davies Era of the New Doctor Who. Open access [ dead link] Chapman, James. 2013. Inside the TARDIS: The Worlds of Doctor Who, revised edition. IB Tauris. Charles, Alec. "War without End. Utopia, the Family, and the Post-9/11 World in Russell T. Davies's" Doctor Who. Science Fiction Studies (2008) 450-465. Fisher, R. Michael, and Barbara Bickel. "The Mystery of Dr. Who? On A Road Less Traveled in Art Education. Journal of Social Theory in Art Education 26. 1 (2006) 28-57. Fiske, John. "Popularity and ideology: A structuralist reading of Dr. Who. Interpreting television: Current research perspectives (1984) 165-198. McCormack, Una (2011) Hes Not the Messiah: Undermining Political and Religious Authority in New Doctor Who. In Bradshaw, S., Anthony Keen and Graham Sleight (eds) The Unsilent Library: Essays on the Russell T. Davies Era of the New Doctor Who. The Science Fiction Foundation. Orthia, Lindy A. "Antirationalist critique or fifth column of scientism? Challenges from Doctor Who to the mad scientist trope. Public understanding of science 20. 4 (2011) 525-542. Perryman, Neil. Doctor Who and the Convergence of Media: A Case Study in Transmedia Storytelling. Convergence 14. 1 (2008) 21-39. Charles, Alec. 2011. The crack of doom: The uncanny echoes of Steven Moffat's Doctor Who. Science Fiction Film and Television; Vol 4, Issue 1, Spring 2011. Liverpool University Press. This analysis is framed specifically by the Freudian notion of the uncanny, and suggests that Moffat's work on Doctor Who confronts unconscious perceptions, repressed fears and death itself through storytelling techniques which attempt to connect directly with the audience by deconstructing the distance between material reality and the series's fantasy space. See also Time travel in fiction Doctor Who in Australia List of Doctor Who episodes (1963–1989) List of Doctor Who episodes (2005–present) List of Doctor Who Christmas specials List of Doctor Who universe creatures and aliens Doctor Who in popular culture Notes ^ Newman is often given sole creator credit for the series. Some reference works such as The Complete Encyclopedia of Television Programs 1947–1979 by Vincent Terrace erroneously credit Terry Nation with creating Doctor Who, because of the way his name is credited in the two Peter Cushing films. citation needed] Newman and Lambert's role in originating the series was recognised in the 2007 episode " Human Nature. in which the Doctor, in disguise as a human named John Smith, gives his parents' names as Sydney and Verity. citation needed] This is often emphasised in the accompanying making-of documentaries in the series Doctor Who Confidential, as well as in occasional flashbacks to images of earlier versions of the Doctor. ^ The tapes, based on a 405-line broadcast standard, were rendered obsolete when UK television changed to a 625-line signal in preparation for the soon-to-begin colour transmissions. ^ When it became an entry in the Oxford English Dictionary, the word "TARDIS" often came to be used to describe anything that appeared larger on the inside than its exterior implied. ^ Earlier incarnations of the Doctor have occasionally appeared with the then current incarnation in later plots. The First and Second Doctors appeared in the 1973 Third Doctor story, The Three Doctors; the First, Second, Third and Fourth appeared in the 1983 Fifth Doctor story, The Five Doctors; the Second appeared with the Sixth in the 1985 story, The Two Doctors; the Fifth appeared with the Tenth in the 2007 mini-episode. Time Crash. the Eighth Doctor returned in the 2013 mini-episode " The Night of the Doctor. the Tenth appeared with the Eleventh in the 2013 episode " The Day of the Doctor. and the First appeared with the Twelfth in the 2017 episodes " The Doctor Falls " and " Twice Upon a Time. ^ Often mistitled "I am the Doctor" on YouTube uploads. Originally released as a 7" vinyl single, plain sleeve, December 1972 on label Purple PUR III References ^ BBC - Doctor Who - Graeme Harper Interview. BBC. Archived from the original on 2 January 2019. Retrieved 2 January 2019. ^ The end of Olde Englande: A lament for Blighty. The Economist. 14 September 2006. 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Triumph of a Time Lord: Regenerating "Doctor Who" in the Twenty-First Century (I. Tauris, 2010) 261 pages. Discusses the revival of the BBC's Doctor Who in 2005 after it had been off the air as a regular series for more than 15 years; topics include the role of "fandom" in the sci-fi programme's return, and notions of "cult" and "mainstream" in television. Tabloid Bintang Indonesia, Doctor Who Pengganti Chalkzone Majalah GADIS, Kenalan Bareng Doctor Who, Ketemu Bareng 1st–11th Doctor External links Wikimedia Commons has media related to Doctor Who. Official websites Doctor Who at BBC Programmes Doctor Who 50th Anniversary: Official BBC Worldwide Site Doctor Who (BBC South East Wales) at BBC Online BBC: The Changing Face of Doctor Who  – many press cuttings and articles from 1963 onwards BBC America Doctor Who website SPACE Channel Doctor Who website Past official BBC websites Doctor Who Series 4 Doctor Who Series 1, 2 & 3 Doctor Who Classic Season 1 – 1996 Movie Reference websites Doctor Who on Tardis Data Core, an external wiki The Doctor Who Reference Guide  – synopses of every television episode, novel, audio drama, comic strip and spin-off video based on the series Doctor Who Online Gallifrey Base BroaDWcast – Doctor Who transmissions around the World Doctor Who TV Doctor Who (1963) on IMDb Doctor Who (1996) on IMDb Doctor Who (2005) on IMDb Doctor Who at AllMovie Doctor Who (1963) at Doctor Who (2005) at Awards for Doctor Who v t e BAFTA TV Award for Best Drama Series Inspector Morse (1992) Inspector Morse (1993) Between the Lines (1994) Cracker (1995) Cracker (1996) EastEnders (1997) Jonathan Creek (1998) The Cops (1999) The Cops (2000) Clocking Off (2001) Cold Feet (2002) Spooks (2003) Buried (2004) Shameless (2005) Doctor Who (2006) The Street (2007) The Street (2008) Wallander (2009) Misfits (2010) Sherlock (2011) The Fades (2012) Last Tango in Halifax (2013) Broadchurch (2014) Happy Valley (2015) Wolf Hall (2016) Happy Valley (2017) Peaky Blinders (2018) Killing Eve (2019) v t e Hugo Award for Best Dramatic Presentation, Short Form 2000s 2003: Buffy the Vampire Slayer. Conversations with Dead People " 2004: Gollum 's Acceptance Speech at the 2003 MTV Movie Awards 2005: Battlestar Galactica. 33 " 2006: Doctor Who. The Empty Child. The Doctor Dances " 2007: Doctor Who. The Girl in the Fireplace " 2008: Doctor Who. Blink " 2009: Dr. Horrible's Sing-Along Blog 2010s 2010: Doctor Who. The Waters of Mars " 2011: Doctor Who. The Pandorica Opens. The Big Bang " 2012: Doctor Who. The Doctor's Wife " 2013: Game of Thrones. Blackwater " 2014: Game of Thrones. The Rains of Castamere " 2015: Orphan Black. By Means Which Have Never Yet Been Tried" 2016: Jessica Jones. AKA Smile" 2017: The Expanse. Leviathan Wakes" 2018: The Good Place. The Trolley Problem" 2019: The Good Place. Janet(s) v t e Nebula Award for Best Script / Ray Bradbury Award Nebula Award for Best Script Soylent Green – Stanley R. Greenberg (1973) Sleeper – Woody Allen (1974) Young Frankenstein – Mel Brooks and Gene Wilder (1975) Star Wars – George Lucas (1977) The Sixth Sense – M. Night Shyamalan (1999) Galaxy Quest – David Howard and Robert Gordon (2000) Crouching Tiger, Hidden Dragon – James Schamus, Kuo Jung Tsai, and Hui-Ling Wang (2001) The Lord of the Rings: The Fellowship of the Ring – Fran Walsh, Philippa Boyens, and Peter Jackson (2002) The Lord of the Rings: The Two Towers – Fran Walsh, Philippa Boyens, Stephen Sinclair, and Peter Jackson (2003) The Lord of the Rings: The Return of the King – Fran Walsh, Philippa Boyens, and Peter Jackson (2004) Serenity – Joss Whedon (2005) Howl's Moving Castle – Hayao Miyazaki, Cindy Davis Hewitt, and Donald H. Hewitt (2006) Pan's Labyrinth – Guillermo del Toro (2007) WALL-E – Andrew Stanton, Jim Reardon, and Pete Docter (2008) Ray Bradbury Award for Outstanding Dramatic Presentation Terminator 2: Judgment Day – James Cameron (1992) Babylon 5 – J. Michael Straczynski (1999) 2000X – Tales of the Next Millennia – Yuri Rasovsky and Harlan Ellison (2001) Joss Whedon (2008) District 9 – Neill Blomkamp and Terri Tatchell (2009) Inception – Christopher Nolan (2010) Doctor Who. The Doctor's Wife " – Richard Clark and Neil Gaiman (2011) Beasts of the Southern Wild – Benh Zeitlin, Lucy Alibar (2012) Gravity – Alfonso Cuarón and Jonás Cuarón (2013) Guardians of the Galaxy – James Gunn and Nicole Perlman (2014) Mad Max: Fury Road – George Miller, Brendan McCarthy, and Nico Lathouris (2015) Arrival – Eric Heisserer (2016) Get Out – Jordan Peele (2017) v t e Saturn Award for Best Television Presentation 1990s Alien Nation: Dark Horizon (1994) Alien Nation: Millennium (1995) Doctor Who (1996) The Shining (1997) Storm of the Century (1999) 2000s Fail Safe (2000) Jack and the Beanstalk: The Real Story (2001) Taken (2002) Battlestar Galactica (2003) Farscape: The Peacekeeper Wars (2004) Masters of Horror / The Triangle (2005) The Librarian: Return to King Solomon's Mines (2006) Family Guy. Blue Harvest. 2007) The Librarian: Curse of the Judas Chalice (2008) Torchwood: Children of Earth (2009) The Walking Dead (2010) The Walking Dead (2011) Breaking Bad (2012) Breaking Bad (2013) Game of Thrones (2014) Doctor Who. The Husbands of River Song. 2015) 11. 22. 63 (2016) Twin Peaks: The Return (2017.

When John Hurt became the War Doctor he said, Doctor no more. This statement couldn't be more true than with Whittaker's portrayal. I didn't see this episode but I've heard enough about it to know that Whittaker is not the Doctor we used to know. She truly is Doctor Nasty. I'm horrified and so, so disappointed with what used to be my favourite show. Yes it's true that some people are socially awkward when trying to comfort people with a terminal disease but the Doctor should not be like that! The Doctor is someone we should feel confident will do the right thing. Terrible writing. Terrible characterization. I can't believe there isn't someone during the read-through who says, What? You can't have the Doctor say this! Chibnall just doesn't get it. He doesn't understand Doctor Who at all.

Who is Zellin? Im playing an immortal God. Ian Gelder takes us through the process of creating Zellin. Man! That was such a cool entrance. " The Doctor " was the main alias used by a mysterious renegade Time Lord from Gallifrey who travelled through time and space with various companions in their obsolete and "borrowed" Type 40 TARDIS. They were the universe's "greatest defender" having saved the cosmos thousands of times throughout a long life, becoming a great legend across the universe. Though largely a believer in non-violent conflict resolution, they were, when absolutely necessary, a great warrior. Indeed, some civilisations in the universe (e. g. the denizens of the Gamma Forests) translated the word doctor as warrior. TV: A Good Man Goes to War) whilst others saw the Doctor as a compassionate benefactor, worthy of their admiration and compassion. TV: Last of the Time Lords, The Wedding of River Song) Although they had saved untold numbers on their travels, the Doctor was thought to have caused the deaths of billions at the conclusion to the Last Great Time War. TV: Dalek) Though most of the Daleks were killed in the crossfire, Gallifrey — disappearing, rather than being burned — was hidden thanks to the efforts of the first thirteen of the Doctor's incarnations, the first eleven of which retained no memory of the event. TV: The Day of the Doctor) For their actions, the Time Lords granted the Doctor a new regeneration cycle, allowing them to live on after using up all available regenerations in their first cycle. TV: The Time of the Doctor) From the latter years of their first incarnation onward, the Doctor had a pronounced affinity for Earth and the human race. After departing Gallifrey, they voluntarily chose to spend time on the planet. TV: An Unearthly Child, AUDIO: Summer, The Haunting of Thomas Brewster) choosing it as the place of their exile during most of their third incarnation. TV: Spearhead from Space - The Three Doctors) and even owning property in Kent ( COMIC: Fellow Travellers, PROSE: Verdigris, Warlock, Warchild, The Dying Days, Mad Dogs and Englishmen) and New York City. PROSE: The Forgotten Army) They favoured Great Britain as a frequently visited location, taking most of their companions from there. TV: An Unearthly Child, Spearhead from Space, The Time Monster, Rose, Smith and Jones, Partners in Crime, etc. Even before the disappearance of Gallifrey, the Doctor spent much more time on Earth than on their homeworld. The Doctor's personal history was constantly changing and contradicting itself. PROSE: Unnatural History) Despite the varying personality traits of each incarnation, the Doctor always retained "a bit of adrenaline, a dash of outrage and a hint of panic" which helped define who they were. TV: The Woman Who Fell to Earth) along with the promise of sticking to everything that their name stood for. TV: The Day of the Doctor) Though taste in fashion did change with each Doctor, one thing that was an almost constant were jackets, either as part of an outfit ( TV: An Unearthly Child, The Power of the Daleks, Spearhead from Space, Castrovalva, The Twin Dilemma, Doctor Who, Rose, The Eleventh Hour, Deep Breath) or an extra like a trench coat. TV: The Christmas Invasion, The Woman Who Fell to Earth) Name Edit Main article: The Doctor's aliases The Doctor's true name remained unknown to all but a very few individuals, such as Sam Jones. PROSE: Vanderdeken's Children) River Song. TV: Forest of the Dead, The Name of the Doctor) and the Master. TV: World Enough and Time) Though the Time Lords knew the genuine name of the Doctor. TV: The Time of the Doctor) they did not use it, even in the formal setting of legal trials. TV: The War Games, The Trial of a Time Lord) According to the Master, he chose the name "Doctor" to reflect his constant desire to make people "better. TV: The Sound of Drums) Missy claimed to know the Doctor's real name from their time together on Gallifrey; she said it was "Doctor Who" and the Doctor had chosen it to be mysterious but dropped the "Who" when he realised it was too on-the-nose. TV: World Enough and Time) The Eleventh Doctor told Clara Oswald that his real name was not so important, since he specifically chose in its place the title of "Doctor. like a promise you make. TV: The Name of the Doctor) This promise was, as the Tenth and War Doctor recited together, Never cruel or cowardly. Never give up, never give in. TV: The Day of the Doctor) The Twelfth Doctor claimed that when he originally adopted the title it was "just a name. which held no real significance until his first visit to Skaro. It was through his opposition to the Daleks that the Doctor was able to define himself and realise who he was. TV: Into the Dalek) The title "Doctor" was not undeserved; they did hold one or more doctorates of some sort. TV: The Armageddon Factor, The God Complex) formally studied medicine on at least 19th century Earth at Glasgow University. TV: The Moonbase) and frequently displayed detailed medical knowledge. TV: The Ark, Frontios, The Empty Child, New Earth, The Time of Angels, The Curse of the Black Spot) At least some versions of their sonic screwdriver performed medical scans and healed minor wounds. TV: The Empty Child, The Vampires of Venice, A Good Man Goes to War) The Seventh Doctor showed knowledge on how to help someone thrown by an explosion recover quickly. TV: Remembrance of the Daleks) Although their first. TV. The Forest of Fear. Mighty Kublai Khan. second. TV: The Krotons) fourth ( TV: The Ark in Space) and fifth incarnations ( AUDIO: Red Dawn) had claimed not to be a doctor of medicine, their third. TV: Spearhead from Space) eighth. AUDIO: Sword of Orion) ninth ( COMIC: The Cruel Sea) and tenth incarnations ( TV: Utopia) claimed to be a doctor of practically "everything" and by their eleventh incarnation, the Doctor claimed to hold doctorates in at least medicine and cheesemaking. TV: The God Complex) In their thirteenth incarnation, they claimed to be a doctor of "Medicine, science, engineering, candyfloss, Lego, philosophy, people, hope. Mostly hope. TV: The Tsuranga Conundrum) According to Evelina, the Doctor's name was written in the stars of the Medusa Cascade. TV: The Fires of Pompeii) Members of an unidentified race of pan-dimensional beings also knew the Time Lord's real name, at one point. AUDIO: The Last Voyage) In one account, he had taken the moniker after his first contact with humans. Colonists on the medical/penal colony of Iwa began calling him "Doctor" after his arrival. He failed to correct them. After they left the planet, the Doctor" simply kept the name he had been given by the humans. PROSE: Frayed) In another, he had already been introducing himself by that name after his first trip in the TARDIS, which gave an alternative account of meeting humans for the first time on the Moon. AUDIO: The Beginning) The First Doctor responded to the name when an echo of Clara Oswald put it to him before even departing Gallifrey. TV: The Name of the Doctor) River Song believed that the Doctor had influenced the etymology of the word doctor itself; and in multiple cultures was the first recorded use of "Doctor. TV: A Good Man Goes to War) According to Dorium Maldovar and the Silence, the oldest and most dangerous question in the universe was "Doctor who. The Doctor's true name was apparently the answer. Dorium claimed the Doctor had been running from the question all his life. According to the Silence, silence must fall when the question is asked. TV: The Wedding of River Song) because if the question was answered, it could lead to destruction on a universal scale; through several methods, each of which were located on the planet Trenzalore. The first was that the Doctor's name could be used to open his grave and alter his timeline, potentially undoing the countless times the Doctor had saved the universe. TV: The Name of the Doctor) The second was that his name could be used to confirm to the Time Lords, who were sealed in a pocket universe and had been broadcasting the question throughout the entirety of time and space, that it was safe for them to return; which could result in another Time War. TV: The Time of the Doctor) At some point River Song learned his name, prompting the Doctor to claim that there was only one reason he ever would or could reveal it. TV: Forest of the Dead) Indeed, even while spending hundreds of years in a town permeated by a Truth Field and hearing the question asked multiple times, the Doctor would not or could not answer. TV: The Time of the Doctor) However, River later stated that she "made him" tell her his true name and that it "took a while. TV: The Name of the Doctor) Clara Oswald viewed the Doctor's name in a book on the Time War, contained in the TARDIS library. She subsequently lost the information when time was rewound. TV: Journey to the Centre of the TARDIS) The Seventh Doctor mentioned to Trevor Sigma that his nickname at college was Theta Sigma. TV: The Happiness Patrol) His classmate Drax called him by this nickname. TV: The Armageddon Factor) Moments before regenerating into the Thirteenth Doctor, the Twelfth Doctor used his last words to leave his future self some advice. Amongst these last words was that the future Doctor must not tell anyone their name, but that they couldn't understand it even if the Doctor did tell them. The Doctor went on to state that " children can hear it, sometimes. If their hearts are in the right place and the stars are too. Children can hear your name. But nobody else, nobody else ever. TV: Twice Upon a Time) Age Edit Main article: The Doctor's age The Doctor's age was a matter of great confusion, as they provided many inconsistent statements. The Second Doctor once gave his age in Earth terms as 450. TV: The Tomb of the Cybermen) On two separate occasions, the Third Doctor implied that he may have been several thousand years old. TV: Doctor Who and the Silurians, The Mind of Evil) The Fourth Doctor, however, gave his age as "something like 750 years. TV: Pyramids of Mars) Immediately after his sixth regeneration, the Seventh Doctor claimed to be 953. TV: Time and the Rani) The War Doctor considered himself 400 years younger than the Eleventh Doctor, who was purportedly 1, 200 at that time. TV: The Day of the Doctor) The Ninth Doctor claimed to be 900 years old. TV: Aliens of London) The Tenth Doctor claimed to be 903. TV: Voyage of the Damned) Also, at least prior to leaving Amy and Rory behind. TV: The God Complex) the Eleventh Doctor maintained an age of 909, less than his seventh incarnation. TV: Flesh and Stone, The Impossible Astronaut) The Eleventh Doctor later claimed to the Ponds that he was 1, 200 years old ( TV: A Town Called Mercy) but clarified to Clara Oswald that he'd lived so long he'd forgotten whether or not he was lying about his age. TV: The Day of the Doctor) The Twelfth Doctor, after spending 900 years defending Trenzalore, stated his age to be over 2, 000. TV: Deep Breath) The Twelfth Doctor spent approximately four and a half billion years ( TV: Hell Bent) trapped inside his confession dial in an energy loop. In each loop, the Doctor would die, providing energy to a teleporter which would "print" another copy of himself as he was when he first arrived. Although this kept his body from ageing, he claimed to remember the living through every single version of the loop. TV: Heaven Sent) He later stated to the Master that he was, in fact, four billion years old. COMIC: Doorway to Hell) Romana I once caught the Fourth Doctor "rounding down" his age. TV: The Ribos Operation) while the Eighth Doctor once flatly admitted that he didn't necessarily use the same definition of the word year each time he gave his age to someone, usually changing his age depending where he was in the universe. AUDIO: Orbis) The Eleventh Doctor once told Solomon that he was probably a Sagittarius. TV: Dinosaurs on a Spaceship) The Thirteenth Doctor once told her companions that she was thousands of years old and was so old she didn't even remember her true age anymore. TV: Fugitive of the Judoon) Family Edit The Doctor's familial relations were unclear at best. According to one account, the Doctor was one of the forty-five cousins created by the Loom of the House of Lungbarrow on Gallifrey. PROSE: Lungbarrow, Celestial Intervention - A Gallifreyan Noir) At other times, the Doctor stated that he had parents, including a Time Lord father ( TV: Doctor Who, PROSE: The Infinity Doctors, Unnatural History, Matrix) and a human mother. TV: Doctor Who, PROSE: Alien Bodies, The Infinity Doctors, Grimm Reality, Unnatural History, The Shadows of Avalon, Celestial Intervention - A Gallifreyan Noir) The Thirteenth Doctor recalled once having had sisters. TV: Arachnids in the UK) though another account indicated the Doctor never had an older sister. PROSE: Dragonfire) The Doctor had at least one brother, Irving Braxiatel [ source needed] who became an associate of the Doctor's companion Bernice Summerfield. PROSE: Tears of the Oracle) Braxiatel was also a Cardinal of Gallifrey ( AUDIO: Weapon of Choice) and was the owner of the Braxiatel Collection. PROSE: Tears of the Oracle) which the Doctor and Romana once compared to the Louvre in Paris. TV: City of Death) The Doctor had one niece by Irving Braxiatel, Maggie Matsumoto. AUDIO: The Empire State) At the Doctor's wedding to Scarlette in the post-War universe, the Man with the Rosette sat at the table reserved for the Doctor's family. PROSE: The Adventuress of Henrietta Street) The Tenth Doctor told Sally Sparrow that he was "rubbish at weddings, especially [his] own. TV: Blink) An earlier incarnation had been wed ( PROSE: Cold Fusion) to Patience and they were said to have had a number of children and grandchildren. PROSE: The Infinity Doctors) The Doctor had, in the Tenth Doctor's own words, been "a dad. TV: Fear Her) and "a father. TV: The Doctor's Daughter) These children were "sons or daughters, or both. PROSE: The Eleventh Tiger) The Twelfth Doctor claimed he had "dad skills. TV: Listen) Clara Oswald also claimed the Doctor had "children. TV: Death in Heaven) The Doctor also had several grandchildren. TV: Death in Heaven) including Susan Foreman. TV: An Unearthly Child, et al. John Who, and Gillian Who. COMIC: The Klepton Parasites, PROSE: Beware the Trods! et al. Some accounts referred to Susan as " the Other 's" granddaughter. PROSE: Lungbarrow) At one point, the Doctor became the adoptive father to a female Time Lord named Miranda Dawkins, whom the Eighth Doctor reared until her mid-teens. PROSE: Father Time) Miranda later gave birth to a daughter, Zezanne, and died while trying to protect the Doctor. PROSE: Sometime Never. The Doctor also had a great-grandson named Alex, the son of Susan and David Campbell. AUDIO: An Earthly Child) Alex went on several adventures with the Eighth Doctor and backpacked around the Earth with Lucie Miller before they were both killed by the Daleks. AUDIO: Lucie Miller, To the Death) Susan and David also had adopted children, Barbara, Ian and David Junior. PROSE: Legacy of the Daleks) Much of the Doctor's family died or went missing. TV: The Tomb of the Cybermen, The Curse of Fenric, AUDIO: To the Death, TV: The Woman Who Fell to Earth) After the last day of the Time War, the Tenth Doctor, while telling Donna that he'd been a father before, explained that he "lost all that a long time ago along with everything else. TV: The Doctor's Daughter) The Eleventh Doctor involuntarily reacted to Corc 's accusation that he had never lost a child. PROSE: Dark Horizons) Even after the Doctor realised that Gallifrey and the Time Lords were not destroyed at the end of the Time War, the Doctor still believed their missing children and grandchildren to be dead. TV: Death in Heaven, The Woman Who Fell to Earth) Genetic material from the Doctor in their tenth incarnation was used to create a daughter, Jenny, via progenation. The Doctor explained to Donna Noble and Martha Jones that due to the way his DNA was processed, he was Jenny's "biological mother and father. Although initially spurning her, he soon considered Jenny his daughter and invited her to travel with him in the TARDIS. Before she could join him, however, she was shot by General Cobb. The Doctor believed Jenny to have died, and departed. TV: The Doctor's Daughter) Unbeknownst to him, she survived and set out on her own life of adventure. TV: The Doctor's Daughter, AUDIO: Stolen Goods, et al. ) When the Earth was relocated to the Medusa Cascade, an instantaneous biological meta-crisis was created from the Doctors aborted eleventh regeneration; this meta-crisis Doctor was later was exiled by the Time Lord to an alternate universe. Technically, the meta-crisis could be considered a relative of the Doctor's. Sarah Jane Smith referred to the Doctor's companions as his family, saying, You act like such a lonely man, but you've got the biggest family on Earth. TV: Journey's End) Affairs Edit The First Doctor was accidentally engaged to Cameca in the 15th century. TV: The Aztecs) After Gallifrey was destroyed in the War in Heaven, the Eighth Doctor married Scarlette in order to ceremonially tie himself to the planet Earth. PROSE: The Adventuress of Henrietta Street) The Tenth Doctor romanced and later married Elizabeth I. TV: The End of Time, The Day of the Doctor, PROSE: Suspicious Minds) She later declared him an enemy after he failed to return as promised. TV: The Shakespeare Code) The Tenth Doctor implied he had been married several times prior to Queen Elizabeth, as he remarked to Sally Sparrow about being "rubbish at weddings, especially [his] own. TV: Blink) In his eleventh incarnation, the Doctor accidentally became engaged to Marilyn Monroe, and married her the same night in what he later claimed was not a real chapel. TV: A Christmas Carol) River Song often hinted that she and the Doctor had a physical relationship somewhere in her past and his future relative to the Eleventh Doctor's encounter with the Silence in Florida. TV: Silence in the Library / Forest of the Dead, The Time of Angels / Flesh and Stone, The Pandorica Opens / The Big Bang, Day of the Moon) The Eleventh Doctor, operating a Teselecta shaped like himself, performed a "quick version" of a wedding ceremony with River because they were in the middle of a combat zone in an alternate reality. They repeatedly referred to each other as husband and wife after the ceremony. WC: Asylum of the Daleks Prequel, TV: The Wedding of River Song, The Angels Take Manhattan, The Name of the Doctor, The Time of the Doctor, The Husbands of River Song, AUDIO: The Boundless Sea, Five Twenty-Nine, The Eye of the Storm, PROSE: Suspicious Minds) According to Clara Oswald, by the time of the Doctor's twelfth incarnation, he had been "married four times, all deceased. TV: Death in Heaven) Languages Edit The Ninth Doctor said he could speak five billion languages. TV: The Parting of the Ways) The Doctor's native language was probably Modern Gallifreyan, but they seemed to prefer speaking English. TV: The Mind Robber) always with an accent that was similar to accents used in the British Isles. TV: An Unearthly Child, The Power of the Daleks, Spearhead from Space, Robot, Castrovalva) This accent changed from incarnation to incarnation. For example, both the Seventh ( TV: Time and the Rani) and the Twelfth Doctor ( TV: The Time of the Doctor) spoke with an accent similar to one used in Scotland. Rose Tyler noted the accent of the Ninth Doctor made him sound like he came from "the north. TV: Rose) while Harriet Jones described it as "a northern accent. TV: World War Three) both of them referring to the north of England. The Doctor once retorted to Rose that "lots of planets have a north. TV: Rose) American Grace Holloway once told a San Franciscan policeman that the Eighth Doctor was " British. TV: Doctor Who) The Doctor could read and write Old High Gallifreyan. TV: The Time of Angels) a skill unusual even among Time Lords. TV: The Five Doctors) They also spoke the language of the Judoon. TV: The Stolen Earth) Delphon (a language "spoken" using only eyebrow movements. TV: Spearhead from Space) several Chinese languages. TV: The Mind of Evil, The Talons of Weng-Chiang) Ancient North Martian. TV: The Waters of Mars) Venusian. TV: The Curse of Peladon) Vietnamese. PROSE: Interesting Times) Portuguese ( TV: Black Orchid) and Tritovore. TV: Planet of the Dead) They knew at least some Sycoraxic ( TV: The Christmas Invasion) and a language of Tiaanamat, which sounded like canine barking to human ears. TV: The Rings of Akhaten) The Second Doctor did not seem to understand French. TV: The War Games) but later became fluent in it across several periods of French history. TV: The Girl in the Fireplace) They also claimed to speak " sabre-toothed tiger. PROSE: Sick Building. baby. TV: A Good Man Goes to War, Closing Time. cat. TV: The Lodger. horse. TV: A Town Called Mercy) and " dinosaur. TV: Deep Breath) The Eleventh Doctor claimed that he "spoke everything. TV: A Good Man Goes to War, Closing Time) The Doctor once understood British Sign Language; by their twelfth incarnation, though, they had lost the skill, saying that it had been "deleted" and replaced with semaphore. TV: Under the Lake) The Tenth Doctor claimed to never have learnt to speak Welsh but did carry a pocket Gallifreyan -Cymraeg phrasebook on at least one occasion when he visited Arcopolis. PROSE: The Eyeless) Influence Edit The Doctor belonged to the Prydonian Chapter, the most important chapter of Time Lord society. TV: The Deadly Assassin) They had a profound influence on many worlds and was written into their histories. TV: Forest of the Dead) as a result, the Doctor was the recipient of many honours, including being made a noble of Draconia ( TV: Frontier in Space) and a knight (and enemy) of the British Empire. TV: Tooth and Claw) An incarnation of the Doctor once pulled Excalibur from the stone. The Twelfth Doctor told Clara Oswald that he became "King of England for a day" before abdicating in order to give King Arthur the throne. PROSE: Silhouette) Having broken the Time Lords' non-interference policy, the Second Doctor was put on trial as a renegade. TV: The War Games) Subsequently, for a time, he acted as an agent of the Time Lords' Celestial Intervention Agency before the beginning of his sentence on 20th century Earth. PROSE: Players, World Game) Following his defeat of Omega, which saved Gallifrey, he was granted a pardon and given his freedom. TV: The Three Doctors) The Fourth Doctor, as part of a ploy to outwit invaders of Gallifrey, was a candidate for the position of Lord President of the Supreme Council. TV: The Invasion of Time) The Fifth Doctor was put on trial again for recklessness. COMIC: The Stockbridge Horror) He was later given the title of Lord President by Councillor Flavia, against his wishes. He pretended to accept the office but ran away in his TARDIS. TV: The Five Doctors) Prior to the Sixth Doctor 's trial, he was deposed in absentia and put on trial for breaking the non-interference policy and later in the same trial, for genocide. The validity of the trial was called into question when it was discovered it had been orchestrated by an evil future manifestation of the Doctor, the Valeyard, and mooted. TV: The Trial of a Time Lord) As the War Doctor he also fell out of favour with the Time Lords during the Last Great Time War. However, due to the Doctor's efforts to save Gallifrey and the Time Lords, they seemed to forgive his actions. TV: The Day of the Doctor) During the Siege of Trenzalore, when the Eleventh Doctor was on the verge of his final death, the Time Lords responded to Clara Oswald 's plea to help him, a plea in which she stated that after all he'd done he'd earned their help and if they loved him, which they should, then to help. In this instance, the Time Lords saved the Doctor by giving him a new regeneration cycle ( TV: The Time of the Doctor) rather than letting him die permanently as had happened in an alternate timeline. TV: The Name of the Doctor) After returning to Gallifrey by means of his confession dial, the Twelfth Doctor stood against Lord President Rassilon who tried to execute him. However, the Gallifreyan military hailed him as the man who ended the Time War and also respected him for his reputation during the Time War as someone who didn't need to go into battle armed to win and sided with him. Rassilon's own firing squad, the General and a squadron of military ships backed the Doctor against Rassilon who was overthrown and exiled from Gallifrey along with the High Council. The Doctor used his new position as Lord President of Gallifrey to save Clara Oswald 's life before once more fleeing Gallifrey in a stolen TARDIS, a fugitive once more. TV: Hell Bent) The Doctor's influence on the universe was seen most notably while in River Song's World: desperate to save the Doctor from his impending death, River Song built a timey-wimey distress beacon telling all of time and space that the Eleventh Doctor was dying and needed their help, causing the entire universe to reply that they would help. River told the Doctor that his impact on the universe was so profound that if he ever needed its help, he just had to ask. This was also shown in how the crew of the Teselecta, though formerly enemies of the Doctor, were willing to aid him in any way they could and kept his secret of being alive from the rest of the universe despite their past, just because he asked them to. TV: The Wedding of River Song) By the time the Vashta Nerada took over the Library, the Doctor was so well known he was in the Library's books and whatever they read there scared the Vashta Nerada (who the Tenth Doctor didn't think could be stopped) enough that they agreed to his demands. River Song also stated that she believed that "all the skies of all the worlds might just turn dark" if the Doctor ever gave up on helping people. TV: Forest of the Dead) Nardole told the Twelfth Doctor that, if he died, everybody in the universe might just go cold. TV: Twice Upon a Time) When the Great Intelligence changed time so that the Doctor's victories were negated, Madame Vastra said that the universe was going to be a much darker place without him and entire star systems were shown disappearing as a result of his victories being negated. TV: The Name of the Doctor) When the Time Beetle created a parallel world around Donna Noble where the Doctor never met Donna, the Earth at least was shown to be a much darker place without the Doctor there to defend it. When the apparently unstoppable Darkness started approaching, Rose Tyler was sure the only one who could stop it was the Doctor, stating that they needed him "more than ever" to stop this reality-threatening event, although she later realised that both the Doctor and Donna together were needed. TV: Turn Left) During the Last Great Time War, when the Eighth Doctor died during a spaceship crash, the Sisterhood of Karn resurrected him and offered to help him control his regeneration precisely because they believed only the Doctor could stop a war that threatened the existence of the entire universe. Ohila told the Doctor specifically that he was the universe's last hope and indicated that if he took on a more active role in the Time War, which he had avoided doing up to that point, it could be stopped without everything being destroyed. TV: The Night of the Doctor) Perhaps the Doctor's greatest influence was on their companions, who were inspired by the Time Lord to fight injustice and help those in need. TV: Death of the Doctor) Even those who hadn't ever met the Doctor were inspired by their exploits ( TV: Planet of the Dead, The Power of Three, The Day of the Doctor, etc) even though they never considered themselves to be a hero. TV: The God Complex, Robot of Sherwood, Death in Heaven) While talking with the First Doctor, a glass avatar of Bill Potts learned that he had originally started travelling in hopes of finding an answer to how despite overwhelming odds, good always triumphs over evil in the universe. Bill suggested that it was "some bloke. wandering around, putting everything right when it goes wrong. The First Doctor expressed doubt over this theory, not realising that Bill was referring to the Doctor himself. Bill understood that the Doctor could not see his own impact on the universe, on everyone who ever met him though she knew everyone else could see it. The Twelfth Doctor told his predecessor that "our lives are woven throughout time and space. and the two of them trying to die twice in the same lifetime was enough to cause an error in the timeline. TV: Twice Upon a Time) Biographical summary Edit The Doctor had a variety of different and contradictory origins. PROSE: Unnatural History, Celestial Intervention - A Gallifreyan Noir) most often, they had always been a Time Lord from Gallifrey. TV: The War Games, et al. but sometimes they had always been a human - Gallifreyan hybrid ( TV: Doctor Who, et al. or possibly a human from Earth ( PROSE: Doctor Who and the Daleks, et al. in the 49th century. PROSE: Unnatural History) Sometimes, the Doctor believed they had been woven from a loom, and sometimes they believed there had been a mother and father. PROSE: The Scarlet Empress) The Doctor could not remember which was true and which was a dream. PROSE: The Shadows of Avalon) All of these origins were equally and paradoxically true due to the Doctor's biodata being retroactively manipulated ( PROSE: Unnatural History) by subconscious regeneration influences ( PROSE: The Blue Angel) as well as powerful beings such as Omega. PROSE: The Infinity Doctors) the enemy. PROSE: Unnatural History) the Great Intelligence. TV: The Name of the Doctor) and Faction Paradox. PROSE: Unnatural History, Interference - Book Two, The Shadows of Avalon) While in bed inside a barn and crying over not wishing to join the army, a young First Doctor heard Clara Oswald assuring him that it was all just a dream, that it was OK to be afraid of the dark and that "if you're very wise and very strong, fear doesn't have to make you cruel or cowardly. TV: Listen) This was an ontological paradox from when the Doctor's tenth incarnation told Clara about the promise he made about the Doctor being "never cruel or cowardly" which the Doctor had originally heard from Clara as a child. TV: The Day of the Doctor) The Doctor left Gallifrey and became a hero who fought evil and injustice across the universe in violation of the Time Lords' non-interference policy. TV: The War Games) Technically, he explored only with the intention of experiencing the wonders of the universe and having fun, but frequently became embroiled in machinations and crises that ended with him defeating the foe and saving the planet he was visiting. He travelled with many companions, beginning with his granddaughter, Susan Foreman, who also came from Gallifrey. TV. An Unearthly Child. A Desperate Venture. Gridlock) The Twelfth Doctor once stated to a broken Dalek that it was his first encounter with the Daleks on Skaro which truly defined his character. TV: Into the Dalek) According to Robin Hood after learning of his history from Clara Oswald, the Doctor was a man born into wealth and privilege who couldn't stand the plight of the weak and oppressed and so was eventually inspired to steal a TARDIS and fly amongst the stars, protecting those who couldn't protect themselves. However, the Doctor refused to see himself as a hero. TV: Robot of Sherwood) He later declared that he wasn't a good man, a bad man, an officer, a hero or a President as he was described by the many who had come to know him over the years, but simply an idiot, in a box, who travels around helping and learning. TV: Death in Heaven) Eventually, they were called to account for their crimes against the Time Lords during their second incarnation, when he called them to stop the War Lord and return kidnapped humans to their own era. His punishment was a forced regeneration, exile to Earth in the 20th century, and the loss of his knowledge of how to control the TARDIS. TV: The War Games) This knowledge was restored to him after he helped to defeat Omega. TV: The Three Doctors) Afterwards, he resumed having adventures with many companions in their following incarnations. Early in the Fourth Doctor 's life, he was sent by the Time Lords to prevent the creation of the Daleks, but despite having the chance he refrained from committing genocide. TV: Genesis of the Daleks) After this he kept the Black Guardian from obtaining the Key to Time. TV: The Armageddon Factor) achieved the office of Lord President of Gallifrey. TV: The Invasion of Time, The Five Doctors) and was again put on trial in his sixth incarnation for breaking the non-interference policy. He discovered that the Prosecutor, the Valeyard, was a personification of his future evil self, who was helping to cover up the crimes of the High Council of Time Lords. TV: The Trial of a Time Lord) During the Last Great Time War between the Time Lords and the Daleks, the Eighth Doctor refused to be a part of it. He died in a spaceship crash on Karn, but was revived by the Sisterhood of Karn, and agreed to regenerate into a warrior. TV: The Night of the Doctor) The Doctor then fought in the War. TV: Dalek) He ultimately ended the war and was able to save Gallifrey with the help of his other twelve incarnations. This displacement of Gallifrey caused the near-extinction of the Daleks. TV: The Day of the Doctor) The War was sealed in a time lock, making it impossible to time travel to it to save Gallifrey. TV: The Stolen Earth, Father's Day) In an alternate timeline, the Doctor's grave was on Trenzalore, where he had died after a battle. The Doctor was buried in his TARDIS. Instead of a body, the TARDIS contained the Doctor's time stream, manifesting as a column of light. The Great Intelligence forced the Eleventh Doctor to go to Trenzalore to open the TARDIS, though it was opened by a data ghost of River Song. The Great Intelligence entered the timestream to alter the Doctor's history, but the Doctor was saved by Clara Oswald scattering herself through his timestream. Due to this, Clara had helped the Doctor many times through his lives, even telling the First Doctor which TARDIS to steal. TV: The Name of the Doctor) After believing for four hundred years that he had destroyed his own people, the Doctor finally learned the truth when the Moment united the War, tenth and eleventh incarnations in an effort to change the Warrior's mind about destroying the Time Lords to save the universe. This encounter gave the Doctor a new perspective on his war incarnation, stating both that the War Doctor was the Doctor more than anybody and that the War Doctor was the Doctor "on the day it was impossible to get it right. However, both the War and the Tenth Doctor retained no memory of this encounter and both continued to believe that they had destroyed Gallifrey and the Time Lords when in reality the first thirteen of the Doctor's incarnations had come together to save it. TV: The Day of the Doctor) Eventually, the time came for the Eleventh Doctor to go to Trenzalore where he was fated to die in battle. The Doctor spent centuries protecting the town of Christmas from various enemies including the Daleks, Cybermen, Sontarans and the Weeping Angels as the Time Lords were trying to return to the universe through a crack in time there. Growing extremely old and frail, the Doctor came to the end of his life as he no longer possessed the ability to regenerate. By that point, the Doctor had given up completely, having long before forsaken any chance to flee the planet and save his own life, believing he was unable to change his own future due to the Time Lords being gone. His companion, Clara, refused to give up and pleaded with the Time Lords through the crack to help the Doctor, stating that after all he'd done for the universe, he deserved their help. As the Daleks prepared to kill the Doctor, who was dying of old age by that point anyway, the Time Lords intervened to save him: they granted him a new cycle of regenerations through the crack. This allowed him to destroy the Dalek force attacking the planet and change the future. He later regenerated into the Twelfth Doctor but lost the chance to bring back the Time Lords as even though the enemies assaulting Trenzalore were defeated, the Time Lords closed the crack after helping him. TV: The Time of the Doctor) The Doctor's incarnations Edit By regenerating, the Doctor's personality and outer form changed greatly over time, though all of their incarnations were essentially the same person, retaining the memories, curiosity, eccentricity, and wisdom of the ones before. The Doctor was known to have regenerated on at least fourteen occasions. Though the Doctor's first thirteen incarnations were male. TV: The Day of the Doctor) at least two incarnations of the Doctor were known to have appeared to be women. TV: The Woman Who Fell to Earth; PROSE: Rose) In fact, according to Clive Finch 's research, some incarnations of the Doctor were "in-between [male and female] or neither. PROSE: Rose) Despite appearances, the Eighth Doctor firmly denied ever having been a man or a woman. PROSE: Interference - Book One, Beltempest) as did the Thirteenth Doctor. PROSE: The Good Doctor) The First Doctor was an unreadable, guarded figure who was, at first, slow to trust newcomers who learnt of him, but once his trust had been earned, he would show another side of himself as a staunch anti-authoritarian with a mischievous streak. This Doctor was often irascible. He made his anger obvious. He was protective of the young women he took on as companions; they reminded him of his granddaughter, Susan. This Doctor was a brilliant, often short-tempered scientist and keen strategist. He used his signet ring to help get himself through ordeals due to his physical age impeding him. He stole a TARDIS and took his granddaughter with him, joyriding through all space and time, without a clue as to how to pilot his Ship. The Second Doctor, in contrast, was warm and wise. He was as surprised and frightened of alien menaces as those who faced them with him. He had a knack for manipulation and deception, and especially enjoyed to play a buffoon in order to trick his opponents into underestimating him so that he could better carry out his plans. His predecessor would refer to him as a "clown" due to his bumbling nature. He loved tootling on his recorder and carried around a 500-year diary, trying to record his travels, but ended up discarding it. He wore a big fur coat that dwarfed him, tying it closed with twine. A "cosmic hobo. he was forever getting himself in and out of trouble. The Third Doctor was a more dashing figure than his predecessors. He was described by his first incarnation as a "dandy. TV: The Three Doctors) He had a penchant for inventing gadgets and was skilled at martial arts, particularly Venusian aikido, and owned a vintage car named Bessie. His initially contentious relationship with Brigadier Lethbridge-Stewart softened into a close friendship during his exile on Earth, lasting through his future regenerations, despite not always agreeing with his actions. TV: Doctor Who and the Silurians) He also displayed great affection for his female companions, particularly Jo Grant. He was a gallant action hero who was very protective of his companions. The Fourth Doctor was more eccentric than his previous incarnations. Rarely without his long scarf, he carried jelly babies in his pockets, using them as bluffs, gifts and distractions—and occasionally snacks. He relied on his considerable charm, luck, and experience to get through bad situations. Although he retained his fondness for Earth. TV: The Stones of Blood) he ended his regular association with UNIT almost immediately upon his regeneration and only occasionally returned to the planet. However, he had not properly resigned from the position. TV: Pyramids of Mars) He hated to work and preferred travelling ( TV: Robot) but liked history. He enjoyed the company of a wide range of individuals, such as Sarah Jane Smith, aide to his previous self. TV: Robot) Leela, a savage. TV: The Face of Evil) K9, a robot dog. TV: The Invisible Enemy) and even a fellow Time Lord in Romana, though their relationship began poorly. TV: The Ribos Operation) The Fifth Doctor was fond of cricket and wore a stick of celery on his lapel that he used as a safety precaution for his allergy to certain gases in the Praxis range of the spectrum. TV: The Caves of Androzani) After a difficult regeneration, this Doctor displayed energy, compassion and innocence not seen in his predecessors. His character was very human and vulnerable. Like them, he used improvisation as the best way out of a tricky situation. The Fifth Doctor was the first incarnation since the First Doctor to go "hands-free" and forgo the usage of a sonic screwdriver after having it destroyed. He occasionally wore glasses, even though he didn't need them; he only wore them to make himself look clever. TV: Time Crash) He was the first Doctor to sacrifice himself for another, when he and Peri Brown were dying from spectrox toxaemia; with only one dose of the antidote available, he gave her the cure rather than taking it himself. The Sixth Doctor was a grandiose and eloquent incarnation. He sported a multi-coloured wardrobe that was often commented and sneered at, occasionally leading to him being mistaken for a jester. This Doctor loved a good quote, often making one he deemed appropriate during an adventure. He also proved to have great acting skills on numerous occasions. TV: Mindwarp, The Ultimate Foe) His manic personality and acerbic wit could shade into moral passion, but his lack of concern for little things disgusted his companions. He was also capable of violent action, much more so than in past lives, and of killing without remorse when his life was threatened. TV: The Two Doctors) Despite his bluster, he still could show great compassion and empathy. Like the Fourth Doctor, he spent most of his travels with a single companion. The Seventh Doctor had a voice touched by a Scottish burr. A keen strategist and scientist and, especially early on in his life, lighthearted, this Doctor was a planner of the highest order. Embracing the complexities of time travel and his ability to manipulate and plan for the future, the Seventh Doctor fully embraced his role of Time 's Champion, even if it risked alienating his companions. TV: The Curse of Fenric) However, he wished to help heal psychological scars from which his companions suffered. TV: The Greatest Show in the Galaxy, Ghost Light) It was at this point the Doctor began looking towards his own origins from the Dark Days of Gallifrey, realising he was far more than just another Time Lord. TV: Remembrance of the Daleks, Silver Nemesis, PROSE: Lungbarrow) The Eighth Doctor showed a romantic and sensitive side not displayed by previous Doctors. Less morally flexible than his immediate predecessor, the Eighth Doctor suffered from bouts of amnesia, first after his regeneration and again after Gallifrey was destroyed following the War in Heaven. TV: Doctor Who, PROSE: The Ancestor Cell) He broke down after the death of his Great-Grandson Alex Campbell and companion Lucie Miller, who died defeating a Dalek invasion of Earth. AUDIO: To the Death) Unlike other Doctors, the Eighth spent his travels crossing between parallel universes ( AUDIO: Zagreus, PROSE: Time Zero) and amidst time paradoxes, making his personal timeline hard to piece together. PROSE: Interference - Book One, Interference - Book Two, AUDIO: Storm Warning) He refused to take part in combat during the Last Great Time War, preferring instead to help those who were caught in the crossfire. TV: The Night of the Doctor) The " War Doctor " was an incarnation specifically chosen to be that of a warrior who would fight in the Last Great Time War. The regeneration into this incarnation was aided by the Sisterhood of Karn. TV: The Night of the Doctor) Although being a warrior and showing anger if he was referred by his former name, he still showed charm and compassion like his earlier selves. Due to the belief that he had destroyed Gallifrey, he was treated with shame and contempt by his future incarnations. His eleventh incarnation stated that his actions broke "the promise" of the "name of the Doctor. TV: The Name of the Doctor) This assessment changed somewhat once the real end of the Time War was revealed and was described after that as being the Doctor most of all by his future selves. TV: The Day of the Doctor) The Ninth Doctor considered himself the sole Time Lord survivor of the Time War (he spent his life thinking that he was responsible for destroying the Time Lords. He displayed much of the playfulness of his previous incarnations but was emotionally and psychologically scarred by the war and his role in it, which sometimes resulted in a detachment that was interpreted by some as cruelty. TV: The End of the World, Dalek) When asked about his voice and accent, he responded, Lots of planets have a North. TV: Rose) He cared deeply for Rose; he began to heal thanks to her. TV: Dalek, Journey's End) He also made dry jokes when facing danger or to diffuse tension. The Ninth Doctor ultimately sacrificed himself to save Rose's life, not only proving he cared deeply for her but allowing him to make peace with his past. TV: The Parting of the Ways) The Tenth Doctor had a manic personality with a fondness for human popular culture. However, his more outgoing personality traits largely existed to hide leftover emotional trauma from the Time War. While he had a bright, playful side, darker traits occasionally emerged. TV: The Christmas Invasion, Tooth and Claw, School Reunion, The Runaway Bride) He continued his previous incarnation's care for Rose Tyler, even growing into platonic love. However was unable or unwilling to express his exact feelings. TV: Doomsday; Journey's End) He experienced other romances on occasion, including with historic figures Madame de Pompadour ( TV: The Girl in the Fireplace) and Queen Elizabeth I. TV: The End of Time, The Day of the Doctor) However, they all ended badly. He was also the first Doctor to explicitly fear and dodge regeneration, because he had grown attached to his attributes and felt like it was a form of death and loss of identity; indeed, he is the first Doctor to actually waste a regeneration (after being shot by a Dalek) in order to retain his appearance and personality. TV: Journey's End, The Time of the Doctor) When the time came for him to fully regenerate, he was completely heartbroken before accepting his destiny. TV: The End of Time) The Eleventh Doctor exhibited a renewed youthful enthusiasm for adventure. He could quickly turn frantically angry and ruthless when events demanded. TV: The Eleventh Hour, The Beast Below, A Town Called Mercy) Like his second and seventh selves before him, he was a cunning schemer, executing temporally complex plans and misdirections to achieve victory against his enemies. TV: Day of the Moon, A Good Man Goes to War, The Wedding of River Song) He frequently referred to himself as being old, showing his age on more than a few occasions. TV: Vincent and the Doctor, The Big Bang, The Impossible Astronaut, Closing Time) Through his marriage to River Song, he found a sense of family again with her and his in-laws, and was distraught when circumstances separated him from them. TV: The Power of Three, The Angels Take Manhattan, The Name of the Doctor) Some events still provided painful reminders of his role in the Time War. TV: The Rings of Akhaten, The Time of the Doctor, et al. He was the final incarnation before the Time Lords granted him a new regeneration cycle. TV: The Time of the Doctor) The Twelfth Doctor displayed an acerbic wit coupled with sarcasm. Like his seventh incarnation, he was manipulative and practical to a fault. He lacked much of the empathy present in his immediate predecessors, and as a result, found himself coming off as callous or uncaring on many occasions. In spite of this, he shared the Eleventh Doctor's lack of tact and odd behaviour. He had a tendency to brush off death around him, in order to focus on the task at hand. However, because of this, he expressed doubt as to whether he was a "good" man. TV: Into the Dalek) He eventually accepted that he wasn't a good man, but decided he wasn't a bad one either, being just "an idiot with a box. TV: Death in Heaven) By the end of his life, the Twelfth Doctor sought "just [to] be kind. He fought for others, in the face of futility, because he felt it was right. TV: The Doctor Falls) The Twelfth Doctor had an unwavering care for Clara Oswald, even when he felt she had betrayed him. TV: Dark Water) When she eventually died, he "went too far" to get her back, and had to erase his memories of Clara. TV: Hell Bent) He considered hope to be his major weakness. TV: The Eaters of Light) and in the end, wanted nothing more than for Missy to renounce her former ways and to stand with him, as his friend. TV: World Enough and Time, The Doctor Falls) The Thirteenth Doctor was dynamic, curious, and endlessly caring. She was the Doctor's first female incarnation. TV: Twice Upon a Time, The Woman Who Fell to Earth) Influenced by the final words of her predecessor, this Doctor stood for kindness and compassion, willing to help anyone who needed it. She shared qualities with many of her other incarnations, fiercely believing in hope. TV: The Tsuranga Conundrum, The Battle of Ranskoor Av Kolos) love. TV: Demons of the Punjab, The Witchfinders) and the preservation of all life. TV: Arachnids in the UK, The Witchfinders, The Battle of Ranskoor Av Kolos) A number of other incarnations have been chronicled; however, where they fall within the Doctor's lifetime is unclear: The Other was the mythological third founding father of Gallifrey, several accounts link the Doctor to the Other, in some the Doctor is the Other reincarnated through the Loom of the House of Lungbarrow, while other accounts depict the Other as the Doctor from some point in the Future. PROSE: Remembrance of the Daleks, Lungbarrow, The Scrolls of Rassilon, et al. ) The Watcher was a manifestation of the Doctor during his fourth regeneration. He went back in time to the Fourth Doctor 's final adventure and ensured the events leading to his death would still happen. When the Doctor finally regenerated, he merged with the Watcher to briefly become him, after which he emerged from the regeneration as the Fifth Doctor. TV: Logopolis) The Valeyard was, according to the Master, an amalgamation of the darker sides of the Doctor's nature, somewhere between the Doctor's twelfth and final incarnation. He shared the characteristics and dress sense of the Master. He sought to take the Sixth Doctor 's seven remaining regenerations and have them for himself. TV: The Ultimate Foe) He was finally defeated in Victorian era London. PROSE: Matrix) The Great Intelligence ( TV: The Name of the Doctor) and the Testimony were aware of the Valeyard's existence. TV: Twice Upon a Time) One incarnation travelled to an alternate world and taught King Arthur. He became known as Merlin. PROSE: Battlefield, TV: Battlefield) He was also temporarily exiled to Antýkhon, where he was known as "Muldwych" and was visited by the Seventh Doctor. PROSE: Birthright) He was good friends with Irving Braxiatel. PROSE: The Collection) Clive Finch had photographs of a tall, black female Doctor who used a flaming sword and a young Doctor of indeterminate gender in a hi-tech wheelchair. PROSE: Rose) After his previous incarnation was killed by Mestizer, one Doctor stayed in 1949 London for a while, where he was tracked by Honoré Lechasseur. PROSE: The Cabinet of Light) One Doctor resembled a short-haired version of the Eighth Doctor, on one occasion even sharing a vision with the Eighth Doctor. PROSE: The Infinity Doctors, Father Time) This Doctor returned to living on Gallifrey. He ended the Rutan-Sontaran War and fought Omega. PROSE: The Infinity Doctors) The Emperor, who resembled a short-haired version of the Eighth Doctor. PROSE: The Gallifrey Chronicles) ruled the end of the universe from the Needle. He was one of the four surviving elementals. According to the Klade, the Emperor was a ruthless and fearsome individual. Shortly after the birth of his daughter Miranda Dawkins, the Emperor was assassinated. PROSE: Father Time) The Doctor's last incarnation both faked his death on Dronid during the first battle of the War in Heaven and eventually actually died, with his corpse being planted there. However, the timelines changed when the Eighth Doctor learned of his future self's death and the existence of this Doctor's corpse became a paradox. PROSE: Alien Bodies) The Curator was a future incarnation of the Doctor. COMIC: The Then and the Now) He greatly resembled an older version of the Fourth Doctor, having "revisited" this "old favourite" among his past faces. TV: The Day of the Doctor) Partially retired" the Curator fulfilled the function of Curator of the Under Gallery, which had been awarded to the Doctor by his one-time wife Elizabeth I. As such, the Curator spent some time collaborating with UNIT contemporaneously with the Third Doctor, unbeknownst to the earlier incarnation, though not to Brigadier Lethbridge-Stewart. The Curator also occupied himself by editing scattered writings of his past incarnations, the "Doctor Papers" into a coherent history of the Last Great Time War. PROSE: The Day of the Doctor) An unknown female incarnation of the Doctor was encountered by the Thirteenth Doctor who used her sonic screwdriver to positively identify this Time Lord and herself as the same person, despite neither of them having memories of the other. This incarnation was on the run from the Time Lords and had hidden herself by the use of a Chameleon Arch to avoid detection under the identity of "Ruth Clayton. As "Ruth" she was happily married to a man called " Lee. living in Gloucester, and was a tour guide for the city. Upon being tracked down by the Judoon, Lee" actually her minder) sacrificed himself as a diversion, and reawakened memories of a lighthouse within her with a cryptic text. The recovered memory then led the two Doctors to the lighthouse where "Ruth" recovered both her identity as the Doctor and her TARDIS and confronted Gat, a Time Lord who had killed "Lee" and was hunting her "for the glory of Gallifrey" with a laser rifle on board the Judoon ship. During the confrontation, and upon learning that Gat was also Gallifreyan, the Thirteenth Doctor claimed that this incarnation " can only be [her] past. This Doctor, knowing that Gat would ask her to surrender the weapon, had recalibrated it to disintegrate the user, which the Thirteenth Doctor was appalled at. Afterwards, the Thirteenth Doctor and this Doctor left the Judoon when they reached interstellar space as it was no-one's jurisdiction, with the Judoon chief swearing that a Judoon contract was always fulfilled. The Doctors then parted ways, with them both being uncertain as to which one of them had faulty memories. TV: Fugitive of the Judoon) An interesting aspect of the Doctor's personality was that they occasionally expressed a personal liking or disliking for particular incarnations, though this opinion depended on the incarnation making the assessment. The Doctor's tenth incarnation expressed a deep fondness for his fifth incarnation. TV: Time Crash) and slight disdain for his ninth, considering him unnecessarily violent. TV: Journey's End) The Twelfth Doctor was obviously flattered when he believed, incorrectly, that his companion was romantically involved with a fellow teacher he considered to bear a resemblance to his eleventh incarnation. TV: The Caretaker) The Fifth Doctor was disliked by his immediate successor. TV: The Twin Dilemma) In another instance, the Fourth Doctor made reference to the Third Doctor, saying, Some people liked it, but I prefer this one. TV: The Brain of Morbius) The Twelfth Doctor told his first incarnation that "there [were] a few false starts [before becoming him] but you get there in the end. TV: Twice Upon a Time) The Seventh Doctor was also annoyed when he had to work with the Fifth Doctor, seeing him as "not even one of the good ones. The Fifth Doctor was equally disgusted by what he would become. PROSE: Cold Fusion) The Fifth Doctor also stated after meeting his past selves that he was not the man he had been - and "thank goodness for that. TV: The Five Doctors) Immediately before his regeneration, the Tenth Doctor stated, I don't want to go" showing he had become attached to his current self. Immediately after his twelfth regeneration, the Eleventh Doctor remarked upon his new nose, stating that, I've had worse" — possibly a reference to multiple incarnations, including his third, who was once described as a "long-shanked fellow with a mighty nose. TV: The End of Time, The Time Warrior) The Eleventh Doctor also at one point expressed loathing for his first incarnation's initial personality, considering himself at that time a foolish and arrogant liar and a selfish coward. COMIC: Hunters of the Burning Stone) Before learning the true outcome of the Time War, the Eleventh Doctor expressed an even greater hate for the " War Doctor " whose actions were so shameful that he went against "the name of the Doctor" and not counting him among his incarnations. TV: The Name of the Doctor) Both the Tenth and Eleventh Doctors however forgave their war incarnation and honoured him as being the Doctor more than any of his incarnations once they learnt the real result of the Time War. TV: The Day of the Doctor) Adventures by unknown incarnations of the Doctor Edit Due to the Doctor's many adventures it was sometimes unclear as to which incarnation of the Doctor experienced them. Some of these adventures include: A Doctor was working on behalf of the Time Lords. He was described as having a harshly, angular face and thumb-tucked arrogance. PROSE: From Eternity) An incarnation of the Doctor after his sixth one visited Peri Brown on Krontep. PROSE: Reunion) A Doctor once saved a young girl from a monster living in her barn. This incarnation bears similarity to the Sixth Doctor. PROSE: The Colour of Monsters) A Doctor was once trapped on a Dalek -occupied planet. PROSE: The Dalek Factor) He used the name Professor suggesting the Seventh Doctor or later. TV: Dragonfire et al. ) A Doctor spoke to Jack Harkness of Silurian mythology, Huon particles, and Racnoss energy, leading him to speculate that an expansion of their hibernation matrix resulted in the Blessing. TV: The Blood Line) Jack was a companion of the Ninth and Tenth Doctors. TV: Utopia) A Doctor once met Vastra, Jenny and Strax at the Tower of London in 1897. COMIC: The Giant's Heart) A Doctor fought Mestizer after regenerating in London, 1949. PROSE: The Cabinet of Light) He later battled the Sodality. PROSE: Child of Time) The Thirteenth Doctor, soon after regenerating, recalled once having spent three weeks as a hologram. TV: The Ghost Monument) The Thirteenth Doctor later recalled once having lived in the Australian outback for 123 years. TV: Spyfall) Impacting future incarnations Edit The Doctor on occasion performed acts that were expected to have an impact on future incarnations. Once, in order to recharge the TARDIS, the Tenth Doctor transferred some of his life energy, an act he acknowledged shortened his lifespan (and, by extension, the life of his ultimate final incarnation) by ten years. TV: Rise of the Cybermen) Later, the Twelfth Doctor gave up some of his regeneration energy to revive Davros. TV: The Witch's Familiar) as did the Eleventh Doctor to heal River Song 's wrist. TV: The Angels Take Manhattan) when River Song did something similar to save the Eleventh Doctor's life, it was stated that doing so cost her ability to regenerate. TV: Let's Kill Hitler) Indeed, River pointed out to the Eleventh Doctor that he had wasted regeneration energy. TV: The Angels Take Manhattan) The Twelfth Doctor, after becoming blind, once created a device capable of borrowing eyesight from a future version of his current incarnation, but at the possible cost of being permanently blinded or having all possibility of future regeneration disabled; however, this took place in a computer-generated simulation. TV: Extremis) Regeneration Edit Due to the unique structure of Time Lord biology, the Doctor had the ability to regenerate, to "cheat death. TV: The Parting of the Ways) A Time Lord was usually limited to twelve regenerations. TV: The Deadly Assassin, Mawdryn Undead, Doctor Who, The Time of the Doctor) The High Council of the Time Lords could influence regenerations, treating them as punishment ( TV: The War Games) and reward. TV: The Five Doctors, Utopia, The Time of the Doctor) At times, enemies coveted the Doctor's future regenerations and tried to take them for their own. TV: Mawdryn Undead, Doctor Who, Human Nature / The Family of Blood, The Witch's Familiar) The effect of regeneration on the Doctor in the time immediately following the event varied from incarnation to incarnation. In some cases, the Doctor regained their faculties quickly, erratic behaviour notwithstanding. TV: The Power of the Daleks, The Twin Dilemma, The Eleventh Hour) On one occasion when the regenerative process was postponed for a long time, he was rendered amnesiac. TV: Doctor Who) In most cases, the Doctor was incapacitated for a period of time before ultimately recovering. TV: Spearhead from Space, Robot, Castrovalva, Time and the Rani, The Christmas Invasion) There were also rare cases where the Doctor was able to delay regeneration from setting in for an extended period of time. The Tenth Doctor once did such to visit all of his past companions - though, after the long delay, the resulting energy release was catastrophic for the TARDIS. TV: The End of Time, Death of the Doctor) After gaining a new regenerative cycle, the Twelfth Doctor did something similar while trying to decide whether or not to regenerate. He called this period "a state of grace" where the Time Lord within the state would be briefly restored to health before weakening and must choose to either regenerate or die. Like the Tenth Doctor, the Twelfth Doctor's regeneration was highly explosive as a result. TV: Twice Upon a Time) In contrast, the First Doctor 's regeneration into the Second Doctor, despite having delayed his regeneration like the Tenth and Twelfth Doctors, was not explosive at all. TV: The Tenth Planet) However, the Twelfth Doctor did delay the change further after the First Doctor left. TV: Twice Upon a Time) and the Tenth Doctor delayed it longer than the Twelfth, having managed to visit every single one of his previous companions before changing. TV: Death of the Doctor) Due to the regeneration into the War Doctor and the Tenth Doctor 's aborted regeneration, the Eleventh Doctor was actually the Doctor's last incarnation until the Time Lords gifted him with a new regenerative cycle at the end of that life. TV: The Time of the Doctor) It was unclear exactly how many regenerations he was given, the Twelfth Doctor stated that he himself was not sure and didn't rule out the possibility that his new cycle could be infinite as he stated he could now possibly regenerate forever. TV: Kill the Moon) Indeed, Rassilon, while threatening the Twelfth Doctor with his gauntlet, remarked to him "how many regenerations did we grant you? I've got all night. TV: Hell Bent) and when all of the incarnations, past and future, of the Doctor teamed up to help preserve Gallifrey from disaster as it slipped into a parallel pocket universe at the end of the Last Great Time War, there were enough of them that the sky was filled with "a blizzard of blue boxes. PROSE: The Day of the Doctor) Causes of regeneration Edit The First Doctor was weakened by Mondas as it drained Earth 's energy, succumbing to old age. TV: The Tenth Planet) He hesitated for a time to regenerate, fearing the change, entering "a state of grace" where he was briefly restored to health before he had to make a choice. Following an adventure with the Twelfth Doctor, the First Doctor chose to regenerate after seeing the man he would ultimately become. TV: Twice Upon a Time) The Second Doctor had regeneration forced upon him by the Time Lords as part of his punishment for breaking the Laws of Time; his appearance was chosen for him after he rejected all choices. TV: The War Games) Before he could change, however, he was picked out by the Celestial Intervention Agency to be their "hired gun. PROSE: World Game) and perform tasks. When he was done, he tried to run away, but eventually got caught and forced into regenerating. COMIC: The Night Walkers) The Third Doctor suffered radiation poisoning from the Great One 's web of Metebelis crystals, then got lost in the Time Vortex for a decade before returning to UNIT HQ. TV: Planet of the Spiders, PROSE: Love and War) The Fourth Doctor was severely injured after plummeting from the Pharos Project radio telescope. TV: Logopolis) The Fifth Doctor suffered exposure to unrefined Spectrox, sacrificing himself to give the bat's milk needed to cure it to Peri. TV: The Caves of Androzani) The Sixth Doctor was compelled to travel to the Lakertyan System by a mental impulse sent to him by an alternative future Sixth Doctor, in order to stop the Valeyard from stealing the lives of every Time Lord to ever exist. Upon arrival, his TARDIS was bombarded by radiation coming from Lakertya, radiation that was deadly to Time Lords. He died from exposure to said radiation. AUDIO: The Brink of Death) The Seventh Doctor was lightly injured after being caught in the middle of a gang war; his circulatory system was damaged by Grace Holloway during surgery to "fix" his abnormal heartbeat. TV: Doctor Who) The Eighth Doctor regenerated after he tried to help a pilot named Cass escape from a crashing ship. Cass refused his help however when she identified his ship as a TARDIS and therefore his being a Time Lord, who she despised because of the Time War. He died when the ship crashed but was revived temporarily by the Sisterhood of Karn, who not only offered to trigger his regeneration, they also offered him a choice on the characteristics of his next incarnation. TV: The Night of the Doctor) The " War Doctor " regenerated because his long-lived elderly body had grown precariously weak after spending an entire lifetime fighting in the Time War. The tipping point was at the end of the war when he helped to save Gallifrey from being destroyed by one billion-billion Daleks and place it in a different dimension. With the Time War concluded and his will to persist as that incarnation for as long it waged settled, his regeneration began before his vitality drained entirely. He remarked that his body was "wearing a bit thin. like his distant predecessor. TV: The Day of the Doctor) The Ninth Doctor removed the Time Vortex 's energy from Rose Tyler, channelling it back into the heart of the TARDIS. However, his brief possession of the energy very nearly destroyed his cellular structure completely. Because of the damage, he had to regenerate. TV: The Parting of the Ways) The Tenth Doctor was grazed by a shot fired from a Dalek's gunstick during their 2009 invasion of Earth. He used his regeneration energy to heal himself, but then syphoned off the rest of the regeneration into his extra hand to prevent transformation into another form. The regeneration energy stored in the hand allowed it to grow into another Doctor, when it came into contact with Donna Noble. TV: The Stolen Earth / Journey's End) The Tenth Doctor absorbed the radiation from a nuclear vault supply to spare Wilfred Mott. Unlike most of his predecessors, he held off the regeneration for a long time; the result was explosive damage to the TARDIS when he finally completed the process, that caused it to crash and regenerate itself. TV: The End of Time) The Eleventh Doctor spent centuries defending the town of Christmas, on the planet Trenzalore. Before his body succumbed to old age, the Time Lords granted him a new regeneration cycle, prompting his regeneration. His most destructive regeneration process yet, he destroyed several Daleks and their ship with the regeneration energy and restored his body to a younger form but did not immediately change him into his next incarnation. The change finally occurred shortly after he returned to the TARDIS. TV: The Time of the Doctor) The Twelfth Doctor was struck several times by Cyberman energy beams during the Battle of Floor 0507, requring him to regenerate. TV: The Doctor Falls) Upon awakening in the TARDIS, the Doctor again started to regenerate, but held it back, entering "a state of grace" during which he went on a final adventure with the First Doctor. After the adventure, the Twelfth Doctor regenerated explosively, severely damaging the TARDIS. TV: Twice Upon a Time) Parallel universes Edit In one parallel universe, Kate Stewart knew the Doctor as a man who went about annihilating "pathetic, pacifist aliens. AUDIO: False Negative) Rose Tyler was under the mistaken belief that the Doctor was a "one-off" across the multiverse. AUDIO: The Last Party of Earth) due to the fact that she could find no trace of them in several parallel universes including Pete's World, one whose Earth was doomed to extinction when its own sun was extinguished. AUDIO: The Endless Night) one whose Earth had been struck by extreme global warming believed to have been covertly caused by aliens. AUDIO: The Flood) one where SoulTech enabled the consciousness of deceased humans to live on in the soul machines. AUDIO: Ghost Machines) and one where the human race faced impending destruction at the hands of planetoid EK56. AUDIO: The Last Party of Earth) Behind the scenes Edit "Doctor Who" Edit The use of the name "Doctor Who" when referring to the Doctor is commonplace in the British media, the end credits of many episodes, and most prose and comic stories of the 1960s and 1970s. The ending credits for the series gave his name as "Doctor Who" or "Dr. Who" from 1963 until Logopolis part four, when incoming Doctor Peter Davison insisted upon a change in the credits of Castrovalva to "the Doctor" which remained in place until the end of the original series in 1989; executive producer Russell T Davies used "Doctor Who" when the series returned in 2005, but Tenth Doctor actor David Tennant asked to change it back to "the Doctor" beginning with The Christmas Invasion. Despite these insistences, both Davison and Tennant called the character "Dr. Who" in several different interviews, as is common for media and cast members. Especially in the 1960s and early 1970s, many stories referred to the Doctor as "Doctor Who. The Doctor Who annuals and Target Books novelisations frequently called him "Doctor Who" in titles and narration, though dialogue between characters usually used "the Doctor. In The War Machines, WOTAN directly referred to the Doctor as "Doctor Who" but most other usages of the name throughout the series' history were non-serious, such as the Second Doctor 's pseudonyms and K9 's jokes. In World Enough and Time, Missy told Bill Potts that the Doctor originally called himself "Doctor Who" the Twelfth Doctor told Bill that Missy was trying to wind her up, but never denied the claim. Main article: The Doctor's aliases#Doctor Who Casting Edit As of 2019, every actor to portray the Doctor on an ongoing basis has been Caucasian and born in the United Kingdom. Every actor until Jodie Whittaker had been male. Despite the fact that the Doctor is not a native of Britain, or of Earth for that matter, every actor to play them so far has had a British accent, much in the way most aliens in the Star Trek franchise tend to speak with an American accent. The type of British accent has varied from one incarnation to the next. The earliest incarnations used RP, whereas some of the more recent incarnations have had Estuary accents. The Ninth Doctor had a Northern accent, causing Rose to ask why an alien would have a Northern accent, to which he replied, Lots of planets have a north. TV: Rose) Both Sylvester McCoy and Peter Capaldi used their natural Scottish accents while playing the role, with the fact the Doctor sounds Scottish being used in dialogue plot points in (to date) TV: Deep Breath and Robot of Sherwood. The Thirteenth Doctor had a Yorkshire accent. TV: Twice Upon a Time [ additional sources needed] To date, the oldest actor to be cast as the Doctor has been John Hurt, who was 73; the youngest has been Matt Smith, who was 26 when cast. The oldest to be cast on an ongoing basis was Peter Capaldi, who was 55 when he was cast and began filming, and turned 56 during the production of Series 8. In 2014, Tom Baker turned 80 and continued to record new performances as the Doctor for Big Finish Productions ' Fourth Doctor Adventures audio dramas, making him the oldest actor to play the part in an officially licensed capacity. Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann, all in their sixties or seventies, also continue to portray the Doctor in licensed audio dramas produced by Big Finish, with McGann also appearing in audio dramas produced by Big Finish and BBC Radio for broadcast on BBC7 radio. In the 2000s and 2010s, Tom Baker also portrayed the Doctor in AudioGO 's Hornets' Nest, Demon Quest and Serpent Crest audio dramas. In the Sarah Jane Adventures episode Death of the Doctor Part 1, Daniel Anthony, who plays Clyde Langer, became the first non-Caucasian actor to play the Doctor, when Clyde's body is briefly taken over by the Eleventh Doctor 's consciousness. Anthony delivered a line of dialogue as the Doctor while impersonating Matt Smith 's voice. Owing to the brevity of the performance, and the fact he is playing an established incarnation, the fact Anthony was the first to break the barrier of skin colour is generally not recognised. Aged 22 at the time the episode was filmed, Anthony is also technically the youngest to play the part. Although the character is portrayed as white, there have been black actors who were considered for the role. Among them comedian Eddie Murphy back in 1996, David Harewood, Charles Venn, Paterson Joseph and Robbie Gee. Colin Salmon was a strong contender to play the Eleventh Doctor. source needed] Longest-serving Doctor Edit There are several different methods for calculating who was the "longest serving Doctor. The most commonsensical definition is simply that of the actor who played the role on television for the longest continuous period. This mantle goes to Tom Baker, who was the Fourth Doctor from June 1974 to March 1981, or 6 years, 9 months. Baker is also the longest-serving Doctor in terms of the number of individual episodes, total story count and amount of screen time. Thus he is generally considered to be the "longest-serving Doctor. But there are other methods of measurement — all of which exclude Dimensions in Time. For 92 of the 104 Saturdays that comprised 1964 and 1965, William Hartnell 's credit appeared after each episode of Doctor Who without fail. He did sometimes take a holiday and pre-film the odd insert, filming for all but six weeks in both 1964 and 1965. Peter Davison holds the record for the greatest length of time between his initial performance in the last episode of Logopolis, and Time Crash. The two events were separated by 26 years 8 months. Though he is not playing the same incarnation of the Doctor, Tom Baker 's appearance as the Curator in The Day of the Doctor as a possible future version of the Doctor could mean his tenure in the role was longer than Davison's by this measure, with the gap between the 50th Anniversary special's broadcast and Baker's first appearance being just 8 months short of 40 years. Colin Baker had the longest run between bookending regeneration scenes. The span from the premiere of The Twin Dilemma to his regeneration in The Brink of Death was approximately 31 years. Paul McGann was notionally the longest-serving incumbent in the role, as he debuted in May 1996 and Christopher Eccleston 's premiere didn't happen until March 2005. Being very generous, therefore, McGann was the "current Doctor" for a total of 8 years and 10 months. However, this is probably stretching a point, since obviously he was actually replaced not once but twice by the BBC. He effectively lost his incumbency once Richard E Grant was cast as the Shalka Doctor. McGann also has recorded by far the greatest amount of hours of Doctor Who audio stories. Previously, he had more performed material on audio and television combined than even Tom Baker, but in 2010, Baker began recording audio dramas for AudioGO and then Big Finish, and had reclaimed his title by 2015. The Eighth Doctor, though not McGann himself, is the longest-serving incumbent comic strip Doctor, in terms of the amount of time between his debut in Dreadnought on 1 June 1996, and his final appearance in The Flood on 2 March 2005. Call it 8 years and 9 months. The Tenth Doctor is the longest-serving comic strip Doctor, in terms of the total number of stories which featured his incarnation. This is primarily due to the number of different publications that were granted comic licences during David Tennant's tenure in the role. Most of this count is due to the prolific comic strip published in Doctor Who Adventures which, for most of Tennant's tenure, was a weekly publication that ran a new standalone story every issue. The situation with books is a very close battle between the Seventh and Eighth Doctors, both of whom had long-running series. However, the Eighth Doctor is the longest-running both in terms of time and number of books published. The issue of the longest-serving Doctor was a source of controversy on British game show The Million Pound Drop, which asked the question with the choices of McCoy, McGann, Eccleston, and Tennant; the team split their 650, 000 between McCoy and McGann, only to find out that the "correct" answer was Tennant. Once the error was discovered (partly since the question was fundamentally flawed due to the absence of Tom Baker) the team was brought back to continue where they left off with 325, 000 and ended up winning 25, 000. Analogous characters Edit There have been several characters outside the confines of the DWU which have been broadly modelled on general aspects of the Doctor. Such " pastiches " are examined in greater detail elsewhere. The Doctor's wives Edit Steven Moffat, in his production notes column in DWM 482, speculated that the Doctor's first spouse out of the four mentioned in the television story Death in Heaven was a woman who was married to the First Doctor for a long time on Gallifrey and bore the Doctor's children. He claimed "Mrs Who No 1" was never mentioned by the Doctor nor has he ever discussed her. External links Edit The Doctor at the Faction Paradox wiki The Doctor at Marvel Database The Doctor at the LEGO Dimensions wiki v   •   e The Monarchs of England and Great Britain Pre- 1066 monarchs The Doctor • King Arthur • Egfrith • Alfred the Great • Athelstan of England • Ethelred • Cnut • Edward the Confessor • Harold Godwinson English monarchs William I • Richard I • John • Henry III • Richard II • Henry IV • Henry V • Edward IV • Edward V • Richard III • Henry VII • Henry VIII • Edward VI • Jane Grey • Mary I • Elizabeth I • James I • Charles I Lord Protector Oliver Cromwell • Richard Cromwell Charles II • James II • Mary II & William III • Anne British monarchs Anne • George I • George II • George III • George IV • Victoria • Edward VII • George V • Edward VIII • George VI • Elizabeth II • Charles III • William V • Henry XII • Elizabeth X Alternate timeline monarchs King Arthur • Charles III • John Hart • Edward IX The monarchs are listed in rough chronological order by the time of their coronation. Please note that this template only uses information from DWU sources. Real world information should not enter into this.

3:23 nice hand trick to prevent an epic fail here. Looks like a brilliant episode, can't wait! 😃. Free Watch Daktaras kass. I think dr who has lost its family appeal. Its gone dark and quite depressing. Needs to finish now. God I miss matt smith as the doctor Love the new doctor though. Tenth doctor: Cancer? I will help you in any way I can. Thirteenth doctor: Cancer? I'm going to use my personal traits as an excuse to duck out of the conversation. Free watch daktaras kaspersky internet security. Guys. Chris Chibnall was the showrunner on the first two seasons of Torchwood.

This website is made by BBC Studios Distribution. BBC Studios is a commercial company that is owned by the BBC (and just the BBC. No money from the licence fee was used to create this website. The profits we make from it go back to BBC programme-makers to help fund great new BBC programmes. BBC, DOCTOR WHO, DALEK and TARDIS (word marks, logos & devices) are trademarks of the British Broadcasting Corporation. Logos 1996. Doctor Who logos BBC 1969 and 2009. Dalek image BBC/Terry Nation 1963. If you come across an infringement of BBC copyright or trade mark that you would like to report please e-mail antipiracy at bbc dot com with as much information as possible. Thank you for taking the trouble to report this, we appreciate the vigilance of our fans.

Free Watch Daktaras. I feel like you could specifically make a video for Capaldi alone. Omg tooth and claw cgi was better than that. The timeless child in the doctors nightmare looks like a young Yaz? Maybe this is her true secret and theres a fob watch hidden somewhere in her flat 🤷🏼‍♂️. When you pander to the vocal 1% you alienate the silent 99. Free Watch Daktaras kas. The Doctor can't think of anything nice to say to a companion with cancer. Jesus! She is The Doctor! She probably knows how to cure Graham's cancer. But it seems like this new caring, sharing Doctor can't give a shit. I know the BBC has an issue with white men but getting the Doctor to just blithely shrug her shoulders when a male character says he has cancer exposes a nasty callousness at the heart of the BBC. This is just another excuse to scrap the licence fee.

• “DONT TOUCH HER. DONT HARM HER IN ANY WAY!” • “Why would you care? Shes the woman who kills you.” • “Im not dead.” Good reason. I second that guys. Free Watch Daktaras kassandra. Free watch daktaras kasam. In the mid to late 70s, during my 'tween and early 'teen years, I remember seeing the incessant promos for 'Dr. Who' on the local PBS station in Chicago. I tried watching it a few times, but by that time the series was about as old as I was and I just could not get into it. My (slightly) younger brother, on the other hand, developed a great love of the series and he and his best friend would talk about each episode with a joy I simply did not understand.
In all these years I have never watched an entire episode and here I sit tonight, some 30 years later, watching my first complete episode of 'Dr. Who' well, I actually missed the first 10 mins or so and didn't even realize it was 'Dr. Who' until I had watched 30+ mins of it! LOL. And... and... I really enjoyed it.
This is the 'new' Dr. Who series begun in 2005, and while I don't quite know if this is a re-telling of the original storyline begun in 1963 or if this is a continuation of the storyline from the series finale of 1989. I'm sure a bit of research will answer this question.
When I finally realized that I was watching 'Dr. Who' a flood of memories came rushing back. mostly of my brother (who, coincidentally, died a few months after the final episode of the original 'Dr. Who' series aired) and his best friend (who I haven't seen or heard from in 8 yrs or so) and their long talks and excited recitations of 'Who' dialog.
Now I have small sons myself, and while they are too young to watch 'Dr. Who' I wonder if they will come to love it as their uncle did. For me, I think I will find the first 4 seasons of this 'new' series and give it a shot. If it's as entertaining as tonight's episode I may become a 'Who' fan after-all.
Better late than never, eh.

From Wikipedia, the free encyclopedia (Redirected from List of Doctor Who serials) Jump to navigation Jump to search For the British science-fiction television programme Doctor Who, List of Doctor Who episodes may refer to: List of Doctor Who episodes (1963–1989) a list of the 1963–1989 episodes and 1996 film of Doctor Who List of Doctor Who episodes (2005–present) a list of the episodes starting from 2005 of Doctor Who Contents 1 Series overview 1. 1 Regular seasons 1. 2 Specials 2 See also Series overview [ edit] This section is transcluded from List of Doctor Who episodes (2005–present) Series overview. edit, history) The following table dictates the season or series in question for the programme as a whole. Regular seasons [ edit] Season / Series Era Doctor Serials Episodes Originally aired Average viewers (millions) First aired Last aired Season 1 Classic era First Doctor 8 42 23 November 1963 12 September 1964 8. 08 Season 2 9 39 31 October 1964 24 July 1965 10. 46 Season 3 10 45 11 September 1965 16 July 1966 7. 65 Season 4 [a] Second Doctor 9 43 10 September 1966 1 July 1967 7. 10 Season 5 7 40 2 September 1967 1 June 1968 7. 23 Season 6 7 44 10 August 1968 21 June 1969 6. 38 Season 7 Third Doctor 4 25 3 January 1970 20 June 1970 7. 17 Season 8 5 25 2 January 1971 19 June 1971 7. 96 Season 9 5 26 1 January 1972 24 June 1972 8. 30 Season 10 5 26 30 December 1972 23 June 1973 8. 87 Season 11 5 26 15 December 1973 8 June 1974 8. 78 Season 12 Fourth Doctor 5 20 28 December 1974 10 May 1975 10. 00 Season 13 6 26 30 August 1975 6 March 1976 10. 14 Season 14 6 26 4 September 1976 2 April 1977 11. 08 Season 15 6 26 3 September 1977 11 March 1978 8. 98 Season 16 [b] 6 26 2 September 1978 24 February 1979 8. 61 Season 17 5 [c] 20 1 September 1979 12 January 1980 11. 21 Season 18 7 28 30 August 1980 21 March 1981 5. 82 Season 19 Fifth Doctor 7 26 4 January 1982 30 March 1982 9. 24 Season 20 6 22 3 January 1983 16 March 1983 7. 03 Season 21 [d] 7 24 5 January 1984 30 March 1984 7. 14 Season 22 Sixth Doctor 6 13 5 January 1985 30 March 1985 7. 12 Season 23 [e] 1 14 6 September 1986 6 December 1986 4. 81 Season 24 Seventh Doctor 4 14 7 September 1987 7 December 1987 4. 94 Season 25 4 14 5 October 1988 4 January 1989 5. 34 Season 26 4 14 6 September 1989 6 December 1989 4. 15 Series 1 Revived era Ninth Doctor 10 13 26 March 2005 18 June 2005 7. 95 Series 2 Tenth Doctor 10 13 15 April 2006 8 July 2006 7. 71 Series 3 9 13 31 March 2007 30 June 2007 7. 55 Series 4 10 13 5 April 2008 5 July 2008 8. 05 Series 5 Eleventh Doctor 10 13 3 April 2010 26 June 2010 7. 73 Series 6 11 13 23 April 2011 1 October 2011 7. 52 Series 7 13 13 1 September 2012 18 May 2013 7. 44 Series 8 Twelfth Doctor 11 12 23 August 2014 8 November 2014 7. 26 Series 9 9 12 19 September 2015 5 December 2015 6. 03 Series 10 11 12 15 April 2017 1 July 2017 5. 45 Series 11 Thirteenth Doctor 10 10 7 October 2018 9 December 2018 7. 96 Series 12 8 [1] 10 [2] 1 January 2020 1 March 2020 [3] TBA ^ The First Doctor remained for the first two serials of season 4. The Second Doctor featured for the remainder of the season from the third serial, The Power of the Daleks. ^ Also known by its subtitle, The Key to Time. ^ Shada was left unfinished due to a strike. The story was later completed and officially released on home media in 2017. The voices of the original actors with new animation was incorporated to bridge the gaps between the recorded live-action segments. It is not included in the episode or story counts as it was not broadcast. ^ The Fifth Doctor regenerated in the sixth serial of season 21. The Sixth Doctor featured only in the final serial, The Twin Dilemma. ^ Also known by its subtitle, The Trial of a Time Lord. Specials [ edit] Special Doctor Serials Episodes Originally aired First aired Last aired 20th Anniversary Fifth Doctor 1 1 25 November 1983 Television movie Eighth Doctor 1 1 12 May 1996 2005 Christmas Tenth Doctor 1 1 25 December 2005 2006 Christmas 1 1 25 December 2006 2007 Christmas 1 1 25 December 2007 2008–2010 specials 4 5 25 December 2008 1 January 2010 2010 Christmas Eleventh Doctor 1 1 25 December 2010 2011 Christmas 1 1 25 December 2011 2012 Christmas 1 1 25 December 2012 2013 specials 2 2 23 November 2013 25 December 2013 2014 Christmas Twelfth Doctor 1 1 25 December 2014 2015 Christmas 1 1 25 December 2015 2016 Christmas 1 1 25 December 2016 2017 Christmas 1 1 25 December 2017 2019 New Year Thirteenth Doctor 1 1 1 January 2019 2020 special 1 1 2020 [4] See also [ edit] List of Doctor Who Christmas and New Year's specials, a list of Doctor Who episodes which were Christmas or New Year's Day specials List of supplementary Doctor Who episodes, a list of supplementary Doctor Who episodes This article includes an episode-related list of lists. ^ Doctor Who Series 12 will start and end with two-parters. Denofgeek. 27 December 2019. Retrieved 27 December 2019. ^ Doctor Who lands on Who Year's Day in Spyfall. BBC. 2 December 2019. Retrieved 2 December 2019. ^ Laford, Andrew (6 February 2020. Doctor Who Magazine reveals titles of two-part series finale. Cultbox. Retrieved 6 February 2020. ^ Fullerton, Huw (22 November 2019. Doctor Who will have a festive special… but not until later next year, says series boss. RadioTimes. Retrieved 22 November 2019. Retrieved from. Categories: Lists of episode lists Doctor Who lists Hidden categories: Articles with short description Lists of lists with listcat specified.

This episode was so bad. seems to be that outside of the seasons story arc every episode is pretty bad. lets just hope the finale 2 parter is just as good as sky fall and fugitive of the judoon so that at least half the season is decent. 5, 104, 277 people like this 4, 798, 377 people follow this Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content. Page created - May 14, 2010 Doctor Who: The Haunting of Villa Diodati trailer Mandip Gill takes on the crew of Doctor Who! Doctor Who: Next Time. The Haunting of Villa Diodati "What's still to come will change everything. 🙌 🤯 It looks like you may be having problems playing this video. If so, please try restarting your browser. Close Geronimo! Doctor Who Series 5: steelbook is out today! Perfect to enjoy with fish fingers and custard 🐟 🥣.

Free Watch Daktaras kashmir. Loved this episode. Literal confrontation with mental health interwoven with subtle metaphor. Reminded me of the Babadook in its concept. So you are a godly omnipotent eternal creator of planetary nightmares? Here, hold this beachball. Im sorry but this is the cutest video on the channel. There's a lot of screaming in this scene. Loved it. Matt Smith's speech from timecode 7:19 is my favourite. BBC One - Doctor Who - Episode guide Resolution As the new year begins, a terrible evil stirs from across the centuries on planet Earth. Last Christmas The Doctor and Clara face their last Christmas, trapped on an Arctic base. The Time of the Doctor Regeneration of the eleventh Doctor when the most deadly species in the universe unite. Pond Life The Doctor is en route to visit the Ponds but will he ever make it back to them? A Christmas Carol The Doctor must save a crashing spaceship and a miser's soul - but what lurks in the fog? The Waters of Mars Mars, 2059. Bowie Base One. Last recorded message: Don't drink the water. Not one drop. Planet of the Dead A London bus takes a detour to an alien world, but can the Doctor defeat the Swarm? The Next Doctor When the Doctor meets another Doctor, the two must combine forces to stop the CyberKing. Voyage of the Damned When disaster hits the Titanic, the Doctor uncovers a threat to the whole human race. Previous 1 2 3 Next.

You think this is a war, this funny little thing? This is not a war, I fought in a bigger war than you will ever know, I've done worse things than you can ever imagine, when I close my eyes. I hear more screams than anybody will ever be able to count. And you know what you do with all that pain, shall I tell you where you put it? You hold it tight, till it burns your hand, and you say this. No one else will ever have to live like this, no one else will ever have to feel this pain! I absolutely love this speech. It may just be my favourite scene in all of Doctor Who. Such incredible acting from Capaldi.

Pretty sure the 8th Doctor would be there around that time, seeing as he travelled with Mary Shelly and there were two versions of The Doctor (one younger, other older 8th) there during the storm. BBC say the Big Finish audios are canon. then again, DW breaks canon all the time 😂. Free Watch Daktaras kaspersky. SPOILERS! She's not picked anything up for a few episodes now, now I'm slightly worried.

Very bittersweet. On one hand, I hate that a show i once liked has been ruined, but on another hand I'm glad that this shitshow is flopping. A brave young man of the world who will never be forgotten. This is gold Crispy 😂🥂. Free Watch Daktaras kasbah. Free watch daktaras kaspersky. YouTube.

 

 

 

Windows Friends Monova Veoh Pay Discount

⬇⬇⬇⬇⬇⬇

STREAM : WATCH

Link

↟↟↟↟↟↟

 

 

1994

Matt LeBlanc, Courteney Cox

Countries=USA

9,5 / 10 stars

Writed by=Marta Kauffman

Love👩💖❤💕. Friends has been my favourite show for years. I grew up watching this show, and now grown up, I still watch and laugh the same way as I did back then. I've come to really love the writers and especially the cast. Rachel, the glamorous, stubborn, hilarious one. Phoebe, the silly, corky, hilarious one. Monica, the perfectionist, loving, hilarious one. Ross, the smart, geeky, hilarious one. Chandler, the joking, self-cautious, hilarious one. And Joey, the Italian, lady's man, hilarious one. As you can obviously tell, I've said that everyone is hilarious, which is true. These six characters are what make this show so funny, and make me laugh every time I watch it. Especially Phoebe. I feel like every comedy should have a Phoebe. I've gone through many memories with this show. I take this show everywhere I go whenever I travel. I even keep it playing on my TV while I sleep. It's just a very comfortable, familiar show which I enjoy watching a lot. I mean, I watch this show A LOT. I've watched it so much, that I know what every episode is about. Whenever it's on TV, I know which episode it is, and I say what the title is and what season it's from. It's a great show to pass the time, and you'll never get bored of it. It brings laughs, tears, and sometimes both at the same time. I'm definitely never going to stop watching this show, no matter how many times I've watched all 10 seasons.
I advise this to everyone out there. This is a must see show! If God had created a show for everyone to enjoy and love, it would be something similar to Friends.

 

�estice herc� David Schwimmer (Ross) Jennifer Anistonov� (Rachel) Courteney Coxov� (Monica) Matthew Perry (Chandler) Lisa Kudrowov� (Phoebe) i Matt LeBlanc (Joey) spolu s producenty Davidem Cranem a Martou Kauffmanovou vym��lej� nov� televizn� projekt pro HBO Max. Neup�esnili, zda p�jde o film, pokra�ov�n� seri�lu nebo �pln� novou v�c. N�kter� z hv�zd P��tel p�itom v minulosti prohl�sily, �e si nedovedou p�edstavit pokra�ov�n� seri�lu, proto�e by mohly zklamat fanou�ky. Podle magaz�nu The Hollywood Reporter po kone�n�m odsouhlasen� podm�nek a samotn� realizace bude nejt잚� skloubit program jednotliv�ch herc�, kte�� se v�nuj� vlastn�m projekt�m. Jennifer Anistonov� p�ed p�r dny v show Ellen DeGeneresov� p�iznala, �e s kolegy na n��em pracuj�. �Jestli to bude pokra�ov�n�? To ne. Byli bychom r�di, kdyby se n�co ud�lalo, ale sami zat�m nev�me, co by to m�lo b�t. Tak�e n�co zkou��me, na n��em pracujeme, � �ekla. Kdy� se moder�torka z here�ky sna�ila dostat n�jak� podrobnosti, Anistonov� ml�ila a nakonec jen nevylou�ila mo�nost, �e by to mohl b�t p�ece jen film. �Je�t� nev�m! Nechci lidi zav�d�t, � dodala. Americk� seri�l P��tel� pat�il k nej�sp�n�j��m televizn�m projekt�m vys�lan�m na p�elomu stolet�. Na obrazovk�ch se poprv� objevil 22. z��� 1994 a b�hem deseti sezon se �estice hlavn�ch protagonist� dok�zala zapsat do srdc� div�k� po cel�m sv�t�. Kdy� nat��en� v roce 1994 za��nalo, brali herci 22 tis�c dolar� za d�l, s rostouc� popularitou i zisky studia se odm�na postupn� zv��ila. V dev�t� a des�t� sezon� si tak ka�d� z herc�, kte�� o honor���ch vyjedn�vali spole�n�, p�i�el u� na milion dolar� za epizodu. A televizi se to st�le vyplatilo, inzerenti toti� byli ochotn� zaplatit za p�lminutovou reklamu a� dva miliony dolar�. Na druhou stranu v�ak byly honor��e jedn�m z d�vod�, pro� P��tel� po des�t� sezon� skon�ili � ne v�ak t�m nejd�le�it�j��m. Posledn� epizodu stanice NBC odvys�lala v kv�tnu 2004 a k televiz�m jen ve Spojen�ch st�tech p�it�hla p�es 52 milion� div�k�. Kterou postavu z P��tel jste m�li nejrad�i? celkem hlas�: 18880.

When Lisa started singing along to the bagpipes 😂😂😂. Windows insomnia caf c3 a9 10. Windows insomnia caf c3 a9 2016. If I could have been able to watch it live, I propably would have died. Like seriously, till today one oft the best sitcomes ever. HIMYM and Friends will always have a special place in my heart.

Seriál Přátelé je čtvrt století starý a stále mu přibývají noví fanoušci. Na jeho počest si dnes tuhle legendární partičku připomene skvělou sérií fotografií. Ross, Joey, Chandler, Monica, Phoebe a Rachel. Tahle jména znají i lidé, kterým sitcomy běžně nic neříkají. Od té doby, co jsme se s nimi setkali naposledy, proteklo obrazovkami hodně sitcomů. A žádný nedokázal nastartovat podobné nestárnoucí šílenství (jakkoli nelze zpochybnit, že taková Teorie velkého třesku se dostala asi nejblíže, jak to jen šlo. Přátelé byli každopádně jenom jedni a bylo by hrozně fajn je vidět znovu pohromadě. Protože k tomu asi jen tak nedojde, můžeme si na ně alespoň zavzpomínat u série stylových promofotek celé grupy. Nostalgie na max! Více fotek najdete v galerii článku. A otázka do pranice je jasná: Kdo z Přátel je váš oblíbenec.

Windows insomnia caf c3 a9 1. Závěrečná řada úspěšného amerického komediálního seriálu na obrazovce ČT. Láska, sex, přátelství, štěstí a smůla kolem nás aneb život je třeba brát s nadhledem (2003–2004. Hrají: J. Anistonová, C. Coxová-Arquetteová, L. Kudrowová, M. LeBlanc, M. Perry a D. Schwimmer. Režie Kevin S. Bright. UNLIMITED TV SHOWS & MOVIES SIGN IN This hit sitcom follows the merry misadventures of six 20-something pals as they navigate the pitfalls of work, life and love in 1990s Manhattan. Starring: Jennifer Aniston, Courteney Cox, Lisa Kudrow Creators: David Crane, Marta Kauffman Watch Now on Netflix This smash-hit sitcom made stars of its six leads and finished in primetime TV's top 10 every season. Episodes Friends Ross has kissed Charlie although she is still officially dating Joey. Joey and Rachel have kissed as well, but they agonize over how to tell Ross. Rachel, Joey and Charlie attend an uncomfortable dinner party at Ross's apartment. Former surrogate mother Phoebe is visited by her brother, Frank Jr. Monica and Phoebe's annoying friend visits, causing a rift between the women. Ross goes to a tanning salon but fails to follow the directions. When Ross dashes out to help Rachel for Emma's birthday party, he leaves Joey in charge of keeping everybody in the apartment until they return. Rachel thinks her annoying, self-indulgent younger sister, Amy, is finally on the verge of making a major change in her attitude. Ross has the chance to receive a grant, but must break up with Charlie to get it. Phoebe tries to give a hideous painting to Monica and Rachel. Phoebe and Mike opt to have a small wedding and donate the extra money to a children's charity. only to demand it all back later. Monica prepares a fabulous Thanksgiving feast for the gang, but she becomes furious when everyone arrives late to the gathering. Nervous and excited, Monica and Chandler travel to Ohio to meet a pregnant woman who is considering allowing them to adopt her child when it's born. When Phoebe and Rachel see Chandler getting into a car with a pretty woman during work hours, they follow him. Joey appears as a celebrity contestant on "The 100, 000 Pyramid. but his dubious IQ puts his partner's prize money at risk. Phoebe's wedding planner, Monica, is driving everyone around her crazy. Chandler and Ross lobby Rachel to choose one of them as a groomsman. Monica and Chandler show Erica, the mother of the unborn baby they want to adopt, the sights of New York. Joey implores Phoebe to teach him French. Rachel nearly gags on her meal when she goes on a job interview at a restaurant and sits next to her current boss. Phoebe considers changing her name. When Rachel makes a startling announcement, Ross schemes to get her former job back for her. Joey is flustered by the upheaval in his friends' lives. As Rachel prepares to leave for Paris, the gang hosts a farewell party for her. But one friend is offended when he is excluded. On their last day together, Rachel, Monica, Phoebe, Joey, Chandler and Ross reflect on their shared times with bittersweet emotion. Monica and Chandler's wedding reception is almost upstaged by the news that Rachel is pregnant. As they prepare to leave the wedding hotel, an excited Monica and Phoebe speculate about who might be the father of pregnant Rachel's baby. Everyone seems to know who the father of Rachel's unborn baby is except for the man himself: Ross. Ross and Rachel try to explain how they ended up in bed together six weeks earlier, but the conversation quickly devolves into an argument. Ross is horrified to learn that Rachel is going on a date with a handsome actor, especially since she is pregnant with Ross' child. At Monica's Halloween party, Phoebe becomes attracted to Eric, the friendly fiancé of her flighty twin, Ursula. Ross is happy to learn that pregnant Rachel wants to find her own apartment. Phoebe is ecstatic that Eric has chosen her over her twin sister, Ursula. Rachel nervously tells her short-tempered father that she is pregnant with Ross' baby. Monica feels guilty for denying Chandler a bachelor party. Monica invites Will, her high school friend, over for Thanksgiving dinner. unaware that he isn't too fond of Rachel. Chandler becomes upset when Monica spends a fortune on a luxurious pair of black boots. Phoebe tries to meet Sting. Ross becomes nervous when his new girlfriend, Mona, wants to mail cute Christmas cards with both of their pictures on it. In order to prepare Joey for his big date the following night, Rachel eagerly agrees to accompany him for an evening out. As Joey agonizes over his secret affection for Rachel, Monica mistakenly thinks that he is infatuated with Phoebe. Joey realizes that his feelings for Rachel are excluding Ross from the joys of impending fatherhood. Chandler is obsessed with Monica's locked closet. Monica prepares a special Valentine's Day for Chandler, who is too shocked to respond favorably after accidentally viewing the wrong videotape. Guilt-ridden Joey confesses his love for Rachel to the flabbergasted Ross. Phoebe's new boyfriend shares numerous personality traits with Monica. Feeling awkward after revealing his feelings to Rachel, Joey avoids contact with her. Phoebe believes she will soon meet the man of her dreams. Monica must give a toast at a 35th wedding anniversary party for her parents. Jack and Judy ask Ross and Rachel to pretend to be married at the party. Joey is thrilled when his name is used in a Soap Opera Digest crossword puzzle, yet he is reluctant to let the magazine do a profile about him. Rachel panics during a party in anticipation of her baby's birth when she realizes how unprepared she is to care for an infant. Monica tries to sway a food critic's opinion. Nervous about a major job interview, Chandler receives some questionable coaching from Phoebe. When Rachel's pregnancy goes beyond her projected delivery date, the pain makes Rachel increasingly irritable. Rachel waits in the hospital maternity ward with Ross, as numerous other pregnant women are wheeled in while Rachel's painful labor continues. Rachel gives birth to a beautiful girl, and Ross kisses Rachel. Both hiding their feelings, they wonder how to proceed. Ross reveals a fantasy to Rachel involving a certain Star Wars character. In a race against the clock, Ross tries to get the gang dressed and ready for a black-tie benefit at the museum. After breaking up with Richard, Monica uses her free time to make jam and consider insemination via a sperm bank. Ross panics when he sees his son with a Barbie doll. Phoebe poses as Joey's agent and gets him some good parts. Phoebe's half-brother visits, and they have trouble bonding. When Janice asks the gang if any of them have ever slept together, the friends flash back to a time three years earlier. Monica buys a new bed from Janice's soon-to-be-ex-husband, but the wrong one is delivered. Joey and Monica catch Janice kissing her ex-husband. The gang plays a game of touch football on Thanksgiving. Rachel quits her job after Gunther tells her she needs to be retrained. A drunken Chandler fools around with one of Joey's sisters. but he can't remember which one. Ross becomes jealous when he thinks he catches Rachel's new co-worker flirting with her. Monica's willpower is tested when she runs into Richard at a video store. Phoebe is reunited with her former singing partner. Rachel's new job is putting a strain on her relationship with Ross. Ross seeks solace at a party after a bitter fight with Rachel and ends up in the arms of another woman. When Rachel discovers that Ross slept with Chloe, she decides to break up with him. A lonely Ross visits Carol when Rachel goes on a ski trip with some friends. Phoebe is distraught when her brother wants to marry a woman twice his age. A hypnosis tape makes Chandler act like a woman. Rachel goes on her first date since her breakup with Ross. Monica dates Pete, even though she is still not attracted to him. Joey thinks he's found his true love. Rachel's boss dates Chandler, creating big trouble for Rachel. Monica inherits a dollhouse. When Pete buys a restaurant, Monica must decide whether to accept his offer of employment there. Joey and Chandler adopt a duck and a chick. Ross thinks that Rachel's date is crazy. Joey falls in love with Kate, but when she's offered a job in Los Angeles, she takes it. Ross finds a strange growth on his buttocks. Phoebe can't choose between two guys. Monica's boyfriend surprises her by not proposing marriage. To Monica's horror, Pete plans to be in an ultimate fight. Phoebe sets Ross up on a date with a woman who used to be bald. The gang goes to the beach. Phoebe meets a family friend with links to her family's past. Ross discovers that Rachel still loves him. Ross dates Rachel again after unwittingly agreeing to take responsibility for their breakup. Monica is stung by a jellyfish. Phoebe believes that the cat that jumped into her guitar case in Central Perk contains the spirit of her adoptive mom. Monica tries to prove that she can cater a gourmet meal for her mother. Chandler gets into an embarrassing situation while dating Rachel's boss. Joey teaches the building superintendent ballroom dancing to prevent him from evicting Rachel and Monica. Phoebe wants to date a massage client. Joey thinks that Chandler hates Joey's new girlfriend. but the truth is that Chandler avoids her because he is so attracted to her. Ross's beautiful new girlfriend has a very dirty apartment. Chandler becomes more familiar with Joey's girlfriend. Chandler is guilt-ridden after kissing Joey's girlfriend. Ross's musical talents are not as amazing as he and Phoebe think. On Thanksgiving, Joey punishes Chandler for kissing Kathy. Monica gets a surprise when she visits an eye doctor: He's her former boyfriend's son. The guys try to be spontaneous and wild. Rachel is offered a promotion. Monica must decide between a job as a head chef or her catering business. Ross struggles to maintain a long-distance relationship. Chandler tries to get a date for Rachel. Monica plots to establish authority at her new job. Phoebe's half-brother makes an astounding announcement: He has married his older girlfriend and wants Phoebe to be a surrogate mother for them. Phoebe undergoes an embryo transplant and becomes pregnant. A simple challenge escalates into a full-blown contest between the guys and the women. Chandler has a hard time with Kathy's new role in a play, in which she pretends to have sex with a handsome man. Rachel is attracted to a customer. Joey has no time to shower after he comes home from a three-day fishing trip and has to head out to the set of Charlton Heston's new movie. Chandler runs into Janice, now divorced, and finds her more irritating than ever. Ross plays rugby to impress Emily. Rachel throws Emily a phony going-away party so she can see Joshua outside of work. Pregnant Phoebe craves meat. The guys realize their TV is picking up a porno station for free. Phoebe discovers she's carrying triplets. Phoebe gets to name one of her babies. Rachel's plans to seduce her boyfriend go awry. Ross worries about his relationship with Emily. Monica and Rachel will do anything to get their old apartment back from the guys. Ross asks Emily to marry him. Monica wears Emily's wedding dress. Chandler forces Joey to get treatment for his snoring at a sleep clinic. Rachel proposes marriage to Joshua. Rachel and the engaged Ross reminisce separately about when they dated each other. The friends get invitations to Ross's wedding. After Joey almost loses Ross's wedding ring, Ross asks both Joey and Chandler to serve as his best man. The girls host a baby shower for Phoebe. In London for Ross's wedding, Chandler and Joey argue while sightseeing. After talking with Phoebe, Rachel realizes that she still loves Ross. Phoebe tries to warn the friends that Rachel is coming to London. Chandler and Monica develop a connection. Ross's father argues with Emily's father. Rachel waits at the airport for Ross, not knowing he is returning from China with his new girlfriend, Julie. Phoebe gives Monica an awful haircut. The guys are uncomfortable with the thought of Carol's breast milk, while Rachel is upset by Monica's growing friendship with Julie. After Mr. Heckles dies and leaves all his belongings to Monica and Rachel, Chandler discovers he has eerie similarities with the late eccentric man. Phoebe has married a gay Canadian ice dancer to help him get his green card. Income issues divide the friends. Monica, Ross and Chandler have money; Phoebe, Rachel and Joey don't. Chandler and Joey lose Ross's son while checking out women on a bus. A drunken Rachel calls Ross and reveals her feelings for him on his answering machine. Now, Ross must make a decision between her and Julie. Joey and Chandler try to help Ross with his decision to date Julie or Rachel by making a list of the pros and cons of each. In this Christmas episode, Phoebe tries to track down her real father. Rachel is dating a guy named Russ, and is blind to his uncanny resemblance to Ross. Monica caters the wedding of Ross's ex-wife and her lesbian lover. Rachel learns that her mom and dad are getting a divorce. Ross travels to San Diego to visit Marcel, his monkey. Joey is stalked by a fan of his daytime drama. First of a two-part episode. Rachel and Monica compete for the affections of Jean-Claude Van Damme. Ross and Marcel go on a tour of the city. Second of a two-part episode. Monica and Rachel's prom video reveals Monica's former girth, Rachel's former nose and the way Ross has always felt about Rachel. Ross and Rachel finally sleep together. Monica becomes infatuated with one of her parents' friends, for whom she caters a party. After having a fight with Chandler, Joey moves out. Monica's father finds out that Monica is dating his best friend. Joey considers moving back in with Chandler, but Chandler has a new roommate. Joey's soap opera character gets dropped down an elevator shaft after Joey brags about writing his own lines. Chandler demands that his bizarre new roommate, Eddie, move out. but Eddie won't go. Phoebe's world view is shattered when she learns how "Old Yeller" really ends. Two bullies eject Chandler and Ross from Central Perk. Phoebe meets a brother she never knew she had. Complications ensue when Rachel's estranged parents show up at the surprise party that the gang planned for her. Phoebe catches chicken pox from the baby, just as her ex-boyfriend returns on shore leave from the Navy. Rachel agrees to be the maid of honor at her ex-fiancé's wedding. Rachel runs from her wedding and meets the friends in the coffee place. Ross is depressed about his divorce but he still has a crush on Rachel. Ross's lesbian ex-wife is pregnant with his child, and he doesn't like her choice of a last name for the baby. A soda company gives Phoebe 7, 000 after she finds a dismembered thumb in a can of soda. A deliveryman accidentally brings a pizza meant for George Stephanopoulos, who lives across the street from the girls. Ross helps Rachel do laundry and considers the evening a first date. Joey has Monica pose as his new girlfriend. Joey gets his big film break when he's hired to be Al Pacino's stunt butt. During a citywide blackout, Ross tries to tell Rachel that he likes her. Monica and Ross mourn the death of their grandmother. Chandler questions his sexuality. Monica's first Thanksgiving dinner for the gang burns when they all run to the rooftop to see the runaway Underdog balloon from the parade. The gang makes and then breaks a pact to celebrate New Year's Eve without dates. Lonely Ross gets a roommate: a monkey named Marcel. When Chandler's romance novelist mother comes to New York to visit him, Joey catches her and Ross kissing. Monica gives Paolo one of the dozen lasagnas she made for her aunt, who doesn't want them anymore because they've got meat in them. Chandler accidentally sees Rachel wandering around topless after her shower, so Rachel tries to even the score. Joey fixes up Chandler and Janice, and Ross runs into Carol and Susan on a Valentine's Day date. Monica cooks a gourmet meal for a restaurateur looking for a new chef, but unfortunately, he's stoned. Joey falls for Phoebe's twin sister, making Phoebe feel neglected. Ross attends Lamaze classes with Carol and Susan. When Rachel sprains her ankle and has no insurance, she talks Monica into trading identities so she can use Monica's coverage. Rachel interviews for a job as an assistant buyer at Saks Fifth Avenue. The women face the men in a not-so-friendly game of poker. The gang searches for Marcel, who slipped out of the apartment while Rachel was caring for him. Rachel and Barry start dating again, even though he's engaged to Mindy, who wants Rachel to be her maid of honor. When Monica's credit card is stolen, she decides to catch the thief. After losing his virginity to her, Monica's boyfriend reveals that he's a high school senior. Phoebe temps as Chandler's secretary. Carol goes into labor while Ross, Phoebe and Susan get locked in a closet. During Rachel's birthday party, Chandler accidentally lets it slip that Ross is in love with her. Ross and Emily get married, but she cannot forgive him for calling her Rachel during the vows. Chandler and Monica search for a place to have sex. Chandler kisses both Rachel and Phoebe in order to cover up a kiss he gave to Monica. Rachel finally tells Ross her feelings. Phoebe goes into labor and is stuck with a doctor who is obsessed with the show "Happy Days. Monica plans a date with a male nurse to spite Chandler. The gang discovers that Phoebe hates PBS. Emily tells Ross she'll give him a second chance only if he cuts all ties with Rachel. Chandler and Monica plan a trip to Atlantic City for some private time. When Joey discovers that they are dating, they swear him to secrecy. Monica and Rachel are afraid of a hairy new neighbor. until they find out how handsome he is with his hair cut. After getting kicked out of his apartment, Ross moves in temporarily with Chandler and Joey, driving all three of them crazy. It's Thanksgiving, and the gang remembers former terrible Thanksgiving experiences. Chandler tells Monica that he loves her. Ross becomes upset when someone at work takes his sandwich from the refrigerator and eats it. Joey tries to cover for Chandler and Monica's dating. Phoebe collects money for the Salvation Army during the holidays. Rachel is disturbed by her date's inappropriate relationship with his sister. The friends all make New Year's resolutions, but it looks like Rachel's resolution. to stop gossiping. is going to be the hardest to keep. Ross dates Janice after discovering that Emily is getting remarried. Monica hates the fake laugh that Chandler uses in response to his boss's jokes. Phoebe meets her father at her grandmother's funeral. Chandler discovers that Monica gives bad massages. Rachel dresses Joey for an audition. Ross rents an apartment with a window facing Monica and Rachel's place. Phoebe sees Monica and Chandler having sex and learns the truth. Joey's girlfriend likes to punch him. Ross alienates his new neighbors when he refuses to contribute to the retirement donation for the janitor. After Phoebe finds a police badge, she uses it to do good deeds. Joey worries that he is in love with Monica. Rachel accidentally kisses the man interviewing her for a job. Joey becomes obsessed with a woman living in Ross' apartment complex. Rachel starts smoking when she realizes that her boss and co-workers at her new job are smokers. Joey and Ben audition for a commercial. Ross tries to flirt with the pizza delivery girl, with horrible results. Rachel loses a pair of earrings that Monica had lent to Phoebe. While the men are out, Emily leaves a message for Ross. Rachel, who was in Ross's apartment at the time, hears the message and accidentally erases it. Gary asks Phoebe to move in with him. Monica and Chandler join Ross and Joey in a game of catch that lasts for hours. Joey and Chandler take a road trip to Las Vegas, where Joey has landed the lead role in a movie. But the two argue and Joey goes on alone. The gang decides to go out to Las Vegas to surprise Joey and to celebrate Monica's and Chandler's one-year anniversary. Monica and Chandler reconcile and, on the roll of the dice, decide to go to a chapel and get married immediately. Ross and Rachel wake up together, not realizing they got married the night before. Monica and Chandler talk about moving in together. Ross has to tell Rachel that they're still married. Chandler is moving in with Monica, and Rachel assumes that she'll be living with them. Ross asks Rachel to be his roommate, refusing to admit that he still has feelings for her. Monica and Chandler argue about the apartment. Joey gets a hernia but doesn't have health insurance to cover getting it treated. Ross puts on a British accent while teaching his new class. Joey pretends that he owns a Porsche. After the incident in Vegas, Ross is feeling like a failure because he's about to get his third divorce. Joey is broke but won't accept help from his friends, so Chandler lets him "win" money in a game. Rachel gets ready to move and fights with Monica. Phoebe looks goofy when she runs, so Rachel is embarrassed to go jogging with her. Joey is attracted to his new roommate, Janine. Ross whitens his teeth to impress a girl, but he goes way overboard. Phoebe tells Rachel that she hooked up with Ralph Lauren. Monica and Ross's parents don't like Chandler because they think he smoked pot in college. Rachel makes a disgusting Thanksgiving dessert. Joey, Ross and Monica dance on "Dick Clark's New Year's Rockin' Eve. The rest of the gang searches for Monica's hidden Christmas presents. Rachel buys a table from a fancy store and tells Phoebe she got it at the flea market. Janine tells Joey that she doesn't like Monica and Chandler. Chandler and Ross both try to take credit for a joke. Monica is insulted when Phoebe says Rachel would make a better girlfriend than her. Rachel's sister, Jill, comes to Rachel for help after her parents cut her off financially. Working as a waiter, Joey hits on the Central Perk customers. When Chandler says he hardly ever cries, everyone tries to make it happen. Rachel's sister, Jill, dates Ross to annoy Rachel. The gang imagines what life would've been like if Rachel had married Barry, Phoebe became a business executive and Monica was still fat. The friends continue to ponder an alternate past in which fat Monica seduces Chandler and married Rachel almost cheats on Barry with Joey. When Rachel and Phoebe take a self-defense class, Ross claims he's a martial arts expert. Chandler and Monica forget to buy Valentine's Day gifts. One of Ross's students asks him on a date. When there's a fire in their apartment, Rachel and Phoebe have to stay with Joey or Monica. Joey tries to convince someone to buy him a new fridge. Ross is worried that his girlfriend will cheat on him during spring break. Joey's up for the lead in a new TV show, but Chandler forgets to leave him a message that the audition time has changed. Ross makes a bad impression on Elizabeth's dad, who doesn't approve of them dating. But Elizabeth's dad takes an interest in Rachel. Ross and Elizabeth sneak off to the family cabin, where Rachel and Paul. who threatened to have Ross fired for dating a student. are also headed. Phoebe is the only one who knows that Chandler is going to propose to Monica, and she lies to Ross to keep him from finding out. Chandler's plan to propose to Monica is interrupted when they run into Richard. Joey accidentally buys a boat for 20, 000 at a silent auction. Richard tells Monica he still loves her. Chandler's attempt to make the proposal a surprise leaves Monica thinking he doesn't want to marry her. Because of a misunderstanding, Rachel finds herself engaged to Joey instead of Ross, who was planning to propose. Somebody ends up in the hospital when Joey attempts to apologize to Ross for mistakenly asking Rachel to marry him. Rachel's constant calls to Emma's pediatrician force him to reject her as a patient. Phoebe fears losing Mike, and her self-doubt is exacerbated by Ross' foolish comments. Rachel is afraid to leave Emma with a babysitter. Ross jealously mocks Rachel's choice of an oversensitive male nanny for Emma. When Chandler's former romantic rival decides to sell his apartment, Chandler persuades Joey to help him inspect it on the sly. Rachel's self-centered younger sister, Amy, ruins everyone's Thanksgiving dinner with her uncensored observations. While on a night out with Phoebe, Rachel impulsively gives her telephone number to a handsome restaurant patron. Because of a critical deadline at work, Chandler is stuck spending Christmas in Tulsa, Okla. While visiting her workplace to show off baby Emma, Rachel is surprised to find a handsome temp who's been doing her job. Rachel is irritated to learn that her handsome workplace rival has been invited to her birthday party. While Rachel sorts out her conflicted feelings for Gavin, Ross sets out to make her jealous, enlisting Chandler to help him meet attractive women. In an attempt to reunite Rachel and Ross, Joey and Phoebe arrange awful blind dates for both of them. Joey develops an unusual acting method to impress a famous fellow actor. Meanwhile, Chandler accepts an internship at an advertising agency. Phoebe asks Mike to move in with her, but coming so close to married life may cause trouble in their relationship. When Chandler jokingly posts an outrageous biography about Ross on his college alumni Web site, Ross retaliates. Hoping to win a huge jackpot, the friends pool their money and buy dozens of lottery tickets. Nervous because his daytime-drama role requires him to act as if he's deeply in love with a woman, Joey rehearses with Rachel. Ross is excited when he meets fellow paleontologist Charlie Wheeler, who's a stunning beauty. Ross is in agony because Charlie is dating Joey. Meanwhile, Chandler and Monica visit a fertility clinic. Disappointed to learn that they can't conceive a baby naturally, Monica and Chandler consider their options. The gang accompanies Ross to a paleontology convention in Barbados, where Ross bonds with Charlie while Joey and Rachel get drunk together. Monica excitedly reveals the good news of her engagement to everyone. but Rachel and Ross upstage her by reuniting. Joey finds out that Rachel is reading a steamy romance novel. Monica discovers that her parents have spent the money for her wedding on a beach house. Monica becomes obsessed with acquiring Phoebe's secret, delicious cookie recipe. Joey accepts Rachel's help with sailing. Rachel wants to hire a cute, young male assistant over a more qualified woman. Joey's show gets cancelled. Joey tries to teach Chandler how to smile for an engagement picture with Monica. Joey takes Tag out for a good time. Rachel and Phoebe compete to be Monica's maid of honor. but Monica doesn't want to make the decision. Ross discovers that his dissertation is in a section of the library where students go to have sex. Rachel and Phoebe meddle in Joey's relationship. Chandler's irrational fear of dogs causes problems when Phoebe brings home a cute canine. Rachel's assistant gives her a Thanksgiving surprise. Monica becomes popular with her neighbors because of her homemade candy. Phoebe decides to learn to ride a bicycle. Ross dresses up as the Holiday Armadillo and, with Monica, Chandler and Joey's help, teaches Ben about Chanukah. Chandler and Rachel can't help eating the irresistible cheesecakes intended for a neighbor. Phoebe's former boyfriend returns for one night only. Monica falls asleep during sex. Rachel argues with Tag. Ross and Joey get stranded on the roof. Phoebe becomes involved with a suicidal office worker. Rachel breaks Joey's favorite chair. Monica's beloved childhood belongings are destroyed. Rachel's 30th birthday prompts the friends to reminisce about their own 30th birthdays. Joey's character on a daytime drama becomes more prominent. to the chagrin of the show's diva star. Chandler finds out who Monica really wanted to have sex with on the night they became lovers. Ross is mad after Rachel teaches Ben practical jokes. Monica battles another shopper for the perfect wedding dress. Ross and Joey compete for the same woman. Joey overreacts at a daytime drama awards show. Ross deals with a male student who says he's in love with him. Monica's gorgeous cousin unwittingly wreaks havoc on Chandler and Ross. Rachel and Phoebe hastily plan a surprise bridal party for Monica. Rachel reveals a titillating secret about her and a former sorority sister. Ross and Chandler compete for wedding tuxedos. As Monica and Chandler prepare their wedding vows, everyone reminisces. Chandler confronts his estranged, cross-dressing father. Rachel gets into trouble driving Monica's Porsche. As the relatives gather for Monica and Chandler's wedding, Chandler finally realizes the magnitude of what he's doing. Monica remains blissfully unaware of the potential disasters on her wedding day. More Details Watch offline Available to download Cast Jennifer Aniston Courteney Cox Lisa Kudrow Matt LeBlanc Matthew Perry David Schwimmer More TV Shows & Movies Coming Soon.

Windows insomnia caf c3 a9 7. تفكرت ايام FM TV ياحسراااه (2019. Hes in the way of their communist agenda! They will never stop. Windows Insomnia casa vacaciones. Oh god. the apartment had keys😮. Windows insomnia caf c3 a9 2. Windows insomnia caf c3 a9 video. I honestly didnt realise it said skawy pwank i just clicked as fast as possjble. Přátelé - Friends Přátelé (Friends) je americký seriál o skupině přátel žijících ve čtvrti Greenwich Village v New Yorku. První díl byl vysílán na televizi NBC 22. září roku 1994, poslední epizoda byla na obrazovkách v premiéře 6. května 2004. Seriál byl vytvořen Davidem Cranem a Martou Kauffmanovou v produkci Kevina S. Brighta, Marty Kauffmanové a Davida Cranea. Byl vysílán ve více než sto zemích a stále se umisťuje na velmi dobrých pozicích v žebříčcích sledovanosti. Náhodný výběr epizod Případ zatoulané kočky Půvabná Monika jde na rande se svým bývalým spolužákem Chipem, kterého tajně obdivovala ještě jako studentka. Trhlá Phoebe se ujala ztracené kočky a je přesvědčena, že se v ní ukrývá její převtělená adoptivní matka. Vtipálek Joey se pokouší prodat dřevěnou stěnu, kterou kdysi sám zhotovil. Monika konečně vystřízlivěla ze svého... Rossův grant Monika a Rachel předstírají, že mají stejný zájem o poněkud svérázný obraz, který dosud měla ve svém bytě Phoebe. Obě ani ve skrytu duše netuší, jak velkou radost tím své přítelkyni udělají. Také je vůbec nenapadlo, jak si přitom mohou zkomplikovat svůj život. Ross chce získat velký grant na speciální... Manželský slib Monica a Chandler musí napsat manželský slib. Monica sice dělá, že ví co napsat, jenže je mimo stejně jako Chandler. Ten se dá dohromady s klukama a všichni tři přemýšlí co napsat. Monica to samé prožívá s Rachel a Phoebe. Vidíme ukázky z minulosti, a z těch je jasné, že... Jak se Chandler koupal Ross a Rachel si vzájemně prozrazují jména, která by chtěli dát jejich budoucímu dítěti, ale na žádném se nemohou dohodnout. Joey si nechce připustit, že něco cítí k Rachel. Snaží se svěřit se svými city Chandlerovi, ale nedokáže se úplně přesně vyjádřit. Monica, Chandler a Monica si pak začnou myslet. Dort Rachel chce pořádně oslavit první narozeniny své dcery a uspořádá pro přátele slavnostní setkání. Jenomže Emma stále spí a Rachel nedovolí, aby oslava začala dříve, než se dcera vzbudí. Ostatní přátelé ale mají úplně jiné plány. Chandler s Monikou si naplánovali společný odjezd na víkend do Vermontu, Phoebe očekává klienta... Náhodný výběr Tapet Facebook. Přátelé Jaká je vaše nejoblíbenější postava a proč. Přátelé online česky ke shlednuti zdarma, Přátelé epizody a Přátelé Tapety na PC, Hry Přátelé online - Vše o seriálu Přátelé - videa, epizody, bonusy, hry, tapety na PC.

Monica and chandler Raechel and ross Phoebe and joey = Best couples. Windows Insomnia. You sure love your friends video get it it's the goat do one for everybody loves raymond. 🌑🌓🌕🌕🌕🌕🌗🌑🌑🌑. Wait. oh yah. its everywhere. Who is here for the legend KOBE BRYANT😭😢😢 R.I.P. 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Steinberg, Alex Ball, Matthew Ashford, Alex Meneses, Iqbal Theba, Farah Fath, Kyle Lowder, Roark Critchlow, Sam McMurray, David Warshofsky, Jennifer Grant, Bryan Hanna, Josh Coxx, Dan Gauthier, Alex Kapp Horner, Marisol Nichols, Ellen Pompeo, Romy Rosemont, Pat Crowley, Alex Craig Mann, Johanna Roxanne, Laura Stepp, Lea Thompson, Jack Riley, Tammy Townsend, Chris Young, Steve Susskind, Molly Hagan, Alison La Placa, Ken Lerner, Tim Bohn, Luis Antonio Ramos, Jackie Debatin, Ira Ungerleider, Cali Sheldon, Jennifer Rhodes, Michael Ensign, Michael D. Roberts, Nicholas Thomas, Jim OHeir, Ron Glass, Caryn Ward, Jennifer Aspen, Kristin Dattilo, Richard Branson, Marianne Hagan, James Burrows, Jonathan Slavin, David Sederholm, Dorien Wilson, Beverly Garland, Bill Lawrence, Rodney Sherwood, Dan Bucatinsky, Greta Sesheta, John Apicella, Julia Campbell, Tembi Locke, Pat Finn, Lex Medlin, Hope Allen, Jim Pirri, Jason Brooks, Bess Meyer, Steffani Brass, Janet Hubert, Dee Dee Rescher, Ellen Gerstein, Chris Payne Gilbert, Fred Stoller, Ethan Erickson, Markus Flanagan, Preston James Hillier, Leila Kenzle, Gregory Jbara, Cyndi Martino, Leslie Charleson, Donny Osmond, Jason Alexander, Annie Parisse, Megan Ward, Lise Colleen Simms, Jim Meskimen, Steve Ireland, Jane Lynch, Matt Winston, Mimi Lieber, Mo Gaffney, Billy Dec, Lawrence Mandley, Carlos Lacámara, Anne Betancourt, John Bennett Perry, Reg Rogers, Lara Harris, E. Callahan, Jane Carr, Myra Turley, Maurice Godin, Jim Piddock, Audrie Neenan, Stephen Kearney, Alaina Reed-Hall, George Newbern, Arden Myrin, Lea DeLaria, James Paradise, Ming Lo, Susan Chuang, Brian Palermo, Brenda Isaacs Booth, Patrick Bristow, Paxton Whitehead, Steve Hytner, Oliver Muirhead, Ralph Manza, Jack Armstrong, Greg Wrangler, Marilyn Tokuda, Dick Clark, Warren Berlinger, Clea Lewis, Lumi Cavazos ( a. z. Greg Malins, Darin Mangan, Jim Cummings, Mike Judge ( a. Jim Henson ( a. Brian Buckner, John Lehr, Khalil Kain, Andre Rosey Brown, Dan Martin, Wendy Schaal, Laura Dean, Peter Bonerz, Amber Smith, Sherri Shepherd, Nick East, June Whitfield, Heathcote Williams, Jane Carr ( a. Gregory Sporleder, Lee Arenberg, Soleil Moon Frye, Jim Wise, Matt Weinberg, Lilyan Chauvin, Sam Waterston ( a. John Kassir, Ralph Lauren, Missi Pyle, Alexis Arquette, Paul Gleason, Mongo Brownlee, Brad Koepenick, Caroline Keenan, Stacy Galina, Amy Hill, Jonathan T. Floyd, Kyle Howard, McKenzie Westmore, Michael Ensign ( a. Elliott Gould ( a. Christina Pickles ( a. Lisa Thornhill, Johnny Messner, Trudie Styler, Sasha Alexander, Elle Macpherson ( a. Lauren Tom ( a. Reese Witherspoon ( a. Adria Tennor, Tim DeKay, Henriette Mantel, Dedee Pfeiffer, Susan Ward, Kevin Brief, Cole Sprouse ( a. Teck Holmes, Kyle Gass, Alex Borstein, Debra Azar, Audrey Wasilewski, John Balma, Cathy Lind Hayes, Carla Toutz, Kimberley Davies, John Rubinstein, Richard Roat, Dan Desmond, Carole Gutierrez, Kat Sawyer, Sandra Gould, John O'Brien, Sarah Rush, Tucker Smallwood, Dale Raoul, Rocky McMurray, Shelley Berman, Steve Park, Mark Roberts, Robert Alan Beuth, Chris Parnell, Heather Medway, Rick Pasqualone, Susan Yeagley, Chuck Martinez, Frank Novak, Robin McDonald, Jennifer Milmore, Joel Berti, Steven M. Porter, Phil Abrams, Edo Azran, Sierra Dawn Hill, Matthew Yang King, Susanna Midnight, Gene Crane, Louisa Abernathy, Stuart Fratkin, Josie DiVincenzo, Michael Monks, Sam Pancake, Noelle Sheldon, Ethel Ayler, Gina Hecht, Ernie Grunwald, Terry Rhoads, Adamo Palladino, Jimmy Palumbo, Shannon Brown, Camille Saviola ( a. Angela Featherstone ( a. Corinne Bohrer ( a. James Michael Tyler ( a. Sarah Ferguson, Sarah Peterson, Christopher Michael, Angee Hughes, Jim Hanna, Allen Lulu, Michael Winters, Jennifer Sommerfeld, Ron Recasner, Claudia Stedelin, Brien Perry.

Přátelé Logo seriálu Základní informace Původní název Friends Žánr sitcom Námět David Crane Marta Kauffman Hrají Jennifer Aniston Courteney Cox Lisa Kudrow Matt LeBlanc Matthew Perry David Schwimmer Skladatel znělky David Crane Marta Kauffman Michael Skloff Allee Willis Phil Sōlem Danny Wilde Úvodní znělka „ I'll Be There for You “ od The Rembrandts Země původu Spojené státy Jazyk angličtina Počet řad 10 Počet dílů 236 ( seznam dílů) Obvyklá délka 25−30 min. Produkce a televizní štáb Producent David Crane a Marta Kauffman Distributor Warner Bros. Domestic Television Distribution Premiérové vysílání TV stanice NBC Formát obrazu 4:3/16:9 Vysíláno 22. srpna 1994 – 6. května 2004 Posloupnost Související Joey (2004−2006) Oficiální webové stránky Přátelé na ČSFD SZ IMDb Některá data mohou pocházet z datové položky. Přátelé (v anglickém originále Friends) je americký televizní sitcom o skupině přátel žijících v  Greenwich Village v  New Yorku. První epizoda byla odvysílána na stanici NBC 22. září   1994, poslední 6. května   2004. Seriál byl vytvořen Davidem Cranem a Martou Kauffmanovou v produkci Kevina S. Brighta, Marty Kauffmanové a Davida Cranea. Byl vysílán ve více než sto zemích a stále se umisťuje na velmi dobrých místech na žebříčcích sledovanosti. Poslední epizodu seriálu sledovalo ve Spojených státech na 51, 1 milionů lidí. [1] Za deset let vysílání obdržel seriál 7  cen Emmy, Zlatý glóbus, 2 ceny SAG, dalších 56 různých ocenění a 152 nominací. Úvodní píseň „ I'll Be There for You “ pochází od skupiny The Rembrandts. Příběh [ editovat, editovat zdroj] V  první sérii se představí šest hlavních postav: Rachel Karen Greenová, Monica Eustace Gellerová, Phoebe Bufetová, Joey Francis Tribbiani, Chandler Muriel Bing a Ross Eustace Geller. Rachel, která ve svůj svatební den utekla od oltáře, odešla do New Yorku, kde se nakonec nastěhovala k Monice. V počátečních epizodách se zjistí, že je Ross do Rachel zamilovaný již od střední školy a v několika dalších se jí snaží sdělit své city k ní. Mezitím se dozvídáme o těhotenství Rossovy lesbické manželky Carol, což ho staví do obtížné situace s Carolinou partnerkou Susan. Jejich dítě se narodí na konci první série a všichni tři souhlasí s tím, aby se jmenoval Ben. Tuto sérii charakterizují početná rande, které jednotlivé postavy mají, avšak většina z nich nedopadne dobře. Představuje se i vedlejší postava Janice, Chandlerova přítelkyně, se kterou se během následujících devíti sérií často rozchází a opět dává dohromady. Na konci série se Chandler prořekne, že Ross miluje Rachel a Rachel si uvědomí, že ona cítí to samé k němu. Druhá série představuje více seriálových dějových linií, ve kterých se postavy dále vyvíjejí. Začíná tím, že Rachel zjistí, že Ross začal chodit s Julie (Lauren Tom) se kterou se zná z  vysoké školy. Julie se znovu objeví v několika epizodách této série. Racheliny pokusy říct Rossovi, co k němu cítí, jsou odrazem jeho pokusů v první sérii, avšak on začal chodit s někým jiným. Joey, neúspěšný herec v první sérii, dostal roli ve fiktivní verzi televizního seriálu Dny našeho života (Tak jde čas) ale brzy o ní přijde poté, co naštve scenáristy svým interview, v němž prohlásí, že si sám píše repliky. V seriálu se poprvé objeví Dr. Richard Burke, který je přítel Moničiných a Rossových rodičů, a který se nedávno rozvedl a má dvě děti. Přestože je o 21 let starší jak Monica, tak spolu během druhé poloviny série chodí. Ke konci série se však rozejdou poté, co si uvědomí že Richard nechce děti a Monica chce. V této sérii se také prohloubí Chandlerovo a Joeyho přátelství. To je patrné zejména v epizodě, kdy se Joey dočasně přestěhuje a k Chandlerovi se nastěhuje hrůzu nahánějící Eddie (Adam Goldberg. Ve třetí sérii dochází k posilnění formátu seriálu. Rachel začne pracovat u Bloomingdale's a Ross žárlí na jejího kolegu Marka. Vztah Rosse a Rachel se rozpadne, když se Ross vyspí s holkou od kopírky – Cloe. Jeho trvání na tom, že „tehdy se rozcházeli“, se stalo běžícím gagem během následujících sérií. V druhé polovině série se objevují dva spory mezi hlavními protagonisty, ale nakonec dojde k usmíření. Po rozchodu Rosse a Rachel se následující epizoda nevěnuje jim, ale Chandlerovi, který, jak se ukazuje, měl těžkou ránu v dětství, když se dozvěděl o rozvodu rodičů. Phoebe, o které se ví, že nemá žádnou rodinu kromě svého dvojčete Uršuly, se seznámí se svým polovičním bratrem Frankem (Giovani Ribisi) a v závěru zjistí, že její pravá matka, která ani nevěděla, že Phoebe existuje, ještě žije. Joey se zakouká do své kolegyně herečky z divadla – (Dina Meyer) která však k němu stejné city nechová, a to ani poté, co se spolu vyspí. To se však změní poté co ji opustí její přítel/ režisér, když se dozví, že recenze jeho hry ji označily za propadák. Jejich vztah však netrvá dlouho, protože Kate dostane nabídku na účinkování v televizním seriálu v  Los Angeles. Monica si začne s milionářem Pete Beckerem (Jon Favreau. Nejprve ho bere jako kamaráda, ale nakonec spolu chodí. Rozejdou se poté, co Pete, coby zápasník v ringu ve volném stylu, skončí dvakrát hodně zmlácený a nechce přestat. Během natáčení čtvrté série otěhotněla herečka Lisa Kudrow. Aby tvůrci seriálu vysvětlili její těhotenství, vymysleli, že Phoebe bude náhradní matkou pro svého bratra a jeho manželku (Debra Jo Rupp. Ross a Rachel se na začátku série usmíří, ale krátce na to se znovu rozejdou. Během této série si Monika a Rachel musí vyměnit byt s Joeym a Chandlerem poté, co prohrají sázku o to jak moc se mezi sebou znají. Jelikož však chtějí byt zpátky, nakonec Joeyho a Chandlera uplatí, když jim dají sezónní permanentku na Knicks a minutu se líbají. Zhruba uprostřed série se Ross seznámí s Angličankou Emily (Helen Baxendale) a na závěr série, který se natáčel v  Londýně, mají Ross a Emily svatbu. Chandler a Monica se spolu vyspí poté, co si jeden ze svatebčanů splete Monicu s  Rossovou matkou a Monica najde útěchu v náručí přítele. S blížícím se termínem svatby propadá Rachel čím dál větší depresi, z níž se pokusí dostat tím, že navrhne svému příteli Jošuovi svatbu. Nakonec se vypraví do Londýna, aby Rossovi řekla, že ho miluje a svatbu tak překonala. To mu však nakonec neřekne. Všechno se zkomplikuje poté, co při svatebním slibu Ross místo Emilina jméno řekne jméno Rachel. V průběhu páté série se Monica s Chandlerem snaží udržet svůj nový vztah v tajnosti před svými přáteli, zatímco Rossovo manželství s Emily končí krátce po jejich svatbě ještě dříve než vůbec začne. Phoebe začne chodit s policistou Garym (Michael Rapaport) se kterým se seznámí díky nálezu jeho policejního odznaku. Jejich vztah však skončí krátce poté, co se spolu s Garym nastěhují do nového bytu a ráno po probuzení zastřelí Gary zpívajícího ptáčka. Vztah Monicy a Chandlera vyjde najevo a na výletě v  Las Vegas se rozhodnou, že se vezmou. Série končí, když se opilý Ross a Rachel vypotácí ze svatební kaple. Tato série získala v roce 1999 nominaci Emmy na Nejlepší komediální seriál. V úvodní epizodě šesté série vyjde najevo, že manželství Rosse a Rachel je opilecká chyba, a přestože se k tomu Ross nemá, se nakonec po neúspěšné anulaci manželství rozvedou (Rossův třetí rozvod. Monica a Chandler se dohodnou, že budou bydlet spolu a Rachel se odstěhuje k Phoebe. Joey, stále neúspěšný herec, má novou spolubydlící a dostane roli v kabelovém televizním seriálu „Mac a C. H. E. S. E., “ kde hraje po boku robota. Ross dostane práci jako profesor na Newyorské univerzitě a začne chodit se studentkou Elizabeth (Alexandra Holden. Jejího otce hraje ve třech epizodách Bruce Willis. Phoebiin a Rachelin byt zachvátí požár, kvůli němuž se Rachel přestěhuje k Joeymu a Phoebe k Chandlerovi a Monice. V poslední epizodě se Chandler rozhodne požádat Monicu o ruku. Protože ale jeho původní plán na požádání o ruku selže, chce Monicu zmást tím, že se bude neustále vyjadřovat proti svatbě. Ve stejnou dobu však Monicu v restauraci navštíví bývalý přítel Richard, který ji řekne, že ji stále miluje, a že s ní chce mít děti. Monica nakonec prokoukne Chandlerův plán a sama ho klečíc požádá o ruku, ale protože začne brečet, žádost nedokončí, a tak ji Chandler požádá o ruku sám. Epizoda končí velkou oslavou s jejich přáteli, kteří stáli za dveřmi. Série byla roku 2000 nominována na Nejlepší komediální seriál cen Emmy. Sedmá série se z větší části věnuje svatbě Monicy a Chandlera a jejím přípravám. Joeyho televizní seriál zruší, ale znovu mu nabídnou roli v Dnech našeho života. Phoebin byt je opraven, ale kvůli zboření nelegálně postavení příčky Rachel nakonec zůstane u Joeyho. Poslední dvě epizody série se týkají Moničiny a Chandlerovy svatby, kde se v roli Chandlerova otce objevila Kathleen Turner. Závěrečné momenty série prozrazují Rachelino těhotenství. V první epizodě osmé série se hledá otec Rachelina dítěte. Ve druhé epizodě se zjistí, že jím je Ross a v následující epizodě mu to Rachel řekne. Joey se zamiloval do své spolubydlící Rachel a když jí o tom pověděl, oba se cítili trapně. Jejich vztah se nakonec vrátil do starých kolejí, ale v závěru série, kdy Rachel porodila dceru, kterou s Rossem pojmenovali Emma, přijala neúmyslnou nabídku k sňatku od Joeyho, kterou si mylně vyložila poté, co se Joey sehnul pro prstýnek, který vypadl z Rossova kabátu. Tato série vyhrála cenu Emmy za Nejlepší komediální seriál roku 2002. V  deváté sérii začnou Ross a Rachel bydlet s jejich dcerkou Emmou poté, co se vyjasní omyl ohledně Joeyho nabídky k sňatku. Rachel se však brzy po sporech s Rossem vrátí k Joeymu. Monica a Chandler, inspirovaní Rossem a Rachel, se rozhodnou mít vlastní dítě. Poté co se několik epizod marně pokoušejí o otěhotnění nakonec zjistí, že jsou oba fyzicky neschopní spolu počít dítě. V seriálu se objevuje Mike Hannigan (Paul Rudd) jakožto nový Phoebiin přítel. Ve stejnou dobu se však z  Minska vrátí vědec David ( Hank Azaria) se kterým Phoebe chodila v první sérii. Sama se mezi nimi musí rozhodnout a nakonec zvolí Mikea. Konec deváté série se odehrává na Barbadosu, kam všichni letí na paleontologickou konferenci, kde má Ross hlavní projev. Nově se také objeví paleontoložka Charlie (Aisha Tyler) která je první černošská herečka ve vedlejší roli. Charlie je Joeyho inteligentní přítelkyně. Joey Charlie přitahuje, ale i přes to ji nakonec zaujme Ross, se kterým je inteligencí na stejné úrovni. Poté co Charlie opustí Joeyho, Joey a Rachel opět projeví své city, které jeden ke druhému chovají. Souhlasí však s tím, že to nejprve nebudou brát tolik v potaz, ale to se změní, když Joey uvidí Rosse, jak líbá Charlie. Série končí záběrem na líbajícího se Joeyho a Rachel. V  desáté sérii se uzavírá několik motivů. Joey a Rachel se snaží zvládnout Rossovu vnitřní nevyrovnanost s jejich vztahem. Ten se však stane pohromou, a tak se nakonec rozhodnout zůstat přáteli. Charlie se rozhodne vrátit k bývalému příteli Benjaminu Hobartovi (Greg Kinnear) od kterého se Ross snaží získat výzkumný grant. Monica a Chandler se rozhodli adoptovat dítě a seznámili se s Erikou (Anna Faris) biologickou matkou z  Ohia. Erika jim na konci série porodí dvojčata. Phoebe a Mike mají v závěru série svatbu a Rachel vezme práci u Louise Vuittona v  Paříži. Ross se Rachel vyzná ze své lásky, ale ona i přesto nasedá do letadla do Paříže. Chandler a Monica se chystají odstěhovat ze svého bytu na předměstí a Joey je naštvaný, že se všechno mění. Poté co zhrzený Ross dorazí do svého bytu, poslechne si vzkazy na záznamníku, kde je i jeden od Rachel, která se mu v něm vyzná, že ho taky miluje, ale vzkaz skončí dříve, než se dostane z letadla a Ross tak neví, zda do Paříže odletěla nebo ne. Vzápětí se objeví v jeho dveřích a řekne mu, že ho také miluje. V závěru poslední epizody seriálu se plačící Rachel zeptá: „Nedáme si kafe? “ na což Chandler odpoví: „Jasně. Kde? “ (což jsou poslední slova pronesená v tomto seriálu. Konec části článku, která vyzrazuje zápletku nebo rozuzlení díla. Obsazení [ editovat, editovat zdroj] Jennifer Aniston (český dabing: Miriam Chytilová) jako Rachel Greenová (později Rachel Greenová-Gellerová) je módní nadšenkyně, která potom co utekla od svatby s Barrym, pracovala tři roky v kavárně Central Perk, dokud neprorazila v módním průmyslu nejprve u  Bloomingdale's a později u  Ralpha Laurena. [2] Nejdelší vztah měla s Rossem, za kterého se v podnapilém stavu provdala v  Las Vegas, ale později se rozvedli. [2] Společně mají dceru Emmu. V posledním dílu seriálu se Ross a Rachel znovu dají dohromady a jejich vztah je podle vyjádření Joeyho v seriálu Joey, volném pokračování seriálu Přátelé, zpečetěn i manželstvím. [2] Courteney Cox (český dabing: Pavla Rychlá) jako Monica Gellerová (později Monica Gellerová-Bingová) je Rossova sestra a šéfkuchařka v luxusní restauraci Javu (dříve v jiných restauracích, např. U Alessandra. 2] Během dospívání měla problémy s  obezitou. [2] Je posedlá pořádkem, uklízením a čistotou. Žije v bytě po babičce a je velmi soutěživá. [2] V minulosti měla vztah s rodinným známým Richardem, ale nakonec si začala s Chandlerem, za kterého se později provdala. [2] Lisa Kudrow (český dabing: Stanislava Jachnická) jako Phoebe Bufetová (v originále Phoebe Buffay, později Phoebe Bufetová-Hanniganová / Buffay-Hannigan) je velmi potrhlá masérka a folková zpěvačka. [2] Měla těžké dětství, které se podepsalo na její výstřednosti. [3] Má identické dvojče Uršulu, se kterou se však nestýká. Je vegetariánka a svému nevlastnímu bratrovi porodila trojčata. [2] V poslední řadě seriálu se provdala za Mika Hannigana. [2] Matt LeBlanc (český dabing: Petr Rychlý) jako Joey Tribbiani je herec, který se stal známý za svou roli Dr. Drakea Remoraye v televizním seriálu Dny našeho života (Tak jde čas. 4] Původem je Ital a má velkou rodinu. Je trochu méně bystrý, miluje jídlo a je velký sukničkář. [4] Jeho největším přítelem je Chandler, se kterým bydlel do doby, než se Chandler odstěhoval k Monice. Joey je hlavní postavou volně navazujícího seriálu Joey. Matthew Perry (český dabing: Rostislav Čtvrtlík, v několika dílech Aleš Procházka) jako Chandler Bing měl dříve v popisu práce statistickou analýzu a rekonfiguraci dat ve velké mezinárodní firmě. [4] Později však začal pracovat v reklamní agentuře. V dětství ho poznamenal rozvod rodičů a od té doby měl problémy se ženami a jakýkoliv vztah pro něj byl frustrující, ale nakonec se oženil s Monikou a adoptovali dvě děti. [5] Je charakteristický svým sarkastickým smyslem pro humor a tanečními kreacemi. Původně měl být gay. David Schwimmer (český dabing: Daniel Rous) jako Ross Geller je Moničin starší bratr, paleontolog pracující v Muzeu prehistorických dějin a později profesor paleontologie na Newyorské univerzitě. [4] Má rád slušnou mluvu a od střední školy miluje Rachel Greenovou. [4] Nemá štěstí na vztahy s ženami a je třikrát rozvedený. Má dvě děti – Bena a Emmu. V České republice byla mediálně propírána jeho podoba s ex-ministrem Vladimírem Mlynářem, která byla skutečně velmi výrazná. [4] Produkce [ editovat, editovat zdroj] Na seriálu se podílelo množství scenáristů. Nejvíce dílů napsali, nebo se na nich podíleli Ted Cohen (25 epizod) Andrew Reich (25 epizod) Scott Silveri (23 epizod) a Shana Goldberg-Meehan (22 epizod. Necelou polovinu dílů seriálu režírovali Gary Halvorson (55 epizod) a Kevin Bright (54 epizod. K dalším pravidelným režisérům patřili Michael Lembeck (24 epizod) James Burrows (15 epizod) Gail Mancuso (14 epizod) Peter Bonerz (12 epizod) David Schwimmer (10 epizod) a Ben Weiss (10 epizod. Vysílání [ editovat, editovat zdroj] Řada Díly Premiéra v USA Premiéra v ČR První díl Poslední díl První díl Poslední díl 1 24 22. září 1994 18. května 1995 4. ledna 1997 14. června 1997 2 24 21. září 1995 16. května 1996 12. ledna 1998 22. června 1998 3 25 19. září 1996 15. května 1997 1. září 1998 16. února 1999 4 24 25. září 1997 7. května 1998 23. února 1999 3. srpna 1999 5 24 24. září 1998 20. května 1999 10. srpna 1999 18. ledna 2000 6 25 23. září 1999 18. května 2000 9. ledna 2001 10. července 2001 7 24 12. října 2000 17. května 2001 17. července 2001 15. ledna 2002 8 24 27. září 2001 16. května 2002 7. ledna 2003 17. června 2003 9 24 26. září 2002 15. května 2003 9. září 2003 24. února 2004 10 18 25. září 2003 6. května 2004 8. září 2004 29. prosince 2004 Kulturní vliv [ editovat, editovat zdroj] Kavárna Central Perk – jedno z hlavních míst setkávání šestice přátel Seriál Přátelé významně přispívá do některých oblastí pop-kultury – zejména módy. Jeho vliv lze nalézt jak v oblasti každodenní módy, tak v oblasti vlasových účesů. Například účes, který měla Jennifer Aniston v první sérii seriálu, se v kadeřnictví označuje jako „Rachel“ a byl v době vysílání dané série napodobován po celém světě. [6] Joeyho „balicí“ fráze „Tak jak to de? “ se stala populární v anglickém slangu při navazování náhodné známosti, či při vítání přátel. Seriál rovněž popularizoval myšlenku seznamu celebrit, se kterými by se dotyčný mohl se souhlasem svého partnera či partnerky vyspat. V epizodě Bratrská láska si všichni své seznamy vymění ústně, zatímco Ross si vytvoří skutečný seznam a nechá jej zalaminovat, aby své rozhodnutí již později nemohl změnit. Velký dopad na kulturu měla také podoba kavárny, v níž se seriálová parta přátel scházela – Central Perk. Íránský miliardář Mojtaba Asadian si roku 2006 dokonce nechal název a podobu Central Perku registrovat ve 32 zemích světa a nabízí je k franšízingovému obchodu. Styl kavárny však i bez toho spontánně zkopírovala řada podniků po světě – jeden Central Perk byl otevřen na Broadwick Street v londýnském Soho, další otevřel čínský obchodník Du Xin v Pekingu roku 2010 atp. [7] Přátelé jsou jedním z nejúspěšnějších televizních sitcomů v historii Spojených států, který si získal takovou popularitu a prestiž, že se v jednotlivých episodách objevila řada celebrit ve vedlejších rolích (např. Brad Pitt, Julia Roberts, George Clooney, Jean-Claude Van Damme, Danny DeVito, Bruce Willis, Charlie Sheen a mnozí další. Závěrečná epizoda seriálu se stala čtvrtým nejsledovanějším seriálovým finále v USA, po MASH, Cheers a Seinfeldovi. Vidělo ji 52, 5 milionu Američanů. Ve sledovanosti seriálu nastaly dva významné zlomy. Skok se odehrál zejména mezi 5. a 6. sérií, kdy přibylo v průměru 5 milionu diváků (patrně díky tomu, že na konci 5. série se Rachel a Ross znovu vzali, ovšem v opilosti) druhý skok pak přišel roku 2001, s nástupem osmé série, kdy přibylo dalších 5 milionů diváků. Pozorovatelé tento nárůst dávaly do souvislosti s útoky z 11. září, neboť série začala těsně po útocích, 27. září 2001, a seriál se odehrával v New Yorku. To, že diváky zajímal vztah Rachel a Rosse jako centrální zápletka, patrně ovlivnilo i závěr seriálu, byť kritici upozorňovali, že jejich finální obnovení partnerského vztahu ze závěrečné epizody ne zcela respektovalo vývoj charakterů a bylo spíše „na přání fanoušků“. [8] Kulturolog David Katzman upozornil na to, že seriál zobrazil zlom ve vývoji americké a celé západní společnosti. Hrdinové totiž žijí životním stylem, jehož pevným bodem není partnerský vztah, ale skupina přátel, která nahrazuje tradiční rodinu a člověk si ji sám konstruuje. [9] Autorka seriálu Marta Kauffmanová potvrdila, že jejím cílem bylo zmapovat onu dobu, kdy pro mladého člověka „jsou přátelé jeho rodinou“, která se v postmoderní době rozšiřuje za třicátý rok věku, což v minulosti nebývalo zvykem. [10] Tím také vysvětlila, proč nelze s odstupem času natočit film na seriál navazující (jako v případě Sexu ve městě) o němž se v pravidelných cyklech spekuluje. Model Přátel ovlivnil vývoj žánru sitcom přesunem důrazu z rodinného života na život neformálních skupin přátel (započátý již Seinfeldem či Cheers) za jím ovlivněný bývá často označován především seriál Jak jsem potkal vaši matku. Seriál měl i jeden tzv. spin-off, když se postava Joeyiho osamostatnila a získala vlastní sitcom Joey. NBC ho nasadila na stejný čas jako Přátele a úvodní epizodu skutečně sledovalo jen o málo méně diváků než v průměru sledovalo Přátele (cca 18 milionů. Jenže sledovanost rychle klesala až k sedmi milionům, načež byl seriál zastaven. Podle autorů Přátel, kteří se na scénáři k Joeymu odmítli podílet, to bylo nepochopením postavy Joeyho v Přátelích a jeho nepříjemným charakterovým posunem. [11] Ocenění [ editovat, editovat zdroj] Za deset let vysílání získal seriál několik cen Emmy a některá další ocenění, jako je Zlatý globus nebo ceny SAG. Ze 63 nominací na ceny Emmy jich seriál proměnil 7. Jennifer Aniston a Lisa Kudrow jsou jediné herečky v seriálu, které vyhrály Emmy. zdroj? Ceny Emmy 2008 – Nejvzpomínanější televizní moment – komedie (za díl „Rossovo odhalení“) 2003 – Nejlepší hostující herečka v komediálním seriálu – Christina Applegate 2002 – Nejlepší televizní miniseriál nebo televizní film 2002 – Nejlepší televizní seriál – kategorie muzikál a veselohra – nejlepší herečka – Jennifer Aniston 2000 – Nejlepší hostující herec v komediálním seriálu – Bruce Willis 1998 – Nejlepší televizní seriál – kategorie muzikál a veselohra – nejlepší herečka – Lisa Kudrow 1996 – Nejlepší režie v komediálním seriálu – Michael Lembeck (za díl „Joeyho ctitelka“) Zlatý globus 2003 – Nejlepší televizní seriál – kategorie muzikál a veselohra – nejlepší herečka – Jennifer Aniston Screen Actors Guild Awards 2000 – Nejlepší herečka v komediálním seriálu – Lisa Kudrow 1996 – Nejlepší herecká skupina – J. Aniston, C. Cox-Arquette, L. Kudrow, M. LeBlanc, M. Perry, D. Schwimmer Odkazy [ editovat, editovat zdroj] Poznámky [ editovat, editovat zdroj] V tomto článku byl použit překlad textu z článku Friends na anglické Wikipedii. Externí odkazy [ editovat, editovat zdroj] Obrázky, zvuky či videa k tématu Přátelé ve Wikimedia Commons (anglicky) Přátelé v Internet Movie Database Přátelé v Česko-Slovenské filmové databázi.

 

Windows Insomnia cafe. YouTube. This is interesting. i havent noticed some of scenes mentioned. sometimes i rewatch the show and kinda cringe because for sure some jokes wouldnt fly today. and so much has changed since the 90s. i still enjoy the show a lot. whats ironic is that the people in the comments are so butthurt over this video 😭😭😭😭😭😭😭 lmaaooooo yall just proved your own point.

Speed it up to 1.25 it sounds so good. Windows insomnia caf c3 a9 vs. Windows insomnia caf c3 a9 review. Windows Insomnia cafés. Windows insomnia caf c3 a9 2017. Fanoušci Přátel dostali předčasný vánoční dárek v podobě zprávy, že kultovní seriál se konečně dočká návratu! S informací, která včera způsobila poprask nejen na sociálních sítích, vyrukoval obvykle dobře informovaný magazín Hollywood Reporter. Podle něj na comeback kývli jak představitelé hlavních hrdinů Jennifer Anistonová (50, Rachel) Courteney Coxová (55, Monica) Lisa Kudrowová (56, Phoebe) David Schwimmer (53, Ross) Matthew Perry (50, Chandler) i Matt LeBlanc (52, Joey) tak původní tvůrci David Crane (62) s Martou Kauffmanovou (62. Zatím není jasné, jak přesně bude projekt vypadat. Spekuluje se ale o jakémsi jednorázovém speciálu, za jehož produkcí má stát chystaná streamovací služba HBO Max. Přátelé si letos připsali hned dvě výročí, od jejich premiéry uběhlo 25 let, od posledního ze 146 dílů pro změnu 15 let. Úvodní znělka k seriálu Přátelé: The Rembrandts - I'll be there for you.

Ross se marně pokouší vysvětlit Rachel, proč nezařídil rozvod: děsí ho představa, že bude žít s "nálepkou tří rozvodů" a žádná žena si ho již nikdy nevezme za manžela. Chandler řekl Joeymu, že bude bydlet u Moniky. Joey se s tímto vysvětlením nechce za žádnou cenu smířit. Monika se obává, že Rachel také nepochopí, proč si má hledat nový byt. Ross konečně navštívil právníka. Ale není to vůbec jednoduché. Kromě řady dokumentů, které má příště přinést s sebou, však u rozvodu musí být přítomna také.

 

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Description=The film follows Dave, Karen, and their three young children, as they venture into war zones where they are fighting to bring hope. Viewers will follow the family into firefights, heroic rescues, and experience life-changing ministry genre=Documentary Country=USA 1 hours, 45 Minute.

Free Burma Rangers Free stream new

(explosion. Well, you have one life and might as well go for it 'cause what are you gonna hold onto? epic music) I grew up as a missionary kid in Thailand. I remember thinking, I think I'm more of a soldier. I felt God had something else for me to do. (epic music) I turned to Karen and I said, I'm going to Burma, will you come with me? Will you marry me. I felt in my heart, Say no and let it go, or you say yes and you get in. gunfire) explosion) helicopters. I have no other plan, just go. Go to the sound of the guns, go to the sound of need and trust God to show you how you can be useful. (army chanting. Man] David Eubank, a former Special Forces Captain has gone on to found the relief group called the Free Burma Rangers. Woman] Helping those fleeing front lines of war. Woman] His wife and three children go with him into the conflict areas. (epic music. As we do these relief missions, more and more ethnic people began to join us. I want to go and help my people as I can. Group] Never surrender! Rangers! explosions. We hope these things will change the world. (epic music. We're here on the border of Iran and these are all refugees that have been fleeing ISIS. Man] Sniper! Sniper! gunfire. This is the craziest thing in the world to do and yet we knew we had to respond. I felt God's voice, Get on your knees and pray. Get on my knees. I look like a Christian nutcase, man. (epic music) ISIS just opened up on three sides. (gunfire) Bullets are pinging of the Humvee like crazy. (epic music. Karen] Everything is just right there on the edge. How far is that gonna take Dave. Alive! epic music) gunfire) What's happening to you is wrong, we're gonna help you even if we die trying. We're not gonna leave. 'Cause you count. Jesus, help me. (intense music.

Free burma rangers free streaming

Release Date: February 24th, 2020 NR, 1 hr 45 min Plot Summary Free Burma Rangers is an exciting documentary film exploring the 20-year journey of the Free Burma Rangers and their mission to free the oppressed on the frontlines of war. Cast: Dave Eubank, The Free Burma Rangers, Karen Eubank Director: Brent Gudgel, Chris Sinclair Genres: Documentary Production Co: Deidox Films, Lifeway Media Distributors: Fathom Events.

Free Burma Rangers - Free the Oppressed Free Burma Rangers “LOVE EACH OTHER. UNITE AND WORK FOR FREEDOM, JUSTICE, AND PEACE. FORGIVE AND DONT HATE EACH OTHER. PRAY WITH FAITH, ACT WITH COURAGE, NEVER SURRENDER. ” The Free Burma Rangers (FBR) is a multi-ethnic humanitarian service movement working to bring help, hope and love to people in the conflict zones of Burma, Iraq, and Sudan. Working in conjunction with local ethnic pro-democracy groups, FBR trains, supplies, and later coordinates with what become highly mobile multipurpose relief teams. After training these teams provide critical emergency medical care, shelter, food, clothing and human rights documentation in their home regions. Burma Conflict The situation in Burma is as complex as it is long. Over 60 years of civil war have left Burma one of the poorest countries in the world. During this time, successive military dictatorships killed thousands of their own people and displaced millions in resistance areas. The resulting power vacuum has created a situation ripe for drug cultivation, child soldiers, acts of possible genocide, and starvation. In recent years the government of Burma has taken many positive steps, including the election of a civilian government under the National League of Democracy (NLD. However, the Burmese military still retains significant political power, and they have yet to resolve many of the ongoing internal conflicts. With the world focused on the change in government, human rights abuses including rapes, murder, indiscriminate airstrikes, and kidnapping still continue to be reported in areas being attacked and occupied by the Burma Army. To read the English Day of Prayer magazine, click the photo above. Additional languages are available below. 10 March 2019 On the cover of this years Day of Prayer magazine is Naw Moo Day Wah, whom we first met after she was shot by the Burma Army in 2001. She was eight years old then and when we met her again in January 2018 she was married and had a new baby. “Will the Burma Army attack again, will  I have to run again? ” she asked. Two months later the Burma Army did attack and she did run again. A few months later, we met Naw Paw Tha, whose husband, an NGO worker, was gunned down by the Burma Army in March 2018. She is in hiding now with her seven children and no justice has been done. Instead, the Burma Army continues to build up its forces near where she and over 2, 500 displaced Karen live in northern Karen State. We prayed with her in the jungle after her husband was killed and are helping her and her children. When we gave her a medal in honor of her husband she started to cry. This broke my heart and I asked God to help us. Over 25 years of working in Burma and still murders, shootings, and displacements like this go on. The Burma Army attacks its own people with impunity and there is no change in this. This is tragic and would seem hopeless except we know God cares and that the prayers of people change things. So as you read this years magazine, please pray and ask God how to pray. Please pray for love over hate, justice over revenge, freedom over slavery, reconciliation over unforgiveness. Jesus gives us the power to do this when we ask Him. In the midst of evil and suffering we do see Gods love shine through people as they choose to help each other in the face of great odds. God only has us do what He helps us to do. We do not have to and cannot help everyone, but we each can help those that God puts in front of us to help. It is the power of Jesus that enables us to help others and brings new life and hope for all of us. Thank you for caring, praying, and helping. God bless you, David Eubank, family and all of CCB.

Free Burma Rangers (FBR) is a multi-ethnic humanitarian service movement working to bring help, hope and love to people in the conflict areas of Burma, Iraq, and Sudan. Working alongside indigenous pro-democracy groups, FBR trains, supplies and coordinates Ranger teams to help provide emergency medical care, shelter, food, clothing and human rights documentation. In addition to relief and reporting, other results of the teams actions are the development of leadership capacity, civil society and the strengthening of inter-ethnic unity. The teams are to avoid contact with the Burma Army or other attacking forces and operate under the protection of the ethnic resistance armies. However, they cannot run away if the people they are helping cannot escape the attacks. Men and women of many ethnic groups and religions are part of FBR. The Three Requirements for Team Members 1. Love  – Each volunteer should be motivated by love. 2. Physical and moral courage – Volunteers must have to have the physical strength and endurance to be able to walk to crisis areas, and the moral courage to stand with those under attack. 3. Ability to read and write – Due to medical, informational and documentation requirements, literacy in at least one language is required. VISION: To free the oppressed and to stand for human dignity, justice and reconciliation. MISSION: To bring help, hope and love to people of all faiths and ethnicities in the conflict areas, to shine a light on the actions of oppressors, to stand with the oppressed and support leaders and organizations committed to liberty, justice and service. OBJECTIVES: To inspire, train and equip people in conflict zones to bring positive change through acts of love and service. To provide immediate medical assistance, shelter, food, clothing, educational materials and other humanitarian aid in the war zones and to improve logistics and medical evacuation. To develop the Information Network of Burma that documents, reports and disseminates accounts of human rights violations and provides an early warning system of Burma Army attacks. To provide prayer and counseling for victims of human rights abuses and to support programs for women and children. To train, equip and sustain indigenous humanitarian relief teams in the field. HISTORY: The Free Burma Rangers were formed  during the Burma Army offensives of 1997, when villages were destroyed, people killed and over 100, 000 people fled their homes; over 1 million people are still displaced inside Burma.  In the face of the overwhelming force by the Burma Army, the Free Burma Rangers was formed with the idea that no one can stop people from giving love and serving one another. During this time the Ethnic Nationalities Seminar at Mae Tha Ra Hta was coordinated and supported by FBR; and the Global Day of Prayer was initiated after Dave Eubank met with Aung San Suu Kyi in 1996. The first team training took place in 2001, and 2005 saw the first training for full-time teams. Each step taken to grow the Free Burma Rangers has been at the request of the local ethnic leadership. Since 1997, FBR has trained over 250 multi-ethnic relief teams and there are 71 full time teams active in the Arakan, Chin, Kachin, Karen, Karenni, Kayan, Lahu, Mon, Naga, Pa-Oh, Shan and Taang areas of Burma. The teams have conducted over 800 humanitarian missions of 1-2 months into the war zones of Burma. On average around 1000 patients are treated per mission with 2, 000 more people helped in some way. The teams have treated over 500, 000 patients and helped over 1, 100, 000 people. FBR OPERATIONS: ACTIONS: The Free Burma Rangers (FBR) conduct relief, advocacy, leadership development and unity missions among the people of Burma. Relief: FBR teams provide emergency medical, educational, spiritual, material and general assistance to people who suffer under oppression in Burma. Teams move throughout the conflict and crisis areas to give aid and comfort and also conduct leadership training, as well as medical, educational, reporting and general capacity building for people inside Burma. Teams also document human rights violations and report to the relevant authorities. Priority of assistance goes to the Internally Displaced People (IDP) of Burma as well as to those whos villages have recently been attacked by the Burma Army. FBR teams stand in solidarity with those who suffer and assist people of all races and faiths. Advocacy: FBR reports regularly on the situation inside Burma, sending information to supporters, news media, other NGOs and governments. In addition, FBR supports the annual Global Day of Prayer for Burma. Leadership: In addition to relief and reporting, other results of the teams actions are the development of leadership capacity, civil society and the strengthening of inter-ethnic unity. The FBR conducts leadership development and communications training in order to strengthen civil society, build leadership capacity and develop communications. Communications tools such as radio broadcasts, cassette tapes, print media are used in the ongoing effort for reconciliation and unity. Ethnic Unity: FBR helps coordinate annual seminars between the ethnic groups of Burma as well as the pro-democracy Burmans. TRAININGS Northern Karen State: FBRs largest training, conducted in the fall, generally includes multiple ethnic groups and a one-month follow on mission, including the GLC school tour. Training includes both basic and advanced classes. Southern Karen State: training of Mergui-Tavoy FBR teams, generally conducted in late summer, lasting for one month. Shan State: training of Shan and occasionally Karenni FBR teams, conducted in the spring, lasting approximately 6 weeks. Other trainings: conducted as logistics, personnel and time permit, on invitation from specific groups. The Jungle School of Medicine-Kawthoolei: a medical school program to provide a one year training for beginning medics that includes a clinical setting. MISSIONS Currently there are 71 active Free Burma Ranger teams, each of which goes on approximately 2-4 missions a year. These missions are conducted in the teams home areas and are under the direction of FBR coordinators and local leaders. PATIENT REFERRAL FBR helps to manage patient care for select patients who are evacuated to receive advanced medical care. OTHER FBR is involved in many other projects as well, including support for a border hostel for Karen children, a hostel for Wa children, and several border clinics. “De Oppresso Liber” “Free the Oppressed”.

Free Burma Rangers Free stream of consciousness. YouTube Free Burma Rangers.

FREE BURMA PUTLOCKER (WatcH OnLInE Vimeo) Free Burma Rangers. movie v~illain Megashare Free Burma Rangers, Watch free burma rangers Movie Putlocker. Edit Storyline The film follows Dave, Karen, and their three young children, as they venture into war zones where they are fighting to bring hope. Viewers will follow the family into firefights, heroic rescues, and experience life-changing ministry. Plot Summary, Add Synopsis Details Release Date: 24 February 2020 (USA) See more  » Also Known As: Free Burma Rangers Company Credits Technical Specs See full technical specs  ».

 

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Free Burma Rangers is a documentary film exploring the extraordinary 20-year journey of missionaries Dave and Karen Eubank. The film follows Dave, Karen, and their three young children, as they venture into war zones where they are fighting to bring hope. Dave Eubank is a rare hero of the faith. He is a former U. S. Special Forces soldier turned missionary to conflict zones. The film is a real life adventure movie. Viewers will follow the family into firefights, heroic rescues, and experience life-changing ministry. In the midst of this unprecedented journey, you will witness amazing lessons of faith from one of the most inspiring families in the world. The Free Burma Rangers was founded over 20 years ago by Eubank, in response to conflict in Burma, and now offer help, hope and love to internally displaced people around the world. They live by six principles: Love One Another Unite for Freedom, Justice, and Peace Forgive and do not hate each other Pray with faith Act with Courage Never Surrender Viewer Discretion Advised  – Includes Intense, Graphic Sequences of War Violence THE FILM IS PRODUCED BY DEIDOX FILMS IN PARTNERSHIP WITH LIFEWAY FILMS.

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Comedy, Action / Country: India / directed by: Prabhu Deva / Writer: Dilip Shukla / / review: Dabangg 3 is a movie starring Salman Khan, Sudeep, and Sonakshi Sinha. Chulbul Pandey encounters an enemy from his past, and his origin story as the fearless cop unfolds. कौन कौन चाहता अमीर खान कपिल ke so मे आये laike करें.

Dabangg 3 flop. Dabangg 3 film. Dabangg 3 is an upcoming 2019 Indian Hindi-language action comedy film directed by Prabhu Deva, and produced by Salman Khan and Arbaaz Khan under their respective banners of Salman Khan Films and Arbaaz Khan Productions. The film is a sequel to the 2012 film Dabangg 2 and the third installment of Dabangg film series. The screenplay of the film is written by Salman Khan, Prabhu Deva and Alok Upadhyaye. The story is set in the state of Madhya Pradesh. The film features Salman Khan, Sonakshi Sinha, Arbaaz Khan and Mahie Gill reprising their roles from the previous film, while Sudeep plays the antagonist. Along with dubbed versions in Kannada, Tamil and Telugu languages, the film is scheduled to be theatrically released in India on 20 December 2019. It was accounted for that the scholars had begun scripting the film, and it would go on floors by the mid 2019. In the next month, it was affirmed by Arbaaz Khan that Prabhu Deva would coordinate the film, and he will take care of the inventive control. Deva affirmed that he will coordinate the film and Salman Khan, Sonakshi Sinha and Arbaaz Khan will be depict their prior individual character. Sajid-Wajid will again create for the film soundtrack. On 31 March 2019, Salman and Arbaaz landed in Indore to start going for Dabangg 3 from 1 April. Also Checkout Bhangra Paa Le and Chhapaak. Download Dabangg 3 HD 720p Direct Download Link Star Cast For Dabangg 3 (720p Blu-Ray) Salman Khan as Inspector Chulbul Pandey Sudeep as Bali Singh Sonakshi Sinha as Rajjo Pandey Saiee Manjrekar as Khushi Arbaaz Khan as Makhanchand “Makkhi” Pandey Amole Gupte as Ashraf Mahie Gill as Nirmala Pandey Tinnu Anand as Masterji Nikitin Dheer as Chunni Pramod Khanna as Prajapati Pandey Pankaj Tripathi as Devendra Kumar Singh Nawab Shah as Devram Sarfaraz Khan as a shopkeeper Abhilash Chaudhary as Police Inspector Dayachand Mhatre Milind Gunaji as Amit Resh Lamba as Badru Santosh Shukla as Shukla Mahesh Manjrekar as Hariya (Special appearance) Girish Kumar as Ram Sharma Prabhu Deva as himself (special appearance in the song “Munna Badnaam Hua”) Warina Hussain as item girl (special appearance in the song “Munna Badnaam Hua”) Tunisha Sharma (special appearance) Preity Zinta (cameo appearance) Dolly Bindra Checkout Reviews Of Dabangg 3 on Wikipedia and IMDB. HOW TO DOWNLOAD DABANGG 3 IN HD 720P AND FULL HD 1080P CLICK ON THE DOWNLOAD BUTTONS ABOVE TO DOWNLOAD THE MOVIE IN 720P BLU-RAY OR FULL HD (1080P. CHECK YOUR INTERNET SPEED AND LET THE DOWNLOAD BEGIN AUTOMATICALLY. WHEN YOUR DOWNLOAD STARTS, DO NOT TURN THE INTERNET OFF AS IT CAN CAUSE AN ISSUE WHILE DOWNLOADING. AFTER DOWNLOADING YOUR MOVIE, YOU CAN ENJOY IT WITH YOUR FRIENDS AND FAMILY. Checkout the new trailer for Dabangg 3 HD here Conclusion Thanyou for downloading the full movie in HD and we hope that you will come again and download movies from our site. Enjoy with your friends and family.

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Who is best policewala. Salman - like AKSHAY - Comment 👇👇

Dabangg 3 2019. 1 1 Posted by 8 months ago Archived comment 100% Upvoted This thread is archived New comments cannot be posted and votes cannot be cast Sort by no comments yet Be the first to share what you think! u/GoodLuckKBC Karma 1 Cake day December 31, 2018 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

Its the movie which have fun,emotion & action.
In this movie u will know how salman khan name geting "chulbul pandey. br> As a fan i will give 100 out of 10.
It is outstandig movie.
It will cross the record of bajarangi bhaijan. Dabangg 3 online. Dabangg 3 motion poster. Dabangg3 torrent download. Is T Series the main one. Love the music of Radhe... Dabangg 3 song video. Dabangg 3 reviews. Hmm ise movie ko dekhni bilkul nhi jaynge jbb yee salaa hmare CAA Or CAB meain awaz nhi utta sakata to hmm keyoo jaye iske move dekhne ko. Dabangg 3 movie salman khan ki. Dabangg 3 showtimes. 🔝 Zurück nach oben Melden Sie sich an, um dieses Wort auf Ihre Merkliste zu setzen. Startseite ▻ Wörterbuch ▻ reinfallen ❞ Als Quelle verwenden Melden Sie sich an, um dieses Wort auf Ihre Merkliste zu setzen. Wortart INFO starkes Verb Gebrauch INFO umgangssprachlich Häufigkeit INFO ▒ ░░░░ Rechtschreibung Info Worttrennung rein,fal,len Bedeutung Info hinein- hereinfallen Beispiel sie ist auf die Geschichte reingefallen Synonyme zu reinfallen Info hereinfallen; aufsitzen, betrogen/getäuscht werden, hintergangen/überlistet werden; umgangssprachlich) auf den Leim gehen/kriechen, baden gehen, he]reinfliegen, he]reingelegt werden, reinfliegen, übers Ohr gehauen werden; salopp) angeschmiert werden, aufs Kreuz gelegt werden, reinrasseln, über den Tisch gezogen werden Grammatik Info starkes Verb; Perfektbildung mit „ist“ Präsens Indikativ Konjunktiv I Imperativ Singular ich falle rein ich falle rein – du fällst rein du fallest rein fall rein, falle rein! er/sie/es fällt rein er/sie/es falle rein – Plural wir fallen rein wir fallen rein – ihr fallt rein ihr fallet rein fallt rein! sie fallen rein sie fallen rein – Präteritum Indikativ Konjunktiv II Singular ich fiel rein ich fiele rein du fielst rein du fielest rein er/sie/es fiel rein er/sie/es fiele rein Plural wir fielen rein wir fielen rein ihr fielt rein ihr fielet rein sie fielen rein sie fielen rein Partizip I reinfallend Partizip II reingefallen Infinitiv mit zu reinzufallen Aussprache Info Betonung r ei nfallen Lautschrift [ˈraɪ̯nfalən] Bibliographisches Institut GmbH, 2019 Wir verwenden Cookies für das beste Erlebnis auf unserer Seite. Weitere Informationen hier. Verstanden.

Dabangg 360. Dabangg3 movie. Dabangg3 full movie online stream. Dabangg 3 release date. Dabangg 3 ans. This movie is actually good. Dabangg 3 review. #Salman urff #ChulBul Fan 😎😎💪💪💪💪💪💪💪. 👇Like Hare. Dabangg 3 trailer. 1 1 Posted by 4 months ago comment 58% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! u/Rameshwarrai Karma 1 Cake day May 2, 2019 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

Dabangg 3 movie. Download Dabangg 3 Torrent: Full Movie 300mb Leaked online By Tamilrockers will Effect Boxoffice Plot: Dabangg 3 is a 2019 Indian Hindi-language action comedy film directed by Prabhu Deva, and produced by Salman Khan and Arbaaz Khan under their respective banners of Salman Khan Films and Arbaaz Khan Productions. The film is a sequel to the 2012 film Dabangg 2 and the third installment of Dabangg film series. Release date: 20 December 2019 (India) Director: Prabhu Deva Producers: Salman Khan, Arbaaz Khan, Nikhil Dwivedi Music director: Sandeep Shirodkar, Sajid–Wajid.

Dabangg 3 full movie watch online free. Dabangg 3 salman khan. Dabangg 3 near me. Dabangg3 online free wacth. Dabangg 3. Dabangg 3 theater. 4:30 😂😂😂 bhaijaan control. This song really touched everyone heart ❤️. Soudent of thé year2 full film. Isse achi choereography YouTube pe bache karte Hain🤣. Dabangg 3 poster. Dabangg 3.2. Dabangg 3 movie online. Dabangg 3 movie full hd. It's best moment to listen my fav shreya ghoshal in tseries.💐😍 Thank u tseries to give this song to shreya.❤️🌹.

Dabangg 3.3. Dabangg 365. Movie ka history bhut achha hai lekin fight seen sahi nhi hai 🤔🤔😥😥. Wow salman himself dubbed for kannada. we appreciate that he took this effort and shower love now its our time to show love on 20th dec. Love the way you are salman youre super duper awesome handsome loving caring and most talented person in the world ❤️😘💋😍🥰💕. This is the worst movie of Salman khan ever watched, non-sense actions, comedy.
Literally crap.

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Dabangg 3 song. Maheshwar locatiom. Dabangg 3 video song. Dabangg 3.4. December 22, 2019 Leave a Comment IMDb Rating: 6. 0/10 Genre: Action Director: Prabhu Deva Release Date: 20 December 2019 Star Cast: Salman Khan, Warina Hussain, Sonakshi Sinha Movie Story: Third installment of the Dabangg film series. Full Movie Free Download Via Single Links Size 1. 2Gb. Torrent Download Download Links Leave a Reply Your email address will not be published. Required fields are marked * Comment Name * Email * Website. Dabangg 3 Hindi Movie Download: Dabangg 3 Movie has been leaked on Tamilrockers to Download, Dabangg 3 Hindi Film became prey for the notorious piracy site Tamilrockers, Torrent download, which will be a shocking and hard news for the movie producers and crew members. Indian and Hollywood Movies Piracy Giant  Tamilrockers  has done it again. Notorious for leaking new releases,  Tamilrockers has now uploaded Hindi language movie named, Dabangg 3 which features, Dabangg Hindi Movie Salmankhan Prabhudeva Salman Khan – Actor, As Chulbul Pandey Sonakshi Sinha – Actor, As Rajjo Pandey Kiccha Sudeep – Actor, As Balli Singh Saiee Manjrekar – Actor, As Khushi Arbaaz Khan – Actor, As Makhanchand… Amole Gupte – Actor, As Balli`s henchman Mahie Gill – Actor, As Nirmala Pandey Tinnu Anand – Actor, As Masterji Nikitin Dheer – Actor, As Chunni Pankaj Tripathi – Actor, As Devendra Singh Kay Kay Menon – Actor in the lead Cast. Dabangg 3 Movie Download: Regardless of getting a few alerts and court orders,  Tamilrockers has not called it quits. Prior, the Madras High Court had restricted the site, even many network providers and telecommunication department has blocked it, but using proxy websites and servers people used to access the site to get downloadable torrent file or Magnet Torrent to get download access with the help of uTorrent app. However, few days of shutdown, Tamilrockers was on its feet once more and bravely released Dabangg 3 movie for free download via Torrent File. Dabangg tamilrockers hd link Are you Fan of Hindi Cinemas? then this news will be very hard for you to intake. Even this will cause more impact to ROI for the movie investors. The Crew Details as follows: Prabhu Deva – Director Arbaaz Khan – Producer Salman Khan – Producer Dilip Shukla – Writer Sajid Ali – Musician Wajid Ali – Musician Aseem Mishra – Cinematographer #StopMoviePiracy Please dont use piracy websites to watch movies for free, especially for the Hindi movie “Dabangg 3”, we are not encouraging piracy sources here to watch movie online for free or download, this is just a news to make people aware of it.  Dabangg movie roi budget loss due to free movie download leaked by tamilrockers Movie Name Dabangg 3 Budget 100 Crores Language Hindi, Tamil Dubbed, Telugu Dubbed, English Dubbed Country India, US, Canada, Malaysia, Singapore, Srilanka, Bangladesh, Arab Nations, European nations. Asia and Worldwide release Release Date December 2019 DISCLAIMER: We encourage our perusers to watch  Dabangg 3 Hindi Movie  just on theatres and authority media administrations like Amazon Prime Video, Netflix, Zee5 and then some. Try not to help or utilize pilfered sites like Movierulz, Moviesda, Tamilrockers, Madrasrockers, filmywap, khatrimaza, Jio rockers to stream motion pictures on the web. On the off chance that you attempted to get to your any downpour webpage, youd have gotten a notice message expressing that endeavoring to get to a blocked site is culpable that you would be condemned to imprison for a long time alongside a fine of up to Rs 3, 00, 000. Downloading and spilling the motion pictures illicitly would be infringing upon Sections 63, 63A and 65 of the Indian Copyright Act of 1957. Watch Hindi Movie Dabangg 3 Online: There are two options to watch Dabangg 3 movie for free, one you can download the movie and watch offline, or else all piracy sites like Tamilrockers, Jio Rockers, Madras Rockers the stream Dabangg 3 movie in online for free of cost, Dabangg 3 movie is available from size 250 MB to 5 GB Blue Ray Quality DVD Print on Torrent. Dabangg 3 Movie Download Quality:  DVDRip, HDRip, WEBRip, BDRip, BRRip, PreDVD Movie Size:  250 Mb, 300 Mb, 400 MB, 600MB, 700MB – 5 GB Dabangg three torrent Magnet How Tamilrockers Released Dabangg 3 Full Movie? Indian and Hollywood Movies gets into trouble by Piracy Giant Tamilrockers, they did it again, the movie will be shot via Handy Camera or High End Mobile phones and do some editing works to make it Full HD, as such recent release of  Hindi language movie named, Dabangg 3, has now uploaded on internet to watch and download it for free of cost, below listed some of lead players of the movie, dabang salman kahan movie Running Time 20 Dec, 2019 Genre Action Not only on Tamilrockers, Dabangg 3 very Good Quality HD Print is similarly got spilled by other downpour film locales including Malayalam rockers, Isaimini, Cinemavilla, Movierulz, Moviesda, Madrasrockers, Todaypk, filmywap, Filmyzilla, TodayPK, moviezwap, khatrimaza, DVD Rockers, start to finish films, filmypur, Bollywood Movies, Mastihot, Ipagal, 9xmovies, 9xrockers, Downloadhub, tamilplay, 8XMovies, worldfree4u and that is just a hint of something larger. 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Dabangg 3 wikipedia. Delivers what it promises... Entertainment in abundance. Dabangg 3 hindi movie. Epic disaster, some actions are good, only Salman khan fans will like this movie. Dabangg 3 box office. Dabangg 3 box office collection. Dabangg 3.6. I m worrying how warina has danced here She doesnt suits in this types of song. After watching a monstrosity called #Dabangg3 im compelled to raise some queries - hope someone has the answers - why n how on earth was this project conceived - when will salman bhai learn to act - when will salman bhai learn to dance - when will salman bhai do something remotely sensible - when will sonakshi retire - whys Prabhudeva so desperate to direct - why did i watch the movie - why am i writing this review - rating 1/5.

Dabangg 3 Movie Free Download By Tamilrockers: Dabangg 3 is a Bollywood Hindi language film, in which you will get plenty of action as well as comedy. Dabangg 3 movie is directed by Prabhu Deva, but once again, Tamilrockers website has started its black duty. Salman Khans new film Dabangg 3, has been released at the box office today, i. e. 20 December 2019. Salman Khan is playing the lead role in Dabangg 3, with Sonakshi Sinha and Sudeep supporting him in the film. If you do not know, let me tell you that Dabangg 3 is the third part of the Dabangg series. The first part of Dabangg movie came on 10 September 2010. Salman Khan Motivational Quotes, Quotations, Thoughts, Shayari, Status, Images Like other piracy websites, Tamilrockers have leaked Dabangg 3 film on their website despite court orders. Despite strict court orders, TamilRockers have not banned their acts. Tell that the Madras High Court has banned this website many times, but each time it keeps leaking the film on different domains. But he is not stopping leaking movies at all. Dabangg 3 All Cast Members Salman Khan ………... Inspector Chulbul Pandey Sudeep ………... Bali Singh Sonakshi Sinha ………... Rajjo Pandey Saiee Manjrekar ………... Khushi Arbaaz Khan ………... Makhanchand “Makkhi” Pandey Amole Gupte ………... Ashraf Mahie Gill ………... Nirmala Pandey Tinnu Anand ………... Masterji Nikitin Dheer ………... Chunni Pramod Khanna ………... Prajapati Pandey Pankaj Tripathi ………... Devendra Kumar Singh Nawab Shah ………... Devram Sarfaraz Khan ………... a shopkeeper Abhilash Chaudhary ………... Police Inspector Dayachand Mhatre Milind Gunaji ………... Amit Resh Lamba ………... Badru Santosh Shukla ………... Shukla Mahesh Manjrekar ………... Hariya (Special appearance) Girish Kumar ………... Ram Sharma Prabhu Deva ………... himself (special appearance in the song “Munna Badnaam Hua”) Warina Hussain ………... item girl (special appearance in the song “Munna Tunisha Sharma ………. special appearance) Preity Zinta ………. cameo appearance) Dolly Bindra Dabangg 3 Movie All Songs Tracklisting No. Title Lyrics Singer(s) Length 1. “Hud Hud” Jalees Sherwani, Danish Sabri Divya Kumar, Shabab Sabri, Sajid Khan 4:24 2. “Naina Lade” Danish Sabri Javed Ali 4:49 3. “Yu Karke” Salman Khan, Payal Dev 3:45 4. “Munna Badnaam Hua” Badshah, Kamaal Khan, Mamta Sharma 4:06 5. “Awara” Sameer Anjaan, Sajid Khan Salman Ali, Muskaan 4:56 6. “Habibi Ke Nain” Irfan Kamal Shreya Ghoshal, Jubin Nautiyal 5:51 Total length: 27:51 Dabangg 3: Official Trailer, Salman Khan, Sonakshi Sinha, Prabhu Deva, 20th Dec19 Dabangg 3, Dabang 3 movie has been released at the box office today, i. 20 December 2019, but you must be surprised to know that the film has been leaked on TamilRockers after a few hours of the films release. Which is quite surprising. The big movie of such a big superstar is very surprised to be leaked on TamilRockers. The first poster of Dabangg 3 was released on 26 April 2019. Under which, the theme of the film was revealed! A few days later, the films official release date was announced. The trailer of Wahi Bata De was released on YouTube on 23 October, and so far, the Dabangg 3 film trailer has been viewed nearly 55 million times. Dabangg 3 Movie Review Dabangg 3: The buzz of the film is increasing day by day. Salmans fans are looking desperate to see the movie. Earlier, Salmans film was released at the India box office, which had an outstanding collection in terms of booking. But India is more concerned with the movie Dabangg 3 than the movie. Dabangg 3 is being liked more than the Bharat film; now, it is also being speculated that the Dabangg 3 film is going to be the best advance booking from India. Dabangg 3 film will be released on more screens than Bharat film. According to the data received so far, Dabangg 3 film will be released at around 5000 screens at the Indian box office. The film will be released on 1500 screens in Overseas Market. In total, the film is being released on 7000 screens. It can be inferred from this that the film is going to have several records at the box office. It is clear from the name TamilRockers that this website will only leak Tamil films on its website. But in sharp contrast, Hollywood, Hollywood, and Bollywood films are also leaking on the TamilRockers website. Not only this but now the web series has also started leaking on this site, which remains a matter of great concern for all the industry. Even before this, many big films have been leaked on Tamilrockers; some of them are Pati Patni Aur Woh, Commando 3, Pagalpanti and Marjaavaan, etc. Now it has become a big problem for film producers; its effect is directly seen in the collection of the film. All actors refuse to download the movie from all such websites. But despite this, it is not taking the name of Silsila. If you want to download Dabangg 3 movie online now? So we request you to go and watch Dabangg 3 in your nearest cinema houses. If you cannot go to see, then you can wait for the world television premiere of the film for a few days. Or, if you want to see before this, you can also look online. You can watch the Dumbug 3 movie a few days later on Netflix, MX Player, Amazon Prime, jio Cinema, ErosNow, and Sony Liv, but you may have to wait a little longer for it. The fans are now almost accustomed to the basic search process of the film on the internet. 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Dabangg 3 torrent. Superb fresh new song🤩🤩no remake only in Salman Khan film😁. Dabangg 3 trailer reaction. FandK Hindi u/fandkhindi FandKhindi - Reviews And Ratings For All Upcoming New Movies Latest Movies: Bollywood, Hollywood, South Hindi Dubbed Movies Updates, etc. Karma 1 Cake day April 13, 2019. I need movie. Bollywood superstar Salman Khan is enjoying a splendid moment since his film “Dabangg 3” as usual. The film premiered today and is receiving a positive response from the public. Although all fans are excited, the film has been leaked online by the infamous Tamiltrackers. This is not the first time a film has been leaked. Despite CAAs outrage, Salman Khans Dabangg 3 ‘is expected to become the second-best non-holiday opener of the year after Prabhas” Saaho ‘starring Although the film leaked, Salmans superstardom and loyal fan base balance everything. However, it can affect the business, but the team can take action against it. In the past, we saw great films like “Housefull 4”, “Bala”, “Saaho”, “2. 0”, some of which were also the targets of this group. The impression of “Dabangg 3” is circulating on the Internet but they are a great film; I can revive and do your business. This is not the first time a piracy website has leaked a film online. The infamous platform leaked Mega Avengers: Endgame for two days before its launch date for free. Movie Dabangg 3 Artists Salman Khan, Sonakshi  Director Prabhu Deva Movie Type Action, Comedy, Crime Several other films like Gully Boy, Manikarnika, Simmba, Badai Ho, Zero, Thugs of Hindostan were also illegally leaked online after release. The highly-publicized Netflix original Sacred Game 2 was also leaked by TamilRockers. In Dabangg 3, Salman Khan returns to play the beloved role of Chulbul Pandey, a cop. The film is the sequel to the 2012 Dabangg 2 and the third installment in the Dabangg series. Dabangg 3 Full Movie Download in 720p HD Directed by Prabhudheva, Dabangg 3 is the prequel to the first two installments of the Dabangg series. Apart from starring Salman Khan as the protagonist, the film sees Chulbul Pandey sharing the screen with the two heroines in the third part. While Sonakshi reprises her role as Rajjo, Sai Manjrekar is seen as Chulbul Pandey before Sonakshi arrives in the scene. The film also features Kicha Sudeep as Antirho. Do not download Dabangg 3 (2019 movie) in 720p. Support the film and those who have worked hard on it. Playing the role of the finest cop, Salman Khan is reassured and impressed with his performance controlled from the beginning. The expressions of anger and helplessness on his face resonate with you. He has some blunt dialogues and manages to strike a good balance between his duty and his feelings, never exaggerating. Film Dabangg 3 Starring Salman Khan Sudeep Sonakshi Sinha Arbaaz Khan Mahie Gill etc Produced by Salman Khan Arbaaz Khan Written by Salman Khan Prabhu Deva Alok Upadhyaya Directed by Prabhu Deva Distributed by Salman Khan Films Production Company Salman Khan Films Arbaaz Khan Productions Release Date 20 December 2019 We all know that Dabangg 3 Movie is a big-budget film made by Salman Khan Films and making a movie is not an easy task. I think most of the movies were leaked for free on internet full movie download 720p of Dabangg 3. Dabangg 3 Full Movie HD Download Or you can wait for it to stream on Amazon Prime Netflix. Otherwise, wait for 3 to 4 months to access the TV. I hope this answer helps you. We cant download the full Dabangg 3 movie yet … because it hasnt been released yet. You can download Dabangg 3 movie completely from offline digital streaming sites 1 month after its release. Such as Amazon Prime, Hotstar, Netflix etc. We all know that piracy is a legal crime, why do so many people want to watch or download movies online for free? We all know that making movies is not an easy task. Many people are behind a film to succeed. Film promotions make people work hard to watch movies only in theaters and say “no to piracy. ” About the author Mega Shows Mega Shows is the Best App to Download and watch any Shows, Series or Movies for Free. You can download them or watch online on Mega Shows App and you can install it through APK.

Dabangg 3 full movie. About Album Download Dabangg 3 Movie Mp3 Songs, Starring Salma Khan, Arbaaz Khan, Nikhil Dwivedi Full Album Dabangg 3 2019 Movie Songs, Dabangg 3 MP3 Free Song Download, 128Kbps, 190Kbps, 320Kbps, iTunes, Saavn Songs download free, Dabangg 3 Movie Songs download. Sari ella. ಇನ್ನಷ್ಟು ಡಬ್ಬಿಂಗ್ ಸಿನಿಮಾಗಳು ಕನ್ನಡಕ್ಕೆ ಬೇಕು. If you have brainless fans, who will see anything you show them, than why not use this opportunity to make lots of money ?
When you have such idiot fans, why work hard on script, acting etc, when you can make easy money by doing nothing.
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Directed by Li Cheng; review José lives with his Mother in Guatemala. A tough life in one of the most violent and religious countries. When he meets Luis, he's thrust into new-found passion and pain; ; Genre Drama; rating 6,9 of 10; Release date 2018. Sat prep classes san jose. Where is San Jose location. Ostomy supplies san jose.

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Is jose aguilar gay. Jose costa. Is Jose Tepetate gay. What has the author Jose ben Jose written. Presidencia de jose maria velasco ibarro y proyecto de equipamiento de las fuerzas armada. 8 wins & 19 nominations. See more awards  » Videos Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 7 / 10 X After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief. Director: Alexandre Moratto Stars: Andrielly De Melo Chaves, Christian Malheiros, Tales Ordakji Adventure, Fantasy 5. 6 / 10 Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, the Trans woman travels through rural Argentina to bring the creature back to its place of origin. Santiago Loza Romina Escobar, Paula Grinszpan, Luis Soda 7. 4 / 10 Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago. Lucio Castro Juan Barberini, Ramon Pujol, Mía Maestro 6. 9 / 10 Set in the U. S. heartland following the 2008 economic collapse, a recently divorced suburban mother of two young girls struggles to hold onto the American dream. Li Cheng Kim Trimbo, John Hoff, Alejandra Venancio Romance 7. 9 / 10 In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan's wandering hands and meaningful looks. With a. See full summary  » Marco Berger Gaston Re, Alfonso Barón, Malena Irusta The coming out of an evangelical father shatters his family, his community and uncovers a profoundly repressive society. Jayro Bustamante Juan Pablo Olyslager, Diane Bathen, Mauricio Armas Zebadúa Leo is 22 and sells his body on the street for a bit of cash. The men come and go, and he stays right here - longing for love. He doesn't know what the future will bring. He hits the road. His heart is pounding. Camille Vidal-Naquet Félix Maritaud, Eric Bernard, Nicolas Dibla An unlikely bond forms between an underground debt collector and a cai luong "Vietnamese opera" performer against the backdrop of Saigon in the 90s. Leon Le Kim Chi, Isaac, Vu T. Le Thi 7. 5 / 10 Ramin flees from persecution in Iran and ends up living in the limbo of exile, far from everything he knows, in the tropical port town of Veracruz, Mexico. Bani Khoshnoudi Arash Marandi, Edwarda Gurrola, Luis Alberti Short 5. 9 / 10 In a portuguese suburd, José celebrates his 18th birthday. A silver necklace falls in his hands, offered by his older brother. In the aftermath of this present, the film assumes a nostalgic reflexion about the identity of a lost family. João Monteiro Nuno Nolasco, José Cordeiro, Susana Brandão Thriller 7. 3 / 10 Details the year leading to the assassination of Israel's Prime Minister, Yitzhak Rabin (1922-1995) from the point of view of the assassin. Yaron Zilberman Yehuda Nahari Halevi, Amitay Yaish Ben Ousilio, Anat Ravnitzki 6. 7 / 10 South Africa, Free State region, isolated stronghold to the Afrikaans white ethnic minority culture. In this conservative farming territory obsessed with strength and masculinity, Janno is. See full summary  » Etienne Kallos Brent Vermeulen, Alex van Dyk, Juliana Venter Edit Storyline José (19 years old) lives with his Mother (50s) in Guatemala: a tough life in one of the most violent and religious countries. His life is his phone, crowded buses, work in the street and random sex. When he meets Luis, he's thrust into new-found passion and pain. Plot Summary Add Synopsis Taglines. longing in Guatemala, a simple story about love See more  » Details Release Date: 31 January 2020 (USA) Box Office Opening Weekend USA: 11, 191, 2 February 2020 Cumulative Worldwide Gross: 26, 563 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Violence in Guatemala was normalized by now-ended 35-year civil war, tragically (in 2016) it still ranks #2 globally for risk of violent crime (Verisk Maplecroft Criminality Index) See more ».

YouTube. Street plumbing san jose. Jose puppet. What Jose means. Joselina kally phoes. José feliciano. Colegio san jose barranquilla. Who is Jose Saramago. Gmail Obrázky Přihlásit se Zkontrolujte si ochranu soukromí Zkontrolujte, jestli vám nastavení stále vyhovují Ne, díky Spustit Zkuste Google v jazyce: English Připomenutí od Googlu ohledně ochrany soukromí Připomenout později Přečíst Česko Ochrana soukromí Smluvní podmínky Nastavení Reklama Firma O společnosti Google Jak funguje Vyhledávání. Jose and main. José nunes. Critics Consensus No consensus yet. 89% TOMATOMETER Total Count: 18 73% Audience Score Verified Ratings: 11 José Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. José Videos Photos Movie Info Jose (19 years old) lives with his Mother (50s) in Guatemala City - a typical lower-class existence in one of the world's most dangerous, religious, impoverished and socially conservative countries. She never had a husband, and Jose is her youngest and favorite child of five. Her life is her church and selling sandwiches at a bus stop. Jose spends his days on cramped buses and fighting traffic as he runs food to waiting drivers. Aloof and resigned to things as they are, he fills his free moments playing with his phone and random sex arranged on street corners and dating apps. When he meets Luis, a migrant from the rural Caribbean coast, they pursue an unexpected and forbidden relationship and Jose is thrust into passion and pain and self-reflection that was previously unimaginable. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 31, 2020 limited Runtime: 85 minutes Studio: Outsider Pictures Cast News & Interviews for José Critic Reviews for José Audience Reviews for José José Quotes Movie & TV guides.

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1. writer=Rob Rose
2. Countries=USA
3. Megan West
4. tomatometer=3,1 of 10 Stars
5. Resume=A group of young people, guided by an app which connects living with the dead, find themselves at an abandoned castle. A place with a horrific history tied to each of them, for reasons they'll soon discover
6. 2019

I love how at the end I can feel my pulse speeding up from fear/ nervous anticipation just from the sound of the music! Such a cool piece.

 

Loved apparition! It's has a creative storyline
That is well followed through- great characters and great filming! Executed well! It's fun and not too gory but scary and definitely entertaining horror flick. Apparition`mp4 #Apparition Watch I Fall Movies Watch Online, apparition Movies Official APPARITION Full Movie free search Watch Online Apparition Whom. That scene of a dead body on a couch was horrifying just waiting for the one to get up and run towards girl 😐😂. Free preston school of industry management. 6:35 - 7:08 soo beautiful. Free Preston School of industry council. Apparition T.T. Free Preston School of industry report. Watch full English Film Watch Apparition Online, Fidelity Labs... Enter your email address to join: We'll never share your email with anyone else. Sign up for the monthly newsletter from Domino, keeping you in the loop with what is happening in our world - records, news, videos, gigs as well as offers, discounts and exclusives. View our Privacy Policy.

I was expecting railroad tracks I'll pass catch it whenever I catch it but not anticipating this one at all. Free preston school of industry school. Your verses didn't prove anything but mine did. And when you sit here and call me foolish and tell me to go somewhere else when im trying to bring you to the truth and save your soul, yes I find that extremely ignorant sorry.

Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. Free preston school of industry design. Get Purple Section on the horn. we need a containment team STAT... Free preston school of industry texas. None: Everyone from the comments: dAn pLaN Me: WHO TF IS DAN PLAN. The effect of previous grudge series had not worn out they released this trailer. I can't go to bathroom at n8t now. Thanks to grudge muvi. I don't go to movie either.😣.

Free Preston School of industry co. ' Aimez-vous les uns les autres; comme je vous ai aimés... A ceci tous connaîtront que vous êtes mes disciples. Faisons attention de ne pas blesser le Coeur de notre Très Chère Mère du ciel. Nous avons offenser Dieu, mais si nous offensons Sa Mère, Dieu ne nous le pardonneras pas! Voici mon grain de sel: Étant jeunes, nos parents nous ont tous donnés des consignes. Notre père, généralement plus sévère, donnait des consignes à suivre. Notre mère, voyant notre désobéissance, venait parfois nous répéter discrètement et avec douceur les consignes pour ne pas que nous soyons puni. L'exemple ultime. c'est Jésus. Avant son ministère public, Jésus a passé trente ans de sa vie avec ses parents, Joseph et Marie. Trente ans à les honorer, à leurs obéir avec soumission et dévouement. Jésus connaissait tout, mais Il écoutait les leçons et les enseignements que ses parents lui dictaient, pour nous montrer l'exemple du comportement et du respect à avoir envers nos parents. Père et mère tu honoreras afin de vivre longuement. Ses parents? Joseph le charpentier, père adoptif, père très chaste, protecteur de la Sainte Famille. Et Marie, la Très Sainte Vierge, qui donna naissance à Notre Divin Jésus. pleine de douceur, d'humilité, de pureté. Lorsque l'Ange Gabriel venu lui annoncer qu'Elle serait la Mère de Dieu, l'Ange prononça ces paroles afin de témoigner de son profond respect. Je Vous salue Marie, Pleine de grâce, Le Seigneur est avec vous. Qui osera faire preuve d'un respect moindre que celui de l'Ange Gabriel? Qui osera manquer de respect à la Mère de Jésus, Notre Divin Sauveur, qui La chérissait? Mère de Dieu, Mère de Jésus, que Jésus Lui-même nous a donné pour Mère, et nous pour Ses enfants. Lorsque notre Mère du ciel, avec Son Coeur plein d'Amour pour ses pauvres enfants désobéissants, vient répéter les consignes du Père Éternel et de son Divin Fils Jé ne perd pas un instant; on se tait, on écoute et on obéit avec soumission, en demandant pardon, à genoux, pour nos manquements et nos erreurs.

It was a blast working on this movie! I was the lead special effects makeup artist and assistant set designer. Add to Cart 13. 14 + Free Shipping Sold by: Book Depository US Flip to back Flip to front Listen Playing... Paused You're listening to a sample of the Audible audio edition. Learn more See all 3 images Something went wrong. Please try your request again later. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Apple Android Windows Phone To get the free app, enter your mobile phone number. Be the first video Your name here. By Jill Foley posted August 11, 2015 From 1894 until 1960, Preston Castle in Ione, Calif., served as the Preston School of Industry, a reform school for delinquent youth. —Randall Benton/The Sacramento Bee Randall Benton, a staff photographer with The Sacramento Bee newspaper, shares his thoughts on photographing the Preston School of Industry in Ione, Calif. I photographed the Preston School of Industry recently and tried to capture the buildings current state of decay, while also paying homage to its troubling past. Now named Preston Castle, the Preston School of Industry operated as a reform school for delinquent boys from 1894 until its closure in 1960. Abandoned and long neglected, the large Romanesque Revival-styled stone mansion still looms over the town of Ione, Calif., from its hilltop perch like a creepy movie set. In its heyday, the 46, 000-square-foot, 77-room mansion had a rose garden, tennis courts, swimming pool, and a library. It had 43 fireplaces with hand-carved rosewood mantels, with marble floors and sinks. The facility is a California State Historical Landmark, and is listed on the National Register of Historic Places. Sited on 13 acres, the building is now owned by the Preston Castle Foundation, which aims to rehabilitate it and convert it to a multi-purpose facility. But for all its amenities, the place was also full of brutality, violence, mental and physical abuse. When new wards were admitted into Preston, they were stripped, heads shaved, and then submerged in a pool full of chemicals described as a “cattle dip. ” Misbehaving boys were beaten, whipped or placed in solitary confinement. And until 1913, wards underwent medical surgeries conducted on them while they lay on the floor. Preston is now in the process of being restored, and the public may tour the facilities. While photographing, I used the interesting play of light streaming into the building from its many windows and collapsing walls to illuminate the curious faces of visitors. I tried to use the few remaining furnishings to suggest the ghostly ambiance that permeates the spaces, and the countless stories of a barbaric life long gone.

Search California Death Records Preston School of Industry Cemetery - Burial Records Ione, Amador County, California No photograph available GPS: 38. 361098, 120. 937050 Palm Dr. Ione, CA 95640 Date published: December 9, 2017 Total records: 18 Preston School of Industry Cemetery is owned by the Preston Castle Foundation. History Preston Castle was actually a reform school called Preston School of Industry, which began construction in 1890. It opened up in June 1894. The first minors brought here came from San Quentin State Prison. The castle building itself was vacated in 1960, but minors were moved to other buildings located on the property. In 1999, the name was changed to Preston Youth Correctional Facility. By 2011, the Preston was closed up for good. The cemetery is located behind the castle. It contains the remains of minors who died at the school. Officially, there are 17 recorded burials, but there are other reports of as many as 23 burials. Many died from tuberculosis, yellow fever, and the flu. Others died from addiction and drug overdoses. The School also performed its own surgeries, which may have contributed to mortality. Cemetery Records Documents below are available for downloading...

THIS IS ONE HELL OF A TRAILER MAN IT'S GON BE LIT. I was a bit concerned, because my taste in scary flics is a bit picky. But this one is great! It combines today's tech with a classic scary horror story. The plot and action build to a bunch of jump-out-of-your-seat moments that took me by surprise. Great believable cast, including Kevin Pollack, who plays a truly evil sinister role. The fact that it is based on true events, and was filmed at the very haunted building where the story took place, makes it even more creepy. Not sure you want the little kids to see this, at least not at night just before bed. But I'll be watching this again.

I just watched it. It's AMAZING. I can see why this film is up for so many oscars. Maganda ang trailer sigurado pipilahan to. 매주 클원끼리 용자무덤 올라가서 타임어택 기록 세우고 기간제 다크윙 화이트윙 그리고 커플링 얻은 기억나네요 ㅋㅋ 특히 커플링끼고 같이 있으면 발밑에 하트 이펙트 생기고 ㅎㅎ. Free preston school of industry art. Preston School of Industry Trailer A group of millennials experimenting with a spiritually guided app successfully connect to the other-world and are ultimately guided to The Preston Castle. This ominous, historic site of murder and torture is connected to each of them in ways theyll soon discover, thanks to the dead. The film is based on the shockingly true events of The Preston School of Industry. Genre: Horror Actor: Annalisa Cochrane, Jon Abrahams, Kevin Pollak, Megan West, Mena Suvari Director: Waymon Boone Country: USA Duration: 83 min Quality: HD Release: 2017 IMDb: N/A.

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Band, very unic band, what greate talented man Michael was, R.I.P. you are true legend, the world will always remember you, you still Rock, bring it on.

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BUENISIMO. Te felicito. Inxs: baby live at wembley stadium movie watch 1. Inxs: baby live at wembley stadium movie watch free. Inxs: baby live at wembley stadium movie watch today. Inxs baby live at wembley stadium movie watch online. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Documentary, Music 1 2 3 4 5 6 7 8 9 10 8. 5 / 10 X The live concert footage of the band INXS playing a sold out show in front of 74, 000 fans at Wembley Stadium on July 13 1991 Director: David Mallet Stars: Garry Beers, Andrew Farriss, Jon Farriss Biography 7. 4 / 10 Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. Richard Lowenstein Helena Christensen, Michael Hutchence, Bob Geldof Drama 7. 8 / 10 The story of INXS, their personal lives and their rise to fame from Australian pubs to stadiums all around the world. Damon Herriman, Luke Arnold, Hugh Sheridan Comedy 4. 9 / 10 Three brothers confront a ghost outbreak in the city of Naples. Directors: Christian De Sica, Brando De Sica Carlo Buccirosso, Gianmarco Tognazzi Edit Details Release Date: 9 December 2019 (USA) See more  » Box Office Cumulative Worldwide Gross: 366, 425 See more on IMDbPro  » Company Credits.

Michael. stay with me... Often when I hear him sing I think about all the great songs that we missed out on. Inxs 3a baby live at wembley stadium movie watch remix. INXS: Live Baby Live at Wembley Stadium Search Enter your location above or select your cinema below Search & Filter Click for Directions. Videos Learn more More Like This Documentary, Biography Music 1 2 3 4 5 6 7 8 9 10 7. 4 / 10 X Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. Director: Richard Lowenstein Stars: Helena Christensen, Michael Hutchence, Bob Geldof Drama 7. 8 / 10 The story of INXS, their personal lives and their rise to fame from Australian pubs to stadiums all around the world. Damon Herriman, Luke Arnold, Hugh Sheridan 6. 6 / 10 The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events. See full summary  » Saskia Post, Nique Needles 6. 9 / 10 A documentary about the origin and the up growth of the fashion label Ralph Lauren Susan Lacy Woody Allen, Tyson Beckford, Naomi Campbell Crime 7. 3 / 10 Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time. See full summary  » Phil Davis Reece Dinsdale, Richard Graham, Perry Fenwick 7. 9 / 10 A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans. Depeche Mode, Martin Gore, Andrew Fletcher 7. 5 / 10 Live concert performance of Bruce Springsteen singing songs from his album 'Western Stars. Directors: Bruce Springsteen, Thom Zimny Patti Scialfa, Bruce Springsteen World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. Destin Daniel Cretton Brie Larson, Michael B. Jordan, Jamie Foxx Short Promo videos and behind the scenes footage from INXS' multi-platinum selling hit album Kick. Richard Lowenstein, Joel Schumacher Garry Beers, Andrew Farriss, Jon Farriss Comedy In England in 1987, a teenager from an Asian family learns to live his life, understand his family and find his own voice through the music of American rock star Bruce Springsteen. Gurinder Chadha Billy Barratt, Ronak Singh Chadha Berges, Viveik Kalra 7 / 10 Rockumentary following British singer, Liam Gallagher, as he attempts to make a solo comeback. Gavin Fitzgerald, Charlie Lightening Liam Gallagher, David Adcock, Paul Arthurs Edit Storyline The live concert footage of the band INXS playing a sold out show in front of 74, 000 fans at Wembley Stadium on July 13 1991 Plot Summary Add Synopsis Details Release Date: 19 December 2019 (USA) See more  » Also Known As: INXS: Live Baby Live Company Credits Technical Specs See full technical specs  » Did You Know? Connections Follows INXS: What You Need  (1986) See more » Soundtracks HEAR THAT SOUND Written by Michael Hutchence / Andrew Farriss Performed by INXS See more » Frequently Asked Questions See more ».

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Good song and it does have that classic INXS sound BUT to echo the sentiments of Leonardo, INXS w/o Michael Hutchence is NOT INXS. Agosto 2019. INXS ‘ classic concert movie Live Baby Live, filmed at Wembley Stadium back in 1991, has been restored to return to cinemas for one night only. Watch the trailer below. While fans are awaiting the release of the acclaimed new Michael Hutchence documentary Mystify in October, its now been announced that the movie of their 91 Wembley show has been fully restored from the original 35mm print to create a new widescreen 4K Ultra HD version – as well as featuring a previously unseen ‘lost track and a brand new Dolby Atmos audio mix by the bands Executive Music Producer Giles Martin and Sam Okell. The bands long-time manager Chris M. Murphy spent a decade looking for the original 35mm film cans in order to restore the footage, before finding by luck in Australia. “When youre working on a project for so long, theres the fear ‘Whats everyone going to think? That turns into astonishment, ” said Murphy. “Watching it back, Michael is better than even I thought he was – how he managed the stage. His voice became more powerful as the gig went along. It was extraordinary to watch – the crowd and band were as one”. INXS Tim Farris added: “We were just six blokes from Australia that treated Wembley Stadium like just another pub gig, we went it in with a PA and a few lights and played our asses off. “No ego ramps, no back-up singers, no props, no grand pianos etc, just the six of us… the audience went nuts! Thats all we needed! ” INXS: LIVE BABY LIVE will hit cinemas for one night on November 27. Visit here for tickets and more information. Meanwhile, Mystify will receive its UK release on October 18. The film, which debuted to critical acclaim earlier this year, examines the story of the Australian music icon and the events leading up to his untimely death in November 1997. As well as featuring testimonies from some of Hutchences closest friends and family, the film also features previously unseen footage – providing a new glimpse at the singers life on and off stage. Filmmaker  Richard Lowenstein recently spoke of how he was “terrified” of losing intimate footage that Kylie Minogue had given him to use in the movie.

Inxs: baby live at wembley stadium movie watch streaming. 1991 was a spectacular year for INXS. Their album ‘X had been in the charts for eight months, going platinum in the UK as well as double platinum in the US. Winning two Brit Awards, INXS played record-breaking runs of shows in their Australian homeland, headlined Rock In Rio and undertook a sold-out tour of the USA. However, it was the events of 13th July 1991 that took the band into the musical stratosphere. Six years to the day of Live Aid and five years and a day since the band supported Queen at Wembley Stadium, INXS headlined their own show at the famed venue to a sell-out crowd of 73, 791 crazed fans. The event, called ‘Summer XS, was immortalised in the best-selling concert film ‘Live Baby Live, directed by David Mallet. Twenty-eight years on, the film has been painstakingly restored over a six-month period from the original 35mm negative to 4K Ultra HD. The film is now presented in glorious cinematic widescreen, created by going through the film shot by shot and repositioning every single one to get the best out of the frame. To accompany the astonishing visual upgrade, the audio is now presented in full Dolby Atmos (and 5. 1 surround sound) created by the bands Executive Music Producer, Giles Martin, at Abbey Road Studios. Additionally, the restoration process unveiled a ‘lost performance, which was not included in the original releases - ‘Lately from the ‘X album. It is now returned to its rightful position in the concert setlist. Starring: Kirk Pengilly, Garry Beers, Andrew Farriss, Michael Hutchence, Tim Farriss, John Fariss Directed by: David Mallet In Theatres: Dec 12, 2019 Genre: Alternative Content Duration: 100 min Related Videos Please Select Your Theatre Date Experience Movies and showtimes are updated for online ticket purchase each Wednesday morning for the upcoming week (Friday to Thursday.

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Release date 2015; Writed by William Shakespeare; country UK; movie Info King Leontes of Bohemia (Sir Kenneth Branagh) suspects his wife, Hermione (Miranda Raison), and his friend, Polixenes (Hadley Fraser), of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events that lead to death, a ferocious bear, an infant left in the snow, young love, and a statue coming to life; runtime 3 Hour 0 minute;

Can we just skip to my life where my man looks at me the way richard does to lily here. 10. jaanuaril jõuab taaskord Eesti kinodesse Kenneth Branagh' teatrikompanii. Publikule esitletakse John Osbornei näidendit "Meelelahutaja" mille peaosatäitjana astub üles Branagh ise. Osbournei näidendit "Meelelahutaja" etendati esimest korda 1957. aastal Inglismaal. 60 aastat hiljem on Kenneth Branaghi teatrikompanii toonud selle klassikalise näidendi taaskord publiku ette. "Meelelahutaja" linastub Tallinnas Coca-Cola Plazas ja Tartu Ekraanis 10. jaanuaril kell 18:30. "Meelelahutaja" tegevus toimub sõjajärgses Suurbritannias ning loob ilmeka pildi tolleaegsete vanade varieteeteatrite armetust glamuurist, rebides eest tegelaste maskid ja päästes valla nende isiklikud deemonid. Näidendi on lavastanud on Rob Ashford, peaosatäitjana astub üles Kenneth Branagh. Forum Cinemas teatrisõpradele on Branagh tuntud William Shakespearei "Romeo ja Julia" ning "Talvemuinasjutt" lavastustest. "Meelelahutaja" kinoülekande režissöör on Benjamin Caron, kes oli Branagh' mängitud peaosaga teleseriaali "Wallander" viimase hooaja režissöör.

I wish he was my dad. Kennath Branaghi teatritrupi esimene hooaeg toob järgmise aasta aja jooksul teieni Londoni Garricki teatri laval loodava. Hooaeg algab William Shakespeare'i "Talvemuinasjutuga" 26. novembril. Selle aegumatu tragikomöödia, kinnisideede ja lunastuse rägastikus vaevlevatest inimestest, lavastajateks on Rob Ashford ja Kenneth Branagh. Lavastajatepaar, kelle viimaseks koostööks oli "Macbethi" lavastamine Londoni ja Manchesteri teatrites. Kuningas Leontesel paistab olemas olevat kõik, mida ta paheline hing ihaldab. Ta on austatud ja jõukas ning ta on ümbritsetud armastavast perekonnast ja sõpradest. Paraku paneb iha ja armukadedus liikuma sündmused, millel on katastroofilised tagajärjed. Talvemuinasjutus" lööb kaasa suurepärane näitlejaskond, mille eesotsas on Judi Dench Paulina rollis. Kenneth Branagh kehastab kuningas Leontest.

Harrastuskriitikud: Kino: Supilinna salaselts. Movie posters, Poster, Movies. 😍😍😍😍😍😘😘😘😘😘😊😊😊😊😊.

When has Tara Fitzgerald not been superb

HE IS SO EMBARASSED I LOVE HIM. Dev Patel seems really lovely. my kind of guy!. Loved this something since I was a got my 11 year old hooked on it, she loves it too. And so this song continues into another generation 😃💖. Yes. We get hiddleboners. Don't deny it, fellow Hiddlestoners. Some one please recordit pleas. Eesti Teatristatistika 2006 Eesti Teatristatistika 2006 EESTI TEATRI AASTA 100 AASTAT KUTSELIST TEATRIT eesti teatristatistika aastaraamat 2006 SISUKORD KAASSÕNA EESTI TEATRISTATISTIKA AASTARAAMATULE 2006 / Preface to the yearbook of Estonian Theatre Statistics 2006 TEATER EESTIS / Theatre in Estonia 2006 — EESTI TEATRI AASTA Tegevusülevaated 3 4 6 7 HARRASTUSTEATER EESTIS / Amateur theatre in Estonia STATISTIKAS OSALEVAD RIIGI EELARVEST TOETUST SAAVAD TEATRID / Theatres getting support from the state budget 13 Rahvusooper Estonia Eesti Riiklik Nukuteater Pärnu Teater Endla Teater Vanemuine Teater NO99 Viljandi Draamateater Ugala Eesti Draamateater Rakvere Teater Vene Teater Kuressaare Linnateater Tallinna Linnateater Drugoi Teatr Nukuteater Lepatriinu MTÜ Ühendus R. A. M. Salong-Teater Theatrum Narva Stuudioteater Ilmarine Vana Baskini Teater Teater Tuuleveski VAT Teater Von Krahli Teater SA Eesti Teatri Festival Kanuti Gildi SAAL Valgete Ööde Festival MTÜ Sõltumatu Tantsu Ühendus Loomine ÜLEVAADE EESTI NÄITEMÄNGUAGENTUURI TEGEVUSEST I PEATÜKK Yearbook of Estonian Theatre Statistics 2006 20 21 Repertuaaristatistika / Repertoire Statistics II PEATÜKK Etendustegevuse ja külasta jate statistika / statistics of performances and visitors Teatrite mängupaigad 2006. aastal / Venues of theatres in 2006 EESTI TEATRITE KÜLALISETENDUSED VÄLISMAAL / Guest performances of Estonian theatres abroad FESTIVALID EESTIS / Festivals in Estonia VÄLISKÜLALISED EESTIS / Foreign theatres in Estonia 31 34 52 55 57 III PEATÜKK MAJANDUSSTATISTIKA 59 UUSLAVASTUSED 2006 NEW PRODUCTIONS 76 TEATRITE 2006. AASTA REPERTUAARI KOONDNIMEKIRI 89 Kogumiku väljaandmist on toetanud Eesti Kultuurkapitali Näitekunsti sihtkapital Väljaandja: Eesti Teatriliidu Teabekeskus Koostajad: Tiina Talts, Kadi Tudre, Katrin Ella ja Tiia Sippol Konsultant: Tõnu Lensment Trükiettevalmistus: Kirjastuskeskus 14 15 16 17 18 19 Yearbook of Estonian Theatre Statistics 2006 KAASSÕNA EESTI TEATRISTATISTIKA AASTARAAMATULE 2006 Preface to the yearbook of Estonian Theatre Statistics 2006 Eesti teatrid koostöös kultuuriministeeriumi ja Eesti Teatriliidu Teabekeskusega annavad kolmandat korda välja teatrite aastast tegevust kajastava kogumiku. 2004 ja 2005 teatristatistika väljaannetele lisandub „Eesti teatristatistika 2006”. Teatriliidu Teabekeskuse poolt koostatav väljaanne hõlmab ühtede kaante vahel teatritegevuse erinevaid tahke, koosnedes kolmest alajaotusest: repertuaaristatistika, etendustegevuse ja külastatavuse statistika ning majandusstatistika. Statistilised andmed on kogutud kalendriaasta, mitte teatritegevusele tavapärase teatrihooaja lõikes. Kogumikus on ära toodud teatrite uuslavastuste ja kogu 2006. aasta repertuaari koondnimekiri, samuti on lisatud lühikesed tutvustused teatrite kohta. „Eesti teatristatistika 2006“ aastaraamatusse on kogutud andmed riiklikelt, munitsipaal- ja eraõiguslikelt teatritelt ning kolmelt tantsuagentuurilt. Kõik väljaandes kajastuvad teatrid saavad kultuuriministeeriumilt iga-aastast tegevustoetust. Statistikakogumik keskendub hetkel üksnes kutselise teatri tegevusele. Lisana on käesolevas kogumikus Harrastusteatrite Liidu esimehe Kristiina Oomeri koostatud koondülevaade harrastusteatrite tegevusest. Estonian theatres in co-operation with the Ministry of Culture and the Information Centre of the Estonian Theatre Union publish for the third time the publication reflecting the annual activities of theatres. The publications of Estonian theatre statistics for 2004 and 2005 are accompanied by “Estonian Theatre Statistics 2006”. The publication compiled by the Information Centre of the Estonian Theatre Union comprises different aspects of theatre, consisting of three sub-sections: repertoire statistics, statistics of performances and visitors and economic statistics. Statistical data have been collected for the calendar year, not for the theatrical season characteristics of theatre activities. The publication provides the list of new productions and for the whole repertoire of the year 2006, as well as short overviews of the theatres. The yearbook “Estonian Theatre Statistics 2005” includes data from state, municipal and private theatres and from three dance agencies. All theatres reflected in the publication get annual activity subsidies from the Ministry of Culture. Thus only the activities of professional theatres have been reflected there. The present publication provides an overview of amateur theatres compiled by Kristiina Oomer, President of the Estonian Amateur Theatre Association (EHL. TEATER EESTIS Eesti teatrisüsteem koosneb vormiliselt riigi. munitsipaal, era- ja harrastusteatritest. 2006. aastal tegutses Eestis 25 kultuuriministeeriumi eelarvest toetust saavat kutselist teatrit. Enamus neist on institutsionaalsed teatrid koos oma teatrimaja, püsiva kaadri ning aastaringse stabiilse etendustegevusega. Neist 5 tegutses Kultuuriministeeriumi hallatava riigiasutusena, 3 riigi või riigi osalusel asutatud sihtasutusena ja 1 avalik-õigusliku asutusena. Kohaliku omavalitsuse asutusena toimis 2 teatrit. Lisaks tegutses veel 11 mittetulunduslikku eraõiguslikku väiketeatrit ning 3 tantsuagentuuri. Estonian theatre system consists of state, municipal, private and amateur theatres. In 2006, 25 professional theatres receiving subsidies from the Ministry of Culture were operating in Estonia. The majority of them are institutional theatres with their own theatre building, permanent staff and all-year-round stable theatre activities. Five of them were operating as government agencies in the administrative field of the Ministry of Culture, three as foundations established by the state or with state participation and one as a public law agency. Two theatres were operating as municipal theatres. In addition 11 non-profit small theatres of private law and three dance agencies were operating. Teatrikunsti institutsioonide tegevust reguleerivad Etendusasutuse Seadus (RT I 2003, 51, 353) ja Rahvusooperi Seadus (RT I 1997, 93, 1558. Etendusasutuse seadus sätestab etendusasutuse mõiste ning etendusasutuse tegevuse korraldamise ja rahastamise ning etendusasutuse aruandluse alused. Rahvusooperi Seadus on oma sätete sisult identne Etendusasutuse seadusega. Etendusasutuse Seadus (RT I 2003, 51, 353) Performing Arts Institution Act) and Rahvusooperi Seadus (RT I 1997, 93, 1558) National Opera Act) regulate the activity of performing arts institutions. The Performing Arts Institution Act enacts the term of performing arts institution and the bases for the organisation of work, financing and accounting of the performing arts institution. The National Opera Act is identical to the Performing Arts Institution Act as far as the provisions of the Act are concerned. Riik toetab teatritegevust teatri omandivormist olenemata, eesmärgiga hoida teatrikülastajate arvu vähemalt 900 000 külastuse tasemel aastas ja keskmist piletihinda mitte üle 1% riigi keskmisest palgast. Ministeeriumi eelarvest jagatava raha toel antakse aastas üle 4600 etenduse, valmib üle 170 uuslavastuse, tööd saab koosseisulisena üle 1700 inimese ja teenindatakse rohkem kui 920 000 külastajat. Yearbook of Estonian Theatre Statistics 2006 Regulaarset ülevaadet eesti teatrikunstist annab biennaalina korraldatav Eesti teatri festival Draama, rahvusvahelised teatrifestivalid Baltoscandal, Augusti TantsuFestival, „Talveöö unenägu“ jt ning lasteteatrite festivalid “Noor sajand”, Draamake, Tallinn Teater Treff ja ASSITEJ poolt korraldatav NB-Festival. aastal toimus nimetatud festivalidest Draamake, Baltoscandal, OMADraama 2006, Augusti TantsuFestival ja „Talveöö unenägu“. Lisaks toimuvad kaasaegse tantsu festivalid ning väiksemad eraalgatuslikud laste- ja harrastusteatrite festivalid. Teavet teatritegevuse ja tugiorganisatsioonide kohta vahendab Eesti Teatriliidu Teabekeskus. Eesti kutseliste teatritegelaste liite, ühendusi, seltse jt koondab katusorganisatsioonina tegutsev Eesti Teatriliit, mille eesmärgiks on teatrikultuuri hoidmine, arendamine ja väärtustamine ning mis samaaegselt tegutseb ametiühinguorganisatsioonina. Lisaks oma kutseliidu ülesandeid koordineerib Teatriliit teatri aastapreemiate ja nimeliste Theatre in Estonia The state supports the theatres in spite of the ownership form, with the aim of keeping the number of visitors at the level of at least 900, 000 per year and the average ticket price not higher than 1% of the average wages and salaries of the country. More than 4, 600 performances per year are given with the help of the subsidies given from the budget of the Ministry of Culture, over 170 new performances are completed, more than 1, 700 persons work as permanent staff and more than 920, 000 visitors are served. Regular overviews of the Estonian theatre are provided by Estonian Theatre Festival “Drama” (organised as a biennial) international theatre festivals “Baltoscandal”, “Talveöö unenägu” (“Midwinter Nights Dream”) festivals of childrens theatres “Noor sajand”, Draamake, “NB-Festival” and “Augusti TantsuFestival” organised by Estonian centre of ASSITEJ. In 2005, of the above-mentioned festivals “Drama 2006”, “Augusti TantsuFestival” and “NB-Festival” were carried out. In addition festivals of modern dance are organised, as well as smaller festivals of childrens theatres and amateur theatres. The information on theatre activities and support organisations is provided by the Information Centre of Estonian Theatre Union. The Estonian Theatre Union, an umbrella organisation, co-ordinates the activities of professional theatre unions, associations, societies, etc. The aim of the Estonian Theatre Union is to preserve, develop and value the theatre culture, it also operates as trade union organisation. The Theatre Union also co-ordinates the work of juries of annual and nominal premiums and organises the festive events of receiving of theatre premiums. Teatriliitu kui katusorganisatsiooni kuulub 14 erialaliitu ja -ühendust: Näitlejate Liit, Lavastajate Liit, Eesti Etendusasutuste Liit, Teatritehniliste Töötajate Ühendus, Kutseliste Tantsijate Liit, Eesti Tantsukunstnike Liit, Vokaalsolistide Liit, Kooriartistide Ühendus, Orkestrantide Ühendus, Jumestajate ja Grimeerijate Ühendus, Teatriuurijate Ühendus, Teatrikriitikute Ühendus, Müügijuhtide ja Administraatorite Ühendus, Teatriveteranide Ühendus. The Estonian Theatre Union comprises 14 specialised unions and associations: the Association of Professional Actors of Estonia, Estonian Theatre Directors Union, the Association of Estonian Performing Arts Institutions, the Association of Estonian Theatre Technicians, Estonian Professional Dancers Union, the Association of Estonian Dance Artists, the Association of Estonian Vocal Soloists, the Association of Estonian Chorus, the Association of Estonian Orchestra Members, the Association of Make-up Artists, the Researchers Union, the Association of Estonian Theatre Critics, the Association of Sales Managers and Theatre Administrators, the Association of Estonian Theatre Veterans. Yearbook of Estonian Theatre Statistics 2006 preemiate žüriide tegevust ning korraldab teatripreemiate pidulikku kätteandmist. In 2006, 100 years anniversary from the birth of the Estonian professional theatre was celebrated. All Estonian theatres, theatre organisations, media publications participated in the events of Estonian Theatre Year. The main organiser was SA Eesti Teatri Festival (foundation Estonian Theatre Festival. The year was divided into theatre months — each month the emphasis was laid on one theatre or field of theatre. For example on last Sunday each month Estonian Television demonstrated a new documentary about the respective theatre. As an opening event of the summer of Estonian Theatre Year, on 14 July Rändteater (Travelling Theatre) started its tour from Keila. During one month the theatre visited all counties starting from Harju and finishing with Viljandi county. In each county centre one day was dedicated to the theatre and the activities connected with it. 2006 — EESTI TEATRI AASTA Aastal 2006 tähistati 100 aasta möödumist Eesti kutselise teatri sünnist. Ettevõtmistes osalesid kõik Eesti teatrid, teatriorganisatsioonid, samuti meediaväljaanded. Põhikorraldjaks oli SA Eesti Teatri Festival. Teatris Vanemuine toimus 31. detsembril 2005 aastalõpuball, millelt tegi otseülekande Eesti Televisioon. Koos 2006. aastaga saabus pidulikult ka Eesti Teatri Aasta. Aasta oli jagatud teatrikuudeks – ühel kuul pöörati rõhk ennekõike ühele teatrile või teatrit puudutavale valdkonnale. Teatriaasta kuud olid jagatud järgmiselt: jaanuar – Ugala; veebruar – Tallinna Linnateater; märts – Vanemuine; aprill – muukeelne teater ja Vene Teater; mai – laste- ja noorteteater ning Eesti Nukuteater; juuni – Rakvere Teater; juuli – vabaõhuteater ja teatriharidus, august – uued teatrid I (VAT Teater, Von Krahli Teater ja kaasaegne tantsuteater) september – Rahvusooper Estonia; oktoober – Endla; november – Eesti Draamateater; detsember – uued teatrid II (Teater NO99, Vana Baskini Teater ja Theatrum. Yearbook of Estonian Theatre Statistics 2006 Iga kuu viimasel pühapäeval oli Eesti Televisiooni eetris uus dokumentaalfilm antud teatrist. Eesti Raadio programmi Eesti Teater 100 raames esitasid näitlejad iga päev Vikerraadios ja Klassikaraadios eesti kirjandusest valitud katkendeid. Kokku lindistati 364 salvestist. Ajakirja Akadeemia novembrikuine number oli pühendatud Eesti Teatri Aastale ning Postimehe kolmapäevased topeltküljed teatriaasta vastava kuu teatrile. 12. jaanuaril avati Rotermanni Soolalaos Eesti Teatri- ja Muusikamuuseumi poolt koostatud Eesti Teatri Aasta näitus. Eesti Teatri Aasta suvise üritustena läks 14. juulil Keilast liikvele Rändteater. Ühe kuu jooksul külastati kõiki Eesti maakondi alustades Harjumaast ja lõpetades Viljandimaaga. Iga maakonna keskuses sisustati üks päev teatri ja sellega seotud tegevustega. Teatripäevad algasid kell 12 lõbusa rongkäiguga linna, kus seati üles Rändteatri laager ning lõppesid kell 21 alanud suure ühiskontserdiga. Vaadata sai teatriaasta näitust ning teatrifilmide ja telelavastuste programmi. Päeva jooksul näidati kolme lavastust: „Tinasõdur, baleriin ja siga“ (Eesti Muusika- ja Teatriakadeemia lavakunstikooli üliõpilased) „Kilplased“ (TÜ Viljandi Kultuuriakadeemia näitlejaeriala üliõpilased) ning „Aabitsakukk“ (Eesti Draamateater. Rändteater kandis kaasas teatrituld ning kohtadesse, kus kunagi on tegutsenud kutseline teater, asetati mälestustahvel. 12. augustil tähistas Vanemuine kutselise teatri 100. sünnipäeva suurejoonelise sünnipäevakontserdiga Tartu lauluväljakul ning teatri terrassil skulptor Mare Mikofi loodud Vanemuise esimese teatrijuhi ja lavastaja Karl Menningi pronksist kuju avamisega. Kontserdil astus publiku ette ligi 80 näitlejat Eesti eri teatritest, osalesid Vanemuise sümfooniaorkester, ooperikoor ja bänd Verevennad, dirigeerisid Tarmo Leinatamm ja Lauri Sirp. Üle kolme tunni kestev kontserdiõhtu tipnes Tõnis Mägi ja Juhan Viidingu heliteose „Müürileht“ esmaettekandega. Teose tekstiosa luges Aarne Üksküla, laule esitas Tõnis Mägi. Samal päeval jõudis Tartusse ka kuu aja kestel kõiki Eesti maakondi külastanud teatrituli ja seda tuld saatnud Rändteater. Eesti kutselise teatri sünnipäev lõppes südaööl tuletseremooniaga Vanemuise suure maja esisel nõlval. Kutselise Estonia teatri 100. juubeli puhul sai teoks ridamisi ettevõtmisi, mille kulminatsiooniks kujunes kolmeosaline galaetendus 16. septembril. Samuti anti välja juubelimark ja -münt, korraldati fotokonkurss ja mitu näitust, eetrisse jõudsid juubelile pühendatud tele- ja raadiosaated. Trükivalgust nägid „Sajand Estonia muusikalavastusi kavalehtedel“, „Ballett sajandivanuses Estonias“ ja postkaardikogumik kostüümikavanditest ning heliplaadikogumik „Estonia – 100“. 26. augustil toimus Estonia Turupäev – teatri 101. hooaja avamine Estonia maja taga asuval vanal turuplatsil. Septembris peeti juubelifestivali „Estonia-100“, millega ühes avati ka Estonia vana maja mälestusmärk. Yearbook of Estonian Theatre Statistics 2006 Tegevusülevaated Overviews of activities Amateur theatre in Estonia Aasta 2006 oli harrastusteatrite tegevuses kooliteatrite aasta. Täitus 25 aastat esimesest õpilaste teatrifestivalist. Idee teatrifestivali korraldamiseks tekkis 1981. aastal ühel isetegevuse ülevaatusel. festivalist osavõtta soovijate arv kasvas kiiresti, siis alates 1990. aastast hakati korraldama eraldi festivale keskastmele (5. –) ja keskkooli õpilastele. Alates 2002. aastast toimub igal aastal ka algklasside festival. Esimene õpilaste teatrifestival toimus 1982. aastal Rakveres Valdur Liivi ja Maret Oomeri eestvedamisel. Selleks, et täpsemalt määratleda, millega on tegemist, sai festival nimeks „Kooliteater 1982, Rakvere“. Sellist nimekuju kannab festival tänapäevani. Riigifestivalidest saavad osa võtta kõikide maakondade ning Tallinna ja Tartu esindajad. Selleks, et valikuid teha, korraldatakse eelnevalt maakondlikke teatripäevi või festivale, mis on kõikjal väga populaarsed ja põnevad. Tänu nendele kohalikele teatripäevadele on kooliteatrite süsteem väga avatud ja laiapinnaline. Kõigile on võimalus antud. Esimesest festivalist võttis osa 11 gruppi. Programmis oli teatri- ja tsirkuseetendusi, aga ka luulekavasid. Kuna The main activity of the Estonian Amateur Theatre Association is to create conditions for dealing with amateur theatrical art — to organise trainings, festivals and co-projects. Contests, projects and national festivals are organise din different places all over Estonia. The representatives of all counties and bigger cities who have been selected among performers in local festivals can take part in the national festivals. tegevusülevaated overviews of activities Riigifestivalid ja suurüritused 2006. aastal: National Festivals and Events in 2006 Õpilasetlejate riigikonkurss 10. –11. veebruar, Tori. Korraldaja: Tori Rahvamaja Tudengite Teatripäevad 17. –19. veebruar, Viljandi IX Õpetajate teatrifestival „Sillad” 3. –4. märts, Viljandi. Korraldaja: Viljandi Maagümnaasium „Kooliteater 2006“ vanema astme festival 7. –9. aprill, Rakvere. Korraldaja: Rakvere Avatud Noortekeskus „Torni“ Parim: Tallinna Vanalinna Hariduskolleegium lavakavaga A. Tšehhovi ja vene romansside ainetel, lav. Lembit Peterson. „Kooliteater 2006“ keskastme festival 28. –30. aprill, Haapsalu. Korraldaja: Haapsalu Kultuurikeskus Parim: Tallinna Toomklubi teatrikool lavastusega „Ööbik“, lav. Maret Oomer. „Kooliteater 2006“ algastme festival 12. –13. mai, Kolga. Korraldaja: Kolga Keskkool Parim: Palade Põhikool lavastusega „ Sinine päike“, lav. Helju Pets. Kooliteatrite kirjanduslik projekt „Mängime Hendrik Ibseni loomingut“ 13. mai, Tallinn Erivajadustega laste teatrifestival „Savilind” 18. mai, Tartu. Korraldaja: Tartu Kroonuaia Kool Rahvusvaheline nukuteatrite festival „Teater kohvris” 18. –21. mai, Viljandi. Korraldaja: Viljandi Nukuteater Külateatrite festival 19. mai, Antsla Yearbook of Estonian Theatre Statistics 2006 Kooliteatrite kirjanduslik projekt „Mängime eesti näitekirjanike loomingut“ 26. –29. juuni, Tartu Harrastusteatrite suvekool 27. juuli, Vana-Võidu Karepa suvekool 9. –16. augus, Karepa IX Harrastusteatrite riigifestival 4. –5. november, Tallinn Grand Prix: Vilde Teater V. Sigarev „Gupikene“, lav. Raivo Adlas. Maakond County Tallinn Harjumaa Riigifestival National festival Tudengite Teatripäevad Students theatre days “Sillad” „Bridges“ Põhiprogramm A. H. Tammsaare nim. Teater J. Bruller „Mere vaikus” lav. Allan Kress Tallinna Ülikooli tudengiteater J. B. Priestley „Nad tulid linna“ lav. Juta Tera lT-teater (Tallinna Tehnikaülikooli tudengiteater) K. Vonnegut „Õnne sünnipäevaks, Wanda June“ lav. Tamur Tohver Tallinna Laagna Lasteaed-Algkool J. Kunder „Mari ja Merii Michell Coliette” lav. Külli Kärt Tallinna Teeninduskool Rahvalooming internetist „Jumalik fluidum” (grupitöö) Jõelähtme Lavagrupp U. Lennuk „Kadunud kindapood” lav. Maie Ramjalg Lääne-Virumaa Maakonna parim Kunda Huviteater A. Kivirähk „Jalutuskäik vikerkaarel” lav. Natalie Neigla Ida-Virumaa Narva KM Rugodiv Teater “Onu Kro seltskond” D. Harms “Elisaveta Bam” lav. Oleg Kreisson Kiviõli teatritrupp „OTPAD” L. Žuhovitski „Senjoore Huani viimane naine“ Jõgevamaa Tabivere Rahvamaja „Armastus ja külmad varbad” lav. Tõnis Lepp Suveprojekt Saare Valla Metsateater „Legend” lav. Mati Tikk Saue Gümnaasium Zavadski, Hagerupi ja E. De Filippo„Elulõigud ajasoustis” lav. Malle Koppel Neeme Algkool B. Alver „Lugu valgest varesest” katkendid „Kujutluste öö” lav. Merike Kahu Festival of village theatres Kuusalu Rahvamaja näitering M. Möll „Laip sahvris” lav. Vendo Peebo Jõelähtme Lavagrupp U. Lennuk Muuga Maanaiste Seltsi „Eha” näitering T. Selli „Laps räägib kui. ” lav. Viia Vene Jõhvi Vene Gümnaasium T. Laada „Aja kõla ehk sekundid otsustavad kõik“ Lav. Tatjana Laada Jõhvi Gümnaasium Omalooming „Külajutt” Lav. Merle Velbo Paide Gümnaasium „Vabakavaline ajamäärus” (grupitöö) Järvamaa Vana-Vigala näitetrupp „Topelt-KIIKS” H. Sass „Libakoer”(grupitöö) Raplamaa Läänemaa Bigger amateur theatre festivals Yearbook of Estonian Theatre Statistics 2006 Suuremad festivalid: Teater Randlane T. Sinissaar „Me kohtume sealpool pilvi” lav. Indrek Pangsepp Teater Randlane P. Volkonski „Võõras” lav. Andres Lepik Saaremaa Salme näitering T. Pakkala, O. Merikanto „Parvepoisid” lav. Maire Sillavee Tartu Tornimäe Rahvamaja näiteseltskond L. Kostjutšenko „Äi uisk läe täna Muhusse” lav. Aser Nenn Suislepa näitering A. Tšehhov „Karu” lav. Andres Linnupuu Vilde Teater V. Sigarev „Gupikene“ lav. Raivo Adlas TÜ VKA tudengid „Actus interruptus“ Teater III (TÜ VKA III kursuse näitekunsti üliõpilased) D. Fo „Müsteerium Buff“ lav. Peeter Raudsepp Viljandi Lasteaed „Männimäe“ M. Semjonov „Kulbilugu“ lav. Marika Semjonov C. R. Jakobsoni Gümnaasium Omalooming „Ood Mulgimaale” Lav. Kadri Lõhmus Viljandi Maagümnaasium “VMG-TV”(grupitöö) Viljandi Maagümnaasium L. Saveljev „Ootamatuste õhtu” lav. Eri Pisarev Tartu Üliõpilasteater S. Kane „Puhastatud“ lav. Kalev Kudu Tartu Kroonuaia Kool W. Shakespeare „Pyramuse ja Thisbe ülikurblik lustmäng ja ülihale ots“ lav. Katrin Luts Tartu Kesklinna Lastekeskus „Muinasjutt, mille päritolu on teadmata“ lav. Anneli Arike Yearbook of Estonian Theatre Statistics 2006 Räpina Lasteaed Vikerkaar T. Ilves „Arenguvestlus - aega üks tund“ lav. Tiina Ilves ja Tiia Mäe Johannese Kool Rosmal M. Ende„Ofelia varjuteater” lav. Külli Volmer MTÜ Tanstuklubi“Matilde” näitetrupp “Muhkel” (Hellenurme) A. Pavlova „Kosjalugu” lav. Anita Pavlova Riidaja Rändurteater A. Kivivrähk „Eesti matus” lav. Anne Pai Valgamaa Võrumaa 10 Suur-Jaani Kultuurimaja Näitering A. Tšehhov „Hingevaev” lav. Margus Mankin Abja Kultuurimaja näitering Põhja-Läti Rahvateater P. Pärn „Tulnukad ehk ahjualune II” lav. Raivo Kutser Rannu Külateater „Emu” Farss B. Thomase muusikalist „Charley tädi” lav. Anneli Vikat Tartumaa Põlvamaa K-äng2 (TÜ Pärnu Kolledži K. Knoll / M. Sarv „Maailma lõpus on kohvik“ lav. Meelis Sarv Pärnumaa Viljandimaa Parksepa Keskkool A. Kivirähk „6 monoloogi rahaasjus” lav. Ulvi Mustmaa Meremäe-Obinitsa Põhikool L. Tungal „Mari ja Roosikrants” Antsla Kultuuri- ja Spordi­ keskuse näitering T. Selli „Marionettnukud” lav. Tõnu Lanukopli Vanem aste Keskaste Algaste “Savilind” Tallinna 32. Keskkool „Tunderakk“ „Valentinipäev“ lav. Gerda Kordemets Tallinna Vanalinna Hariduskolleegium Lavakava A. Tšehhovi ja vene romansside ainetel lav. Lembit Peterson Tallinna Toomklubi Lasteteater Andersen „Ööbik“ juh. Maret Oomer ja Helen Reitsnik Tallinna Toomklubi Teatrikool E. Janikovscky „Kui ma oleksin suur. “ juh. Maret Oomer, Helen Reitsnik Tallinna Laagna Lasteaed – Algkool „Kolm põrsakest“ juh. K. Kärt Tallinna I Internaatkool A. „Puhh ja sõbrad“ juh. M. Viispert Vaida Põhikooli näitering „Kilplased“ A. Kivirähk „Hiired pööningul“ juhendaja Kristiina Suvi Kolga Keskkool T. Rand „Neljapäeval ristteel“ juh. Tuuli Rand Viimsi Keskkool K. Kuldjärv „Võlupulber“ juh. Elle Toper, Age Toomsalu, Eha Pajus, Maido Saar Rakvere Gümnaasiumi Teatriansambel P. Reiseri ainetel „Tosinakesi“ lav. Aili Teedla Rakvere Linnanoorte Näitetrupp omaloominguline lavastus „Kõrr-kõrr“ lav. Peeter Rästas Rakvere Vene Gümnaasiumi Teatritrupp „Jabloko“ V. Shmilov„Läbipaistev naine“ lav. Olga Žulai Narva Laste Loomemaja teater „16 tuba“ M. Kindin, B. Sinakevits „Kaks päikest“ lav. Vitali Katuntsev Jõhvi Vene Gümnaasiumi teatristuudio „Edelweiss“ O. Kozõrev “Maski taga” juh. Tatjana Laada Tudulinna Põhikool R. Parve „Suur sõnelus” juh. Evi Ostrak Jõgeva Gümnaasiumi kooliteater „Liblikapüüdja“ A. Puškin „Kivist külaline“ lav. Lianne Saage-Vahur Voore Põhikooli 9. klassi näitering O. Lutsu följeton / R. Kahuski luule „Viis pakikest“ juh. Eve Koch ja Mare Maasik Jõgeva Gümnaasiumi kooliteatri „Liblikapüüdja“ nublud „Maailmas on miljon kaksteist teed“ (Eesti lasteluule) juh. Lianne Vahur-Saage ja Kristjan Rohioja H. Mänd „Kord kaugel muinasjutumaal. ” juh. Lianne Saage-Vahur Türi Majandusgümnaasium „Ambassa Telguneemu“ „Liivakellade parandaja“ Türi Gümnaasiumi trupp juh. Marje Rohijainen Kohila Gümnaasiumi trupp „Tohho tonti“ „Kättemaks? “ (Omalooming) juh. Kairi Kaadu Vohnja Lasteaed-Algkool A. Lindgren „Pipi Pikksukk” juh. Tiina Poopuu, Õnne Kiviperk, Kaida Trujevtseva Noarootsi Gümnaasiumi näitetrupp „Mao tee kalju peal“ lav. Anneli Aken Vaeküla Kool „Orvu õnn“ (eesti rahvajuttude põhjal) juh. Aasa Kiigemetsa Kool Nathan Ra Vaino „Päkapikk“ juh. Kuuli Kehra Keskkool „Lunaatikud“ „Mänguelu“ lav. Endla Klements Yearbook of Estonian Theatre Statistics 2006 “KOOLITEATER 2006” Raikküla Kool „Hundi lugu” (tuntud muinajuttude ainetel) juh. Reimund Haapsalu Gümnaasiumi ja Teater Randlase ühisosa „Teine Vahetus“ „28. oktoober 2005 ehk elust uudiste taga“ (rühmatöö, A. Aken) juh. Anneli Aken 11 Yearbook of Estonian Theatre Statistics 2006 eesti teatristatistika aastaraamat 2006 12 Hiiumaa Kärdla näitering A. Kivirähk Käina Gümnaasiumi Kooliteater H. Käo samanimelise loo ainetel „Vares Villemi reis maailma lõppu“ juh. Tiia Korv ja Mari Paesüld Palade Põhikool H. Pets „Sinine päike“ juh. Helju Pets Kõpu Internaatkool L. Sepp „Varesele valu, harakale haigus- meie laps olgu terve“ juh. Träder, S. Reinmets Saaremaa Ühisgümnaasium „Krevera“ „Üks lugu täitsa tavaline“ lav. Rita Ilves Saaremaa Ühis­gümnaasiumi „Kreputlased“ „Siin olen kasvanud“ (Kompositsioon) juh. Rita Ilves Orissaare Gümnaasium L. Gustavson „Vaeslaps ja talutütar“ juh. Ene Laak, Monika Kipper Orissaare Internaatkool F. Berg „Ida pool päikest ja põhja pool maad“ juh. Liivi Kostjutšenko Pärnu Kunstide Maja Noorteteater T. Williams „Klaasist loomaaed“ lav. Rein Laos Pärnu Huvialakooli trupp „Jumbo“ „Kriimsilma äpardused“ (eesti muinasjuttude ainetel) Muhuste Audru Keskkool Z. Miler ja E. Petiška „Kuidas mutt püksid sai“ juh. Kaire Leetsar ja Kersti Põllu Päinurme Internaatkool „Kange Kalevipoeg” juh. Paukku „Naeris” juh. L. KõrmPärnu Kuninga Tänava Põhikool Vennad Grimmid „Lumeeit” juh. T. Teearu, L. Vigla, R. Jürima EVE stuudio „Teatrikamp“ „Kui vana sa oled? “ lav. Erni Kask Karksi valla noorteteater „O“ S. Soro „Omamoodi pardipoeg“ juh. Silvia Soro Viljandi Paalalinna Gümnaasium Andersen „Väikese Ida lilled“ juh. Griseldis Luist, Guldzahon Jussufi Lahmuse Kool juh. Kivi Tartu Miina Härma Gümnaasium „Säärane must ehk sada tonni banaani“ lav. Ivika Hein Tartu Koolirahva Teatriselts „And You Will Know Us By The Trail Of Dead“ (rühmatöö, L. Peep) juh. Lennart Peep Tartu Kesklinna Kool „Räpikratid“ K. Tõnson „Mutionu pidu“ juh. Kristiina Tõnson Tartu Emajõe Kool O. Luts „Pildikesi „Kevadest““ juh. Jürgenson Tartu Kroonuaia Kool E. Lazar „Tõlk” juh. Luts Ülenurme Gümnaasium A. Kivirähk „Rikka õelusel pole piiri“ lav. Ive Porkon Rõngu Keskkooli “Tralliteater” Vendade Grimmide ainetel„Okasroosike“ juh. Anne Holtsmeier Rõngu Keskkool „Sibulad ja šokolaad” juh Markov Kammeri Kool L. Hainsalu „Sinimütsike” juh. Välbe Põlva Ühisgümnaasium A. Grin “Punased purjed” lav. Maia Punak Krootuse Põhikooli kooliteater J. Kunderi ja H. Käo ainetel „Vaeslaps ja talutütar paganamaal“ juh. Elo Härtsmann ja Hele Luht Maaritsa Algkool A. Lindgren „Pipi läheb kooli“ juh. Sigrid Mark Tõrva Gümnaasium L. Tangsoo „Trahv mõistuse pärast“ lav. Laine Tangsoo Lüllemäe Põhikool H. Ruul „Punamütsüke“ juh. Helle Ritso Lüllemäe Põhikool L. Tungal „Johannese esimene koolipäev“ Vastseliina Noorte Näitetrupp „Mustjalg“ lav. Ingrid Välbe A. Lindgreni „Röövlitütar Ronja“ aintel „Kohtumised“ juh. Ingrid Välbe STATISTIKAS OSALEVAD RIIGI EELARVEST TOETUST SAAVAD TEATRID Yearbook of Estonian Theatre Statistics 2006 Theatres getting support from the state budget Eraõiguslikud väiketeatrid / Private small theatres Riigiteatrid / State theatres Avalik-õiguslik asutus / Public law agency Rahvusooper Estonia Estonian National Opera Riigiasutus / Government Agencies Eesti Riiklik Nukuteater Estonian Puppet Theatre Pärnu Teater Endla Pärnu Endla Theatre Teater Vanemuine Theatre Vanemuine Teater NO99 Theatre NO99 Viljandi Draamateater Ugala Viljandi Drama Theatre Ugala Sihtasutus (SA. Foundations Eesti Draamateater Estonian Drama Theatre Rakvere Teater Rakvere Theatre Vene Teater Russian Theatre Munitsipaalteatrid / Municipal theatres Kuressaare Linnateater Kuressaare City Theatre Tallinna Linnateater Tallinn City Theatre Mittetulundusühing (MTÜ. Non-profit associations Drugoi Teatr Theatre Drugoi Nukuteater Lepatriinu Puppet Theatre Lepatriinu R. M. Salong-Teater Salong-Theatre Narva Teater Ilmarine Narva Studio-theatre Ilmarine Teater Tuuleveski Theatre Tuuleveski (Windmill) Vana Baskini Teater Old Baskins Theatre VAT Teater VAT Theatre Von Krahli Teater Von Krahl Theatre Eesti Teatri Festival Estonian Theatre Festival Tantsuagentuurid / Dance Agencies Valgete Ööde Festival White Nights Festival Sõltumatu Tantsu Ühendus Independent Association of Dance State theatres Municipal theatres Private small theatres and Dance Agencies Nukuteatri Noortestuudio lavastust „Tavaline ime“ etendati 7 korda teatri suures saalis 352 külastajale. Koos minifestivaliga Tallinn Teater Treff (toimus märtsis 2006) külastas aasta jooksul teatrit 61 959 vaatajat. Kutseline aastast 1906. Rahvusooperi nime kannab teater alates 1998. aastast. RO Estonia on avalik-õiguslik asutus ja tegutseb eraldi Rahvusooperi seaduse (vastu võetud 2. detsembril 1997. a. alusel. Estonia loominguline juht 2006. aastal oli Arvo Volmer, peadirektor Paul Himma, pealavastaja Neeme Kuningas ning balleti juht Tiit härm. aasta lõppedes oli Rahvusooperis 24 solisti, balletitrupis 11 tantsu solisti ja 57 tantsijat, ooperikooris 58 lauljat, orkestris 91 liiget. Audirigent on Eri Klas, lisaks töötab veel 3 dirigenti. Rahvusooper Estonia juures tegutseb ka Estonia Poistekoor. Lisaks teatri 690-kohalisele suurele saalile on kammerlike lavastuste esitamiseks Kammersaal ja Talveaed. Repertuaari kuulub klassikalise balleti, ooperi ja opereti paremik, samuti ei puudu kaasaegne looming ja Eesti algupärandid. Kogu 2006. aasta repertuaari 31 lavastusest 6 olid uuslavastused. Kõige suurem oli muusikalavastuste osa, 16. Tantsulavastusi oli mängukavas 7, lastelavastusi 5. Samuti olid rahvusooperi mängukavas 2006. aastal 2 sõnalavastust ja üks ooperi kontsertettekanne. Aasta jooksul andis teater 259 etendust, mille külastajaid oli 126 616. Väljaspool oma maja anti 6 etendust, neist 4 välismaal, kokku 6155 vaatajale. Piletiga külastuse keskmine maksumus oli 148 krooni. Lisaks etendustele korraldas Estonia 2006. aastal traditsiooniks on saanud suurvormide ettekandeid, galakontserte ja balle. Teatris viidi läbi kuus erinevat lastele ja noortele mõeldud projekti. Koos kontserttegevusega oli Estonial aasta jooksul 143 385 vaatajat. Yearbook of Estonian Theatre Statistics 2006 arv külastajad Muud üritused 752 Etendused 424 61 207 KOKKU 441 61 959 Kutseline aastast 1911. Pärnu Teater Endla tegutseb riikliku etendusasutusena. Endla pealavastaja on Tiit Palu ja direktor Ain Roost. 2006 oli trupis 16 näitlejat ja 3 lavastajat. Teatrihoones on suur saal (573 kohta) ja black box „Küün” (120. 2006. aasta suvel mängiti ka Tammsaare majamuuseumis (700) ning Pärnu Muuseumi Aidas (200. Pärnu Teater Endla on traditsiooniline repertuaariteater, mis pakub lavastusi nii maailmaklassikast kui tänapäevadramaturgiast. Pidevalt on mängukavas olnud ka muusikalid ja lauludega rahvatükid. Endla eripäraks on 1968. aastal alustatud suvehooaeg, mil mängitakse teatri statsionaaris valikut hooaja repertuaarist. Teatri kogu repertuaari 23 lavastusest 11 olid uuslavastused. Repertuaaris oli 9 draamat, 6 komöödiat, 2 tragikomöödiat. Uuslavastustest olid kõik eesti algupärandid. Sõnalavastuste repertuaaris on 10 eesti ja 7 välisautorite tekstidel põhinevat lavastust. Teatri mängukavas oli ka 1 muusika- ja 5 lastelavastust. ESTONIA arv Kontserdid 5463 ENDLA Üritused (ballid ja teatriprojektid) 37 3988 Teatrikohviku õhtu 1 159 Külalisesinejad (sh 9 välisteatri etendust) 7318 Tähetelk 78 2209 kokku 123 16 769 Kontsert Küünis 29 259 126 616 Külalisesinejad 382 143 385 99 2397 266 62 364 365 64 761 Kutseline aastast 1952. Eesti Riiklik Nukuteater tegutseb riikliku etendusasutusena. 2006. aastal oli Nukuteatri direktor Meelis Pai ja kunstiline juht Andres Dvinjaninov. Koosseisu kuulus 1 lavastaja ja 15 näitlejat. Teatris on neli siselava: peasaal (202 kohta) ovaalsaal (80) vahesaal (60 kohta) kaminasaal (55 kohta) ning siseõu (450 kohta. 2006. aastal mängiti ka Köismäe tornis (100 kohta) Tallinna Linnateatris (100 kohta) ja Eesti Vabaõhumuuseumi Kolu kõrtsis (128 kohta. Nukuteatri repertuaaris on lavastusi nii väikestele, teismelistele kui ka kogu perele. aastal oli mängukavas 25 lavastust, neist 8 uuslavastust. Repertuaaris oli 1 sõna- 1 muusika- ja 21 lastelavastust. Lisaks mängiti ühte nukuteatri elementidega sõnalavastust („Markuse evangeelium”) ja ühte erinevaid lavastusliike ühendavat lavastust („Kilplaste klubi”. Sõna- ja lastealavastustest 15 põhineb eesti autorite, 7 välisautorite teostel. 8% etendustest anti väljaspool statsionaari – 424 etendusest 36. Piletiga külastuse keskmine maksumus oli 123 krooni. Nukuteatri etendusi külastas 61 207 vaatajat. EESTI NUKUTEATER Aastas andis teater 266 etendust, millest 74% oli statsionaaris. Külastajaid oli kokku 62 364 (väljaspool 17 778. Piletiga külastuse keskmine maksumus oli 91 krooni, muusikalavastusel 111 krooni. 2006. aastal tehti lavastuste väljatoomisel koostööd Kuressaare Linnateatriga (lavastus „Jussikese seitse sõpra”) ja Rakvere Teatriga („Vargamäe kuningriik”. Külalised andsid 19 erinevat kontserti (andmed külastajate arvu kohta puuduvad) Teatrikohvikus toimus kohtumisõhtu Priit Pedajasega, koostöös AHHAA-keskusega oli lavastuse „Sabaga täht“ etenduste ajaks teatrisse üles seatud Tähetelk-planetaarium, kus lapsed said uurida tähistaevast. Kutseline aastast 1906. Teater Vanemuine 2006. aastal oli Vanemuisel 2 draamajuhti: 2006. aasta kevadeni tegutses Ain Mäeots. Sügisel alustas Sulev Teppart, novembrist jätkas draamajuhi kohusetäitjana Sven Karja. Balletijuht oli Mare Tommingas, muusikajuht Toomas Vavilov ning teatrijuht Aivar Mäe. Mängupaikadeks on 184-kohaline teatrisaal ja 100-kohaline black box. Suvelavastust „Kuningas Ubu” mängiti Haapsalu Kiltsi lennuväljal, kus oli 400 kohta. 2006. aasta detsembri seisuga oli teatris 2 lavastajat, 25 näitlejat, 31 balletiartisti, 9 ooperisolisti, 35 kooriartisti ja 64-liikmeline orkester. 2006. aastal toodi välja 6 uuslavastust, mis kõik olid draamad. Kogu repertuaar jagunes 7 sõna- 1 laste- ja 1 tantsulavastus. Etendusi anti üheksal laval: teatri suures (700 kohta) ja väikeses majas (440) suure maja pöördlaval (260) väikese maja ovaalsaalis (40) Sadamateatri black boxis (150) Tartu Püssirohukeldris (130) Obinitsa Seto seltsimaja õuel (750) ja Tartu Saksa Kultuuri Instituudis (95. Statsionaaris anti 133 etendust, väljaspool vaid 6% etendustest (8. Külastajaid oli kokku 27 036. Teatri piletiga külastuse kesmine maksumus oli 118 krooni. Aasta jooksul oli repertuaaris 41 lavastust, millest 16 olid uuslavastused (7 sõnalavastust, 4 muusika- 1 laste- 3 tantsulavastust ning 1 luule- ja lauluõhtu („Tähenõid“. Sõnalavastuste autoritest oli 13 välismaist ja 3 Eesti päritolu. Teatri kogu repertuaaris oli 12 muusikalavastust, millest 5 olid muusikalid. Mängukavas oli 5 lavastust mõeldud lastele, neist sõnalavastusi 2, muusikalavastusi 2 ja 1 tantsulavastus. Tantsulavastustest 4 olid kaasaegse tantsu ja 3 klassikalise tantsu lavastused. Mängukavas oli 28 lavastust täiskasvanutele, 5 lastele ja 8 noortele. Kokku anti aasta jooksul 459 etendust, mida külastas 156 389 vaatajat. Väljaspool statsionaari toimus 14% etendustest. Kõige rohkem etendusi anti sõnalavastustega (218) millel oli ka enim külastajaid (69 667. Muusikalavastuste etendusi oli 125 (49 237 külastajale. Piletiga külastuste keskmine maksumus oli 93 krooni, muusikalavastuste keskmine piletiga külastuste maksumus oli 116 krooni, sõnalavastustel 92 (sh statsionaaris 87 ja väljaspool 119. Väljaspool Eestit anti 1 külalisetendus Sankt-Peterburgis 1500 vaatajale. Lisaks etendustegevusele toimus palju kontserte: hooaja ava- ja lõpukontserdid, Eesti Teatri Aasta kontsert Tartu lauluväljakul, muusikalikontserdid pealkirjaga „Memory“, samuti ooperi- ja balletigalad. Allolevas tabelis on eraldi välja toodud I. D. tantsufestivali etendused ja külastajad, teatri korraldatud aastalõpuballid, samuti Sadamateatris toimunud filmiõhtud. kordade arv 21 912 I. festival 946 Ball 2 3 292 Filmiõhtud 110 2 485 14 668 192 43 303 459 156 389 651 199 692 Loodi aastal 2005. Teater NO99 tegutseb riikliku etendusasutusena, juriidilise nimega Teater Vanalinnastuudio. Teatri direktor ja kunstiline juht on Tiit Ojasoo, peakunstnik Ene-Liis Semper. aastal kuulus koosseisu 10 näitlejat. Teater keskendub eelkõige draamalavastustele, sooviga välja tuua nii eesti kui välismaist dramaturgiat. 2006. aastal külastas teatri erinevaid üritusi ja etendusi 35 661 vaatajat. TEATER NO99 64 6960 PÖFF 1665 141 27 036 205 35 661 Tegutseb kutselisena aastast 1926. Viljandi Draamateater Ugala tegutseb riikliku etendusasutusena. Teatri juht on Peeter Tammearu, vaadeldava aasta lõpuks oli koosseisus 24 näitlejat. Ugala suur saal mahutab ligi 500 vaatajat, väikeses saalis on 160 kohta. aastal oli teatri tavapärastele mängupaikadele lisaks lavastuste statsionaarideks veel Ugala tiigi kallas (700 kohta) ja Olustvere loss (60 kohta. 2006. aasta repertuaaris olid põhiliselt sõna- ja lastelavastused. 24 lavastusest 8 olid uuslavastused – 4 sõna- 2 laste- 1 muusika- ja 1 tantsulavastus. Kogu repertuaari 18 sõnalavastusest pooled olid draamad, nendega anti ka enim etendusi (167. Sihtgrupiti oli repertuaaris lavastusi nii täiskasvanutele (14) noortele (6) kui lastele (4. Ugala antud 226 etendusest toimus 80% statsionaaris (180. Külastajaid oli teatrietendustel kokku 54 216. Kogu repertuaaris domineeris välisnäitekirjandus ja väliskirjanduse dramatiseering (14) algupärandeid oli vaid 4. Teatri piletiga külastuste keskmine maksumus oli 88 krooni, kõige kõrgem keskmine oli muusikalavastustel (143 krooni. Lisaks etendustele toimus teatris Eesti Teatri Aasta avapidu „Ugala 80“, samuti Kalju Komissarovi juubeliõhtu ning 5 külalisesinejatega kontserti. Koos etenduste ja muude üritustega, mida toimus kokku 233 korral, oli Ugalal aasta jooksul 56 840 külastajat. Tegutseb kutselisena aastast 1920. Eesti Draamateater on riigi asutatud sihtasutus. Suurim sõnalavastusteater Eestis. Draamateatri direktor on Rein Oja, kunstiline juht Priit Pedajas. aastal töötas Eesti Draamateatris 4 lavastajat ja 32 näitlejat. Teatris on 540 kohaga suur saal, 140 kohaga väike saal ja 70 kohaga Maalisaal. Teatri repertuaaris oli 2006. aastal sõna- ja lastelavastusi, algupärandeid ja klassikat nii maailma kui eesti dramaturgiast. VANEMUINE Muude üritustena korraldati teatri kohvikus aasta jooksul hulgaliselt jazziõhtuid, samuti toimus Tõnis Mägi, Chalice jt kontsert Haapsalu Kiltsi lennuväljal. Yearbook of Estonian Theatre Statistics 2006 2006. aastal oli Vanemuise repertuaaris 41 lavastust kõigis teatrikunsti žanrites – draama, ooper, operett, muusikal, ballett ja kaasaegne tants. Repertuaaris oli 37 lavastust, millest 11 olid uuslavastused. Statistika tabelites lisanduvad neile veel 9 näidendi ettelugemist. Seega võib öelda, et Draamateatris kanti ette 20 uut teatriteksti. Kogu repertuaari 37 lavastusest olid 33 sõnalavastused, neist 10 olid uuslavastused. Neli lastelavastust olid kõik sõnalavastused: 3 eesti autorite, 1 välisautori sulest. Põhiosa lavastuste sihtgrupiks olid täiskasvanud, 4 lavastusel lapsed ja 2 lavastusel noored. 561 etendusest toimus 97% statsionaaris. Aasta jooksul külastas teatrit 104 052 vaatajat, neist 92% olid sõnalavastuste etenduste külastajad. Draamalavastustega anti 371 etendust, komöödiatega 141 – külastajaid kogu aasta teatri külastajatest vastavalt 53% ja 39. Sõnalavastuste keskmine piletiga külastuse maksumus oli 140 krooni, lastelavastustel 88 krooni. Teatri keskmine oli 137 krooni. Draamateater andis välismaal kaks etendust (Poola, Venemaa) mida vaatas 1222 inimest. Asutatud 1940. Rakvere Teater on riigi ja Rakvere linna asutatud sihtasutus. Teatri direktor oli 2006. aasta esimesel poolel Indrek Saar, alates juunist Joonas Tartu. Teatri kunstiline juht on Üllar Saaremäe. Aasta lõpul oli koosseisus 17 näitlejat. Lisaks suurele (411 kohta) ja väikesele (99 kohta) saalile mängiti ka Sagadi mõisas (80 kohta) ja Tammsaare Muuseumis (700 kohta. Repertuaari 24 lavastusest (19 sõna- 2 muusika- 3 lastelavastust) 10 olid uuslavastused (8 sõna- ja 2 lastelavastust. Kaheksast lisandunud sõnalavastusest 1 oli komöödia ja 7 draamat. Üldse oli sõnalavastuste repertuaaris 14 draamat, 4 komöödiat ja 1 luulelavastus, millest 8 oli eesti ja 11 välisautori teost. Peamine sihtgrupp lavastustel oli täiskasvanud (20 lavastust) noortele oli üks ja lastele 3 lavastust. Aasta jooksul anti 329 etendust, 60% statsionaaris (199) ja 40% 130) väljaspool. Etendusi külastas 67 683 vaatajat. Enim etendusi anti sõnalavastustega, neid külastas 46 216 vaatajat. Muusikalavastuste etendusi anti 8, mida vaatas 1061 inimest ja lastelavastusi mängiti 82 korda 20 406 vaatajale. Teatri piletiga külastuse keskmine maksumus oli 84 krooni. Yearbook of Estonian Theatre Statistics 2006 Rakvere Teater korraldab ka biennaalina toimuvat rahvusvahelist teatrifestivali „Baltoscandal”. aasta festivalil anti 33 etendust 3688 vaatajale. Aastal 2006 tehti koostööd Endla teatriga ja valmis lavastus „Vargamäe kuningriik”. Toimus 13 kohvikukontserti 1191 kuulajale. Teatri etenduste, kontsertide ja festivali külastajaid oli aasta jooksul kokku 72 562. Asutati 1948. aastal. Eesti ainus venekeelne professionaalne teater. Vene Teater on riigi asutatud sihtasutus. 2006. aastal oli teatri direktor Marek Demjanov, kunstiline juht Mihhail Tšumatšenko. Teatri koosseisu kuulus 36 näitlejat. Statsionaaris anti etendusi suures (621 kohta) ja väikses saalis (120 kohta) teatri hoovis asuvas saalis nimega „Garaaž“ (80 kohta) ning Õpetajate majas (100 kohta. VENE TEATER Russki smehh 2023 3992 138 20 552 154 26 567 10. augustil avati külastajatele pidulikult värskelt remonditud ja juurdeehitusega teatrihoone. Aasta jooksul oli repertuaaris 25 lavastust, neist 12 uuslavastust. Mängukava 17 sõnalavastusest 8 olid komöödiad. Mängiti põhiliselt täiskasvanutele, aga ka ka lastele ja noortele. Aasta jooksul anti 138 etendust, millest 73% statsionaaris ja 27% väljaspool. Teatrietendustel oli külastajaid 20 552. Sihtgrupiti jagunesid keskmised piletiga külastuse hinnad: 109 krooni lapsed, 88 krooni noored ja 106 krooni täiskasvanud. Teatri keskmine piletiga külastuse maksumus oli 105 krooni. Balti vene teatrite koostööna lavastatud „Russki smehh“ esietendus Riia Vene Draamateatris 29. Novembris ja detsembris anti lavastusega 6 etendust Tallinna Vene Teatris. Poolkutselisena asutati 1935, kutselisena 1998. Kuressaare Linnateater on munitsipaalteater. Teatri kunstiline juht on Piret Rauk. Teatri enda statsionaarseteks mängupaikadeks on teatrisaal (215 kohta) Sinine saal (30 kohta) 2006. aastal toodi lavastusi välja ka Tooma talu rehetoas (38 kohta) ja Maasi ordulinnuse varemetes (450 kohta. 2006. aastal oli mängukavas 7 lavastust, millest 5 oli sõna- ja 2 laste­lavastused. Sõnalavastused jagunesid: 1 komöödia, 1 draama, 2 luulelavastust ning 1 poeetiline kollaaž. Pea kõik etendused anti statsionaaris. Kokku külastas aasta jooksul Kuressaare Linnateatrit 5984 vaatajat. Piletiga külastuse keskmine hind oli 73 krooni (sõnalavastustel 84 krooni, lastelavastustel 40 krooni. 2006. aastal tegi Kuressaare Linnateater koostööd VAT Teateriga (lavastus „Väike merineitsi”) ja Endlaga („Jussikese seitse sõpra”. 30. novembril tähistati pidulikult 120. aasta möödumist Kuressaare Eesti Seltsi loomisest. Tallinna Linnateater Asutatud 1965. Tallinna Linnateater on munitsipaalteater. Teatri direktor on Raivo Põldmaa, kunstiline juht Elmo Nüganen. 2006. aasta lõpuga kuulus teatri koosseisu 2 lavastajat, 26 näitlejat ja 1 näitekirjanik. Lavastusi tuuakse välja mitmes erinevas saalis: Väike saal (88 kohta) Ajutine saal (71 saal) Taevalava (169 kohta) Põrgulava (180 kohta) Lavaauk (575 kohta) Köismäe torn (60 kohta) Hobuveski (104 kohta. Lavastust „Ay, Carmela“ mängiti Salme Kultuurikeskus (622 kohta. Väljaspool Eestit käidi Soomes – Helsingis, Tamperes ja Vantaas, kus anti kahe lavastusega („Lugu kirjudest sulgedest” ja „Väike merineitsi”) kokku 4 etendus 274 vaatajale. Hooaja avamine 250 5 68 Festival 1 844 Festivali lõpupidu 595 23 2 757 Loodi aastal 2000. 406 61 185 429 63 942 Mittetulundusühing on erinevate kultuuriprojektide läbiviimisele spetsialiseerunud vabatahtlik ühendus. Tegevjuht on Märt Meos. MTÜ teeb tihedat koostööd Eesti tuntumate teatrite, näitlejate, lavastajate ja näitekirjanikega. Teatri 21 lavastusest 1 on muusikalavastus, teised sõnalavastused – kõik draamad. 14 teksti pärinevad välisautoritelt ja 6 on eesti autorite teosed. Lastelavastusi mängukavas ei ole, kõikide lavastuste sihtgrupiks on täiskasvanud. 2006. aastal anti 406 etendust 61 185 külastajale. 95% 384 etendust) anti oma majas. Pilet oli statsionaaris kallim kui külalisetendustel. Teatri keskmine piletiga külastuse maksumus oli 168 krooni. Lisaks etendustele korraldati mitmeid üritusi, nt hooaja avaüritusena toimus kohtumine Adolf Shapiroga. Teatri Ajutises saalis andis kontserte Tallinna Muusikakeskkool. Linnateater korraldab biennaalina toimuvat rahvusvahelist teatrifestivali „Talveöö unenägu”, mille raames toimus 17 töötuba ja etendust ning pidulik festivali ja aastalõpu pidu. Festivalil oli 2 439 külastajat. Loodi 2003. Tegutseb mittetulundusühinguna Sofiit Klubi. Teatril puuduvad koosseisulised töötajad, kuid on oma statsionaarne mängupaik – Narva mnt. 7 asuv saal, kus on 191 kohta. 2006. aastal oli repertuaaris 8 lavastust, millest uuslavastusi oli 4 (kõik draamad. Kogu repertuaar jagunes: 6 draamat, 1 komöödia ja 1 muinasjutt. Kõikide lavastuste sihtgrupiks on noored. Kuuel korral oli lavastuste alusmaterjaliks välisnäitekirjandus ja väliskirjanduse dramatiseering. Üks lavastus põhines eesti algupära kirjanduslikul materjalil („Mandragora”. 2006. aasta jooksul mängiti 55 etendust, millest statsionaaris anti 51. Neid külastas 2556 vaatajat. Väljaspool anti etendusi Narvas, Tartus, Moskvas ja Sankt-Peterburgis (kokku külastajaid 741. Projektiteatril R. puudub nn kodulava, lavastuste peamiseks statsionaariks on Viinistu Kunstimuuseum. Lavastuste statsionaarid olid 2006. aastal veel Suurel Munamäel ja Kumu auditooriumis. Väljaspool statsionaari anti 8 etendust (sh New Yorgis, Baltimoreis ja Torontos. 2006. aastal oli mängukavas 5 lavastust, kõikide alusmaterjaliks eesti näitekirjandus – 3 Mart Kivastiku, 1 Katrin Saukase ning 1 Lauri Vahtre ja Mart Laari näidend. Ühekordse projektina mängiti 3 lavastust ühe päeva jooksul nimetuse all „Kunstnike triloogia”. Kokku anti aasta jooksul 69 etendust 16 492 vaatajale. Statsionaaris maksis pilet keskmiselt 198 krooni, väljaspool 138 krooni. Väljaspool anti etendusi veel Haanjas, Jõhvis, Tartus ja Võrus. Teatri piletiga külastuse keskmine maksumus oli 194 krooni. Asutatud 1994. Salong-Teater tegutseb MTÜ-na. Kuni novembrini oli teatri juht Dajan Ahmet, alates novembrist Erki Aule. Koosseisu kuulus 1 lavastaja ja 4 näitlejat. Teatril puudub statsionaarne mängupaik. 2006. aastal oli mängukavas 6 lavastust, millest 3 olid uuslavastused. Repertuaar koosnes kahest sõnalavastusest ja neljast lastelavastusest. Kokku anti aasta jooksul 56 etendust. Teatri külastajate arvu pole teada, kuna teater müüb piletid oma etendustele kokkuleppe hinnaga. Esinemiskohtadeks ja tellijateks olid põhiliselt kultuurikeskused, klubid, rahva- ja seltsimajad. Teater osales Sankt-Peterburgis lavastusega „Kuritöö, kodutööd, karistus, raha, pensionäri tapmine” II Rahvusvahelisel teatrifestivalil „Avatud teatrite avarus „ei millestki“”. Teatrit premeeriti parima festivalil osalenud näidendi eest. Sõnalavastustega anti 42 etendust, lastelavastustega 14. Kuna ei ole teada vaatajate arvu, ei tea ka keskmist külastuse maksumust. Lisaks etendustegevusele käivitusid teatris ka noorteprojektid „Drugoi ZVUK” (noorte muusika teatrilaval) ja „Drugoje KINO“ (dokumentaalfilmide programm. Asutatud 1996. Nukuteater Lepatriinu on MTÜ. Asub Jõhvis. Statsionaarne mängupaik puudub. Koosseisu kuuluvad kaks näitlejat: Jelena ja Aare Vaher. Viimane on ka teatri juht. Mängukavas oli 4 nukulavastust: 1 väikelastele, 2 lastele ja 1 täiskasvanutele. 3 lavastust põhinesid välisautorite teostel ja 1 oli eesti autori näidend. Etendusi anti nii kodumaakonnas kui ka Tallinnas, Maardus, Tartus ja Viljandis – kõikjal kokku 57 etendust, külastajaid oli 3 404. Keskmine piletiga külastuse maksumus oli 15 krooni. Lastelavastusega „Kilplaste küla” anti Armeenias 1 etendus 80 vaatajale. 1994 asutati Eesti Humanitaarinstituudi teatriõppetooli üliõpilaste ja õppejõudude ning Vanalinna Hariduskolleegiumi teatriprogrammis osalejate poolt MTÜ Stuudio Theatrum, mille baasil loodi 2005. aastal sihtasutus Theatrum. Koosseisulisi kunstilisi töötajaid teatris ei ole. Sihtasutuse loomenõukogu esimees ja teatri kunstiline juht on Lembit Peterson. Juhatuse tegevjuht Marius Peterson. Theatrumi kasutada on 80-kohaline teatrisaal koos lisaruumidega endise Tallinna Dominiiklaste Kloostri aidahoone III korrusel. 2006. aastal oli repertuaaris 7 lavastust, millest 6 olid sõna- ja 1 muusikalavastus. Uuslavastusi oli 5, kõik sõnalavastused. Repertuaaris oli 4 draamat, 1 lugemisteater, 1 kontsertetendus. Kokku anti 58 etendust. 90% etendustest anti statsionaaris. Külastajaid oli 2006. aastal 3159. Teatri keskmine piletiga külastuse maksumus oli 53 krooni. Märtsis tähistas teater sünnipäeva pealkirja all „Kapustnik“. 130 vaatajale etendati parodeerivaid katkendeid teatri senistest lavastustest. Yearbook of Estonian Theatre Statistics 2006 TALLINNA LINNATEATER Asutatud 1989. Teater Ilmarine tegutseb MTÜ-na. Teatri kunstiline juht on Juri Mihhaljov. Teatri koosseisus oli 2006. aastal 8 näitlejat. Teatri statsionaarne mängupaik on Narva Kultuurikeskus, kus on suur saal (306 kohta) ja väike saal (40 kohta. Lisaks mängiti Kultuurikeskuse pargis. 2006. aastal oli repertuaaris 15 lavastust, millest 12 olid lastelavastused ning 3 sõnalavastused (žanrilt komöödiad. Repertuaari sihtrühmaks on lapsed (9 lavastust) väikelapsed (3) ja noored (3. Kokku anti aastas 158 etendust, millel oli 13 969 vaatajat. Kogu teatri etendustest 80% anti väljaspool statsionaari. Piletiga külastuse keskmine maksumus oli 16 krooni. OÜ Vana Baskini Teater asutati 2005. aastal Eino Baskini ja Aarne Valmise eestvõtmisel. Teatri kunstiline juht on Eino Baskin. Koosseisu kuulub 12 näitlejat. Teatril puudub oma statsionaar. 2006. aastal oli repertuaaris 10 lavastust, millest 6 olid uuslavastused. Repertuaari kuulus 8 komöödiat ja 2 estraadilavastust. Neist 3 on Eesti algupära, ülejäänud lavastused põhinesid välisautorite teostel. Kõigi lavastuste sihtgrupiks on täiskasvanud. 2006. aastal anti 159 etendust, millel oli 50 144 vaatajat. Teatri keskmine piletiga külastuse maksumus oli 105 krooni. Välismaal anti kokku 14 etendust: Saksamaal ja Soomes 3 etendust, Norras, Rootsis ja Taanis 2 etendust ning Leedus ja Venemaal 1 etendus, kokku 2900 vaatajale. Koostöös Kuressaare Linnateatriga valmis lavastus „Väike merineitsi”. Von Krahli Teater Asutatud 1992. Von Krahli Teater tegutseb MTÜ-na. Teatri juht on Peeter Jalakas, 2006. aastal kuulus koosseisu 4 näitlejat. Von Krahli Teatri saalis on 98 kohta, teatri proovi- ehk kinosaalis on 38 kohta. aastal anti etendusi ka Omari küünis (185 kohta. 2006. aastal oli repertuaaris 11 lavastust, millest 8 olid uuslavastused. Kogu repertuaari moodustasid 2 sõna- 2 muusika- ja 3 tantsulavastust. Samuti esilinastus teatraalne filmiversioon („Tabamata ime”) etendati alkeemilist tragöödiat („Võluflööt”) sõna- muusikaja tantsulavastust („Europiraadid”) ning ohu- ja dekoratsioonidraamat („Tundekasvatus”. 2006. aastal anti 201 etendust, külastajaid oli kokku 20 240. Väljaspool statsionaari anti 21% etendustest (peamiselt välismaal, aga ka Tartus ja Viljandis. Nelja lavastusega anti Rootsis, Soomes, Saksamaal ja Šveitsis 33 etendust 5085 vaatajale. Von Krahli Kino raames näidati lisaks teatri filmiprojektile veel mitmeid filmiprogramme (Sleepwalkers, PÖFF jmt) 58 korral 7400 vaatajale. Loodi 1993. aastal 1988. aastal asutatud draamastuudio baasil. Teater Tuuleveski tegutseb MTÜ-na. Teatril puudub statsionaarne mängupaik. Etendusi antakse põhiliselt Ida-Virumaal, aga ka Tallinnas, Tapal, Tartus ja Pärnus. Eesti Teatriliidu ja eraisikute poolt 2004. aastal asutatud sihtasutus. „DRAAMA” festivale korraldav organisatsioon, Eesti Teatri Aasta peakorraldaja, samuti 2006. aasta suvise Rändteatri nime all toimunud ringreis korraldaja. Rändteatri egiidi all anti kolme lavastusega („Tinasõdur, baleriin ja siga“, „Kilplaste küla“ ning „Aabitsakukk“) erinevates maakonnakeskustes 39 etendust kokku 4549 vaatajale. Üks lavastus oli Eesti Muusika- ja Teatriakadeemia Lavakunstikooli 23. lennu diplomilavastus („Tinasõdur, baleriin ja siga”) mis esietendus hiljem (24. 09. 2006) uuesti Eesti Draamateatri nime all ja ruumides. 2006. aastal oli repertuaaris 12 lavastust, millest 2 olid uuslavastused. Põhiosa olid lastelavastused (10) millest 6 olid sõna- ja 3 nukulavastust ning 1 pantomiim. Kõik lavastused olid tehtud välisautorite teoste põhjal. Tuuleveski andis 2006. aastal 191 etendust, mida vaatas 19 781 inimest. Teatri piletiga külastuse keskmine maksumus oli 26 krooni. Yearbook of Estonian Theatre Statistics 2006 2006. aastal anti 211 etendust (neist 55% väljaspool kodulava) ja külastas 25 976 vaatajat. Piletiga külastuse keskmine maksumus oli 81 krooni. VAT Teater Asutatud 1987. VAT Teater tegutseb Teatrit juhib Tiina Rebane, kunstiline juht on Aare Toikka. Lisaks 3 koosseisulisele näitlejale olid 2006. aastal teatriga lepinguliselt seotud veel 2 lavastajat ja 12 näitlejat. Teatri kodulavaks on 60 kohaga Rahvusraamatukogu teatrisaal. 2006. aastal oli repertuaaris 16 lavastust, mille hulgas oli 11 sõnalavastust (9 draamat, 1 komöödia ja 1 tragikomöödia) 2 lastelavastust (sh 1 nukulavastus) ja improvisatsioonilisel materjalil põhinev „Kalevipoeg”. Foorumteatri meetodil põhinevad ülesastumised toimusid 53 korral 4 888 noorele. Teatri peamiseks sihtrühmaks on noored (7 lavastust) ja lapsed (4) kuid 5 lavastust oli mängukavas ka täiskasvanutele. Lisaks tegevusrohke 2006. aasta Eesti Teatri Aasta korraldamisele etendati suvel 5 korda Läänemaal asuvas Saueaugu Teatritalus Jaan Kruusvalli „Kustutage kuuvalgus”. Lavastust mängiti 364 vaatajale, piletiga külastuse keskmine maksumus oli 121 krooni. SA Eesti Teatri Festival oli ka noorte – ja lasteteatrite festivali Draamake 2006 ja Balti Teatri Festivali OMADraama 2006 korraldaja. Festivalide 30 etendusel oli 5430 külastajat. Tegutseb aastast 2002. Sõltumatu esinemispaik ja production house Tallinna vanalinnas, juriidilise nimega MTÜ Teine Tants. Lavastuste statsionaariks on 130 kohaga Kanuti Gildi SAAL. Statsionaarne trupp puudub. Kanuti Gildi SAAL andis 2006. aastal 110 etendust, mida vaatas 9164 külastajat. SAALi piletiga külastuse keskmine maksumus oli 48 krooni. Välismaal anti 12 lavastusega 26 etendust, mida vaatas 3 415 inimest. Kanuti Gildi SAALi korraldatuna toimusid lisaks tantsuetendustele kontserdid, filmiõhtud, tantsumaraton ja vestlussari. Korraldati rahvusvahelisi tantsufestivale Nu Scandik ja AugustiTantsu Festival (vt Festivalid Eestis. Samuti andsid saalis etendusi veel välisesinejad Saksamaalt, Norrast, Ukrainast ja Ungarist. Filmisari „Teise korruse filmid“ 183 Kontserdisari IMPROTEST 337 Tantsumaraton „made in estonia“ 525 Vestlussari „Räägime tantsust“ 132 Välisesinejad 345 Festivalid 805 30 2327 9164 140 11 491 Valgete Ööde Festival MTÜ ehk nagement loodi 2006. aastal. Organisatsiooni missiooniks on tantsukunsti propageerimine, andekate artistide toetamine ja erinevaid kunstivorme kaasavate projektide käivitamine ning läbiviimine. Samuti korraldatakse koolitusi, festivale ja konkursse. Mittetulundusühing Sõltumatu Tantsu Ühendus on kaasaegse tantsu professionaale ühendav organisatsioon, mis loodi 2005. Ühendus koondab enda alla 4 juba pikka aega tuntud ja iseseisvalt tegutsevat tantsuühendust – Fine5 Tantsuteater, Zick Tantsuteater, Pärnu Kaasaegse Tantsu Ühendus ja Saltatores Revalienses. Need organisatsioonid ehitasid üles ja panid aluse STÜ loomisele. Ühendus on samal ajal avatud uutele noortele tegijatele. Sarnaselt samalaadsete tantsuühendustega mujal maailmas on STÜ eesmärgiks pakkuda tegevusväljundit, arenguvõimalusi ning administratiivset tuge tantsurühmitustele, koreograafidele ja tantsijatele, kelle tegevuse aluseks on kehakeskne, füüsilisele ning vaimsele treenitusele suunatud tantsumõtlemine. Sõltumatu Tantsu Ühendusel puudub oma statsionaar. 2006. aastal jõudis Ühenduse vahendusel publikuni 5 kaasaegse tantsu lavastust täiskasvanutele, millest 3 olid uuslavastused (üks neist taasesietendunud D. Hartshenko „Undiin“. Kokku anti 14 etendust, mis kogus 1203 vaatajat. Piletiga külastuse keskmine maksumus oli 84 krooni. Lisaks korraldas STÜ Kumu auditooriumis väliskülaliste esinemise, Eesti publik sai näha Carolyn Carlsoni tantsulavastust “Down By The River” ja Juha-Pekka Marsalo “Scene d`amour”. Vaatajaid oli nimetatud etendustel kokku 202. Yearbook of Estonian Theatre Statistics 2006 2006. aastal oli repertuaaris 22 kaasaegse tantsu lavastust täiskasvanutele ja noortele ning 2 lastelavastust. Aasta jooksul esinesid kaasaegse tantsu sarjas „hypekas” mitmed vähese lavapraktikaga noored koreograafid nii Eestist kui välismaalt. Sarja „diplom ´06” raames esitasid erinevate kõrgkoolide koreograafia eriala 13 lõpetajat oma diplomitöid. SA Eesti rahvapärandi ja kirjavara esitamise selts Loomine (SA Loomine) rahva seas suupärasemaks ristitud Pärimusteater Loomine asutati 16. detsembril 2004 Eesti Rahvusliku Folkloorinõukogu ja Eesti Teatriliidu poolt. SA tegeleb avalike teatrietenduste, kontsertide jt kultuuriürituste loomise, korraldamise ning etendamisega. Sihtasutuse nõukogu: Raivo Trass, Anne Türnpu, Maie Orav, Marge Kokk. Sihtasutuse juhatusse kuuluvad Alar Ojalo ja Erika Kaljusaar. 2006. aastal oli repertuaaris 6 lavastust (4 sõna-ja 2 lastelavastust) millest 4 olid uuslavastused (2 sõna-ja 2 lastelavastust. Kõik lavastused põhinesid eesti näitekirjandusel. Kokku anti 38 etendust 2608 külastajale. Piletiga külastuse keskmine maksumus oli 159 krooni. Kunstiline juht on Teet Kask. 2006. aastal esitleti suvise Valgete Ööde Festivali raames kahte uut kaasaegse tantsu lavastust („Väike prints” ja „Tuleviku mälestused”) millega anti kokku 4 etendust. Mõlema lavastuse loojad on pärit Inglismaalt (Kate Pringle ja Melanie Clark. Lavastuste statsionaarid olid Endla teatris (suur saal ja Küün. Lavastusi ei etendatud väljaspool statsionaari. „Väikese printsi” sihtgrupp oli noored, „Tuleviku mälestustel” täiskasvanud. Festivali raames antud etendustel oli kokku 680 vaatajat. Piletiga külastuse keskmine maksumus oli 70 krooni. ÜLEVAADE EESTI NÄITEMÄNGUAGENTUURI TEGEVUSEST 2006. aasta oli Eesti Näitemänguagentuuri 12. tegevusaasta. Seni teatritele kuulunud osaühing Eesti Näitemänguagentuur reorganiseeriti Eesti Vabariigi ja Tallinna Linna osaühinguks. Aasta jooksul toimus 7 kunstinõukogu koosolekut, mille jooksul vastu võetud ostuste tulemusena omandati 16 algupärandi, 11 dramatiseeringu ja 47 tõlke esitusõigused. Jätkas ilmumist ENA maailma uuemat dramaturgiat tutvustav infoleht, mille neljas numbris vaadeldi inglise ja saksa dramaturgia kõrval põhjalikumalt ka tšehhi näitekirjandust. 20 Eesti Kultuurkapitali toetusel algatati tellimisprojekt „Laste- ja noorte näitekirjandus”, kus ENA kunstinõukogu palvel loovad kirjanikud (Ülle Kahuks (Kauksi) Eva ja Indrek Koff, Aino Pervik, Peeter Sauter, Karl-Martin Sinijärv, Leelo Tungal, Urmas Vadi) seitse uut lastele ja noortele mõeldud näidendit. Projekt lõppeb 2007. aastal. Valdkonniti jagunesid ostud 2006. aastal: tõlked (47) 297 400. algupärandid (16) 227 500, dramatiseeringud (11) 71 500. - Yearbook of Estonian Theatre Statistics 2006 I PEATÜKK Chapter I Repertuaaristatistika Repertoire Statistics Repertuaaristatistikas vaadeldakse teatrite lavastusi liikide, žanrite ja sihtgruppide järgi. Lavastusliikide võrdluses on näha, mida Eesti teatris eelistatakse: kas sõna- muusika- tantsu- või lastelavastusi. Samuti ilmneb lavastuste erinev osakaal uuslavastuste ning kogu repertuaari lõikes. Et pilti veelgi täpsustada, on kõik lavastusliigid omakorda jaotatud žanriliselt. Viimaste väljatoomisel on lähtutud üldlevinud jaotusest (draama, komöödia, tragikomöödia, tragöödia; ooper, operett, muusikal. Kuna enamikus alajaotustes ei mahu mõni lavastus üldlevinud liigituste alla, on kasutusele võetud mõiste „muu”, mille iga üksikjuhtu täpsustav selgitus on konkreetse tabeli juures. Repertoire statistics observe productions of theatres by type, genre and target groups. The comparison of types of productions shows which type of production is preferred in Estonian theatre: drama productions (plays) music, dance or childrens productions. Different share of productions in new productions and in the total repertoire has been revealed. To get a more detailed picture, the types of productions have been divided by genres where the general distribution has been taken as a basis (drama, comedy, tragicomedy, tragedy, opera, operetta, musical. As in most of sub-divisions some productions cannot be specified under general distribution, the concept “other” has been taken into use, the explanatory notes specifying each case are available under the concrete table. With regard to dramatic literature or dramatisations of literature the countries of origin of authors have been brought out, the production of Estonian and foreign authors has been compared. In addition to the creative side, target groups also play an important role in forming the repertoire of the theatres. The audience has been divided by target groups into infants, children, teenagers, youth and adults. Lisaks loomingulisele poolele on teatrite repertuaari kujundamisel olulisel kohal ka sihtgrupid ehk põhivaatajaskond, kellele lavastused on suunatud. Sihtgrupiti on välja toodud väikelapsed, lapsed, teismelised, noored ja täiskasvanud. The aim of the chapter is to provide an overview of the repertoire of Estonian theatres in 2006. The information on new productions and for the repertoire as a whole has been presented separately. repertuaaristatistika repertoire statistics Repertuaar aastal 2006 Käesoleva väljaande repertuaaristatistika puudutab 2005/2006 kevadhooaega ja 2006/2007 sügishooaega. Aastal 2006 oli teatrite repertuaaris 408 lavastust, millest uuslavastusi 172. Eesti päritoluga tekste oli kogu repertuaari sõna-ja lastelavastuste seas 127, sealhulgas 63 uuslavastust põhines algupärasel materjalil. Välisautorite teosed olid aluseks 172 sõna-ja lastelavastusele. Täiskasvanutele ja noortele mõeldud sõnalavastused moodustasid kogu repertuaarist 50% muusikalavastused 9% tantsulavastused 12% laste- ja väikelaste lavastused 23. Mõiste „muu”, mille alla on koondatud ooperite kontsertettekanded, performanceid, näidendite ettelugemised ning erinevate lavastusliikide komponente ühendavad lavastused, moodustab kõikidest lavastustest 6. Sõnalavastuste osakaal on suur ka lastelavastuste hulgas – 48% nukulavastusi 28. Eesti algupärasel materjalil põhinevaid sõna- ja lastelavastusi käis vaatamas 278 073 külastajat, mis on 30% kogu repertuaari vaadanud publikust (922 314 inimest. Sõnateatris enimlavastatud välisautorid on pärit Venemaalt (51 lavastust) Inglismaalt (38) USA-st (20) ja Prantsusmaalt (11. Kokku oli välisautoreid esindatud 23 välisriigist. Dramatiseeringute hulgas oli samuti kõige enam välisautorite teoseid pärit Venemaalt (13 lavastust) järgnesid Taani (9) Rootsi ja Inglismaa (mõlemad 5 lavastust. Kokku oli esindatud 13 riiki. Yearbook of Estonian Theatre Statistics 2006 Sõnalavastuste etendusi oli 2602 ning neile müüdi 463 939 piletit. Muusikalavastusi mängiti 356 korral, neile müüdi 146 873 piletit. Lastelavastuste 1231-le etendusele müüdi 179 792 piletit. Külastajate arv on müüdud piletite arvust suurem, sest teatreid külastavad ka inimesed kutsetega nn 0-piletitega ning antakse ka tasuta etendusi. Repertoire in 2006 2006. aastal anti 8% võrra rohkem etendusi kui 2005. aastal. Samuti oli 2006. aastal võrreldes eelmise aastaga külastajaid 12% rohkem. Aastas (365 päeva) anti keskmiselt 12, 7 etendust päevas ning teatrit külastas keskmiselt 2527 inimest ühel päeval, st 199 vaatajat keskmiselt ühe etenduse kohta. Aastal 2005 oli Eesti teatris keskmiselt 2251 külastajat päevas, 190 vaatajat ühe etenduse kohta. Teatrite repertuaaris oli kokku 408 lavastust, neist uuslavastusi oli 172, seega toimus esietendusi keskmiselt iga kahe ja poole päeva tagant. Võrreldes 2005. aastaga oli 17 esietendust rohkem. The repertoire statistics of the present publication concern the spring season of 2005/2006 and the autumn season of 2006/2007. In 2006, 408 productions were included in the repertoire of theatres, of which 172 new productions. Among the total number of dramas (plays) and childrens productions the number of texts with Estonian origin was 127, of which 63 new productions were based on original material. 172 dramas (plays) and childrens productions were based on productions of foreign authors. Drama productions (plays) for adults and youth accounted for 50% of the total repertoire, music productions — for 9% dance productions — for 12% childrens and infants productions — for 23. The concept “other” which includes concert performances of operas, performances, readings of plays and productions combining components of different types of productions, accounts for 6% of the total number of productions. Kogu repertuaar lavastusliikide järgi Number of total repertoire by type Samuti tuleb arvestada, et eelpooltoodud arvudes puuduvad andmed Salong-Teatri ja Von Krahli Teatri müüdud piletite kohta. Kokku anti 2006. aasta jooksul 4655 etendust, neile müüdi 848 091 piletit ning külastajaid oli kokku 922 314. Väljaspool teatrite tavapärast hooaaega etendati 2006. aastal nn suvelavastustena 45 lavastust, millest 35 olid uuslavastused. Suurem osa kõikidest suvistest lavastustest tuli välja erinevates projektiteatrites. 22 sõnalavastus drama 12% muusikalavastus music 6% 50% 23% 9% lastelavastus production for children tantsulavastus dance production muu other Lavastuste arv lavastusliikide järgi muusikalavastus Endla Vanemuine NO99 9 8 Ugala 24 Draamateater 33 Kuressaare LT Lepatriinu R. M Ilmarine Tuuleveski Vana Baskini T Von Krahli T ETF/Rändteater Kanuti Gildi S ETF/Rändteater* 46 25 Tln Linnateater 41 total sõnalavastus drama Eesti Nukuteater muu other Estonia TEATER theatre tantsulavastus dance production KOGU REPERTUAAR / total repertoire UUSLAVASTUSED / new productions Yearbook of Estonian Theatre Statistics 2006 Number of productions by type * 26 Valgete Ööde F Sõltumatu T. Ü KOKKU total 85 172 206 93 48 408 kokku 2005 155 165 86 352 kokku 2004 43 90 326 Mõiste “muu” all on järgmised lavastused / “Other” includes the following productions: 1) Rahvusooper Estonia. ooperi kontsertettekanne “La Clemenza di Tito” 2) Eesti Nukuteater – erinevaid lavastusliike ühendav “Kilplaste klubi”, sõnalavastus nukuteatri elementidega “Markuse evangeelium” 3) Vanemuine – laulude ja luuleõhtu “Tähenõid” 3) Eesti Daamateater – sari “Esimene lugemine” (“Boulgakoff”, “Desdemona”, “Geeniuste algkursus”, “Hendrik”, “Hääled I-III”, “Kuninganna K”, “Nokia 3310”, “Tipus”, “Voldemar”) 4) Lepatriinu – nukulavastus täiskasvanutele “Punch ja Judy” 5) Vana Baskini Teater – estraadilavastus “Kolme lillekese juubel”, sõnalis-muusikaline estraadilavastus “Plaadipood” 6) Von Krahli Teater – sõna- muusika- ja tantsulavastus “Europiraadid”, alkeemiline tragöödia “Võluflööt” 7) ETF/Rändteater – muusika- tantsu- ja sõnalavastus “Kilplased” 8) Kanuti Gildi SAAL – kaasaegse tantsu sarjad “diplom 06” ja “Hypekas” 1) Rahvusooper Estonia – ooperi kontsertettekanne “La Clemenza di Tito” 4) Eesti Draamateater – sari “Esimene lugemine” (“Boulgakoff”, “Desdemona”, 5) Lepatriinu – nukulavastus täiskasvanutele “Punch ja Judy” 6) Vana Baskini Teater – estraadilavastus “Kolme lillekese juubel”, sõnalis-muusikaline estraadilavastus “Plaadipood” 7) VAT Teater – improvisatsioonilisel materjalil põhinev “Kalevipoeg” 8) Von Krahli Teater – sõna- muusika- ja tantsulavastus “Europiraadid”, teatraalne filmiversioon “Tabamata ime”, ohu- ja dekoratsioonidraama “Tundekasvatus”, alkeemiline tragöödia “Võluflööt” 9) ETF/Rändteater – muusika- tantsu- ja sõnalavastus “Kilplased” 10) Kanuti Gildi SAAL – kaasaegse tantsu sarjad “diplom 06” ja “Hypekas” * ETFi arvust puuduvad Rändteatri egiidi all suvetuuril reisinud lavastused “Aabitsakukk” ning “Tinasõdur, baleriin ja siga” - need on kajastatud Eesti Draamateatri arvus; välja on toodud Viljandi Kultuuriakadeemia tudengite lavastus “Kilplased” ja SA ETFi lavastus “Kustutage kuuvalgus” Uuslavastuste arv sisaldab sõna- muusika- tantsu- ja lastelavastusi Eesti teatris 2006. Samuti on siin lavastused, mis liigituvad mõiste „muu” alla. Võrreldes eelnenud aastaga on 2006. aastal uuslavastuste osakaal kogu repertuaaris protsentuaalselt langenud 2% kusjuures arvuliselt on esietendusi rohkem (2005 oli 155 uuslavastust (kogu repertuaarist 44. 2006 vastavalt 172 (42. Uuslavastuste rohkusega torkavad silma Eesti Draamateater (20) Vanemuine ja Kanuti Gildi Saal (mõlemal 16 esietendust. Eesti Draamateatris jätkati 2006. aastal sarjaga „Esimene lugemine” (9 teksti) mis suurendab oluliselt nende uuslavastuste kogunumbrit (lavastusliikide tabelis paigutatud mõiste „muu” alla. Vanemuise uuslavastuste arv on võrreldes eelneva aastaga jäänud samaks, kusjuures lavastusi jagunes kõikidesse lavastusliikidesse. Kanuti Gildi SAALi uuslavastuste arv hõlmab endas ka sarju „diplom 06” ja „HYPEKAS”, kus antakse noortele ja veel vähetuntud tantsuloojatele võimalus end tutvustada ning näidata oma diplomitöid. Samuti saavad selle sarja raames oma veel valmimisjärgus olevaid töid lühidalt tutvustada juba kogenud tantsijad. Erinevaid lavastuste liike arvestades oli sõnalavastuste hulgas uuslavastusi 41% muusikalavastuste hulgas 30% lastelavastuste hulgas 31% ning tantsulavastuste hulgas 54. Uusi sõnalavastusi oli 85, neist Eesti autorite teostele loodud 40 lavastust. Algupärandite suure osakaalu üheks põhjuseks võib olla ka eesti kutselise teatri juubeliaasta tähistamine. Näiteks kuulutas Pärnu Teater Endla 2006. aasta eesti dramaturgia aastaks – teatris esietendus 11 uuslavastust, mis kõik põhinesid omamaisel dramaturgial. Uusi muusikalavastusi oli kokku 11, neist 3 algupärandit. Lastelavastusi esietendus 29, millest 23 olid eesti autorite teosed. Sõnalavastuste arv žanride järgi Number of drama productions by genre tragöödia tragedy tragikomöödia tragicomedy 0 ETF 1) Rakvere Teater – luulelavastus “Johannese passioon”. 2) Vene Teater – sõnalavastus lauludega “Kuningal on külm”, dokumentaal “Täna me ei mängi”. 3) Kuressaare Linnateater – luulepõimik “Kirjad emale”, poeetiline kollaaž “Nulltund”, luulelavastus “Salongiõhtu pealinnast eemal”. 4) Drugoi – muinasjutt “Tutti I ja Ludwig XIV”. 4) Loomine – pärimuslugu “Lemminkäinen. Mäng Kalevala teemal”. 5) Theatrum – lugemisteater “Elu sees”. 6) Von Krahli Teater – muusikaline tragöödia “Faust” Yearbook of Estonian Theatre Statistics 2006 draama komöödia comedy draama UUSLAVASTUS / new productions Uuslavastuste arv ja nende osakaal 2006 aasta repertuaaris 128 53 102 94 58* 160 * 2004. aastal kuulusid žanri “muu” alla ka lavastused, mille sihtrühmaks olid lapsed ja väikelapsed. Alates 2005. aastast käsitletakse neid lavastusi eraldi lavastusliigina. Yearbook of Estonian Theatre Statistics 2006 Eesti- ja välisnäitekirjanduse ning eesti ja väliskirjanduse dramatiseeringute arv sõnalavastuste hulgas Number of dramatisations of Estonian and foreign dramatic literature and of Estonian and foreign literature among drama productions (plays) väliskirjanduse dramatiseering dramatisations of foreign literature eesti kirjanduse dramatiseering dramatisations of Estonian literature TEATER / theatre eesti näitekirjandus Estonian dramatic literature välis-näitekirjandus foreign dramatic literature UUSLAVASTUSED / new production 27 38 42 56 108 Eesti autorite teoste uuslavastusi oli võrreldes 2005. aastaga üle poole võrra rohkem. 2005. aastal oli algupärandite uuslavastusi kokku 13, 2006 aga 27. Eesti päritolu sõnalavastusi oli kogu repertuaaris 72. Neist näidenditel (mitte dramatiseeringutel) põhinevaid sõnalavastusi oli repertuaaris 55, millest 27 olid uuslavastused. Kahel varasemal aastal oli repertuaaris ka lavastusi, mis olid eesti ja välisautorite koostööna kirjutatud või kokku pandud nii eesti kui välisautorite tekstidest — 2005. aastal üks ja 2004. aastal kaks lavastust. In 2004 and 2005, the repertoire also included productions written in co-operation of Estonian and foreign authors or mixed texts by Estonian and foreign authors. In 2005 — one production and in 2004 — two. Välisautorite tekstidele loodud lavastusi oli kogu repertuaaris kokku 134, neist 45 olid uuslavastused. Välisautoritest enim lavastati 2006. aastal Venemaalt pärit näitekirjandust – 12 uuslavastust, järgnesid Ameerika (6) ning Prantsusmaa (4. Muusikalavastuste arv žanride lõikesNumber of music productions by genre KOKKU / muu / muusikal / musical operett / operetta Nukuteater TEATER / THEATRE ooper / opera 1) Rahvusooper Estonia – kammeroperett “Kolme neitsi maja”. 2) Pärnu Teater Endla – muusikaline jutustus “Mis värvi on vabadus”. 3) Vanemuine – operetigala “Ah, ilma naisteta”. 4) Rakvere Teater – kontsertlavastus “Kaduviku riik”, salongiõhtu “Reedel ja alati”. 5) Tallinna Linnateater – laulukava “Eesti teatri laulud”. 6) Theatrum – kontsertlavastus “Laulud”. 7) Von Krahli Teater – “Eesti naiste laulud” Muusikalavastuste osa kogu repertuaaris oli 9% etendusi anti 356, mis on 8% kõigist etendustest (4655. Külastajaid oli 16% kogu publiku arvust (publiku koguarv 922 314. Enim lavastatud žanr nii uuslavastuste seas kui kogu repertuaaris on ooper (uuslavastustest 54% kogu repertuaarist 46. Enim vaatajaid kogunud žanr oli samuti ooper – 38% kogu muusikalavastuste 39 49 külastajatest. Populaarne oli ka muusikal – 34% muusikaetenduste külastajatest. Võrreldes 2005. aastaga on muusikalavastuste arv repertuaaris samaks jäänud (37 muusikalavastust) külastajate arv on üle viie tuhande võrra suurenenud (2005 oli muusikalavastuste publiku koguarv 144 422, 2006 vastavalt 149 704. Tantsulavastuste arv žanride järgiNumber of dance productions by genre Yearbook of Estonian Theatre Statistics 2006 Ugala TOTAL kaasaegne tants modern dance klassikaline tants classical THEATRE Kokku 2005 Kokku 2004 Mõiste “muu” all on / “Other” include the following dance productions: 1) Rahvusooper Estonia – klassikaline ja kaasaegne tants “Armastuse ja kirega”. 2) Von Krahli Teater – multimeedialavastus “Hamletid” Tantsulavastuste osa moodustas kogu repertuaarist 12% 48) ning etendusi anti 268 korral, mis moodustab 6% kõikidest etendustest. Kanuti Gildi SAALi „hypeka” ja „diplom06” sarjad on 2 ühikuna arvatud tantsulavastuste hulka, millel kokku oli 9 etenduskorda („hypekal” 3 ja „diplom06” 6 etendust. Tantsulavastusi külastas 6% 59 252) kogu publikuarvust. Enim lavastatud žanr nii uuslavastustes kui kogu repertuaaris on kaasaegne tants (vastavalt 85% ja 81. Võrreldes 2005. aasta statistikaga on tantsulavastuste osakaal kogu repertuaaris uuslavastuste osas viie võrra kahanenud (2006 vastavalt 26 uuslavastust, 2005 oli see arv 31) kuid kogu tantsulavastuste repertuaaris on arv vaid ühe võrra vähenenud (vastavalt 48 ja 49. Seevastu publikut oli 2006. aastal võrreldes 2005. aastaga ligi 20 000 võrra rohkem (2006. aastal 59 252 ja 2005 vastavalt 39 409) kuna 86 tantsuetendust anti eelmise aastaga võrreldes rohkem. Erinevust võib seletada sellega, et statistikas osaleb võrreldes 2005. aastaga 2 tantsuagentuuri rohkem (Valgete Ööde Festival ja Sõltumatu Tantsu Ühendus. Yearbook of Estonian Theatre Statistics 2006 Lastelavastuste arv lavastusliikide kaupa Number of productions for children by type of production nukulavastus puppet theatre music production play 44 Lastele oli repertuaaris 93 lavastust. Neid etendati kokku 1231 korral, vaatajaid oli 191 184 külastajat, so 21% kõigist külastajatest. Kogu lastelavastuste repertuaarist moodustasid sõnalavastused 48% 45 lavastust. Väikelastele mõeldud lavastusi oli lastelavastuste hulgas 24% 22) mida külastas 19% 36 402) lastelavastuste publikust. Kogu publiku arvust teeb see 4. 1) Eesti Nukuteater – vormiteater “Kunksmoor”, objektiteater “Kuusepuu” ja “Vapper Keefir” 2) Viljandi Draamateater Ugala – muusika- ja tantsulavastus “End-Sa-Pese” 3) Rakvere Teater – sõnalavastus lauludega “Pipi Pikksukk” ja “Lumumm” 4) Stuudioteater Ilmarine – muusika- nuku- ja sõnalavastus “Kuidas Voitek Barbarkale saatana viiulit hankis”, talvemuinasjutt “Jõuluvana ja joulupukki”, “Ivan Tsarevits”, “Võinädal” 5) Teater Tuuleveski – pantomiim “Hõbedane vihmapiisk” 2005. aastal oli lastelavastusi 7 võrra vähem (86) kuid külastajaid oli üle 36 000 rohkem (228 717. Eesti ja välisautorite suhe lastelavastuste repertuaaris Relation between Estonian and foreign authors in the repertoire of productions for children eesti autorid Estonian authors välisautorid foreign authors Yearbook of Estonian Theatre Statistics 2006 10 47 Valdav osa repertuaarist oli suunatud täiskasvanutele, 263 lavastust, mis on 64% kogu repertuaarist (408. Täiskasvanutele suunatud lavastusi etendati kokku 2857 korda ja külastajaid oli 611 580. (NB! Viimasest arvudest puuduvad andmed Salong-Teatri kahe lavastuse vaatajate kohta) Kokku moodustavad täiskasvanutele mõeldud etendused 62% kõikidest etendustest, mida vaatas 67% kõikidest külastajatest. Noortele mõeldud lavastusi oli 51, etendusi anti 557 (12% kõigist antud etendustest) külastajaid oli 118 859 (13% kõigist külastajatest. Lavastuste, mille sihtgrupiks olid lapsed (17% kogu repertuaarist) osakaal kõikidest etendustest oli 18% lasteetendusi oli 2006. aastal 817. Lastelavastuste publik 28 moodustas 17% kõigist vaatajatest (154 782) kusjuures pole teada Salong-Teatri lastelavastuste („Kilplaste küla”, „Mehine Mikko”, „Külmapühad” ja „Tuisuliblikad”) publiku arvu. Väikelaste lavastused moodustasid 5% 22) kõigist lavastustest ja neid oli kogu repertuaari etendustest 9% 414. Vaatajaid oli seal 4% publiku koguarvust (36 402. 2006. aastal oli repertuaaris ka 1 lavastus teismelistele – „Kilplaste klubi” Eesti Nukuteatris, mis esietendus 2006. aastal. Seda lavastust mängiti 10 korda ning külastajaid oli 691. 40 lapsed / children TEATER / väikelapsed / infants KOKKU / total täiskasvanud / adults noored / youth * teismelised / teenagers Yearbook of Estonian Theatre Statistics 2006 Lavastuste arv sihtgruppide järgiNumber of productions by target groups 122 71 51 263 66 54 212 32 201 * 2005 puudus statistika arvestusest teismeliste sihtgrupp / In 2005 the target group of teenagers was excluded from statistics. teenagers was excluded from statistics * ETFi arvust puuduvad Rändteatri egiidi all suvetuuril reisinud lavastused “Aabitsakukk” ning “Tinasõdur, baleriin ja siga” - need on kajastatud Eesti Draamateatri arvus; välja on toodud Viljandi Kultuuriakadeemia tudengite lavastus “Kilplased” ja SA ETFi lavastus “Kustutage kuuvalgus”. The productions “Aabitsakukk” and “Tinasõdur, baleriin ja siga” having been on tour with ETF and Rändteater are included in Estonian Drama Theatre. The productions of Viljandi Academy of Culture “Kilplased” and SA ETF “Kustutage kuuvalgus” have been taken into account. Iga lavastuse puhul on arvestatud ühte sihtgruppi / With regard to each production one target group has been taken into account: väikelapsed. — 5 infants lapsed: 6–11 children teismelised: 12–16 teenagers noored: 17–21 youth täiskasvanud: 22–. adults repertuaaristatistika EESTI repertoire statistics Yearbook of Estonian Theatre Statistics 2006 II PEATÜKK Chapter II Etendustegevuse ja külastajate statistika Statistics of Performances and Visitors Teises peatükis on vaatluse all teatrite etenduste ja külastajate arvud lavastusliikide ja žanrite võrdluses, teatrite antud etendused statsionaaris ja väljaspool, samuti etenduste külastatavus ja ühe külastuse keskmine maksumus. Chapter II observes the number of performances and visitors by types of production and genres, theatres performances in stationary venues and outside, theatre attendance and the average cost of a visit tot the theatre. Eraldi on arvuliselt ja protsentuaalselt välja toodud teatrite etendustegevus, samuti külastajate arvud teatrite kaupa nii statsionaaris (st) kui kodulavast väljaspool (v. Viimane näitab, milline teater rohkem reisib ehk külalisetendusi annab või milline teater on enam keskendatud statsionaarsele etendustegevusele. Näiteks puudus 2006. aastal oma statsionaarne saal Salong-Teatril, Teater Tuuleveskil, ETF/Rändteatril ja suures osas ka Vana Baskini Teatril. Seega on nende teatrite etenduste puhul tegemist külalisetendustega. Performing activities of theatres, the number of visitors by theatres in stationary venues and outside has also been presented separately in figures and percentages. Üles on loetud statrionaarsed saalid koos kohtade arvuga, samuti muud mängukohad, mis on teatrite lavastuste statsionaarid (st kuhu üks või teine lavastus on loodud. Loetelus ei ole ära toodud saale, kus teatrid on külalisetendusi andnud. Istekohtade arv on orienteeruv, enamasti maksimaalne võimalik kohtade arv, mis lavastuseti muutub, sest on sõltuv konkreetse lavastuse saalikasutusest. In case of some theatres the actual number of visitors is bigger than that shown in the table. This is caused by the fact that the first two chapters show only the number of visitors related to the theatres performances (main activity of theatres. But theatres often organise other events with a number of visitors and significant income. The respective data have been provided in Chapter III and in short introductions of theatres under observation. Samuti on maakondade ja teatrilinnade kaupa ära toodud etenduste ja külastajate andmed, mis näitavad, kuivõrd on erinevad maakonnad ja linnad etendustegevusega kaetud. Samuti iseloomustavad need andmed paikkondade teatrikülastajate aktiivsust. The data of performances and visitors by counties and theatre cities have been brought out. The data illustrate the different coverage of performances in various counties and cities. The data also characterise the activity of the audience in different regions. Theatre festivals that took place in Estonia in 2006 have also been reflected, incl. Baltoscandal, OMADraama, Tallinn Teater Treff, Augusti TantsuFestival, etc. 26 Estonian theatres that have been observed statistically gave 4, 655 performances in 2006. In 2006 compared to 2005, the number of performances has grown by 351 performances (8. The number of sold tickets has also increased — by 51, 651 tickets (6. The number of visitors in 2006 compared to 2005 is by 12% larger (by 100, 428 visitors. etendustegevuse ja külastajate statistika statistics of performances and visitors Teatrite külalisetenduste arvud välismaal sisaldavad kalendriaasta jooksul väljaspool Eestit käinud teatri lavastuse põhiandmeid, külastatud riiki, linna, esituskordade arvu ning teadaolevalt külastajate hulka. Kuna paljudel juhtudel on tegemist festivalietendustega, siis pole alati kindlat külastajate arvu tagantjärele võimalik määrata. Mõnede teatrite puhul on tegelik külastajate arv tabelites näidatust suurem. See tuleneb asjaolust, et statistikakogumiku esimesed kaks peatükki näitavad üksnes teatri põhitööga ehk etendustegevusega seonduvaid külastajanumbreid. Teatrid korraldavad aga tihti veel mitmesuguseid muid üritusi, millel on palju külastajaid ja saadakse märkimisväärset tulu. Vastavad ürituste arvud on ära toodud statistikas osalevate teatrite tegevusülevaadetes ning piletitulu andmed III peatükis. Ühtlasi leiavad kajastamist ka 2006. aastal Eestis toimunud teatrifestivalid, sh Baltoscandal, OMADraama, Tallinn Teater Treff, Augusti TantsuFestival jt. Statistikas osalevad 26 Eesti teatrit andsid 2006. aastal kokku 4655 etendust. 2006. aasta etenduste koguarvust andsid riigiteatrid (neid on Eestis 9) 2788 etendust – 60% munitsipaalteatrid (2) 442 etendust – 9% ning eraõiguslikud teatrid, osaühingud, MTÜ-d ja tantsuagentuurid (15 tk) 1425 etendust – 31% etendustest. Yearbook of Estonian Theatre Statistics 2006 2006. aastal käis teatris kokku 922 314 vaatajat. Sõnateatris käis aasta jooksul 492 047 vaatajat, 95 803 inimese võrra rohkem kui 2005. Riigi- ja munitsipaalteatrite publikuarv oli kokku 747 284, see on 81% kõigist sõna- tantsu- laste- ja muusikalavastuste vaatajaist. Etenduskordi oli riigi- ja munitsipaalteatritel kokku 3230. Viisteist eraõiguslikku teatrit andsid kokku 1425 etendust, mida vaatas 175 030 külastajat, 19% kogu külastajate arvust. 2006. aasta külastajate arv on 2005. aasta külastajate arvust 12% 100 428 vaataja võrra) suurem. Samuti anti 2006. aastal võrreldes eelnenud aastaga 351 etendust rohkem – statistikasse on kaasatud 4 uut teatrit (Sõltumatu Tantsu Ühendus, Valgete Ööde Festival, Loomine ja Vana Baskini Teater. Kuid kahjuks ei osale sel aastal Teater Varius ning publikustatistika kohta puuduvad andmed Salong-Teatril, kuna teater müüb terviketendusi ega oma konkreetseid andmeid külastajate arvu kohta... Muusikalavastuste etendusi anti kokku 356, mis moodustab 8% kõigist antud etendustest. Neid vaatas kokku 149 704 vaatajat. Muusikalavastuste etenduste arv on on jäänud nii 2005. kui 2006. aastal 100 etenduse võrra madalamaks kui see oli aastal 2004, mil muusikalavastustega anti 456 etendust. Tantsulavastuste etendusi anti 268, ehk 6% kõigist etendustest, mida vaatas 59 252 külastajat. aastaga on tantsulavastuste etenduste arv suurenenud 86 etenduse võrra, sest statistikasse on lisandunud Sõltumatu Tantsu Ühendus ning Valgete Ööde Festival, kuid samuti on tantsulavastusi teinud sõnateatrid (Von Krahli Teater, Ugala ja NO99. Lastelavastustusi (mille sihtgrupiks on lapsed ja väikelapsed) oli 2006. aastal 93 ning etendusi anti 1231 korda. See on kõigi lavastusliikide etenduste koguarvust 26. Neid vaatas 191 184 külastajat. aastal anti võrreldes 2005. aastaga 142 lastelavastuse etendust vähem ning samuti oli külastajaid vähem – 14. Samas oli repertuaaris ka üks lavastus teismelistele (Eesti Nukuteatri „Kilplaste klubi”) mida mängiti 10 korda ja mida vaatas 691 inimest, kuid mis ei kuulu lastelavastuste hulka, sest tegemist on lavastusliigiga muu Muutused etenduste arvus ja piletimüügis 2005-2006 Riigiteatrid Riigiteatrid (neid on Eestis 9) andsid 2006. aastal 2788 etendust, 24 etendust rohkem kui eelmisel aastal. Neile müüdi kokku 668 548 piletit (79% kõigi müüdud piletite koguarvust. Seda on võrreldes 2005. aastaga 24 026 piletit (4% rohkem. Riigiteatreid külastas 680 115 inimest. Keskmine vaatajate arv riigiteatrites oli 2006. aastal 243 vaatajat etenduse kohta. Munitsipaalteatrid Munitsipaalteatrid (2) andsid kokku 442 etendust, neile müüdi 63 178 piletit, vaatajaid oli kokku 67 169. Etenduste arv on võrreldes 2005. aastaga jäänud enam vähem samaks (st 2006. aastal anti 3 etendust rohkem) kuid müüdud piletite arv on kahanenud 2 402 ehk 4% võrra. Keskmine vaatajate arv etenduse kohta oli 152. Yearbook of Estonian Theatre Statistics 2006 Etenduste arv on 2006. aastal tõusnud võrreldes 2005. aastaga (8% ehk 351 etendust rohkem ja samuti on tõusnud müüdud piletite arv 6% ehk 51 651 piletit müüdi rohkem. Samas tuleb arvestada, et käesoleval aastal puuduvad andmed Von Krahli Teatri, Salong-Teatri ja osaliselt VAT Teatri müüdud piletite arvu kohta, seega on müüdud piletite arv hinnanguliselt 30 000–35 000 võrra suurem. Eraõiguslikud teatrid Eraõiguslikud teatrid (12) andsid kokku 1425 etendust, neile müüdi 114 835 piletit (kusjuures pole teada ETF/ Rändteatri, Von Krahli Teatri ja Salong-Teatri müüdud piletite arvu, samuti osaliselt VAT Teatri müüdud piletite arvu. aastaga 324 võrra (29% tõusnud. Müüdud piletite arv on samuti tõusnud (28. 2005. aastal müüdi 86 700 piletit, 2006. aastal 28 135 piletit rohkem. Keskmine vaatajate arv ühe etenduse kohta oli 2006. aastal 123 (2005. aastal 95. Tantsuagentuurid 2006. aasta statistika käsitleb oma tabelites tantsuagentuuride (3) statistilisi andmeid koos eraõiguslike teatritega. Tantsuagentuuridest on 2006. aasta statistikas esindatud Kanuti Gildi SAAL, SA Sõltumatu Tantsu Ühendus ning MTÜ Valgete Ööde Festival. aastal andsid need tantsuagentuurid kokku 128 etendust, müüdud piletite arv oli 1530 ning külastajaid oli neil kokku 11 047. Teatrite mängupaigad 2006. aastal eesti teatristatistika aastaraamat 2006 STATSIONAAR / STATIONARY VENUES Venues of theatres in 2006 MUUD MÄNGUKOHAD / OTHER VENUES Riigiteatrid / State theatres: RAHVUSOOPER ESTONIA Teatrisaal / Theatre Hall 716 kohta Talveaed / Winter Garden 85 kohta Kammersaal / Chamber Hall 160 kohta Riigiasutused / Government agencies EESTI RIIKLIK NUKUTEATER Suur saal / Big Hall 202 kohta Kolu kõrts, Eesti Vabaõhumuuseum / Kolu inn, Estonian Open Air Museum 128 kohta Ovaalsaal / Oval Hall 80 kohta Köismäe torn / Köismäe tower 100 kohta Vahesaal / Medium Hall 60 kohta Kaminasaal / Fireplace-Hall 55 kohta Siseõu / Patio 700 kohta PÄRNU TEATER ENDLA 573 kohta Vargamäe Küün. Barn Muuseumiait / Museum granary 200 kohta Suure maja saal / Big house hall Püssirohukelder / Gunpowder cellar 130 kohta Suure maja pöördlava / Revolving stage 260 kohta Seto seltsimaja, Obinitsa 750 kohta Väikse maja saal / Small house hall 440 kohta Tartu Saksa Kultuuri Instituut / Tartu Institute of German Culture 95 kohta Sadamateater / Harbour Theatre 150 kohta Haapsalu lennuväli / Haapsalu Airport 300 kohta TEATER VANEMUINE 184 kohta Blackbox 125 kohta VILJANDI DRAAMATEATER UGALA Suur saal 493 kohta Olustvere loss / Olustvere castle Väike saal Ugala tiigi kallas / Bank of Ugala Pond Heimtali rahvamaja / Heimtali Community Centre 169 kohta Sihtasutused (SA. Foundations Yearbook of Estonian Theatre Statistics 2006 EESTI DRAAMATEATER 400 kohta Keila-Joa mõis / Keila-Joa Manor Väike saal / Small Hall 159 kohta Viinistu katlamaja / Viinistu boiler-house Maalisaal / Painting Hall 70 kohta RAKVERE TEATER 411 kohta Sagadi mõis / Sagadi Manor 99 kohta Vargamäe, Tammsaare muuseum / Vargamäe, Tammsaare Museum Suure saali lavatorn 50 kohta Väikese maja kolakamber VENE DRAAMATEATER Garaaž / Garage KURESSAARE LINNATEATER 215 kohta Maasi ordulinnuse varemed / Ruins of Maasi stronghold 450 kohta Sinine saal / Blue Hall 30 kohta Tooma talu rehetuba / Tooma farm, drying barn 38 kohta 88 kohta Taevalava 196 kohta Põrgulava 198 kohta Lavaauk 538 kohta Köismäe torn Hobuveski Salme Kultuurikeskus / Salme Cultural Centre Yearbook of Estonian Theatre Statistics 2006 STATSIONAAR / STATIONARY VENUES TALLINNA LINNATEATER 617 kohta DRUGOI TEATR 191 kohta Klubi “Sofiit” saal / Hall of the club “Sofiit” TEATER LEPATRIINU Ei ole statsionaarset mängupaika / No stationary venue LOOMINE Viinistu Kunstimuuseum / Viinistu Art Museum 490 kohta Viinistu Kunstimuuseumi vabaõhulava / Open air stage of Viinistu Art Museum Suur Munamägi 500 kohta 600 kohta Viru keskuse IV korrus Tallinna Kunstihoone Omari Küün / Omari Barn 185 kohta SALONG-TEATER NARVA TEATER ILMARINE Geneva keskus suur saal / Geneva Centre, Big Hall 306 kohta Geneva keskus väike saal / Geneva Centre, Small Hall 40 kohta Geneva keskus, park / Geneva Centre, park 346 kohta TEATER TUULEVESKI VANA BASKINI TEATER OÜ VAT TEATER Rahvusraamatukogu Teatrisaal* VON KRAHLI TEATER 149 kohta Sihtasutus (SA. Foundation SA EESTI TEATRI FESTIVAL Katariina kirik / Katariina Church Saueaugu Teatritalu SA THEATRUM Theatrumi saal / Theatrum Hall Tantsuagentuurid /Dance Agencies Saal / Hall Stuudio / Studio SÕLTUMATU TANTSU ÜHENDUS Ei ole statisonaarset mängupaika / No stationary venue VALGETE ÖÖDE FESTIVAL Teater Endla Küün. Theatre Endla Barn* 120 kohta * sama saali kasutavad erinevad teatrid erinevate kohtade arvuga sõltuvalt lavastuste eripärast * the same hall is used with different number of places by various theatres depending on the character of a performance 35 Statistikas osalevate teatrite etenduspaigad 2006. aastal Nimekirjas on rasvases trükis need etendamispaigad, mis on vähemalt ühe lavastuse statsionaariks; sulgudes etenduste arv. Naissaar Keila-Joa Oru Rummu Vaida Loo Kolga Aseri Remniku Rakke Kernu Sompa Tudu Kiltsi Karepere Sõmeru Vana-Vigala Tagametsa Raikküla Voore Kasepää Imavere Õisu Virtsu Tabivere Valjala Salme Koguva Maasi Pidula Lõpe Meeksi Pärsama Vanaõue Tänassilma Aravu Koonga Konguta Vara Lüllemäe Tsirguliina Lasva Nõuni Yearbook of Estonian Theatre Statistics 2006 Haanja HARJUMAA 1. Aegviidu (1) 2. Aruküla (15) 3. Keila (12) 4. Keila-Joa (24) 5. Kernu (1) 6. Kloogaranna (7) 7. Kolga (1) 8. Kuusalu (5) 9. Loksa (4) 10. Loo (2) 11. Maardu (19) 12. Naissaar (12) 13. Neeme (1) 14. Oru (5) 15. Paldiski (2) 16. Raasiku (1) 17. Riisipere (1) 18. Rummu (1) 19. Saku (1) 20. Saue (2) 21. Tallinn (2474) 22. Turba (1) 23. Vaida (1) 24. Viinistu (54) LÄÄNE-VIRUMAA 25. Haljala (7) 26. Kunda (1) 27. Laekvere (5) 28. Lehtse (1) 29. Rakke (1) 30. Rakvere (201) 31. Sagadi (9) 32. Sõmeru (1) 33. Tamsalu (4) 34. Tapa (8) 35. Tudu (1) 36 IDA-VIRUMAA 36. Aseri (1) 37. Avinurme (4) 38. Iisaku (3) 39. Jõhvi (26) 40. Kiviõli (7) 41. Kohtla-Järve (50) 42. Maidla (1) 43. Mäetaguse (3) 44. Narva (146) 45. Narva-Jõesuu (5) 46. Olgina (4) 47. Remniku (6) 48. Sillamäe (18) 49. Sinimäe (1) 50. Sompa (7) 51. Toila (1) JÕGEVAMAA 52. Jõgeva (9) 53. Kasepää (1) 54. Mustvee (4) 55. Pajusi (1) 56. Palamuse (2) 57. Põltsamaa (9) 58. Tabivere (3) 59. Voore (1) JÄRVAMAA 60. Albu (15) 61. Aravete (4) 62. Imavere (1) 63. Järva-Jaani (2) 64. Koeru (4) 65. Oisu (5) 66. Paide (19) 67. Roosna-Alliku (2) 68. Tagametsa (1) 69. Väätsa (2) 70. Õisu (2) RAPLAMAA 71. Eidapere (2) 72. Järvakandi (2) 73. Karepere (1) 74. Märjamaa (4) 75. Raikküla (1) 76. Rapla (6) 77. Valtu (3) 78. Vana-Vigala (2) LÄÄNEMAA 79. Haapsalu (15) 80. Kiltsi (14) 81. Lihula (9) 82. Saueaugu (5) 83. Taebla (2) 84. Virtsu (1) 85. Vormsi (1) HIIUMAA 86. Kärdla (7) SAAREMAA 87. Koguva (5) 88. Kuressaare (49) 89. Lümanda (2) 90. Maasi (8) 91. Orissaare (7) 92. Pidula (1) 93. Pärsama (1) 94. Salme (2) 95. Valjala (1) PÄRNUMAA 96. Audru vald (1) 97. Kabli (2) 98. Kilingi-Nõmme (3) 99. Koonga (4) 100. Lõpe (1) 101. Pärnu (247) 102. Sindi (2) 103. Vändra (3) VILJANDIMAA 104. Abja (2) 105. Karksi (2) 106. Karksi-Nuia (3) 107. Mustla (2) 108. Olustvere (12) 109. Suure-Jaani (1) 110. Tänassilma (1) 111. Vanaõue (5) 112. Vastemõisa (3) 113. Viljandi (189) TARTUMAA 114. Aravu (1) 115. Elva (4) 116. Kambja (1) 117. Konguta (1) 118. Luunja (1) 119. Meeksi vald (1) 120. Nõo (1) 121. Rannu (9) 122. Rõngu (1) 123. Tartu (498) 124. Vara (1) 125. Ülenurme (1) PÕLVAMAA 126. Kanepi (1) 127. Põlva (12) 128. Räpina (6) 129. Värska (1) VALGAMAA 130. Lüllemäe (2) 131. Nõuni (6) 132. Otepää (3) 133. Tsirguliina (2) 134. Valga (21) VÕRUMAA 135. Antsla (2) 136. Haanja (12) 137. Lasva (1) 138. Obinitsa (8) 139. Vastseliina (4) 140. Võru (21) 387 435 458 127 119 200 225 518 559 503 101 227 328 131 126 401 384 65 143 158 58 118 73 191 63 95 146 197 156 168 150 E. Festival/Rändteater* 82 84 KOKKU 2006 total in 2006 886 3676 4562 sh suvelavastusi of which summer performances 111 182 175 Viljandi 253 Kuressaare 391 Pärnu 255 404 Rakvere Theatre / County Teater / maakonnad / counties teatrilinnad / theatre cities NB! Teatrilinnas antud etendused ei kajastu teatrilinna kodumaakonna etenduste arvus Yearbook of Estonian Theatre Statistics 2006 Etenduste arv maakondades ja teatrilinnades Number of performances in counties and theatre cities 176 288 50 203 249 507 2477 teatrilinnad theatre cities maakonnad counties 72 151752 170 E. Festival/ Rändteater 4013 2080 6651 23603 417 13506 12810 13814 SalongTeater* 665 1815 3383 1378 1052 748786 1203 680 5579 900 13075 16425 26541 6275 2742 1159 1891 1943 1752 2629 59370 2601 19500 44120 94239 54086 900538 5749 4913 15155 23076 50144 19781 3159 13969 15705 2608 3130 2701 61185 5984 20552 67605 102830 4662 31459 282 2587 3424 1457 9230 492 2114 8488 8003 441675 4256 12725 13440 10181 5227 2615 1032 1673 1593 1542 2556 53452 18862 7196 91192 3781 20211 1715 409 425 718 163 30549 228 325 2113 10895 12394 237 827 803 499 1123 5240 235 1617 354 1213 21941 196 475 1923 416 10966 304 437 5615 12231 694 930 1446 271 98 2319 223 164 251 683 4826 2462 322 944 279 469 37230 240 481 2638 120 148 28835 755 600 1328 1053 412 5312 2466 1038 853 272 436 1277 489 23485 50408 3678 8591 270 27036 154889 137 7087 21421 305 1107 57753 70 859 3829 438 1410 256 2078 1246 1396 5281 39773 3785 370 2322 369 248 5263 290 471 350 367 187 6657 635 500 310 2511 498 542 596 2154 804 627 303 785 157463 1114 173 285 932 7344 490 218 2438 234 3491 1046 2662 1110 130982 3400 229 7025 526 733 1618 1125 625 967 145594 9295 135 731 2127 766 720 2455 58019 48008 139 2049 2022 41427 1644 204 366 5309 16848 262 1657 4347 773 1417 103 6356 952 62364 61207 48921 58991 2216 13443 120461 120827 NB! Teatrilinnas antud etenduste külastajad ei kajastu teatrilinna kodumaakonna külastajate arvus Teater/ Maakond Theatre/County Külastajate arv maakondades ja teatrilinnades / Number of visitors in counties and theatre cities Yearbook of Estonian Theatre Statistics 2006 etendustegevuse ja külastajate statistika KÜLASTAJATE arv maakondades ja teatrilinnades Number of VISITORS in counties and theatre cities Pärnu Teater Endla “Vargamäe kuningriik” 4 813 Järvamaal in Järva county Vanemuine “Taarka” 5 309 Võrumaal in Võru county Teater NO99 “Kuningas Ubu” 5 615 in Lääne county Viljandi Draamateater Ugala “Onu Vanja” Viljandimaal in Viljandi county Eesti Draamateater “Kodukoht” 3 182 in Harju county Rakvere Teater “Pidusöök” in Lääne-Viru county Rakvere Teater “Vargamäe Kuningriik” 8 262 Kuressaare Linnateater “Mereröövel vastu tahtmist” 3 212 in Saare county Kuressaare Linnateater “Kirjad emale” 171 Muhu, Saaremaa in Muhu, Saare county Von Krahli Teater “Eesti naiste laulud” 1 480 Pärimusteater Loomine “Soolaev” in Pärnu county Pärimusteater Loomine “Lemminkäinen” in Valga county 34 123 * “Vargamäe kuningriik” oli Pärnu Teater Endla ja Rakvere Teatri ühine suvelavastus. Vastavalt teatrite soovile kajastub lavastusega antud etenduste arv - 15, mõlema teatri etenduste numbris, kuid külastajate arv on teatrite vahel ära jagatud. * Erinevalt repertuaaristatistika peatükist on selles peatükis kõik Eesti Teatri Festivali/Rändteatriga suvel rännanud lavastuste (Eesti Draamateatri “Aabitsakukk”, “Tinasõdur, baleriin ja siga” ning TÜ Viljandi Kultuuriakadeemia “Kilplased”) etenduste ja külastajate arvud ETF/Rändteatri all... Salong-Teater andis etendusi kokkuleppehinnaga, st puudub ülevaade piletimüügi ja külastajate kohta. Yearbook of Estonian Theatre Statistics 2006 Suvised lavastused, mille statsionaar oli väljaspool teatri linna: Summer performances with stationary venues outside theatre cities: Külalisetendused ehk etendused väljaspool statsionaari Külalisetendusteks nimetatakse käesolevas statistikas etendusi, mis antakse väljaspool lavastuse statsionaarset lava. Aastal 2006 anti keskmiselt 28% etendustest väljaspool statsionaari. Erinevus riigiteatrite ja eraõiguslike väiketeatrite vahel on sealjuures märkimisväärne: 66% väljaspool antud etendustest andsid erateatrid, riigiteatrid andsid 32% ja munitsipaalteatrid 2. Eraõiguslikest teatritest andsid kõik etendused väljaspool statsionaari 3 teatrit: Salong-Teater, Nukuteater Lepatriinu ja Teater Tuuleveski, kuna neil puudub oma statsionaar. Samuti andis Vana Baskini Teater põhiosa etendustest väljaspool (89. Munitsipaalteatrid (Kuressaare ja Tallinna Linnateater) andsid vaid loetud arv etendusi väljaspool (vastavalt 1 ja 22 etendust kogu repertuaarist. Võrreldes 2005. aastaga on teatrite külalisetenduste arv 2% võrra tõusnud. Etenduste ja külastajate arv teatrilinnades Number of performances and visitors in theatre cities E. TeatriFestival/ Yearbook of Estonian Theatre Statistics 2006 Kanuti Gildi S 3389 48 921 2 455 1 053 39 773 145 594 8 003 1 328 5 281 21 421 20 211 50 408 3 781 1 396 94 239 91 192 1 246 44 120 7 196 28 835 2 078 18 862 19 500 2 601 59 370 53 452 2 629 2 556 1 752 1 542 1 943 1 593 1 891 1 673 1 159 1 032 2 742 2 615 1 410 3 400 1 644 130 982 1 110 2 662 41 427 1 046 3 491 2 022 2 511 2 438 6 275 5 227 26 541 10 181 2 638 3 829 7 344 2 049 16 425 13 440 13 075 12 725 5 579 1 114 1 203 748 786 441 675 157 463 48 008 658784 58 019 120 461 58 991 120 827 KÜLASTAJAD / visitors ETENDUSED / performances 4 256 37 230 57 753 6 657 ETENDUSTE ARV number of performances in stationary venues and outside Teater statsionaaris in stationary väljaspool outside stationary 98% 388 92% 74% 395 133 KÜLASTAJATE ARV number of visitors in stationary venues 6 155 2% 8% 57 764 3 443 69 26% 44 586 17 778 86% 14% 136 291 20 098 94% 25 826 1 210 180 80% 20% 226 42 158 12 058 54 216 97% 3% 561 99 610 4 442 104 052 199 60% 130 40% 329 37 780 29 903 67 683 73% 27% 16 130 4 422 5 894 5 984 95% 5% 7 733 93% 7% 741 3 297 0% 100% 3 404 79% 21% 2 029 579 2 608 61 88% 14 780 1 712 16 492 2 201 11 768 13 969 90% 10% 544 3 159 19 781 6 095 44 049 50 144 45% 116 55% 211 8 158 17 818 25 976 14 205 6 035 20 240 364 4 549 4 913 E. TeatriFestival, Yearbook of Estonian Theatre Statistics 2006 Etendused ja külastajad statsionaaris ja väljaspool Performances and visitors in stationary venues and outside 11% 89% 61% 39% 4 908 9 164 767 3 372 72% 1 283 28% 4 655 698 327 223 987 922 314 3 048 69% 1 256 31% 4 304 599 164 222 722 821 886 2 679 68% 1 293 32% 3 972 677 763 258 580 936 343 Etenduste arv lavastusliikide järgi Number of performances by type of production drama production Theatre st vp dance productions 153 109 177 115 497 351 338 124 114 181 2602 356 268 1231 198 4655 KOKKU 2005 2340 359 1373 3972 Yearbook of Estonian Theatre Statistics 2006 st Külastajate arv lavastusliikide järgi Number of visitors by type of production 4% 54% 56% sõnalav drama production muusikalav music production tantsulav dance production lastelav production for children 16% 2 876 65 642 31 359 5 789 19 460 1 124 39 257 3 238 675 8 958 4 644 414 17 418 33 709 12 904 1 919 230 58 936 10 731 42 980 6 257 24 604 980 29 712 10 017 92 470 30 382 15 834 11 384 4 057 4 515 47 629 5 020 2 549 446 5 823 6 610 844 27 677 2 266 828 394 816 662 9 081 1 379 6 691 6 952 13 454 4 746 615 88 449 3 354 1 551 112 1 727 2 545 1 136 5 796 32 780 7 126 12 055 4 389 2 713 Yearbook of Estonian Theatre Statistics 2006 Külastajate arv lavastusliikide järgi 478 2 089 10 041 18 645 2 670 2 076 2 027 725 2 825 4 884 2 079 601 299 11 269 3 093 5 713 4 110 2 222 830 Kokku 2006 492 047 149 704 59 252 191 184 30 127 396 244 144 422 35 409 228 161 13 650 Mõiste “muu” all on järgmised lavastused: 1) Rahvusooper Estonia – ooperi kontsertettekanne “La Clemenza di Tito”, 2) Eesti Nukuteater – “Kilplaste klubi” 3) Eesti Draamateater – sari “Esimene lugemine” (“Boulgakoff”, “Destemona”, “Geeniuste algkursus”, “Hendrik”, “Hääled I-III”, “Kuninganna K”, “Nokia 3310”, “Tipus”, “Voldemar”) 5) Vana Baskini Teater – estraadilavastus “Kolme lillekese juubel”, sõnalis-muusikaline lavastus “Plaadipood” 6) VAT Teater – improvisatoorsel materjalil põhinev “Kalevipoeg” 7) Von Krahli Teater – sõna- tantsu- ja muusikalavastus “Europiraadid”, teatraalne filmiversioon “Tabamata ime”, ohu-ja dekoratsioonidraama “Tundekasvatus”, alkeemiline 8) Eesti Teatri Festival/Rändteater – sõna- muusika- ja tantsulavastus “Kilplased” 9) Kanuti Gildi Saal – kaasaegse tantsu sarjad “diplom06” ja “Hypekas” Sõnalavastuste etenduste ja külastajate arv žanride järgi Number of performances and visitors of drama productions (plays) by genres ETENDUSTE ARV ŽANRIDE JÄRGI Number of performances of drama productions by genres 136 357 167 516 239 45 87 719 1689 KOKKU 2005 total 565 1532 121 Yearbook of Estonian Theatre Statistics 2006 Kokku 2006 total Yearbook of Estonian Theatre Statistics 2006 KÜLASTAJATE ARV ŽANRIDE JÄRGI Number of visitors of of drama productions by genres 18 483 10 287 14 463 1 054 763 1 563 26 171 7 817 18 572 11 720 1 586 11 721 6 589 10 746 3 428 38 706 2 003 53 052 2 439 12 001 7 253 17 985 8 222 5 568 2 360 2 149 519 210 46 613 2 473 69 667 25 584 7 245 39 729 712 1 058 96 912 396 46 216 3 667 15 441 761 2 053 669 293 2 130 1 839 2 392 4 605 52 649 3 089 38 576 1 831 5 136 11 505 2 750 550 19 181 1 639 4 989 612 Kokku 2006 total 195 763 260 001 24 644 3 185 8 454 122 763 231940 22549 5149 13843 396244 1) Rakvere Teater – luulelavastus “Johannese passioon” 2) Vene Teater – sõnalavastus lauludega “Kuningal on külm”, dokumentaal “Täna me ei mängi” 3) Kuressaare LT – luulepõimik “Kirjad emale”, poeetiline kollaaž “Nulltund”, luulelavastus “Salongiõhtu pealinnast eemal” 4) Loomine – pärimuslugu “Lemminkäinen. Mäng Kalevala teemal” 5) Theatrum – lugemisteater “Elu sees” 6) Von Krahli Teater – multimeedialavastus “Hamletid” Muusikalavastuste etenduste ja külastajate arv žanride järgi Number of performances and visitors of music productions by genres MUUSIKALAVASTUSTE ETENDUSTE ARV ŽANRIDE JÄRGI number of performances of music productions by genre operett / operetta muusikal / musical ooper / opera muu / other kokku / total 125 60 456 MUUSIKALAVASTUSTE KÜLASTAJATE ARV ŽANRIDE JÄRGI number of visitors of music productions by genre 46 451 17 255 1 099 837 66 008 49 237 1 061 8 536 7 932 1 520 8 455 836 26 164 3 547 Yearbook of Estonian Theatre Statistics 2006 vp 57 465 26 546 50 777 2 676 14 916 288 462 1) Rahvusooper Estonia – kammeroperett “Kolme neitsi maja”, ooperi kontsertettekanne “La Clemenza di Tito” 2) Pärnu Teater Endla – muusikaline jutustus “Mis värvi on vabadus” 3) Vanemuine – operetigala “Ah, ilma naisteta” 4) Rakvere Teater – kontsertlavastus “Kaduviku riik”, salongiõhtu “Reedel ja alati” 5) Tallinna Linnateater – laulukava “Eesti teatri laulud” 6) Theatrum – kontsertlavastus “Laulud” 7) Von Krahli Teater – “Eesti naiste laulud” TANTSUlavastuste etenduste ja külastajate arv žanride järgi DANCE productions by genres TANTSULAVASTUSTE ETENDUSTE ARV ŽANRIDE JÄRGI Number of performances of dance production by genres klassikaline tants / classical dance kaasaegne tants / modern dance Yearbook of Estonian Theatre Statistics 2006 100 TANTSULAVASTUSTE KÜLASTAJATE ARV ŽANRIDE JÄRGI Number of visitors of dance productions by genre 25 904 3 165 3 314 2 290 3 296 37 148 7 454 1 478 1 495 7 709 35 007 532 2 752 21 423 2 822 39 409 Mõiste “muu” all on: 1) Rahvusooper Estonia – klassikaline ja kaasaegne tants “Armastuse ja kirega” 2) Von Krahli Teater – multimeedialavastus “Hamletid” Lastelavastuste etenduste ja külastajate arv lavastusliikide järgi productions for children by type of production kokku total 77 371 144 390 96 571 562 483 202 Yearbook of Estonian Theatre Statistics 2006 Kokku 2006 Yearbook of Estonian Theatre Statistics 2006 LASTELAVASTUSTE KÜLASTAJATE ARV LAVASTUSLIIKIDE JÄRGI number of visitors 11 449 2 505 11 218 6 069 2 598 3 877 8 011 2 507 31 946 2 158 2 299 13 602 13 943 2 516 1 500 29 943 624 3 012 10 460 4 354 9 577 386 1 454 20 406 5 111 42 495 1 703 8 230 955 2 170 5 759 2 828 12 130 9 959 3 702 71 671 27 899 12 652 55 456 23 506 88 316 25 335 10 047 73 378 31 641 228 717 1) Eesti Nukuteater – objektiteater “Kuusepuu” ja “Vapper Keefir”, vormiteater “Kunksmoor”, erinaevaid lavastusliike ühendav “Kilplaste klubi” 2) Viljandi Daamateater Ugala – muusika- ja tantsulavastus “End-Sa-Pese” 3) Rakvere Teater – sõnalavastus lauludega “Pipi Pikksukk” ja “Käpipuu vennaskond”, “Lumumm” 4) Stuudioteater Ilmarine – muusika- nuku- ja sõnalavastus “Kuidas Voitek Barbarkale saatana viiulit hankis”, talvemuinasjutt “Jõuluvana ja Joulupukki”, “Ivan Tsarevitš”, “Võinädal” 5) Teater Tuuleveski – pantomiim “Juhtumised päkapikkude maal” Piletiga teatrikülastuse keskmine maksumus lavastusliikide järgi Average cost of a visit to the theatre (with tickets) by type of production 284 97 107 142 92 134 174 194 184 62 74 Yearbook of Estonian Theatre Statistics 2006 68 79 67 106 VAT Teater* 83 E. TeatriFestival 81 Von Krahli T* Kanuti Gildi S* on antud kas tasuta etendus või esinetud kokkuleppehinnaga ning seetõttu ei ole müüdud piletite arvu teada * etenduseti ei ole teada piletitulu. külalisetenduste piletitulu on läinud võõrustajale KESKMINE / average 151 Lepatriinu* Salong-Teater* v 162 keskm. Samuti on piletiga külastuse keskmine maksumus täpsemini arvutatav kui külastuse keskmine hind, kuna etendusi vaatavad inimesed ka ilma piletita (nt kutsetega. Piletiga teatrikülastuse keskmine maksumus näitab, kui palju üks teatrikülastus ühele inimesele maksma läheb. Teater teeb ühe külastuse jaoks kulutusi rohkem. Seetõttu on nimetatud termin täpsem kui teatrikülastuse keskmine hind. Piletiga külastuse keskmine maksumus sihgrupi järgi väikelapsed infants lapsed children teismelised teenagers noored youth täiskasvanud adults 75 129 105 Yearbook of Estonian Theatre Statistics 2006 Average cost of a vist to the theatre (with tickets) by target group * külastajate arv ei ole teada number of visitors unknown * müüdud piletite arv ei ole teada number of sold tickets unknown Külalisetendused välismaal Kokku külastati 18 välisriiki ja neis anti 90 etendust. Välismaal käis 10 erinevat teatrit. Kõige rohkem käisid välismaal etendusi andmas Kanuti Gildi Saal (11 erinevat riiki, 26 etendust) Von Krahli Teater (4 erinevat riiki, 33 etendust) ja VAT Teater (7 erinevat riiki, 14 etendust. külastajad kokku visitors total esituskorrad times of performing lavastaja director autor author lavastuse peakiri titel of performance linn city riik country EESTI TEATRITE KÜLALISETENDUSED VÄLISMAAL Guest performances of Estonian theatres abroad Yearbook of Estonian Theatre Statistics 2006 Eesti teatrit käis välismaal teadaolevalt vaatamas kokku 21 182 külastajat. Keskmine vaatajate arv etenduse kohta välismaal oli 235 inimest (arvu suurust mõjutab oluliselt Estonia lavastus „Luikede järv”, mille 4 etendust toimus Soomes ja neid käis vaatamas ligi 5800 inimest. Kõige rohkem anti etendusi Saksamaal ja Soomes (vastavalt 25 ja 15 etendust. Saksamaal käis ka kõige rohkem erinevaid lavastusi (6) ja 3 erinevat teatrit. Soomes käis 5 erinevat lavastust ja 4 teatrit. Soome Tampere Luikede järv P. Tšaikovski T. Härm 5789 Venemaa St. -Peterburg Pähklipureja P. Isberg (Rootsi) 1500 Libahunt Kitzberg/Titov O. Titov Moskva Eesti matus P. Pedajas 748 Poola Bydgoszcz Julia W. Shakespeare T. Ojasoo 474 H. Gustavson Lugu kirjudest sulgedest Helsingi Vantaa Väike merineitsi J. Urvet M. Kivastik A. Eelmaa USA New York Külmetava kunstniku portree Baltimore 189 Kanada Toronto Salong Armeenia Jerevan Kilplaste küla eutzwald E. Aule 80 Pal-tänava poisid A. Toikka 300 Leedu Klaipeda Oulu Kalevipoeg Kreuzwald/Zohner M. Zohner Saksamaa Stuttgard 400 Norra Kristiansand Taani Haderslev Lend üle ookeani B. Brecht B. Andresson (Rootsi) Flensburg Rootsi Stockholm Torm Von Krahli T. Šveits Basel Võluflööt Mozart/Jalakas P. Jalakas 460 Helsingfors Idiothello Shakespeare/Dostojevski/Pepeljajev S. Pepeljajev Karis 195 Åbo 375 Jänese aasta Paasilinna/Smeds K. Smeds Düsseldorf Europiraadid Beat Le Mot/Von Krahli T. A. Guerreiro, T. Moricz Bonn 700 Münster 620 Hamburg 1380 Kanuti Gildi S. Varssav Out of Functions Mart Kangro M. Pelmus Poznan Austria Graz Horvaatia Zagreb Start. Based on True Story M. Kangro Belgia Antwerpwen Mart on stage Läti Riia Naine ja Hunt K. Kann/T. Mölder T. Mölder K. Essenson Itaalia Firenze Sündmuste horisont Viin Once upon Perno Odo Polzer K. Juurak K. Kann, T. Mölder, There are Laika dogs living in dogs are living in Estonia, T. Mölder, Berliin Juba mängitud homme C. Pez Inglismaa London The Last Hairy, T. Jansen MESTA R. Keerd Uksed Harms/Pepeljajev Vilnius Trademarks: The Diaspora Project Rosa Mei R. Mei Brüssel 21 182 Yearbook of Estonian Theatre Statistics 2006 TEATER Festivalid Eestis Festival Nu Scandic 2006 Baltoscandal 3. –7. 04. 2006 Kanuti Gildi SAAL 28. 06. –2. 07. 2006 See on läbi kahe aasta (2005–2006) kestev festivalitsükkel, mille eesmärgiks on tutvustada Skandinaavia kaasaegse tantsu uusi suundi ja parimaid saavutusi. Rahvusvaheline teatri- ja tantsufestival, millega alustati 1990. Festivali juurde kuuluvad nii teatri kui tantsu õpikojad. Draamake Augusti TantsuFestival 2006 22. –27. 05. 2006 Eesti Teatri Festival 5. –12. 08. 2006 Kanuti Gildi SAAL Festival keskendub laste- ja noorteteatritele. Tegevust alustati 2006. Festivalil on võistlusprogramm, mida hindab rahvusvaheline žürii. Samuti toimub palju teatriga seotud üritusi, kõigile vanusegruppidele. Rahvusvaheline ja ühtlasi tuntuim nüüdistantsu festival, mis sai alguse 1999. aastal. Minifestival Tallinn Teater Treff OMADraama 2006 4. 2006 Eesti Teatri Festival Festival on välja kasvanud Eestis 1991. aastal alguse saanud Läänemeremaade nukuteatrite festivalist ning on korraga suunatud nii lastele, noortele kui täiskasvanutele. Festival ühendab endas Eesti Teatri Festivali OmaDraama ning Balti Teatrisügise, kus osalevad parimad teatrid nii Eestist kui kogu Baltikumist. Kõik osalevad lavastused peavad põhinema kas oma või naaberriigi dramaturgial. Tegemist on võistlusprogrammiga, mida hindab rahvusvaheline žürii. Valgete Ööde Festival Talveöö Unenägu 17. –1. 2006 27. 12. 2006 Tallinna Linnateater MTÜ Valgete Ööde Festival organiseerib teatri ja tantsu suvepäevi, mille programm koosneb etendustest, meistrikursustest ja seminaridest. Tegevusega alustati 2006. aastal. Rahvusvahelist festivali korraldatakse iga kahe aasta tagant alates 2000. Festival koondab endas 5-6 maailmas juba mainekat truppi, kes nii publikule kui ka üksteisele oma loodut esitavad. Vaheldumisi toimuvad etendused, arutlused ja õpikojad. Yearbook of Estonian Theatre Statistics 2006 28. –03. 2006 Nuku- ja Noorsooteater Festival NU Scandic DRAAMAKE minifestival Tallinn Teater Treff BALTOSCANDAL lavastuse pealkiri title of performance esituskorrad times of performing külastajaid kokku visitors total Erna Omarsdottir ja Johan Johannson Island IBM-140, a Users manual Mette Ingvartsen to come Favela Vera Ortiz ALUE Mia Habib M/issing I/n A/ction / 2 Diskussioon: skandinaavia tants+juured kõik festivalil esinejad, moderaator Priit Raud Eesti Kaks päikest Klammi sõda 190 Troll-Poiss Kilplaste klubi 570 Theatre du Chocolat Kamerun Abok Kick & Rush Ats ja Pille-Riin Harry Gustavsoni Pereteater Lugu Katist, Rikist ja Nurrist Are Uder Nukutöötuba Helle Laas Tere-tere, Helle Laas Viljandi Nukuteater Karupoeg Puhh Kärdla Nukuteater Bibigon Heino Seljamaa Teater Kohvris Mängult ja päriselt Rui Horta Portugal SET UP 246 Hooman Sharifi We failed to hold this reality in mind 147 Andres Noormets Reunioon Houkka Bros Lapsia, lintuja, kukkasia 341 René Pollesch/Volksbühne Pablo in der Plusfiliale Martin Crimp Attempts on her life Rabih Mroué Liibanon Looking for a missing employee 276 Marco Laimre Vangistus Anders Härm Cooking and shitting Emil Hrvatin Sloveenia Miss Mobile Mart Kangro ja Ansambel U Game Nadia Rose ja Jacob Wren Iraan Recent experiences Paines Plouqh / Mark Ravenhill Product Sven Kuntu Miks mehed ei tantsi Asko Künnap ja Heikki Kalle Säälpool jõge Linnar Priimägi, Kati Murutar, Patrick Süskind Inimese lõhn 3081 Company B. Valinte Prantsusmaa/Norra Body business Tal Gravinsky & Co Iisrael Moon kisses Marcelino Martin Valiente Prantsusmaa Identity Circo Aereo Baby dough Marta Ladjanszki & Gyula Berger Ungari Purple desert 317 Valgete Ööde Yearbook of Estonian Theatre Statistics 2006 esineja performer TALVEÖÖ UNENÄGU Yearbook of Estonian Theatre Statistics 2006 OMADraama 2006 Augusti Tantsu esineja BAD co, Nikolina Bujas-Pristaš Fleshdance co>labs, Beate Höhn FINE. Da capo Shani Granot ja Peter Fol its a small world Nada Gambier Confessions - The Autopsy of the performance Simone Aughterlony Performers on Trial 393 Riia Uus Teater Pikk elu 440 Läti Rahvusteater Kadunud poeg United Intimacy P. S. Pöialpoiss Arts Printing House Poetess tinise nim Draamateater Sügis tuleb läbi metsa Adolf Rühka lühikene elu Elu sees Elvis oli kapis! Genoom 220 Teater Endla Kauka jumal Keeleuuenduse ∞ kurv 280 Kits viiuli ja õngega Teater Ugala Mis värvi on vabadus Misjonärid Nafta! Kanuti Gildi SAAL / ZUGA Naine ja hunt Nulltund Põrgu wärk 330 Syrrealistid Täna me ei mängi 4700 Fru-Emilia Teater Saja-aastane maja Neillidh Mulligan ja Vincent Woods Iirimaa Iiri lood Tantsuansambel Gusum Gboo Ghana Somu 602 Morita Kool Jaapan Linnaelu kataloog 335 ssiljevi Draamakunstikool; Dmitri Krõmovi loomelaboratoorium Söör Vantes. Donki Hot 283 Jon Atli Jonasson Töötuba - kohtumine Kusum Gboo Õpikoda - trummid Õpikoda - liikumine Issei Ogata ja Yuzo Morita Dmitri Krõmov Õpikoda 1844 11717 Väliskülalised Eestis lavastusega 16 etendust. Oma oluline osa nende lavastuste Eestisse toomisel oli teatri festivali projektil „Kuldne Mask Eestis“. võõrustaja host theatre külastajad kokku esituskorrad kokku t imes of performing total ountry theatre or performer Moskva teater “Satirikon” A. Nothomb Vaenlase kosmeetika 1215 Moskva Mossoveti teater J. Jerjomin Mees, naine ja armuke Tramm nimega “Iha” Tšehhovi nim Kunstiteater M. Bulgakov Valge kaardivägi 1600 Tabakovi nim Teater N. Gogoli ainetel Rännak Yvette Bozsik Double Trouble Sadamateater Santa Grinfelde, Oleksiy Demchenko Läti, Ukraina Santa Grinfelde ja Oleksiy Demchenko showing Hooman Sharifi / Impure Company Angela Schubot Six-pack vs. Festival (showing) CCN Roubaix Nord-Pas de Calais Carolyn Carlson / Juha Marsalo Down by the River / Scene d`Amour Kumu auditoorium, STÜ MHAT (Moskva Teatrikunsti Stuudio) F. Dostojevski Poisid 790 Sholom-Aleihemi Marienbad Tovstonogovi nim Suur Ronalt Harwood Kvartett 650 Vene Kultuurikeskus P. Fomenko meistriklass Lev Tolstoi Perekondlik õnn 916 G. Südamemurdumiste maja 1015 Yearbook of Estonian Theatre Statistics 2006 Väljaspool omamaiseid festivale oli Eestis välisesinejaid kokku 6 riigist, etendusi anti 22, neid vaatas 9164 inimest. Välisriikidest kõige enam etendusi andsid Venemaa teatrid – 10 vt ka Festivalid Eestis Yearbook of Estonian Theatre Statistics 2006 III PEATÜKK Chapter III Economic statistics Riigi poliitika teatrikunsti osas States policy with regard to performing arts Teatrivaldkonna riiklikul toetamisel ja edendamisel lähtutakse Kultuuriministeeriumi arengukavast, mille eesmärkideks on: mitmekülgsete võimaluste loomine isiksuse loovuse arenemiseks ja arendamiseks, soodsa keskkonna loomine loometegevuseks nii professionaalsel kui harrastuslikul tasemel, elanikkonnale juurdepääsu tagamine teatrikunstile ja loovisikutele võimalused oma loomingu tutvustamiseks ning Eesti teatrikultuuri tuntus ja hinnatus maailmas. Narrowly defined, the national cultural policy prescribes supporting the performing arts regardless of the ownership form of theatre, with the aim to keep the total number of theatre visits on the level of at least 900, 000 visits per year and the average ticket price not more than 1% of the average wages and salaries level of the country. Kitsamalt näeb riiklik kultuuripoliitika ette teatrikunsti toetamist teatri omandivormist olenemata, eesmärgiga hoida teatrikülastuste koguarv vähemalt 900 000 külastuse tasemel aastas ja keskmist piletihinda mitte üle 1% riigi keskmisest palgast. The state support and promoting of the theatre is based on the development plan of the Ministry of Culture, the aims of which are to create various possibilities for the development of the creativity of the person, to create favourable environment for creative work on the professional as well as amateur level, to grant the population access to the performing arts and to enable the persons active in creative work to introduce their artistic production; the recognition and evaluation of Estonian theatre culture all over the world. Teatrivaldkonna rahastamist ja tegevuste strateegilist planeerimist kureerib Kultuuriministeeriumi teatrinõunik koos Eesti Teatriliidu, Eesti Etendusasutuste Liidu ning valdkonna muude organisatsioonidega. majandusstatistika economic statistics Teatrikunsti rahastamine eesti teatristatistika aastaraamat 2006 Financing of the theatre Teatrikunsti rahastamiseks saab jagada kahte põhiliiki: The subsidies for financing the theatre can be divided into two 1) Toetused etendusasutusele — teatrikunsti toetamiseks main types: eraldatakse vahendeid nii otse riigieelarvest, kohaliku 1) subsidies (supports) for the performing arts institutions — reomavalitsuste eelarvest kui ka Eesti Kultuurkapitali ja Ha- sources allocated directly from the state budget and local budgets sartmängumaksu Nõukogu kaudu. Riiklik toetus moodus- as well as through the Estonian Cultural Endowment and Gamtab suurema osa enamiku teatrite tegevustoetusest, selle- bling Tax Board. State subsidies account for the major share of ga kaetakse kuni 70% teatri jooksvatest kuludest. Kohalike the activity supports of most of the theatres, covering up to 70% omavalitsuste eelarvest saavad valdavalt tegevustoetust of the current expenditures of the theatre. Mainly institutions kohaliku omavalitsuse asutused (hetkel Tallinna Linnatea- of local governments (at the moment Tallinn City Theatre and ter ja Kuressaare Linnateater) vähemal määral ka eraõi- Kuressaare City Theatre) receive subsidies from the local budget, guslikud väiketeatrid, kelle toetused on vormiliselt kas ühe- to a smaller extent also private small theatres whose subsidies aastased tegevustoetused või ühekordsed projektipõhised are either one-year activity supports or single project-based allocations. toetused. 2) Etendusasutuste omatulu, mis koosneb otseselt eten- 2) performing arts institutions own income which consists of the dustegevusega seotud majandustulust ehk piletitulust ning economic income directly related to performing activities, or inmitte otseselt seotud tulust ehk muust etendusasutuse come from box-office receipts, and income not directly related to performing activities, or other income from the economic activity majandustegevusest laekuvast tulust (kavade või reklaami of performing arts institutions (sale of programmes or advertismüük, kohvikutulu jms. ing, café income, etc. ) Riiklikud toetused Riigipoolset toetust jagatakse kultuuriministeeriumi kaudu nii riiklikele, kohaliku omavalitsuse kui ka eraõiguslikele teatriinstitutsioonidele. Toetus eraldatakse valdavalt üheaastase tegevustoetusena. Oluliselt väiksemas mahus ja valdavalt projektipõhist toetust eraldatakse riigieelarvest ka mitmetele vabatruppidele ning üksikutele loovisikutele. Lisaks praktilisele teatritegevusele toetatakse ka erinevaid tugiorganisatsioone nagu Eesti Teatriliit, Eesti Teatriliidu Teabekeskus ja Eesti Näitemänguagentuur. Yearbook of Estonian Theatre Statistics 2006 Harrastusteatrite tegevust rahastab riik kultuurministeeriumi rahvakultuuri osakonna Rahvakultuuri keskseltside rahastamise programmi kaudu, eraldades toetust Eesti Harrastusteatrite Liidule. Harrastusteatrite projektide ja festivalide teostamiseks eraldavad valdavas osas aga toetust Eesti Kultuurkapitali Rahvakultuuri sihtkapital ja maakondlikud ekspertgrupid. Riigipoolse toetuse alused ja jaotus Riigipoolset toetust teatrikunstile eraldatakse tegevustoetuse, projektipõhise toetuse ja investeeringutoetusena. Etendustegevust ja selle finantseerimist reguleerivad Etendusasutuse Seadus (RT I 2003, 51, 353) ja Rahvusooperi Seadus (RT I 1997, 93, 1558. Riigieelarves toetuse kavandamise ja jaotamisega tegeleb Kultuuriministeeriumi juurde kuuluv nõuandev komisjon, kelle liikmed ja töökorra määrab kuni kolmeks aastaks kultuuriminister. Komisjon State supports State supports (subsidies) are allocated through the Ministry of Culture to the state, municipal and private theatre institutions. As a rule, the subsidies are allocated as one-year activity support. Project-based subsidies of a significantly smaller amount are allocated from the state budget to several free groups and single persons active in creative work. In addition to practical performing activity, various theatre organisations are subsidised, such as the Estonian Theatre Union, the Information Centre of the Estonian Theatre Union and the Estonian Drama Agency. The activity of amateur theatres is financed through the Department of Cultural Heritage of the Ministry of Culture by the financing programme of the national central unions, allocating subsidies for the Estonian Amateur Theatre Association. For the implementation of the projects and festivals of amateur theatres, the resources are allocated by the foundation capital of the Folk Art of the Cultural Endowment and by county expert groups. Activity support is meant for activity expenditure of performing arts institutions with permanent staff for all-the-year-round performing activities. Activity support consists of partial coverage of the remuneration expenditure of the staff directly and indirectly related to the performing activities based on the full-time equivalent person year (FTE) and of the coverage of the expenditure (incl. remuneration expenditure) related to the administration of buildings and/or rooms of performing arts institutions. Project-based support is meant for supporting specific single projects, events and programmes related to the theatre. All natural and legal persons engaged in performing arts may apply for the support. Riikliku tegevustoetuse menetlemisel hindab komisjon etendusasutuse tegevuse vastavust etendusasutuse seaduses esitatud nõuetele ning teeb kultuuriministrile ettepaneku järgmise eelarveaasta toetuse saajate ja toetussummade kohta riigieelarve projekti koostamiseks ning toetuse jaotamise kohta jooksvaks aastaks. Seejuures lähtub komisjon konkreetse aasta riigieelarvest etendusasutustele ettenähtud summast. Lõpliku otsuse riigieelarvest toetussummade taotlemise ning nende jaotamise kohta teeb ko- Compared to the previous year, the state support of state theatres (incl. investment sums) increased by 41, 003, 608 kroons (14. 61. The share of activity supports grew 24, 411, 281 kroons (10. 72. Yearbook of Estonian Theatre Statistics 2006 koosneb üheksast liikmest - sinna kuulub kolm kultuuriministeeriumi esindajat, üks esindaja nii rahandusministeeriumist, etendusasutuste loomingulisi töötajaid esindavast organisatsioonist kui ka etendusasutuste juhte esindavast organisatsioonist ning kuni kolm avalikkuse esindajat, kes valitakse teatrite poolt tehtud ettepanekute põhjal. Investments support may be applied for by all institutions engaged in performing arts, regardless of their form. At present investments support is allocated mainly to government agencies or foundations Tegevustoetus on mõeldud aastaringse etendustegevu- established by the state. sega, loomingulise koosseisulise trupiga etendusasutuse States support to the theatre in 2006 tegevuskulude katteks. Tegevustoetus koosneb sisuliselt etendustegevusega otseselt ja kaudselt seonduva persona- With regard to the work of the theatres, the support by the public li palgakulude osalisest kattest Eesti teatrite arvestusliku sector is essential, since it accounts for over 67. 5% of the total incoinimtööaasta (AITA) maksumuse alusel ja etendusasutuse me of the theatres. hoonete ja/või ruumide haldamisega seonduvate kulude In 2006, the financing by the state in state theatres (in the Na(sh ka töötasukulud) kattest. tional Opera, government agencies and foundations established by Tegevustoetus on toetus teatrite poolt esitatud loomin- the state — 291, 298, 129 kroons as total) accounted for 67. 83% gulise tegevuskava realiseerimiseks. Tegevustoetust võivad the share of local governments support was 0. 96% own income Etendusasutuse Seaduse alusel taotleda kõik teatrikunsti- incl. allocations from different funds) made up 31. 21% of the total income. ga tegelevad institutsioonid sõltumata nende vormist. In municipal theatres (2) the state support accounted for about 33. 12% the share of local governments support for 32. 45% and own income (incl. allocations from different funds) for 34. 43% of the total income. In the budget of private small theatres (11) the state support accounted for about 47. 30% local governments support for 6. 84% and own income (incl. allocations from different funds) for 45. 86% of the total income. In the budget of private misjoni ettepanekuid arvestades kultuuriminister. dance agencies the state support accounted for about 58. 18% local Projektipõhine toetus on mõeldud konkreetsete teatri- governments support for 3. 75% and own income (incl. allocations alaste üksikprojektide, ürituste ja programmide toetuseks. from different funds) for 38. 07% of the total income. Toetust võivad taotleda kõik teatrikunstiga tegelevad füüsilised ja juriidilised isikud. Toetuse saamise ja selle suu- The support of the public sector per one visit of a performance given in Estonia was on an average 383 kroons. If to take into account also ruse kohta teeb esitatud taotluste alusel lõpliku otsuse kulperformances given abroad, the total supports were on an average 374 tuuriminister lähtudes komisjoni tehtud ettepanekust ning kroons. The support of the public sector per one performance given arvestades individuaalselt iga üksikut juhtumit. Lõpliku ot- in Estonia was on an average 81, 503 kroons, including also perforsuse riigieelarvest toetussummade taotlemise ning nende mances given abroad, the total supports were on an average 74, 185 jaotamise kohta teeb komisjoni ettepanekuid arvestades kroons. kultuuriminister. The biggest item of expenditure in theatres was remuneration exInvesteeringute toetust võivad taotleda kõik teatrikunstiga penditure (wages and salaries) — 52. 4. Real estate expenditure tegelevad institutsioonid, sõltumata nende vormist. Käe- investments and administration expenditure) accounted for 25. 9% soleval hetkel eraldatakse investeeringute toetust valdavalt and expenditure related to performing activities for 16. 6% — there riigiasutustele või riigi poolt asutatud sihtasutustele. In- are big differences here by theatres. The real estate expenditure and vesteeringu toetuse saajad otsustab ja suuruse kavandab personnel costs of small theatres were the lowest, but the share of kultuuriminister kultuuriministeeriumi arengukavast ja activity expenditure was the largest in percentages. konkreetsetest vajadustest lähtuvalt. Riigi toetus teatritegevusele aastal 2006 Teatrite töö seisukohalt on avaliku sektori toetus oluline, kuna sellega kaetakse üle 67, 5% teatri kogutuludest. 2006. aastal oli riigipoolse rahastuse osakaal riigiteatrites (rahvusooperis, riigiasutustes ja riigi asutatud sihtasutustes – kokku 291 298 129 krooni) 67, 83% kohaliku omavalitsuse toetuse osakaal 0, 96% omatulu (sh laekumised erinevatest fondidest) moodustas 31, 21% kogu tulust. ves moodustas riiklik toetus 58, 18% kohaliku omavalitsuse toetus 3, 75% ning omatulu (sh laekumised erinevatest fondidest) 38, 07% kogutulust. Võrreldes eelmise aastaga kasvas riiklike teatrite (9) riiklik toetus kokku (koos investeeringusummadega) 41 003 608 krooni (14, 61. Üksnes tegevustoetuse osa kasvas 24 411 281 krooni (10, 72% Avaliku sektori toetus ühe Eestis antud etenduse külastuse kohta oli keskmiselt 383 krooni. Kui arvestada ka piiri taga antud etendusi, siis oli toetus keskmiselt 374 krooni. Avaliku sektori toetus ühe Eestis antud etenduse kohta oli keskmiselt 81 503 kr ning kui arvestada ka piiritaguseid esinemisi, siis kokku keskmiselt 74 185 krooni. Munitsipaalteatrites (2) moodustas riigitoetus keskmiselt 33, 12% kohaliku omavalitsuse toetus 32, 45% ja omatulu (sh laekumised erinevatest fondidest) 34, 43% kogutulust. Eraõiguslike väiketeatrite (11) eelarves moodustas riigitoetus keskmiselt 47, 30% kohaliku omavalitsuse toetus 6, 84% ja omatulu (sh laekumised erinevatest fondidest) 45, 86% kogutulust. Eraõiguslike tantsuagentuuride eelar- Suurima kuluartikli teatrites moodustasid töötasud – 58, 27. Kinnisvarakulud (investeeringud ja halduskulud) moodustasid 17, 52% ja etendustegevusega seotud tegevuskulud 18, 44% – teatrite kaupa on siin suuri erinevusi. Väiketeatrite kinnisvara- ja personalikulud olid kõige madalamad, samas kui tegevuskulude osakaal oli protsentuaalselt kõige suurem. Kulude ja tulude kajastamisest statistikaraamatus Expenditure and income in the statistical yearbook Statistikaraamatus näidatakse etendusasutuste kulusid ja tulusid kokku viies erinevas tabelis. Kaks esimest neist toovad kulude jaotuse eraldi etendustegevusega otseselt seotud kulude ja etendustegevusega otseselt mitte seotud kulude alajaotuste lõikes. Kolmas tabel annab ülevaate vormilise jaotuse alusel suurematest kululiikidest teatris kokku. Neljas tabel näitab teatri tulude kogujaotust teatri enda majandustegevuse ja toetuste laekumise osas. Viies tabel annab täpsema ülevaate etendusasutustele laekuvatest toetustest, milles näidatakse detailselt eraldi riigitoetuse ja munitsipaaltoetuse osalust teatrite kogutuludes. Erinevalt 2005. aasta statistikast näitame 2006. aasta kohta ka seoses teatri ettevõtmistega otse loovisikutele eraldatud Eesti Kultuurkapitali loominguliste stipendiumite kogusummat. Yearbook of Estonian Theatre Statistics 2006 Kulude tabelites kajastatakse andmeid eraldi jaotatuna kahte erinevasse sisulisse gruppi: etendustegevusega otseselt seotud kulud ning etendustegevusega otseselt mitte seotud tulud ja kulud. Etendusasutustes esineb sageli lisaks nende põhitegevusele veel erinevates mahtudes mitmesugust teatritegevust majanduslikult toetavaid või muud laadi sotsiaalselt olulisi tegevusi, millega kaasnevad märkimisväärses mahus finantside liikumised. Väga erinevad on teatrite kasutuses olevad hooned ning ruumid, samuti on erinev teatrite vormiline suhe vastava kinnisvaraga. Sellest tõsiasjast lähtuvalt oleme teinud võimalikult parema ülevaate saamiseks võrreldavate andmete osas vormiliselt sarnaste kuluartiklite sees vastava sisulise eristuse. Kulude ja tulude statistikas esitatud töötasukulud on koos kõikide riiklike maksudega (välja arvatud käibemaks. Kulutused teenuste ja kaupade soetamiseks on näidatud ilma käibemaksuta. The statistical yearbook presents the expenditure and income of performing arts institutions in five tables. The first and the second table provide the distribution of expenditures separately for expenditure directly related to performing activities and for expenditure not directly related to performing activities. The third table provides an overview of the biggest types of expenditure in the theatre as total. The fourth table presents the total distribution of expenditure related to the economic activity of the theatre and to the allocation of subsidies. The fifth table provides a more detailed overview of the subsidies allocated to performing arts institutions; the share of state and municipal support in the total income of the theatre has been presented separately. In 2006, different from the statistics of 2005, the total sum of grants of the Estonian Cultural Endowment allocated to persons engaged in creative work has been presented. Avaliku sektori toetus ühe teatrikülastuse kohta Avaliku sektori toetuste ja omatulude osakaalud teatrite eelarves Avaliku sektori toetuse arvutamisel ühe külastuse kohta jätame järgnevalt välja investeeringuteks antud toetused. Kuna aastal 2006 oli teatriti väga erinevates mahtudes ehitustegevust, siis antud summad moonutavad põhjendamatult andmete võrreldavust ühe kalendriaasta lõikes. Aastal 2006 moodustas avaliku sektori toetus teatrite tuludest kokku 339 580 899 krooni ehk 67, 57% ja teatrite etendustegevusega otseselt seotud ja otseselt mitte seotud majandustegevusest laekunud omatulu kokku 157 955 950 krooni ehk 31, 43. Lisandusid veel laekumised erinevatest välisfondidest ja annetused ning sponsorlus erasektorist, mis jäi aastal 2006 kokku 1% piiri. Aastal 2005 oli avaliku sektori toetus kokku 292 445 032 krooni ehk 70, 44% ning aastal 2004 kokku 263 528 895 krooni ehk 66, 34. Laekumised erinevatest välisfondidest ja annetused ning sponsorlus erasektorist, moodustasid aastal 2005 0, 53% ning aastal 2004 0, 73. Riikliku toetuse osakaal teatrite eelarvetes kokku oli 2006. aastal 63, 88% munitsipaaltoetus moodustas 3, 69% piletimüügitulu 20, 18% ja muu omatulu 12, 25. Võrreldes aastaga 2005 tõusis riiklik toetus kokku 39 852 063 krooni ehk 14, 17% võrra ja munitsipaaltoetus tõusis 7 283 804 krooni ehk 64, 69% võrra. Majandustegevusest laekunud omatulu tõusis võrreldes 2005. aastaga 37 414 363 krooni ehk 31, 04% võrra, millest piletitulu tõus on 22 200 768 krooni ehk 28, 02. Riigiteatrite kogutulust moodustas riiklik toetus 2006. aastal kokku 67, 83% ja munitsipaaltoetus toetus 0, 96. Piletimüügitulu osakaal oli 18, 46% ja muu tulu osakaal 12, 75. aastal moodustas riiklik toetus kokku 71, 33% ja munitsipaaltoetus toetus 1, 10. Piletimüügitulu osakaal oli 17, 01% ja muu tulu osakaal 10, 56. Munitsipaalteatrite kogutulust moodustas riiklik toetus 2006. aastal 33, 12% munitsipaaltoetus 32, 45. Piletimüügitulu osakaal oli 27, 13% ja muu tulu osakaal 7, 30. 2005. aastal moodustas riiklik toetus kokku 36, 99% ja munitsipaaltoetus toetus 17, 80. Piletimüügitulu osakaal oli 37, 38% ja muu tulu osakaal 7, 83. Erasektori tantsuagentuuride kogutulust moodustas riiklik toetus 2006. aastal 58, 18% ja munitsipaaltoetus toetus 3, 75. Piletimüügitulu osakaal oli 5, 66% ja muu omatulu osakaal 32, 41. Kuna 2005. aasta statistika kajastas eraõiguslikke väiketeatreid ja ühte eraõiguslikku tantsuagentuuri koos, ning 2006. aasta statistika esmakordselt lahus, kuna on lisandunud 2 tantsuagentuuri, siis ei saa antud asutuste puhul statistilisi andmeid aastate lõikes eraldi võrrelda. Avaliku sektori toetus ühe teatrikülastuse kohta on riigiteatritel tõusnud 353 kroonilt 374 kroonile, munitsipaalteatritel tõusis 229 kroonilt 310 kroonile. Kuna 2005. aasta statistika kajastas eraõiguslikke väiketeatreid ja eraõiguslikke tantsuagentuure koos, ning 2006. aasta statistika esmakordselt lahus, siis ei saa antud asutuste puhul statistilisi andmeid aastate lõikes võrrelda. Seega, eraõiguslikel väiketeatritel oli aastal 2006 avaliku sektori toetus ühe teatrikülastuse kohta 100 krooni ning eraõiguslikel tantsuagentuuridel 217 krooni. Võrdluse aluseks olnud statistika ei sisalda külalisetendustele müüdud pileteid, tasuta etendusi ega katkendeid koguteostest ja koostööprojekte teiste teatritega. Keskmiseks avaliku sektori toetuse (ilma investeeringu toetuseta) summaks statistikakogumikus kajastatud ühe teatrikülastuse kohta oli 2006. aastal 318 krooni, mis on 3 krooni võrra suurem, kui aastal 2005 (315 krooni. Üksnes riigieelarvest eraldatud toetus ühe teatrikülastuse kohta oli 2006. aastal riigiteatritel keskmiselt 368 krooni (tõus 19 krooni) munitsipaalteatritel 183 krooni (langus 28 kroon) eraõiguslikel väiketeatritel 87 krooni ja eraõiguslikel tantsuagentuuridel 204 krooni. Riigi toetus teatrikülastuse kohta erineb märkimisväärselt teatrite kaupa. Arusaadavalt on toetus ehk eelarvelised vahendid asutuse toimimiseks suurem riigiteatritel. Üksnes kohaliku omavalitsuse eelarvest eraldatud toetus ühe teatrikülastuse kohta oli 2006. aastal riigiteatritel keskmiselt 5 krooni (tõus 1 krooni) munitsipaalteatritel 127 krooni (tõus 53 krooni) eraõiguslikel väiketeatritel 12 krooni ja eraõiguslikel tantsuagentuuridel 13 krooni. Kohaliku omavalitsuse toetus külastuse kohta erineb samuti märkimisväärselt teatrite kaupa. Iseenesest mõistetav on selline toetus kohaliku omavalitsuste teatrite puhul, kus tuleks antud summasid nimetada pigem eelarveliste vahenditena asutuse toimimiseks. Toetuse statistilist tõusu linnateatrite kohta põhjustab asjaolu, et 2006. aastal toimunud Tallinna Linnateatri festival „Talveöö unenägu” ja seetõttu eraldatud teatrile ka vastavad toetussummad Tallinna Linna eelarvest. Erasektori teatrite kogutulust moodustas riiklik toetus 2006. aastal 47, 30% ja munitsipaaltoetus toetus 6, 84. Piletimüügitulu osakaal oli 36, 99% ja muu omatulu osakaal 8, 87. Yearbook of Estonian Theatre Statistics 2006 Teatrite tulud aastal 2006 Teatrite kulud aastal 2006 Teatrite kulud kokku (sh investeeringud) olid 501 377 385 krooni ehk 7 503 593 krooni vähem kui aastal 2005. Riigiteatrite kulud olid kokku 427 783 096 krooni (vähenemine 6, 5. munitsipaalteatritel 36 303 909 krooni (kasv 31, 5. eraõiguslikel väiketeatritel 33 526 982 krooni ning eraõiguslikel tantsuagentuuridel 3 763 398 krooni. Teatrite kogukulude vähenemine tuleneb ehitustegevusest teatrites, mis vähenes oluliselt aastaks 2006. Suurima osa teatrite kogukuludest moodustavad personalikulud – 58, 27% 292 131 965 krooni) 2005. aastal oli see näitaja 47, 93% 243 897 023 krooni) ning 2004. aastal 58, 52% 224 663 891 krooni. Töötasukulude osakaal kogukuludest oli aastal 2006 riigiteatritel kokku 59, 41% munitsipaalteatritel 59, 06% ning eraõiguslikel väiketeatritel 44, 36. Muude kulude hulgas moodustasid üksnes teatrite hoonete ning ruumide renoveerimis- ja investeeringukulud kokku 57 837 0348 krooni ehk 11, 53% kogukuludest. Riigiteatritel oli see näitaja 53 120 040 krooni (12, 42. munitsipaal- ETENDUSTEGEVUSEGA OTSESELT SEOTUD KULUD, SUUREMATE PÕHIKULUDE KAUPA Expenditure directly related to performing activities; by larger share of expenditure 7 960 061 78 326 009 1 195 324 348 279 16 502 271 18 045 874 96 371 883 11 421 920 2 633 380 14 055 300 644 786 453 532 4 418 907 5 517 225 19 572 525 9 872 646 2 146 796 12 019 442 500 896 575 299 2 701 796 3 777 991 15 797 433 43 479 988 10 796 755 54 276 743 1 785 727 1 645 829 13 702 310 17 133 866 71 410 610 5 503 876 1 527 857 7 031 733 65 226 37 388 2 613 087 2 715 701 9 747 434 10 940 841 1 570 858 12 511 699 363 040 233 106 1 809 130 2 405 276 14 916 975 22 393 191 2 349 908 24 743 099 1 531 879 588 901 5 053 485 7 174 265 31 917 364 9 047 088 2 162 073 11 209 161 950 365 621 139 5 305 498 6 877 003 18 086 164 9 711 239 1 040 411 10 751 650 93 298 248 637 4 664 674 5 006 609 15 758 259 TLN Linnateater 609 995 470 190 1 080 185 12 939 3 134 467 565 483 638 1 563 823 16 805 200 1 717 800 18 523 000 546 700 924 900 4 644 700 6 116 300 24 639 300 1 574 68 098 85 911 155 583 204 070 31 400 61 507 92 907 211 641 370 069 473 014 255 051 2 343 697 2 829 503 4 380 415 48 487 99 984 18 750 118 734 102 945 640 000 910 912 1 550 912 435 597 215 025 650 622 2 889 280 460 283 349 933 971 949 897 18 303 968 200 10 508 26 674 95 475 132 657 1 100 857 262 037 9 300 271 337 271 652 195 718 467 370 738 707 Vana Baskini T. 801 252 1 656 034 2 457 286 309 197 490 532 3 251 093 4 050 822 6 508 108 230 755 1 381 804 576 516 1 958 320 82 678 166 764 2 008 305 2 257 747 4 216 067 2 662 284 1 531 113 4 193 397 29 834 47 210 1 134 195 1 211 239 5 404 636 644 337 1 792 233 2 436 570 14 750 439 506 2 600 819 3 055 075 5 491 645 676 240 323 379 999 619 7 951 4 820 1 765 506 1 778 277 2 777 896 Valgete Ööde F. 36 800 98 319 135 119 42 304 231 233 273 537 408 656 Sõltumatu T. Ü. 101 278 37 693 138 971 522 61 698 193 477 255 698 394 669 218 843 443 41 715 098 260 558 541 8 377 950 7 588 742 76 500 888 92 467 581 353 026 121 187 291 887 34 403 947 221 695 834 6 530 739 5 829 775 60 032 509 72 393 023 294 088 857 KOKKU 2004 177 617 056 31 115 150 208 732 206 6 927 173 6 023 589 60 583 022 73 533 784 282 265 990 * NB! Antud tabelis ei ole näidatud hoonete/ruumide haldusega tegeleva personali töötasukulusid. * The expenditure in the table does not include the remuneration expenditure of the staff engaged in the administration of buildings/rooms. kõik kulud total all expenditure 70 365 948 tegevuskulud kokku total operating expenditure lavastuste valmistamise ja etenduste andmisega seonduvad tootmis- ja teeninduskulud production and service expenditure related to the preparing and giving performances transpordikulud transport expenditure kulud autorikaitsele copyright expenditure tegevuskulud - operating expenditure Yearbook of Estonian Theatre Statistics 2006 töötasukulud kokku total remuneration expenditure koosseisuvälise personali töötasukulu (sh ka FIE-d, OÜ_d, AS-id, MTÜ-d, stipendiumid) non-staff personnel töötasukulud. remuneration expenditure* koosseisulise personali töötasukulu (sh ka FIE-de, OÜ-d, AS-id, MTÜ-d, stipendiumid) permanent staff teatritel 3 506 199 krooni (9, 66% ning eraõiguslikel väiketeatritel 1 211 109 krooni (3, 25% kogukuludest. Etendustegevusega otseselt seotud kuludest kokku moodustasid töötasukulud 46, 69% 260 558 541 krooni) kogukulavastuskulud 21, 7% Etendustegevusega seotud kulud 2, 1% 2, 4% töötasukulu 11, 8% koosseisulise personali 62, 0% Etendustegevusega otseselt seotud kulud Expenditure directly related to performing activities Expenditure directly related to performing activities includes all expenditure directly or indirectly connected with performing activities — personnel expenditure of creative, administrative, technical and service staff, performing expenditure, authors remuneration, office expenditure, etc. Remuneration expenditure includes state taxes (excl. value added tax. Expenditure for the acquisition of goods and services excludes value added tax. Töötasukulude all on näidatud otseselt etendustegevusega seotud personali (nt näitlejad, lavastajad, kunstnikud, heliloojad, lavatehnikud, etendust haldav administratiivne ja teenindav personal jne) kogu töötasukulu ehk brutopalk koos sotsiaalmaksude ja lisatasudega (välja arvatud käibemaks nt OÜ-de puhul. Lisaks lepingulistele (tööleping/töövõtuleping) töötajatele on näidatud siin ka FIE-de, OÜ-de, AS-ide ja MTÜ-dega seotud kulud juhul, kui vastav kulu on tekkinud seoses töö- või teenistussuhtega. Koosseisulise ja koosseisuvälise personali kulud on tabelis näidatud eraldi tulpades. Koosseisuliseks töötajaks nimetatakse lisaks lepingulistele (tööleping/töövõtuleping) töötajatele erandjuhul ka FIE või OÜ-na esindatud töötajad juhul, kui nende töö- või teenistussuhe on töömahuliselt sama lepingulise töötaja suhtega. Remuneration expenditure includes the total remuneration or gross wages and salaries of the personnel directly related to performing activities (e. g. actors, producers, directors, artists, composers, technical, administrative and service staff, etc. together with social taxes and additional costs (excl. value added tax e. in case of private limited companies. It also includes, in addition to contracted employees (contract of employment/contract for services) also the expenditure connected with self-employed persons, private limited companies, public limited companies and non-profit associations if the respective expenditure has been made in connection with employment/service relationship. Expenditure on permanent staff and non-staff personnel has been shown in different columns. In addition to contracted employees (contract of employment / contract for services) also self-employed persons or persons representing a private limited company are considered permanent staff, if their employment/service relationship is of the same work volume as that of a contracted employee. Tegevuskulude all on näidatud otseselt etendustegevusega seotud kõik muud kulud peale töötasukulude. Kuna kuludel autorikaitsele ja transpordile on etendusasutuse eelarves sageli üsna suur osakaal, on tabelis vastavad kulud eraldi tulbas näidatud. Lavastuste valmistamise ja etenduste andmisega seonduvate tootmis- ja teeninduskulude all kajastuvad kulud reklaamile, lavatehnikale ja dekoratsioonidele; etenduste andmisest tulenevad lähetuskulud, kulud üksikute tarbeesemete soetustele jne. Lisaks kantseleikulud ja kulud kõikvõimalikele eelpool nimetamata kaupadele ja teenustele, mis on tekkinud seoses lavastuste ettevalmistamise ja etenduste andmisega. Siin on näidatud ka tavapärasele etendustegevusele lisanduvad erakorralised etendustegevusega seotud ettevõtmiste kulud (nt festivalid. Operating expenditure include all expenditure directly related to performing activities, except for remuneration expenditure. As copyright expenditure and transport expenditure usually account for a large share of the performing enterprises budget, the respective indicators have been shown in different columns. The production and service expenditure related to the preparing and giving performances include the expenditure on advertising, technical equipment and scenery, travel costs related to guest performances, expenditure on the acquisition of several requisites, etc. In addition office expenditure and expenditure on several goods and services not mentioned above, which are connected with the preparing and giving performances. The expenditure on exceptional performing activities (e. festivals) is also included here. Etendustegevusega otseselt seotud kulude all on näidatud kõik kulud, mis tekivad otseselt või kaudselt seoses etendustegevusega – loomingulise, administratiivse, lavatehnilise ja publikut teenindava personali kulud, lavastuskulud, autoritasud, kontorikulud jne. Töötasukulud on näidatud koos riiklike maksudega (välja arvatud käibemaks. Kaupade ja teenuste soetamiseks tehtud kulud on näidatud ilma käibemaksuta. Yearbook of Estonian Theatre Statistics 2006 Suurimad investeeringukulud olid riigiteatritel. Valdavas osas moodustusid kulud investeeringuga seotud finantskohustuste katmiseks. ludest, kulud autorikaitsele 1, 50% 8 377 950 krooni) transpordikulud 1, 36% 7 588 742 krooni) ning lavastuste valmistamise ja etenduste andmisega seonduvad tootmisja teeninduskulud 13, 71% 76 500 888 krooni. Etendustegevusega otseselt mitte seotud kulud Expenditure not directly related to performing activities 2004–2006 aasta võrdluses näeme olulise muutusena hoonete renoveerimiskulude kasvu (kuni 39% ni etendustegevusega otseselt mitte seotud kuludest. Kuna remonttööde ajaks anti hooned üle ehitaja valdusesse, siis on paralleelselt ehitustegevusega vähenenud halduskulud. See on aga ajutine, vaid ehitusperioodil kestev nähtus. Renoveerimisperioodil kogu teatri igapäevatöö halvatusega on kaasnenud ka muu teatri põhitööga kaasneva teenindustegevuse ja selle kuluosakaalu langus. 2006 compared to 2005 and 2004, repairing expenditure of buildings grew significantly (up to 39. 6% of expenditure not directly related to performing activities. As the buildings were in possession of builders during the repair work, administration expenditure has decreased simultaneously with the growth of construction activities. However, this is a temporary phenomenon, which can be observed only in construction period. The recession of the theatre life during the repair period also causes the decline in service expenditure (14. 5. Expenditure not directly related to performing activities includes the expenditure connected with the administration of performing arts institutions buildings/rooms. Remuneration expenditure includes state taxes (excl. value added tax) the expenditure on the acquisition of goods and services exclude value added tax. Etendustegevusega otseselt mitte seotud kulude all on näidatud kõik kulud, mis tekivad seoses etendusasutuse hoone ja/ või ruumidega haldamisega või etendustegevusele lisanduva tegevusvaldkonnaga. Töötasukulud on näidatud koos riiklike maksudega (välja arvatud käibemaks) kaupade ja teenuste soetamiseks tehtud kulud on näidatud ilma käibe­maksuta. Administration expenditure of buildings/rooms by types: Remuneration expenditure (incl. purchased services) — remuneration of the following occupations: electrician, electronic, deputy financial manager, administrative manager, cleaner, janitor, economic manager, hostess, mechanic, maintenance worker, plumber, technical director, night guard, hostels economic manager, hostels employee. Social taxes are included if the performing enterprise is paying them for employees. Maintenance of territory, garbage removal, chimneysweeping service, cleaning services. Etendustegevusega otseselt mitte seotud kulud 2006 muud tootmis- ja teeninduskulud infotehnoloogia 2, 3% 11, 5% muud töötasukulud 1, 6% hoonete/ruumide halduskulud (sh töötasukulud) 35, 1% kohvikulud (sh renoveerimiskulud; 10, 5% Administration expenditure of buildings/rooms — expenditure on cleaning and maintenance of buildings/rooms, on inventory, guarding, rent, heating, electricity, water and sewerage. Repair and maintenance of inventory connected with the administration of buildings/rooms. investeeringud 39, 0% Etendustegevusega otseselt mitte seotud kulud 2005 7, 1% 18, 7% 0, 7% Yearbook of Estonian Theatre Statistics 2006 kohvikukulud (sh 3, 0% investeeringud ja nendega seotud finantskohustused 38, 9% Etendustegevusega otseselt mitte seotud kulud 2004 2, 6% 21, 6% 0, 0% 41, 0% Renovation costs of buildings/rooms, investments - Includes all the expenditure related to investments and renovation of buildings and rooms (excl. regular repairs) financial liabilities, state investments; resources from the economic activity; resources from EU funds and other international funds. If the renovation/construction of buildings has been accomplished with debt finances, only the financial obligations connected with the debt service have been shown (Estonian National Opera, Estonian Puppet Theatre, Pärnu Endla Theatre, Estonian Drama Theatre, Rakvere Theatre, Russian Theatre. Café expenditure by types: Remuneration expenditure - gross wages and salaries of café staff. Social taxes have been included if the performing arts institution pays them for the employees. kohvikukulud (sh 5, 3% 29, 6% Other Café expenditure Hoonete/ruumide halduskulud liikide kaupa: Töötasukulud (sh ostetud teenused) – järgmiste erialade töötasukulud: elektrik, elektroonik, finantsjuhi asetäitja, haldusjuht, koristaja, majahoidja, majandusjuht, majaperenaine, mehaanik, pansionaaditöötaja, remonditööline, santehnik, NB! The depreciation has not been presented, i. e. real, not estimated costs have been presented on the basis of cash-flow. 589 567 1 125 511 1 715 078 11 569 777 1 591 665 1 893 377 3 485 042 6 268 866 3 111 121 5 218 646 8 329 767 3 635 623 671 091 956 041 1 627 132 1 284 043 1 431 542 2 715 585 1 395 886 2 337 773 3 733 659 5 574 740 5 375 191 899 596 10 064 731 11 453 215 44 778 722 177 754 584 790 762 544 14 047 399 196 518 172 836 369 354 15 498 453 551 210 1 280 656 1 831 866 13 797 255 98 172 241 622 339 794 1 966 926 151 153 900 269 1 051 422 3 767 007 851 575 555 961 1 925 426 3 332 962 12 641 361 1 127 898 1 907 266 7 147 260 1 640 197 1 587 899 3 228 096 239 032 101 971 1 084 501 1 425 504 13 708 127 1 655 587 5 650 193 6 047 162 165 114 1 266 976 1 432 090 725 092 76 356 68 307 869 755 13 999 200 518 850 7 194 187 543 194 737 713 587 1 837 500 3 666 500 5 504 000 377 000 9 387 199 123 695 209 606 10 810 16 482 49 236 71 337 139 942 68 605 3 506 199 21 944 kõik kulud kokku total all expenditure 2 783 807 488 888 muud kulud kokku total other expenditure total 2 591 384 muud lavastuste valmistamise ja etenduste andmisega mitteseotud tootmis- ja teeninduskulud / other production and service expenditure not related to the 5 506 431 779 368 2 776 809 3 994 606 2 729 622 information technology 12 876 612 other remuneration expenditure hoonete/ruumide renoveerimiskulud; investeeringud ja nendega seotud finantskohustused renovation costs of buildings/rooms; investments and financial liabilities related to them 14 942 464 kohvikukulud kokku total café expenditure hoonete/ruumide halduskulud kokku total administration expenditure of buildings/rooms total 8 567 692 muud kulud other expenditure muud kulud (sh üür) other expenditure (incl. the rent) kohvikukulud café expenditure töötasukulud (sh ostetud teenused) remuneration expenditure (i. purchased services) töötasukulud 6 374 772 hoonete/ruumide halduskulud administration expenditure of buildings/rooms 34 173 233 935 Yearbook of Estonian Theatre Statistics 2006 Etendustegevusega otseselt mitte seotud kulud 74 952 308 887 250 000 96 045 346 045 34 753 70 781 105 534 159 162 776 056 986 418 70 926 242 704 2 418 287 62 224 30 756 98 428 13 702 210 362 1 189 165 171 778 67 046 3 000 92 980 80 748 179 177 148 351 264 176 497 278 101 781 003 22 827 915 25 089 169 24 585 960 17 094 725 17 934 619 21 941 163 3 428 603 4 124 871 2 304 587 3 029 679 2 644 797 15 541 808 16 973 898 5 399 784 8 415 491 9 682 467 2 800 185 7 126 317 7 291 431 2 599 599 57 837 348 68 601 818 30 086 292 52 144 193 65 832 394 41 708 967 30 001 672 37 344 865 28 316 881 22 142 521 28 487 529 13 392 086 majandusstatistika EESTI KULUD KOKKU total expenditure total other expenditure etendustegevusega otseselt mitte seotud (sh investeeringud, kohvikukulud) not directly related to performing activities (incl. investments, café expenditure) muud kulud - other expenditure etendustegevusega seotud directly related to kõik tööjõukulud total remuneration etendustegevusega otseselt mitte seotud not directly related to performing activities etendustegevusega otseselt seotud 9 593 282 87 919 291 26 617 748 44 663 622 14 644 867 12 332 321 17 849 546 33 619 924 4 183 049 16 202 491 9 422 027 13 200 018 31 295 886 57 387 864 5 467 488 22 601 355 85 207 865 7 702 824 3 055 495 11 714 360 13 795 742 3 456 698 18 683 982 2 247 461 26 990 560 8 056 127 15 230 392 44 558 725 2 658 597 13 867 758 9 921 632 16 798 635 31 794 290 4 884 812 15 636 462 7 458 801 12 465 410 29 757 459 678 375 2 277 410 20 360 500 3 883 199 9 999 499 34 026 499 241 493 413 675 38 426 131 333 260 877 2 863 676 171 550 884 557 612 956 4 414 588 1 242 858 563 415 1 084 752 4 121 603 6 613 642 2 416 909 4 403 759 1 431 869 2 643 108 7 822 923 4 375 229 3 085 831 5 584 625 1 859 026 2 957 073 276 537 411 656 31 573 424 292 131 965 86 776 167 179 243 748 501 377 385 22 201 189 243 897 023 73 542 381 169 348 883 242 891 264 22 092 691 508 880 978 208 672 206 15 991 685 224 663 891 73 496 388 57 472 437 130 968 825 383 949 597 Kogukulude võrdlus 2004-2006 tehniline direktor, öö)valvur, valvelauatöötaja, ühiselamu majandusjuht, ühiselamu töötaja. Arvestatud koos sotsiaalmaksudega juhul, kui etendusasutus maksab neid antud töötajate eest; vastasel korral mitte. Territooriumi korrashoid, prügivedu ja korstnapühkimisteenus, koristamisteenused. halduskulud (va töötasukulud) administration etendustegevusega otseselt mitte seotud (sh investeeringud, kohvikukulud) NB! antud arvestuses ei näidata kulumit ega amortisatsiooni, st näidatakse rahavoogude põhjal reaalseid, mitte arvestuslikke kulusid. Näidatud on kõik hoonetele ja ruumidele tehtud investeeringute ja renoveerimistega seonduvad kulud (välja arvatud korraline jooksev remont) finantskohustused; riiklikud investeeringud; majandustegevusest laekunud vahendid; Euroopa Liidu fondidest ja muudest rahvusvahelistest fondidest laekunud vahendid. Kui hoone renoveerimine/ehitus on teostatud laenurahadega, Hoonete/ruumide reneoveerimiskulud, investeeringud 2005 Hoonete/ruumide halduskulud – koristamise ja hoonete/ruumide hoolduse inventar, valve, rendid, küte, elekter, vee- ja kanalisatsioonimaksud. Hoonete/ruumide haldusega seotud inventari remont ja ülalpidamine. 2004 tööjõukulud - remuneration expenditure halduskulud (va töötasukulud) administration expenditure (excl. remuneration expenditure) ETENDUSASUTUSTE KULUD KOKKU, liigitatuna suuremate põhikulude kaupa TOTAL EXPENDITURE OF PERFORMING ARTS INSTITUTION, by larger share of expenditure Yearbook of Estonian Theatre Statistics 2006 economic statistics Kohvikukulud liikide kaupa Töötasukulud – kohvikutöötajate töötasukulud brutos. Arvestatud koos sotsiaalmaksudega juhul, kui etendusasutus maksab neid antud töötajate eest; vastasel korral mitte. Muud kulud – kohviku muud kulud. Muud kulud: Muude kulude all kajastuvad lavastuste valmistamise ja etenduste andmisega otseselt mitte seotud muud tootmis- ja teeninduskulud (N: SA Draamateater puhul PILETIMAAILMA töötasukulud ning majanduskulud; SA Vene Teatri puhul ehitustegevusega kaasnenud töötasukulud; finantskulud, töömasinate ja seadmete majandamiskulud, kapitalirendi kulu jne. Eraldi näidatakse arvutite, arvutiprogrammide jm infotehnoloogia soetuse ning hooldusega seonduvad kulud. Etendusasutuste tulud Expenditure of performing arts institutions Etendustegevusega otseselt seotud tulud Income directly related to performing activities Etendustegevusega otseselt seotud tulude all on näidatud eraldi majandustegevusest laekuv tulu ja toetused. Income directly related to performing activities includes separately the income from economic activity and subsidies. Etendustegevusega otseselt seotud majandustegevusest laekuvad tulud on: Income from economic activity includes: Piletitulu oma etendustelt – kajastab etendusasutuse oma loomingulise tegevusega teenitud tulu. Selle hulka ei ole arvatud ballid ja muud üritused, mis ei ole seotud konkreetsete lavastustega. Piletitulu külalisesinejatelt – kajastab teiste etendusasutuste/esinejate loomingu vahendamise kaudu teenitud tulu. Piletitulu muudelt omaüritustelt – teatrite poolt korraldatud kontsertide, tähtpäevaürituste ja ballide piletitulu. Muud tulud – siin näidatakse muu loomingu majandamisega seonduvalt saadud omatulusid, nagu näiteks etendustegevusega seonduv renditulu, projektitulu, tulu festivali korraldamisest, tulu kavalehtede müügist, reklaamitulu jne. Toetuste all näidatakse eraldi koondnumbrina toetusi erinevatest allikatest kokku: Toetused kohalikult omavalitsuselt – näitab kõiki kohaliku omavalitsuse eelarvest eraldatud toetusi, nagu tegevustoetus, toetused seoses investeeringute ja soetustega jne. Muud toetused – toetused eraisikutelt, firmadelt ja muudelt mitteriiklikelt organisatsioonidelt Toetused välisfondidelt – on eraldatud muudest toetustest, saamaks ülevaadet teatrite aktiivsusest suhtlusel välisfondidega. Jaguneb omakorda toetusteks Euroopa Income from box-office receipts (own performances — income received by the creative activity of the performing enterprise. Excludes balls and other events not connected with certain productions. Income from box-office receipts (guest performers) — income received by the intermediation of the creative activity of other performing enterprises/performers. Income from box-office receipts (other own events) — income from box-office receipts received from concerts, balls and other events organised by the theatre. Other income - own income received by management of other creative activities, e. rental income connected with performing activities, project income, income from the organisation of festivals, income from the sale of programmes, income from advertising, etc. Subsidies include total subsidies from different sources as separate code numbers: Subsidies from state budget - all subsidies allocated from the state budget: activity support, subsidies connected with investments and acquisitions, etc. In addition subsidies from the Cultural Endowment, Gambling Tax Board, Ministry of Culture and other national funds. Subsidies from local budget —all subsidies allocated from the local budget, such as activity support, subsidies connected with investments and acquisitions, etc. Other subsidies — subsidies from private persons, firms and other non-governmental organisations. Subsidies from foreign funds — separated from other subsidies in order to get an overview of the activity of theatres in communicating Toetused riigieelarvest – sisaldab kõiki riigieelarvest eraldatud toetusi: nii tegevustoetus, toetused seoses investeeringute ja soetustega jne; lisaks ka toetused Kultuurkapitalilt, Hasartmängumaksu nõukogult, Kultuuriministeeriumilt jm riiklikelt fondidelt. Yearbook of Estonian Theatre Statistics 2006 siis on näidatud vaid selle laenu teenindamisega seonduvad finantskohustused (RO Estonia, ER Nukuteater, Pärnu Endla Teater, Eesti Draamateater, Rakvere Teater, Vene teater. piletitulu omaetendustelt income from box-office receipts (own performances) 2 771 377 302 094 393 992 1 116 045 36 314 1 075 674 4 943 747 1 368 564 55 584 188 587 486 067 2 773 307 167 425 40 371 35 284 269 730 136 670 9 681 700 3 500 202 286 394 225 5 579 872 13 347 176 244 926 3 005 458 4 585 995 133 170 9 234 488 5 437 739 29 814 13 317 362 5 441 950 18 206 646 54 432 44 138 46 959 499 971 1 609 11 660 306 843 1 902 806 320 822 1 210 643 666 628 731 277 448 424 1 160 183 1 415 523 5 443 718 486 667 190 196 179 085 9 988 543 4 674 183 5 900 694 14 557 819 5 252 623 18 937 923 8 858 218 4 807 095 4 560 482 2 051 106 610 052 225 272 642 026 1 001 335 784 894 207 454 127 436 171 164 11 872 800 427 908 17 414 947 18 723 095 25 012 793 12 422 529 9 205 461 59 116 338 19 310 908 30 100 928 99 991 130 661 186 75 000 55 000 500 000 353 000 261 050 40 000 107 500 73 000 70 000 11 065 999 988 593 1 010 000 20 000 10 000 1 500 000 1 567 815 482 575 588 181 444 924 814 701 10 760 158 850 195 300 12 337 42 373 606 100 152 792 5 000 394 000 541 266 165 880 11 039 31 293 muud toetused other subsidies 142 133 44 952 4 541 043 4 276 270 5 272 760 169 190 piletitulu külalisesinejatelt (guest performers) 82 151 piletitulu muudelt omaüritustelt (other own events) 13 848 225 piletitulu kokku total income from box-office receipts muud tulud other income(1) majandustegevusest laekuvad tulud kokku total Income from economic activity 25 359 186 toetused riigieelarvest subsidies from state budget 1 100 845 toetused omavalitsustelt subsidies from local budget 6 786 468 toetused mujalt välismaalt subsidies from foreign countries elsewhere 7 757 373 toetused EL struktuurifondidelt subsidies from EU structural funds 18 572 718 5 521 414 5 241 582 3 005 929 1 115 052 578 272 906 076 1 218 894 314 954 200 436 241 164 23 675 365 1 416 501 17 434 947 20 343 899 12 453 568 9 246 754 60 616 338 19 350 908 30 927 966 102 041 520 toetused riigieelarvest kokku total subsidies from state budget 15 795 761 770 1 219 445 126 816 2 069 923 1 169 063 2 608 687 renditulu rent income 1 904 342 1 120 516 2 503 805 6 221 905 5 117 445 kohvikutulu café income 7 741 578 43 984 28 762 36 354 118 183 157 495 221 412 680 1 682 586 3 578 537 844 766 3 849 629 910 665 881 336 6 139 150 other income(2) 16 668 376 1 256 991 4 186 390 4 797 982 971 582 5 919 552 8 301 633 13 865 282 Etendustegevusega otseselt mitte seotud tulud kokku - total income not directly related to performing activities 6 013 822 6 430 527 4 421 452 6 558 770 1 064 939 1 096 272 1 216 774 4 110 384 584 684 235 877 377 834 34 920 899 2 223 406 23 229 646 30 430 983 44 368 594 17 706 191 13 223 794 85 473 813 33 094 491 40 667 520 141 265 988 TULUD KOKKU total income Etendustegevusega otseselt seotud toetused Subsidies directly related to performing activities Etendustegevusega otseselt mitte seotud tulud Income not directly related to performing activities Majandustegevusest laekuvad tulud Income from economic activity Yearbook of Estonian Theatre Statistics 2006 majandusstatistika economic statistics 502 585 019 393 539 410 374 017 992 7 142 089 5 632 959 14 963 671 265 883 895 44 946 18 543 143 11 259 339 12 546 492 321 037 756 281 185 693 250 452 081 402 470 2 437 906 294 630 786 707 622 344 629 070 2 260 723 457 067 1 183 071 95 000 260 172 2 330 381 79 820 50 000 262 636 295 061 355 172 392 456 7 955 704 19 825 422 42 744 797 501 629 803 412 2 015 775 287 980 1 727 795 Liidu fondidelt ja EL välistelt fondidelt, institutsioonidelt, eraisikutelt. Etendustegevusega otseselt mitte seotud tulud on: Etendustegevusega otseselt mitte seotud tulude all on näidatud kõik tulud, mis tekivad seoses etendusasutuse etendustegevusele lisanduva tegevusvaldkonnaga. Kohvikutulud – osadel etendusasutustel moodustab etendusasutusele kuuluva kohviku käive võrdlemisi suure osa kogu asutuse käibest, siis on otstarbekas kulude/tulude tervikliku võrdluspildi kujundamise huvides näidata eraldi kohviku majandamisega seonduvad töötasuja muud majandamiskulud. Muud tulud – siin on näidatud tulud, mis saadud väljaspool etendustegevust ning mis on eelnevalt nimetamata (nt reklaamitulu, tulu ruumide rendist, majutusteenusest, konverentside, vastuvõttude, pidude korraldamisest jne; tulu piletite ristmüügist, tulu põhivara müügist, sihtfinantseerimise amortisatsioon, finantstulud jne. with foreign funds. Divided into subsidies from the European Union funds and funds outside the EU, subsidies from institutions, private persons. Yearbook of Estonian Theatre Statistics 2006 2 958 074 Income not directly related to performing activities: Income not directly related to performing activities includes all income connected with the activities in addition to performing activities. Café income — the turnover of the café of some performing enterprises accounts for a relatively large share of the total turnover of the enterprise. In order to get a a comparable picture of the expenditure/income ratio, it is reasonable to show separately the remuneration costs and other management costs connected with the café management. Other income — income received outside performing activities and which have been not mentioned before (e. income from advertising, from renting the rooms, from accommodation services, from organising conferences, receptions, parties, etc. income from the sale of fixed assets, depreciation of targeted financing, financial income, etc. ) 91 766 535 102 501 138 12 524 511 14 889 629 79 242 024 87 611 509 742 265 86 869 244 muud tulud - 12% piletitulu omaetendustelt - 81% külalisesinejatelt - 1% Etendustegevusega seotud tulu- ja toetuste allikad 115 211 153 13 768 361 101 442 792 3 626 929 6 701 733 75 003 597 937 957 93 803 102 25 547 10 800 5 400 38 250 89 935 48 952 piletitulu muudelt omaüritustelt - 6% EL struktuurifondidelt 0, 68% omavalitsustelt 5, 38% mujalt välismaalt 0, 13% 611 498 16 200 146 457 82 660 63 797 138 887 Etendustegevusega seotud majandustegevusest laekuv tulu muud 0, 66% toetused riigieelarvest 93, 15% Toetused etendusasutustele subsidies to performing arts institutions toetused riigieelarvest kokku total subsidies from state budget toetused, stipendiumid kultuurkapitalilt subsidies, grants from the Cultural Endowment of Estonia tegevustoetus kokku total subsidies for operating halduskulude katteks for administration 83 409 130 3 252 388 86 661 518 8 962 966 4 103 646 233 000 10 137 247 664 667 10 801 914 12 049 425 7 000 000 249 589 11 132 886 1 600 000 12 732 886 6 463 097 106 925 8 000 44 024 654 13 499 000 57 523 654 1 000 000 82 684 510 000 1 551 784 157 200 38 000 4 361 600 230 000 213 990 800 000 30 000 6 870 793 591 344 7 462 137 34 340 11 301 000 958 437 12 259 437 125 092 18 406 193 19 906 193 515 000 11 709 105 12 104 947 337 908 11 150 900 5 500 000 5 310 000 660 000 39 528 4 800 13500 31 900 112 636 19 000 64 984 47 652 100 349 168 954 450 544 844 861 106 474 951 335 547 314 94 712 25 329 490 938 15 924 25000 200 000 506 862 1 605 584 3 379 082 901 089 84 477 28 159 134 350 103 190 122 388 35 000 888 000 3 685 495 90 000 87 307 Yearbook of Estonian Theatre Statistics 2006 toetused otse­ investeeringuteks; eraldised finantskohustuste katteks subsidies for direct investments; allocations for financial liabilities töötasukulude katteks for remuneration Tegevuskulude katteks Subsidies for operating expenditure projektitoetused project-based subsidies Toetused riigieelarvest - Subsidies from state budget 250 176 98 530 323 134 258 400 1 121 600 478 000 150 000 56 318 29 900 229 329 160 22 715 367 252 044 527 5 563 391 41 725 272 16 282 765 5 421 801 202 463 455 25 169 791 227 633 246 3 109 701 31 727 032 14 548 041 3 717 128 280 735 148 186 417 599 18 361 249 204 778 848 684 144 35 101 724 5 245 743 2 286 622 248 097 081 Toetused etendusasutustelesubsidies to performing arts institutions Tabel annab täpsema ülevaate etendusasutustele laekuvatest toetustest, milles näidatakse detailselt eraldi riigitoetuse ja munitsipaaltoetuse osalust teatrite kogutuludes. The table provides a detailed overview of the subsidies to performing arts institutions, indicating the share of state and municipal subsidies in the total income of the theatres. Toetused tegevuskulude katteks koosneb toetusest töötasude ning haldus- ehk majanduskulude katteks Subsidies from the state budget by countries: Projektitoetused – projektipõhised toetused Kultuuriministeeriumilt, Hasartmängumaksu Nõukogult jm riiklikelt fondidelt (välja arvatud Kultuurkapital) Investeeringutoetused – toetused seoses investeeringutega ja põhivara soetustega jne (faktooringmaksete katted jne. Subsidies for operating expenditure include subsidies for remuneration expenditure and administration expenditure. Project-based subsidies — project-based subsidies from the Ministry of Culture, Gambling Tax Board and other national funds (excl. the Cultural Endowment. toetus omavalitsustelt kokku total subsidies from local toetused otseinvesteeringuteks subsidies for direct investments tegevustoetus subsidies for operating halduskulude katteks for administration töötasukulude katteks for remuneration expenditure 9 215 461 12 442 529 19 733 095 5 148 600 16 000 107500 2 395 200 22 938 799 824 894 903 076 27 000 257 000 103 000 112 421 490 440 9 560 1 110 052 2 106 106 4 635 482 5 468 281 312 636 6 820 212 439 421 7 259 633 4 663 736 4 156 759 4 707 300 1 410 000 6 117 300 2 306 239 4 501 655 683 000 339 580 899 1 835 000 300 000 10 558 539 2 905 349 294 199 036 5 156 982 2 204 855 2 885 322 263 528 895 Toetus riigieelarvest, võrdlus 2004-2006 toetused, stipendiumid kultuurkapitalilt - 2 463 015 muud otseinvesteeringuteks projektid Toetus omavalitsustelt, võrdlus 2004-2006 otseinvesteeringud; otseinvesteeringuteks; eraldised finantskohustuste 378 019 4 050 101 558 945 tegevustoetud kokku 67 815 Yearbook of Estonian Theatre Statistics 2006 Toetus omavalitsustelt - Subsidies from local budget Other subsidies: subsidies from private persons, firms and other non-governmental organisations. Etendustegevusega seotud majandustegevusest laekuvate tulude võrdlus 2004-2006 omaetendustelt 701 000 mujalt välismaalt 101 000 25 000 145 000 omavalitsustelt 180 000 Etendustegevusega seotud tulu- ja toetuste allikate võrdlus 2004-2006 Yearbook of Estonian Theatre Statistics 2006 Creative grants from the Cultural Endowment — creative grants allocated directly to creative persons in the framework of activities related to the theatre. Creative grants are not given directly to the theatre, which is the reason why creative grants are excluded from the state subsidies. Loomingulised stipendiumid kultuurkapitalilt – teatri tegevusega seotud tegevuste raames otse loovisikutele eraldatud loomingulised stipendiumid. Loomingulised stipendiumid ei lähe otseselt teatrile, seetõttu riigitoetuste summa seda ei sisalda. Toetused eraisikutelt, firmadelt ja muudelt mitteriiklikelt organisatsioonidelt. Muud toetused muudelt omaüritustelt Muud toetused – toetused eelpool nimetamata kulude katteks. Investeeringutoetused – toetused seoses investeeringute ja põhivara soetustega jne (faktooringmaksete katted jne) Other subsidies — subsidies for expenditure not mentioned before. külalisesinejatelt Projektitoetused – projektipõhised toetused kohaliku omavalitsuse eelarvest ja fondidelt Investments — subsidies connected with investments and with acquisition of fixed assets, etc. Toetused tegevuskulude katteks koosneb toetusest töötasude ning haldus- ehk majanduskulude katteks Project-based subsidies — project-based subsidies from local budget and from funds. Toetused kohaliku omavalitsuse eelarvest liikide kaupa: Subsidies for operating expenditure — subsidies for remuneration expenditure and for administration expenditure. riigieelarvest Toetused, stipendiumid kultuurkapitalilt – kultuurkapitali stipendiumid, projektitoetused, muud liiki toetused Subsidies from local budget by types: Muud toetused – toetused investeeringute ja põhivara soetustega seonduvate laenude tagasimaksete ning intressikulude katteks; toetused eelpool nimetamata kulude katteks Töötasustatistika AITA-de põhiselt Remuneration statistics by full-time equivalent person year (FTE) Töötasukulud sisaldavad töötajate töötasukulu koos sotsiaal -ja lisamaksudega, sh ka kulud FIE-d, OÜ-d, AS-id, MTÜ-d, stipendiumid. Töötasukulud sisaldavad ka FIE-de, OÜ-de, AS-ide, MTÜ-de arvete alusel makstud töötasukulu ning stipendiume. FTE or “full-time equivalent person year” indicates the estimated average work volume of a full-time employee in a calendar year. Remuneration expenditure includes wages and salaries of employees with social and additional taxes, incl. expenditure on self-employed persons, private limited companies, public limited companies, non-profit associations, muneration expenditure also includes wages and salaries and grants paid on the basis of invoices submitted by self-employed persons, private limited companies, public limited companies, non-profit associations. Riigieelarvest eraldatud toetus AITAks jaotatult. Subsidies from state budget divided into FTE toetus töötasukulude katteks. state budget for remuneration Toetus ühe AITA kohta = 112 636 krooni / Subsidy per one FTE = 112, 636 kroons A A x 112 636 Rahvusooper Estonia* 740, 52 90, 00 10 137 240 99, 00 11 150 964 421, 00 47 419 756 61, 00 6 870 796 Kohaliku omavalitsuse eelarvest eraldatud toetus Subsidies from local budget for remuneration expenditure Teatri etendustegevusega otseselt seotud tegelikud töötasukulud Actual remuneration expenditure directly related to performing activities of the theatre Teatri etendustegevusega otseselt mitte seotud tegelikud Actual remuneration expenditure not directly related to performing activities of the theatre Teatri kõik Total remuneration expenditure of the theatre Teatri aruandlus B Theatres reporting Teatri aruandlus C Teatri aruandlus B+C 164, 00 18 472 304 SA Rakvere Teater SA Vene Teater SA Eesti Draamateater 3, 00 1, 00 1, 50 4, 00 2 353 010 8, 50 957 406 Stuudioteater Ilmarine 5, 70 642 025 2, 00 4, 50 14, 25 1 605 063 30, 00 3 379 080 Eesti Teatri Festival 0, 00 8, 00 901 088 Valgete ööde F. 2 057, 97 231 801 428 261 360 639 KOKKU/KESKMINE: Ühendus R. M. Yearbook of Estonian Theatre Statistics 2006 AITA ehk “arvutuslik inimtööaasta” tähistab täistööajaga töötaja arvutuslikku keskmist töömahtu kalendriaastas. * RO Estonia tegevustoetus ei ole kujundatud Kultuuriministri Teatritele riigieelarvest toetuse jagamise komisjoni poolt ning toetus summa ei ole eraldatud AITA-de arvestuse põhiselt. * Activity support of the Estonian National Opera has not been formed by the Minister of Culture Committee allocating subsidies from the state budget to the teatres, the sum of the support has not been allocated based on FTE accounting. Tabelis on lisaks etendustegevusega otseselt seotud töötasukuludele võrdluseks teatri kõik töötasukulud kokku. The table includes, in addition to the remuneration expenditure directly related to performing activities, the total remuneration expenditure of the theatre in order to enable comparison. Teatri etendustegevusega otseselt seotud tegelikud töötasukulud on valdavalt suuremad kui riigieelarvest eraldatud toetus antud töötasukulude katteks. Tekkinud vahe katab teater üldjuhul omatulude arvelt. Kohaliku omavalitsuse teatritel (Tallinna Linnateater, Kuressaare Linnateater) katab olulise osa palgakuludest toetus linna eelarvest. Actual remuneration expenditure directly related to performing activities of the theatre is bigger than the subsidy for the respective remuneration expenditure allocated from the state budget. The difference is usually compensated on account of own income of the theatre. The municipal theatres (Tallinn City Theatre, Kuressaare City Theatre) uuslavastused new productions Gurmaanid – 2 René Eespere ooper. Kameeliadaam Ballett Ferenc Liszti muusikale. Lavastaja ja koreograaf: Tiit Härm. Kunstnik: Eldor Renter. Valguskunstnik: Klaus Gärditz. Dirigendid: Jüri Alperten ja Aivo Välja. Muusika valinud: Tiit Härm ja Gennadi Taniel. Muusika arranžeerinud: Gennadi Taniel. Repetiitorid: Elita Erkina, Irina Härm, Juri Jekimov, Viktor Fedortšenko, Katrin Kivimägi. Kontsertmeistrid: Anneli Tohver, Milena Borissevitš, Vladima Jeremjan. Etenduse juht: Jüri Kruus. Osades: Marguerite Gautier, kurtisaan − Marina Chirkova, Olga Rjabikova, Luana Georg. Armand Duval, provintsinooruk Pariisis − Vladimir Arhangelski, Linnar Looris, Allan Simson. Georg Duval, tema isa − Sergei Fedossejev, Anatoli Arhangelski, Vitali Nikolajev. Krahv de Giray − Linnar Looris, Vitali Nikolajev, Sergei Fedossejev, Anatoli Arhangelski. Saint-Gaudens − Anatoli Arhangelski, Vladislav Levskoi, Gena Germanovitš. Gaston Rieux − Artjom Maksakov, Allan Simson, Andrei Mihnevitš. Olympe, kurtisaan − Olga Rjabikova, Kaja Kreitzberg, Heidi Kopti. Anaïs, kurtisaan − Galina Lauš, Marika Muiste, Luana Georg. Nanine, Margueritei toatüdruk − Svetlana Firsina, Kaire Kasetalu. Külalised salongis ja ballil ning unenäoviirastused − Heidi Kopti, Ingrid Gilden, Yearbook of Estonian Theatre Statistics 2006 Marika Muiste, Darja Günter, Urve-Ly Voogand, Kaja Kreitzberg, Margarita Dombrovskaja, Dagmar Rang-Saal, Maigret Peetson, Inna Sõrmus, Sanna Kondas, Tiina Kripsaar, Tuuli Peremees, Anna Zadorožnjuk, Satu-Ludmilla Pussinen, Nazomi Inoue, Irina Fedorova, Helen Org, Oksana Titova, Svetlana Pavlova, Kaire Kasetalu, Reet Albre, Marina Kesler, Svetlana Firsina, Viktoria Voronina, Daniel Kirspuu, Sergei Oberemok, Vladislav Levskoi, Allan Simson, Gena Germanovitš, Andrei Mihnevitš, Viktor Kovalenko, Viktor Jelissejev, Sergei Lvov, Aleksei Jermakov, Alexey Korolev, Artjom Maksakov, Vladimir Klepinin, Oleg Lipovetski, Daniil Kolmin, Mihail Pulin. Osades: Preester, doktor − Priit Volmer. Sebastian − Rauno Elp. Oksjonipidaja, sanitar − Mart Madiste. Vürstinna − Riina Airenne. Parun − Jassi Zahharov. Londoni oksjonil osalejad − Rahvusooper Estonia koor. Rahvusooper Estonia sümfooniaorkester Maailmaesietendus 3. märtsil 2006 teatrisaalis. Talupoja au. Pajatsid. Pietro Mascagni ja Ruggero Leoncavallo ooperid. Lavastaja: Neeme Kuningas. Muusikaline juht ja dirigent: Arvo Volmer. Dirigendid: Jüri Alperten, Aivo Välja. Lavakujundus: Charles Cusick Smith (Šotimaa. Kostüümid: Charles Cusick Smith (“Talupoja au”, “Pajatsid”) ja Ivo Nikkolo (“Pajatsid”. Kostüümikunstniku assistent: Ester Kannelmäe (“Pajatsid”. Valgus: Charles Cusick Smith, Neeme Jõe, Neeme Kuningas. Peakoormeister: Elmo Tiisvald. Koormeistrid: Heli Jürgenson, Hirvo Surva. Kontsertmeistrid: Tarmo Eespere, Zoja Hertz, Ivo Sillamaa, Ralf Taal. Näitejuht: Helgi Sallo. Lavastaja assistendid: Tõnu Tamm (“Pajatsid”) Tiit Tralla (“Talupoja au”. Etenduse juhid: Alar Haak, Peeter Karell, Rein Taidla. „Talupoja au” osades: Santuzza − Nadia Kurem, Pille Lill, Irmgard Vilsmaier (Saksamaa. Turiddu − Vello Jürna, Oleg Orlovs (Läti) Mart Madiste. Alfio − Rauno Elp, Aare Saal, Jassi Zahharov. Lola − Helen Lokuta, Janne Ševtšenko, Valentina Taluma. Mamma Lucia − Riina Airenne, Juuli Lill, Ülle Tundla. Linnaelanikud – Rahvusooper Estonia ooperikoor ja poistekoor. Rahvusooper Estonia sümfooniaorkester Mustad sülfiidid − Reet Albre, Margarita Dombrovskaja, Kaire Kasetalu, Marina Kesler, Kaja Kreitzberg, Helen Org, Dagmar Rang-Saal, Svetlana Pavlova, Viktoria Voronina, Urve-Ly Voogand, Satu-Ludmilla nnapea provintsist − Juri Mihhejev. Linnapea naine − Marina Kesler, Tuuli Peremees. Linnapea poeg − Oleg Lipovetski, Sergei Lvov. Blanche, Armandi õde − Tiina Kripsaar, Oksana Titova. Armandi dublant − Gena Germanovitš, Sergei Oberemok. “Pajatsid” osades: Proloog − Rauno Elp, Jassi Zahharov, Aare Saal. Canio; Pagliaccio − Vello Jürna, Oleg Orlovs (Läti) Heikki Siukola (Soome) Kristian Benedikt (Leedu. Nedda; Colombina − Heli Veskus, Julia Semjonova, Janne Ševtšenko, Kristina Vähi, Merle Hillep. Tonio; Taddeo − Aleksandr Mihhailov, Jassi Zahharov, Leonid Savitski. Peppe; Arlecchino − Mart Madiste, Urmas Põldma, Lembit Tolga, Andres Köster. Silvio − Rauno Elp, Aare Saal, René Soom, Taavi Tampuu. Kaks pidulist − Igor Tsenkman, Vladislav Horuženko. Linnaelanikud – Rahvusooper Estonia ooperikoor ja poistekoor. Esietendus 2. veebruaril 2006 teatrisaalis. La Clemenza di Tito (“Tituse halastus”) Wolfgang Amadeus Mozarti ooperi kontsertettekanne. Dirigent: Arvo Volmer. Koormeister: Elmo Tiisvald. Kontsertmeistrid: Ivo Sillamaa. Kunstnik: Anne-Mai Heimola. Orkestri kontsertmeister: Toomas Bubert. Etenduse juht: Rein Taidla Solistid: Tito (Titus Flavius Vespasianus) Rooma valitseja − Herbert Lippert (Austria. Vitellia, troonilt tõugatud valitseja Vitelliuse tütar − Christina Lamberti (USA. Servilia, Sesto õde − Kristine Gailite (Läti. Sesto (Sextus) Tito sõber, Vitellia austaja − Annaliisa Pillak. Annio (Annius) Sesto sõber, Servilia austaja − Helen Lokuta. Publio (Publius) keisri ihukaitseväe ülem − Priit Volmer. Rahvusooper „Estonia” sümfooniaorkester ja ooperikoor. Orkestri solistid: basso continuo: klaveril Ivo Sillamaa, tšellol Mart Laas; klarnetil Vahur Vurm, bassettklarnetil Vello Sakkos. Kontsertettekanded 18. ja 19. veebruaril 2006 teatrisaalis. Lavastaja ja kunstnik: Ervin Õunapuu. Muusikaline juht ja dirigent: Arvo Volmer. Dirigent: Aivo Välja. Valgusmeister: Neeme Jõe. Kontsertmeister: Tarmo Eespere. Koormeister: Elmo Tiisvald. Orkestri kontsertmeister: Toomas Bubert. Etenduse juht: Peeter Karell. Kriisa. Eesav − Marko Mäesaar. Eefraim − Joonas Parve. Olovernese sõdurid: Nineve − Aare Kodasma. Ragau − Kalev Vaidla. Ismael − Sven Tarlap. Askelon − Olev Kriisa. Muslim − Joonas Parve. Ahmet − Marko Mäesaar. Esietenduse 22. septembril 2006 teatrisaali laval. Tuhkatriinu Gioachino Rossini koomiline ooper. Muusikaline juht ja dirigent: Arvo Volmer. Dirigent: Jüri Alperten. Lavastaja, lava- ja valguskujundaja: Michiel Dijkema (Holland. Kostüümid: Claudia Damm (Saksamaa. Koormeister: Elmo Tiisvald. Kontsertmeistrid: Ivo Sillamaa, Tarmo Eespere, Ralf Taal, Zoja Hertz, Riina Pikani. Lavastaja assistendid: Tõnu Tamm, Ellen Maiste. Valguskunstniku assistent: Bas Bergensen. Orkestri kontsertmeister: Toomas Bubert. Etenduse juhid: Peeter Karell, Rein Taidla. Osades: Angelina (Tuhkatriinu) Don Magnifico võõrastütar − Helen Lokuta, Annaliisa Pillak. Don Ramiro, Salerno prints − Juhan Tralla, Kestutis Alčauskis (Leedu) Roland Liiv. Dandini, Don Ramiro toapoiss − Aare Saal, René Soom, Rauno Elp, Taavi Tampuu. Don Magnifico, Monte Fiascone parun − Rauno Elp. Clorinda, tema tütar − Valentina Taluma, Janne Ševtšenko, Kristina Vähi, Angelika Mikk. Tisbe, tema tütar − Riina Airenne, Teele Jõks, Juuli Lill. Alidoro, Don Ramiro õpetaja − Mati Palm, Priit Volmer, Mart Laur. Daamid ja härrad printsi õukonnas − Rahvusooper Estonia ooperikoor. Rahvusooper Estonia sümfooniaorkester. Esietendus 10. novembril 2006 teatrisaalis. Paar Noortelavastus Kati Kivitari stsenaariumi “Paar” ja Hans Nordbergi näidendi “aaron:juuni” põhjal. Lavastaja ja koreograaf: Kati Kivitar. Kunstnik: Annika Aedma. Muusikaline kujundaja: Marko Kask. Valguskunstnik: Priidu Adlas. Videokunstnik, operaator: Kadri Karu. Videotehnika operaator: Tauno Uibo. Operaator: Siim Allas. Režissöör: Mihkel Soe. Režissööri assistent: Krista Maajärv. Osades: Juuni − Lee Trei. Aaron − Taavi Tõnisson. Poiss publikust − Sten Karpov (külalisena. Tüdruk publikust ­− Marju Männik või Liis Laigna või Kaia Skoblov (kõik külalisena. Esietendus 20. veebruaril 2006 suures saalis. Esietendus 11. mail 2006 teatrisaalis. Juudit Vahur Kelleri näidend Fr. Kreuzwaldi “Kilplased” ainetel. Anton Hansen Tammsaare draama, pühendatud teatri 100. sünnipäevale. Lavastaja: Vahur Keller. Kunstnik, muusika autor: Kaspar Jancis. Videorežissöör: Priit Hummel. Lavastaja: Katri Aaslav-Tepandi. Kunstnik: Krista Tool. Helilooja ja muusikaline kujundaja: Helena Tulve. Helilooja assistent: Liis Jürgens. Näitejuht: Tõnu Tepandi. Valgusmeister: Neeme Jõe. Etenduse juht: Alar Haak. Osades: Tippinsener – Riho Rosberg. Tippsportlane – Laura Nõlvak. Tippkokk – Tiina Tõnis. Tippfarmer – Anti Kobin. Tipprahuvalvaja – Liivika Hanstin. Tippkirurg – Karin Rask. Osades: Juudit - Garmen Tabor. Susanna − Terje Pennie. Osias − Peeter Raudsepp. Kabris − Jaan Vaidla. Siimeon − Vello Janson. Rabi − Tiit Tralla. Naine lapsega − Diana Dikson-Soom. Olovernes − Tõnu Tepandi. Pagoas − Mati Vaikmaa. Nimetu − René Soom. Akior, Ammoni pealik − Tõnu Tamm. Moabi vürst − Peeter Raudsepp. Kiliikia vürst − Jaan Vaidla. Damaskuse vürst − Vello Janson. Kaldea vürst − Olev Kriisa. Süüria vürst − Alar Haak. Petuulia sõdurid: Gideon, 1. väravavaht − Aare Kodasma. Eelija, 2. väravavaht − Kalev Vaidla. Naatanael, 3. väravavaht − Sven Tarlap. Jakob, 4. väravavaht − Olev Esietendus 11. märtsil 2006 Tallinna Linnateatri Taevalaval. Appi! Andres Noormetsa nukunäidend väikelastele. Lavastaja: Leino Rei. Kunstnik: Rosita Raud. Muusika autor ja kujundaja: Jaan Sööt Osades: Hans − Kristofer-Henn Pai (külalisena) või Ramses Sepp (külalisena. Ema − Ingrid Isotamm. Isa − Andres Roosileht. Vanaisa − Taavi Tõnisson. Nina − Andres Roosileht. Parem Käsi − Ingrid Isotamm. Vasak Käsi − new productions uuslavastused Taavi Tõnisson. Televiisor − Lee Trei. Esietendus 18. märtsil 2006 ovaalsaalis. ENDLA TEATER 2006 – eesti dramaturgia aasta Noortemuusikal William Shakespeare`i näidendi „Romeo ja Julia” ainetel. Rehepapp Libreto autor ja lavastaja: Andres Dvinjaninov. Helilooja: Elmar Liitmaa. Helilooja ja laulusõnade autor: Jaagup Kreem. Muusikaline juht: Kaire Vilgats. Lava- ja valguskunstnik: Iir Hermeliin (Tallinna Linnateater. Kostüümikunstnik: Kersti Varrak. Koreograaf: Jüri Nael (Eesti Tantsuagentuur. Lavastaja: Priit Pedajas. Kunstnik: Pille Jänes. Valguskunstnik: Kalle Kuningas. Osades: Julia − Hele Kõre (Tallinna Linnateater) või Liisi Koikson (külalisena. Romeo − Kristjan Kasearu (külalisena. Capp − Riho Rosberg. Sinjoora − Liivika Hanstin. Paps − Margus Tabor (külalisena) või Toomas Kreen. Ema − Tiina Tõnis. Amps − Kaire Vilgats (külalisena. Paris − Tõnu Kilgas (külalisena) või Andres Dvinjaninov. Vend − Rain Simmul (Tallinna Linnateater) või Andres Roosileht. Merc − Jaagup Kreem. Ben − Taavi Tõnisson. Roosa − Lee Trei. Ball − Ingrid Isotamm. Pabra − Laura Nõlvak. Samm − Andres Roosileht või Toomas Kreem. Greg − Anti Kobin. Tüüp − Tarmo Männard. Will − Are Uder. Esietendus 25. augustil 2006 siseõue saalis. Värvid Maria Uski nukulavastus väikelastele. Lavastaja: Maria Usk. Muusika autor: Mari Amor. Osades: Must Kuningas – Taavi Tõnisson. Valge Haldjas – Laura Nõlvak. Erinevad rollid – Reet Loderaud. Esietendus 14. oktoobril 2006 vahesaalis. Tsuhh, tsuhh, tsuhh … Helle Laasi nukunäidend väikelastele. Lavastaja: Helle Laas. Kunstnik: Riina Vanhanen. Osades: Kana; Kass; Õunauss; Mesilaste parv – Helle Laas. Kukk; Kassipoeg; Koer; Mesilane – Riho Tammert. Part; Siga – Are Uder. Esietendus 5. novembril 2006 ovaalsaalis. Lepatriinude jõulud Nukulavastus Janno Põldmaa dramatiseeringu alusel. Lavastaja: Janno Põldma, Heiki Ernits. Kunstnik: Heiki Ernits. Muusika autor: Sven Grünberg. Esietendus 8. detsembril 2006 suures saalis. Markuse evangeelium Piibli-aineline draama täiskasvanutele. Lavastajad ja muusikalised kujundajad: Andres Roosileht, Vahur Keller. Muusika autor: Philip Glass. Kunstnik: Marge Martin. Osas: Kunstnik − Andres Roosileht. Esietendus 12. detsembril 2006 Köismäe tornis. EMTA Lavakunstikooli 22. lennu bakalaureuselavastus. Osades: Rehepapp Sander – Sergo Vares. ­Kubjas Hans – Nero Urke. Räägu Rein – Markus Luik. Liina – Mari-Liis Lill. Lumememm – Ursula Ratasepp. Koera Kaarel – Mihkel Kabel. Jaan, Kaarli sulane – Martin Kõiv. Õuna Endel – Tõnn Lamp. Luise – Britta Vahur. Nõid Minna – Laura Peterson. Vanatühi – Lauri Lagle. Imbi – Inga Salurand. Ärni – Veiko Tubin. Kratt Joosep – Risto Kübar. Sorgu Mai – Ragne Pekarev. Esietendus 17. veebruaril 2006 Suures saalis. Sõbrapäev Noorte näidend. Autorid: Liisu Krass ja Sandra Sillaots. Lavastaja: Enn Keerd. Kunstnik: Jaanika Arum. Helindaja: Janek Vlassov. Valgustaja: Jaan Laur. Endla Noortestuudio lavastus. Osades: Lisett – Liisi Tojak. Lisett – Jaanika Arum. Kai – Liis Ree. Kai – Katrin Maidre. Liina – Teele Tõnismann. Britt – Aile Jaansalu. Madleen – Helen Ojamets. Maria – Darja Varjonova. Margus – Otti Eylandt. Kaspar – Hendrik Elstein. Karl – Rauno Õispuu. Esietendus 25. veebruaril 2006 Küünis. August Kitzbergi draama raha ja inimese teravast vastuolust. Lavastaja: Andres Noormets. Kunstnik: Silver Vahtre. Muusikaline kujundaja: Andres Noormets. Valguskunstnik: Triin Rahnu Osades: Mogri Märt – Jaan Rekkor. Mari, selle naine – Helle Kuningas. Märt, nende poeg – Ago Anderson. Miili, nende tütar – Kaili Närep. Mäidu, Miili poeg – Johannes Seeman. Mäidu, Miili poeg – Oskar Seeman. Masa Ants – Ahti Puudersell. Leena, selle tütar – Ireen Kennik või Karin Tammaru. Peeter Pärn – Sepo Seeman. Anu – Siina Üksküla. Marjapuu – Enn Keerd. Kõik teised – Lauri Kink ja Tambet Seling. Koorid – Ambla koor: Helju Jõgi, Luule Kütismaa, Kairi Pard, Kadri Maurus, Ingrid Inno, Tiia Pihlak, Tiina Laumets, Kersti Saame, Küllike Pärn, Katrin Lumiste, Ave Prints, Aune Suve, Ants Tedrekull, Tõnu Puusepp, Kaja Kraav, Liisa Pärn, Egne Pärn, Kerstin Saame, Reet Kaljula, Hilda Saarepera, Aita Paap, Eva Kobrand, Helve Saar, Maret Alev, Ingrid Liivak. Lehtse kammerkoor: Kadri Tamminen, Maret Must, Siiri Nork, Heli Sild, Kadri Toomingas. Järva-Jaani koor: Pille Aaloe, Aime Läänesaar, Kaja Pernik, Lia Ojakõiv, Margit Selge, Tiia Abroi, Heli Kark, Ede-Ly Arusalu, Maimu Plinker, Nadežda Parts, Ülle Haviko, Ilme Murumaa. Türi kammerkoor: Marju Mändmaa, Merit Männi, Karin Koitla, Lea Urb, Tiina Kivimäe, Eve Oidekivi, Anne Martis, Tea Saar, Sirli Kriisa, Ester Pindmaa, Silva Ott, Tiiu Schüts, Arne Pindmaa, Tõnu Mändmaa, Ants Oidekivi, Mati Urve, Peeter Sergejev, Kaido Paju, Arne Jago. Paide ÜG koor: Gadi Rohtjärv, Liisa Randmaa, Mariin Veskimäe, Mariann Vissak, Dagmar Nakus, Eva Pattai. Solare: Reet Aru, Ulvi Eenmaa, Elo Forsel, Sven Forsel, Ly Hiire, Ille Hõbemägi, Meeli Hüüs, Anu Jänes, Maido Jänes, Maie Kaja, Ülle Kalvik, Ingrid Kesler, Valdek Kilk, Rasmus Kits, Günter Kits, Merike Kolde, Tiit Kullerkupp, Aare Kulli, Diana Kuntor, Thea Lepasaar, Ülle Otsa, Aare Pärna, Marju Saluste, Fjodor Tint, Aare Treial, Regina Triebstok, Heldur Uibo, Riina Veidenbaum, Meret Villo. Üle-eestiline neidudekoor Leelo: Kaisa Surva, Laidi Surva, Heidi Öövel, Marilis Aasa, Helen Valk, Liis Tiik, Mari Teesalu, Ruth Karutoom, Katrin Sarapuu, Minna Sillamaa, Liis Kalda, Laura Junson. Virumaa Tütarlastekoor: Elise Reineberg, Siret Tuula, Liisa Allsoo, Alina Rodiženko, Helen Kapp, Doriskatre Truuver, Merilin Tooming, Birgit Pohlak, Eeva-Maarja Laur, Piret Filanovitš. Türi Noortekoor: Janell Lohvart, Mirjam Rõõmussaar, Katre Nukka, Bärbel Albert, Sänni Noormets, Eveli Pettai, Aili Meier, Annamari Kenk, Mari Meentalo, Elerin Öövel, Sille Heinaste, Rasmus Urb, Tarmo Selter, Siret Heinaste. Üle-Eestiline poistekoor Kalev: Ott Kartau, Roland Mällo, Jürgen Jõgeva, Jaanis Juhanson. Esietendus 15. juunil 2006 Vargamäel Albu vallas. Nagu poisid vihma käes Esietendus 17. märtsil 2006 Suures saalis. Jim Ashilevi tänapäevadraama. Jussikese seitse sõpra Lavastaja ja muusikaline kujundaja: Andres Noormets. Kunstnik: Silver Vahtre. Muusika autor: Feliks Kütt. Valguskunstnik: Margus Vaigur. Lastelavastus Silvi Väljali lastejutu põhjal. Dramatiseerija: Kiti Kaur. Lavastaja: Piret Rauk. Kunstnik: Liina Unt. Muusikaline kujundaja: Feliks Kütt Lavastus valmis koostöös Kuressaare Linnateatriga. Osades: Jussike – Ago Anderson. Ema, Kolmapäev, Laupäev – Ireen Kennik või Kaili Närep. Isa, Teisipäev, Reede – Tambet Seling. Esmaspäev, Neljapäev, Pühapäev – Lauri Kink. Öökulli hääl – Helle Kuningas. Osades: Teivi / Kärn – Helgur Rosenthal. Jan Arter – Erni Kask. Villem / Vill / Villu – Tambet Seling. Brutus – Indrek Taalmaa. Dr. Gepard – Janek Joost. Misel – Kadri Noormets. Misel – Marta Pulk. Naine #1 – Piret Laurimaa. Naine #2 – Kaili Närep. Aadu – Lauri Kink. Poiss – Kaspar Jõhvik. Poiss – Otti Eylandt. Poiss – Rauno Õispuu. Poiss – Hendrik Elstein. Esietendus 21. juunil 2006 Pärnu Muuseumi Aidas. Esietendused 18. aprillil Kuressaare Linnateatris ja 22. aprillil 2006 Endla Teatri Suures saalis. Võikõllane üü Vargamäe kuningriik Lavastaja: Enn Keerd. Kunstnik: Silver Vahtre. Muusikaline kujundaja: Renate Valme. Valguskunstnik: Kalle Kuningas. Suvelavastus Anton Hansen Tammsaare „Tõe ja õiguse” V ja I osa põhjal. Dramatiseerija: Urmas Lennuk. Lavastaja: Jaanus Rohumaa (Tallinna Linnateater. Kunstnik: Aime Unt. Muusikajuht: Hirvo Surva. Liikumisjuhid: Jaanus Rohumaa ja Teet Kask. Etenduse juht: Aigi Veski. Rakvere Teatri ja Endla Teatri koostööna valminud lavastus. Osades: Mia – Lee Trei või Laura Nõlvak. Tim – Taavi Tõnisson või Venno Loosaar. Peeter – Are Uder või Anti Kobin. Mauno – Hendrik Toompere või Riho Rosberg. Pedro – Hendrik Toompere või Riho Rosberg. Max – Tiina Tõnis või Tarmo Männard. Heino – Are Uder või Anti Kobin. Vladislav – Liivika Hanstin või Ingrid Isotamm. Kusti – Hendrik Toompere või Riho Rosberg. Salvadore – Tiina Tõnis või Tarmo Männard. Rähn – Liivika Hanstin või Ingrid Isotamm. Kellakägu – Liivika Hanstin või Ingrid Isotamm. Jussi – Are Uder või Anti Kobin. Telediktor – Hannes Võrno (külalisena ekraanil. Komöödia Andrus Kivirähki romaani põhjal. Dramatiseerija: Taago Tubin Yearbook of Estonian Theatre Statistics 2006 Romeo & Julia Osades: Noor Andres − Üllar Saaremäe. Noor Pearu − Sepo Seeman. Krõõt − Carmen Mikiver. Väike (noor) Indrek − Oskar Seeman. Indrek − Märt Avandi. Tiina − Karin Tammaru. Vana Andres − Madis Kalmet. Vana Pearu − Peeter Jakobi. Maret − Ülle Lichtfeldt. Sass − Eduard Salmistu. Karla − Tarvo Sõmer. Ida − Tiina Mälberg. Eedi − Velvo Väli. Oskar − Taavi Lepik. Elli − Anneli Rahkema. Ott − Margus Stalte. Juuli − Kati Ong. Kassiaru Nõmman − Ahti Puudersell. Kassiaru Nõmmani kaaslane − Ülle Lichtfeldt. Sauna Madis − Toomas Suuman. Koer Pollo − Ago Anderson. Vargamäe lapsed − Johannes Seeman ja Marii Ingriin Saaremäe. Jaan Kruusvalli eesti draama. Osades: Gerhard – Indrek Taalmaa. Leontiine – Carmen Mikiver. Uudu – Lauri Kink. Roosa – Helle Kuningas. Matilde – Lii Tedre. Esietendus 14. oktoobril 2006 Küünis. * TÜ Viljandi Kultuuriakadeemia. Väike Illimar Selged pildid lapsepõlvest. Friedebert Tuglase jutustuse dramatiseering. Dramatiseerija ja lavastaja: Tiit Palu. Kunstnik: Silver Vahtre. Muusikaline kujundaja ja koormeister: Feliks Kütt. Valguskunstnik: Margus Vaigur. Osades: Väike Illimar – Jüri Vlassov. Ema – Liina Tennosaar. Isa – Sepo Seeman. Sohvi – Kaili Närep. Hirmu-Juhan – Feliks Kark. Lell – Ahti Puudersell. Karla – Tambet Seling. Esietendus 28. oktoobril 2006 Suures saalis. Koduabiline Astrid Reinla komöödia. Lavastaja: Tiit Palu. Kunstnik: Andrus Jõhvik. Muusikaline kujundaja: Tiit Palu. Valgustaja: Karmen Tellisaar. Osades: Kiira – Kaili Närep. Martin – Jaan Rekkor. Kardo – Tambet Seling. Julius – Indrek Taalmaa. Esietendus 23. novembril Suures saalis. Liblikas ja peegel Jaan Kaplinski poeetiline draama. Lavastaja: Madis Kalmet. Muusika autor ja lõpulaulu esitaja: Riho Sibul. Valguskunstnik: Margus Vaigur. Osades: Mees – Märt Avandi. Naine – Karin Tammaru. Poeg – Ott Midenbritt. Poeg – Oskar Seeman. Anu – Kersti Heinloo. Vanamees – Guido Kangur. Esietendus 2. detsembril 2006 Küünis. Sabaga täht Eva Koffi südamlik lugu lastele. Lavastaja: Andres Noormets. Kunstnik: Marge Martin. Muusika autor ja muusikaline kujundaja: Feliks Kütt. Valgusmeister: Kalle Kuningas. Osades: Tiiger Sebedeus – Ahti Puudersell. Karu Tiit – Lauri Kink. Jääkaru Teet – Ago Anderson. Mesilane Tõnu – Rauno Õispuu. Mesilane Tõnu – Lauri-Kare Laos. Lillehaldjas Lill – Liis Ree või Helen Ojamets. Päike Päike – Helle Kuningas. Koer Paul – Otti Eylandt. Koer Paul – Hendrik Elstein. Komeediparandaja – Enn Keerd. Esietendus 12. detsembril Suures saalis. Yearbook of Estonian Theatre Statistics 2006 Sada aastat Gabriel Garcia Marquezei romaanil „Sada aastat üksildust” põhinev Toomas Hussari dramatiseering. Tõlkija: Aita Kurfeldt. Lavastaja: Hendrik Toompere jun. Lavakujundus: Ervin Õunapuu. Kostüümikunstnik: Pille Jänes. Muusikaline kujundaja: Andreas W. Valguskunstnikud: Hendrik Toompere, Tõnu Eimra. Osades: Jose Arcadio Buendia – Riho Kütsar. Ursula Buendia – Külliki Saldre. Arcadio Buendia – Tanel Jonas. Aureliano Buendia – Raivo Rebecca – Katrin Pärn. Pedro – Ao Peep. Pilar Tenera – Herta Elviste. Melquiades – Lembit Eelmäe ja Alo Kurvits. Don Apolinare – Margus Jaanovits. Amparo – Alina Karmazina. Rmedios – Piret Simson. Pietro Crespi – Andres Mähar. Paater Nicanor – Jüri Lumiste. Alirio Noguera – Raivo Adlas. Proua – Kais Adlas. Sõdurid – Jaak Vanamb, Hillar Laane, Tarmo Põder, Tarmo Vahtra. Muusikud – Mait Sikk, Jaanus Roosileht. Esietendus 28. jaanuaril 2006 Vanemuise suures majas. Acis ja Galatea Muusikajuht ja dirigent: Lauri Sirp. Valguskunstnik: Igor Kapustin. Koreograaf: Ilja Vlasenko (Läti. Lavastaja assistent: Taisto Noor. Repetiitor: Rufina Noor. Kontsertmeistrid: Jaanika Rand-Sirp, Ele Sonn. Koormeister: Piret Talts. Koori kontsertmeister: Marika Mägi. – Andres Mähar või Leino Rei. Valentina – Merle Jääger. Nikolai – Tanel Jonas. Osades: Galatea – Karmen Puis. Acis – Roland Liiv. Polyphemus – Taisto Noor või Märt Jakobson. Damon – Kristina Vähi või Pirjo Püvi. Salongi koristaja – Aili Jürissaar. Eva – Darli Thomson. Adam – Anton Jakovlev. Tantsustseenides: Kristaps Kikulis, Olegs Alens Piskunovs, Jevgenia Penkova, Eva Luts, Annika Kaasik, Saile Langsepp. Teistes osades: Helina Randma, Katrin Makarov, Kristel Lelumees, Elmar Pool, Uku-Markus Simmermann, Mario Kroon, Enor Niinemägi, Allan Sims, Hannes Aaresild. Andrus Kivirähki komöödia. Esietendus 3. veebruaril 2006 Vanemuise väikeses majas. Vabamõtleja Eric Emmanuel Schmitti filosoofiline komöödia. Tõlkija: Margus Alver. Lavastaja: Madis Kalmet. Kunstnik: Ann Lumiste. Muusikaline kujundaja: Tooms Lunge. Valguskunstnik: Margus Vaigur Osades: Denis Diderot – Jan Uuspõld. Anna Dorothea Trebouche – Helena Merzin. Antoinette Diderot – Karin Tammaru. Anqelique Diderot – Marianne Kütt. Preili von Holbach – Marika Barabanštšikova või Ragne Pekarev. Baronnet – Indrek Tulp. Esietendus 15. veebruaril 2006 Vanemuise väikeses majas. Nahkhiir Johann Straussi operett. Libreto: Karl Haffner, Richard Genee. Tõlkijad: Kulno Süvalep, Aivar Tommingas. Lavastaja ja kunstnik: Mare Tommingas. Muusikaline juht ja dirigent: Hendrik Vestmann. Dirigent: Lauri Sirp. Näitejuht: Aivar Tommingas. Valguskunstnikud: Mare Tommingas, Tõnu Eimra. Koreograaf: Jelena Karpova. Tantsude repetiitorid: Svetlana Unt, Jelena Karpova. Kontsertmeistrid: Made Sõlg, Irina Oja, Marika Mägi. Koormeister: Piret Talts. Osades: Heinrich Gabriel von Einstein – Urmas Põldma. Rosalinde – Alla Popova või Karmen Puis. Adele – Angelika Mikk või Merle Jalakas. – Jaan Willem Sibul. Alfred – Mati Kõrts. Frank – Taisto Noor. Vürst Orlovski – Aare Saal. – Tõnu Kattai. Ida – Siiri Koodres. Frosch – Aivar Tommingas. Amadeus – Märt Jakobson. Amalie – Tiina Tikk. Lotte – Maarja Paugus. Metsnik – Tiit Lilleorg. Ivan – Pavel Mokrov. Esietendus 25. veebruaril 2006 Vanemuise suures majas. LHistoire du soldat (Sõduri lugu) Tantsudraama Charles Ferdinand Ramuzi teose põhjal Igor Stravinski muusikale. Tõlkija: Häidi Kolle. Lavastajaja koreograaf: Rachid Tika (Belgia. Kunstnik: Elise Neirinck (Belgia. Dirigent: Toomas Vavilov. Valguskunstnik:Kaisa Salmi (Soome) Tantsijad: Alens Piskunovs, Andrus Laur, Hayley-Jean Blackburn, Hirotaka Seki, Indrek Apinis, Janek Savolainen, Julia Litvinenko, Kati Ivaste, Kristaps Kikulis, Liisa Taul, Marju Männik, Marko Mäesaar, Olga Statsevitsh, Ruslan Stepanov. Ansambel: Tromboon – Kait Tiitso. Trompet – Karl Vakker. Kontrabass – Linda Jakovski. Viiul – Kristel Eeroja-Põdoja. Löökriistad – Margus Tammemägi. Klarnet – Margus Vahemets. Fagott – Rene Sepalaan. Esietendus 3. märtsil 2006 Sadamateatris Tähed hommikutaevas Aleksander Galini draama. Tõlkija: Sven Karja. Georg Friedrich Händeli ooper. Libreto: John Gray. Lavastaja: Eva Klemets. Kunstnik: Liina Tepand. Valguskunstnik: Airi Eras. Lavastaja: Indra Roga (Läti. Lavakujundus: Andris Freibergs (Läti. Kostüümikunstnik: Kristine Jurijane (Läti. Osades: Maria – Alina Karmazina. Anna – Külliki Saldre. Lora – Katrin Pärn. Klara – Piret Simson. Aleksander Esietendus 24. märtsil 2006 Sadamateatris. Teatriparadiis Lavastaja: Ain Mäeots. Kunstnik: Iir Hermeliin. Muusikaline kujundaja: Toomas Lunge. Valguskunstnik: Andres Sarv. Osades: Vanemuine – Andres Dvinjaninov. Menning – Jüri Lumiste. Lauter – Hannes Kaljujärv. Kaarel – Riho Kütsar. Ants – Margus Jaanovits. Paul – Indrek Taalmaa. Ruts – Jan Uuspõld. Volli – Raivo Altermann – Ott Sepp. Ird – Aivar Tommingas. Erna – Helena Merzin. Aino – Marika Barabanštšikova. Liina – Liina Tennosaar. Mari – Kais Adlas. Esietendus 27. märtsil 2006 Vanemuise suures majas. Chess Muusikal. Muusika: Benny Andersson, Björn Ulvaeus. Libreto ja laulusõnad: Tim Rice. Tõlkijad: Kelli Uustani, Mart Sander, Maian Kärmas. Dramaturgiline töötlus: Georg Malvius. Lavastaja: Georg Malvius (Rootsi. Kunstnik: Ellen Cairns (Šotimaa. Muusikaline juht ja dirigent: Tarmo Leinatamm. Valguskunstnik: Palle Palme (Rootsi. Koreograaf: Jüri Nael. Koreograafi assistent: Kristin Puhka. Lavastaja assistent: Jüri Lumiste. Helirežissöör: Daniel Lindforss. Kontsertmeistrid: Ele Sonn, Made Sõlg. Koori kontsertmeister: Marika Mägi. Repetiitorid: Svetlana Unt, Jelena Karpova. Osades: Gerli; Florence – Gerli Padar. Janika; Svetlana – Janika Sillamaa. Lauri; Anatoli – Lauri Liiv. Koit; Frederick – Koit Toome. Kohtunik – Aivar Tommingas. Molokov – Taisto Noor. Walter – Erkki Rebane. Popkoor – Susan Lilleväli, Hannaliisa Uusmaa, Siiri Koodres, Mikk Saar, Siim Kumari, Lauri Pihlap. Balletirühm: Marika Aidla, Rita Dolgihh, Karina Domiševa, Polina Žukova, Janika Suurmets, Signe Lange, Kristaps Kikulis, Viktor Larionov, Pavel Mokrov, Ivo Nudinsh, Valmar Pantšenko, Alens Piskunovs, Janek Savolainen, Ruslan Stepanov. Vanemuise ooperikoor ja sümfooniaorkester. Bänd: Jürmo Eespere, Andrus Rannaääre, Riho Lilje, Alari Piispea. Esietendus 2. juunil 2006 Vanemuise suures majas. Tühirand Mati Undi lühiromaani dramatiseering. Dramatiseerija, lavastaja ja muusikaline kujundaja: Ingomar Vihmar. Valguskunstnikud: Ingomar Vihmar, Jaanus Moor. Osades: Mattias – Markus Luik. Eduard – Martin Kõiv. Helina – Ragne Pekarev või Laura Peterson. Marina; Tädi – Ragne Pekarev või Laura Peterson. Esietendus 5. septembril 2006 Sadamateatris. Kõik aias Edward Albee tragikomöödia. Tõlkijad: Lydia Mölder, Jaak Rähesoo. Lavastaja: Roman Baskin. Kunstnik: Kristiina Münd. Muusikaline kujundaja: Toomas Lunge. Valguskunstnik: Tõnu Eimra Osades: Richard – Hannes Kaljujärv. Jenny – Helena Merzin või Maarja Jakobson. Roger – Ott Sepp. Jack – Jüri Lumiste. Mrs Toothe – Külliki Saldre. Beryl – Merle Jääger. Chuck – Riho Kütsar. Louise – Marika Barabanštšikova või Katrin Pärn. Gilbert – Leino Rei. Cynthia – Piret Simson. Perry – Margus Jaanovits. Esietendus 22. septembril 2006 Vanemuise suures majas. Abieluveksel Gioachino Rossini ja Gaetano Rossi koomiline ooper. Tõlkija: Mall Sarv. Lavastaja: Taisto Noor. Muusikaline juht ja dirigent: Lauri Sirp. Kunstnik: Marge Martin. Osades: Tobias Mill – Atlan Karp. Fanny – Merle Jalakas või Kristina Vähi. Edoardo Milfort – Roland Liiv. Slook – Taavi Tampuu. Norton – Märt Jakobson. Clarina – Karmen Puis või Kristiina Vähi. Majateenijad – Meelis Hansing, Endel Kroon, Helen Hansberg. Esietendus 30. septembril 2006 Vanemuise väikeses majas. Tähenõid Luule ja laulude õhtu. Esitajad: Anne Maasik, Heikki-Rein Veromann, Jaan Tooming. Esietendus 4. oktoobril 2006 väikese maja ovaalsaalis. Peer Gynt Ballett Edvard Griegi muusikale Hendrik Ibseni värss­ draama põhjal. Lavastaja, koreograaf ja kunstnik: Mare Tommingas. Muusikaline juht ja dirigent: Toomas Vavilov. Dirigent: Lauri Sirp. Valguskunstnikud: Mare Tommingas, Tõnu Eimra. Video- ja fotoinstallatsioon: Liisi Eelmaa, Urmas Jõemees. Koormeister: Piret Talts. Lavavõitlus: Indrek Sammul. Repetiitorid: Jelena Karpova, Jelena Poznjak-Kõlar. Osades: Peer Gynt – Vladimirs Latišonoks. Ase – Marika Aidla. Solveig – Hayley-Jean Blackburn ja Karmen Puis. Ingrid – Mari Savitski. Tüdruk rohelises – Lilian Sarapuu, Julia Litvinenko, Kristina Markeviciute, Raminta Rudzionyte. Anitra – Karmen Puis, Hayley-Jean Blackburn, Mari Savitski, Lilian Sarapuu, Raminta Rudzionyte, Julia Litvinenko, Kristina Markeviciute, Janika Suurmets, Louise Flanagan, Julia Kaškovskaja, Hilda Palkovskyte, Marija Simona Simulnyte. Mäekuningas – Ruslan Stepanov. Karjusneiud – Rita Dolgihh, Marija Siona Simulnyaite, Maarja Paugus, Helen Hansberg, Siiri Koodres, Katrin Kapinus. Pulmalised – Signe Lange, Sirje Põder, Karina Domiševa, Hilda Palkovskyte, Polina Žukova, Anna Gornostajeva, Pavel Mokrov, Viktor Larionov, Valmar Pantšenko, Ivo Nudinš, Alens Piskunovs, Keegan May. Trollid - Keegan May, Kristaps Kikulis, Alens Piskunovs, Pavel Mokrov, Ivo Nudinš, Valmar Pantšenko, Viktor Larionov, Hirotaka Seki, Raminta Rudžionyte, Julia Litvinenko, Julia Kaškovskaja, Louise Flanagan, Kristina Markeviciute, Janika Suurmets, Marija Simona Simulynaite, Lilian Sarapuu, Polina Žukova, Anna Gornostajeva. Esietendus 27. oktoobril 2006 Vanemuise suures majas. Lumekuninganna Muusikalavastus lastele Hans Christian Anderseni muinasjutu ainetel. Libreto: Leelo Tungal. Muusika: Olav Ehala. Lavastaja: Andres Dvinjaninov. Kunstnik: Rosita Raud. Muusikajuht ja dirigent: Toomas Vavilov. Kontsertmeistrid: Made Sõlg, Ele Sonn, Marika Mägi. Valguskunstnik: Tõnu Eimra. Koreograaf: Heili Lindepuu. Vanemuise Sümfooniaorkester, ooperikoor ja Vanemuise Tantsu-ja Balletikool. Esietendus 25. novembril 2006 Vanemuise suures majas. Lavastaja, koreograaf ja muusikaline kujundaja: Janek Savolainen. Kunstnik: Liina Unt. Valguskunstnikud: Janek Savoleinen, Liina Unt. Videoinstallatsioon: Janek Savolainen, Andres Proode. Repetiitor: Rufina Noor. Osades: Richard Milhous Nixon – Aivar Kallaste. Patricia Nixon – Sirja Põder. Nixonite tütar – Maarja Paugus. Hannah Nixon – Rufina Noor. Hoover – Mari Savitski. Henry Kissinger; Mao Zedong; Leonid Brezhnev; Stanley Kubrick – Katrin Pärn. John chell – Viktor Larionov. Martha Mitchell – Marika Aidla. Richard Helms – Marika Aidla. John Dean; Felt – Rita Dolgihh. H. Haldeman – Valmar Pantšenko. John Erlichman – Keegan May. Pekingi Rahvusballeti tantsijad – Maarja Paugus, Maarika Aidla, Mari Savitski, Rita Dolgihh. Demonstrandid – Maarja Paugus, Marika Aidla, Mari Savitski, Rita Dolgihh, Valmar Pantšenko, Keegan May, Viktor Larionov. Esietendus 30. novembril 2006 Sadamateatris. Elling Tragikomöödia. Autorid: Axel Hellstenius, Ingvar Amjornsen, Peter Naess. Tõlkija: Karin Sooväli. Lavastaja: Ain Mäeots. Kunstnikud: Liina Unt, Liina Tepand. Muusikaline kujundaja: Loore Martma. Osades: Elling – Riho Kütsar. Kjell Bjarne – Margus Jaanovits. Frank Asli – Markus Luik. Reidun Nordsletten; Ettekandja; hooldusõde Gunn – Ragne Pekarev. Esietendus 8. detsembril 2006 Tartu Saksa Kultuuri Instituudis. Autorid, lavastajad ja muusikalised kujundajad: Tiit Ojasoo ja Ene-Liis Semper. Kunstnik: Ene-Liis Semper. Koreograaf: Jüri Nael. Osades: Mirtel Pohla, Gert Raudsep, Kristjan Sarv, Jaak Prints, Tambet Tuisk. Esietendus 5. juulil 2006 Haapsalu lennuväljal. Hirvekütt Michael Cimino draama. Tõlkija: Merike Pilter. Lavastaja: Tiit Ojasoo. Muusikaline kujundaja: Toomas Lunge. Osades: Mike – Tambet Tuisk. Nick – Sergo Vares. Linda – Mirtel Pohla. Steven – Risto Kübar. Stanley jt rollid – Rasmus Kaljujärv. Stanley jt rollid – Jaak Prints. Axel jt rollid – Kristjan Sarv. John jt rollid – Andres Mähar. Julien jt rollid – Gert Raudsep. Angela jt rollid – Inga Salurand. Esietendus 21. oktoobril 2006 suures saalis. Kajakas Anton Tšehhovi draama. Tõlkija: Ingo Normet. Lavastaja: Ingo Normet. Kunstnikud: Elina Beekman ja Laura Kõiv. Näitejuht: Kärt Tomingas. EMTA Lavakunstikooli 23. lennu lavastus. Osades: Irina Arkadina – Elina Pähklimägi. Konstantin Treplev – Kristo Viiding. Konstantin Treplev – Robert Annus. Pjotr Sorin – Juss Haasma. Niina Zaretšnaja – Maarja Mitt. Ilja Šamrajev – Ago Soots. Poliina – Jekaterina Novosjolova. Maša – Agnes Aaliste. Boriss Trigorin – Marek Tammets. Boriss Trigorin – Uku Uusberg. Jevgeni Dorn – Andres Oja. Semjon Medvedenko; Jakov – Meelis Põdersoo. Semjon Medvedenko; Jakov – Martin Mill. Esietendus 23. novembril 2006 väikeses saalis. VILJANDI DRAAMATEATER UGALA Esietendus 11. veebruaril 2006 suures saalis. Keeleuuenduse lõpmattu kurv Kaasegse tantsu lavastus August Kitzbergi „Libahundi” Johannes Aaviku tekstide dramatiseering. Dramatiseerija ja lavastaja: Anu Lamp. Esitajad: Sergo Vares, Britta Vahur, Nero Urke, Veiko Tubin, Tõnn Lamp, Risto Kübar, Inga Salurand, Markus Luik, Martin Kõiv, Ragne Pekarev, Laura Peterson, Mari-Liis Lill, Mihkel Kabel, Lauri Lagle, Ursula Ratasepp. Esietendus 24. märtsil 2006 väikeses saalis. Stalker Vendade Strugatskite jutul põhineva Andrei Tarkovski filmi käsikirja (esimese variandi) dramatiseering. Dramatiseerija: Sebastian Hartmann. Tõlkija: Mati Sirkel. Lavastaja, muusikaline kujundaja ja valguskunstnik: Sebastian Hartmann (Saksamaa. Kunstnik: Peter Schubert. Osades: Naine – Mirtel Pohla. Stalker; Kirjanik; Professor – Kristjan Sarv. Stalker; Kirjanik; Professor – Jaak Prints. Stalker; Kirjanik; Professor – Tambet Tuisk. Stalker; Kirjanik; Professor – Gert Raudsep. Esietendus 6. aprillil 2006 suures saalis. Kuningas Ubu Alfred Jarry draama. Tõlkija: Inge Eller. Lavastaja: Tiit Ojasoo. Muusika autor: Chalice. Lavastaja, koreograaf ja kunstnik: Oleg Titov. Muusikaline kujundaja: Peeter Konovalov. Osades: Tiina – Kadri Lepp. Mari – Hilje Murel. Margus – Tanel Ingi. Tiina ema – Kiiri Tamm. Väike Tiina – Sandra Jakobelovitš või Annika Ilves (külalistena. Rahvas – Carita Vaikjärv, Jaana Kukk, Kata-Riina Luide, Kärt Reemann (külalisena) Karol Kuntsel, Jaanus Kask, Meelis Rämmeld, Aarne Soro. Esietendus 18. veebruaril 2006 väikeses saalis. Saateviga Karoly Szakonyi komöödia. Lavastaja ja muusikaline kujundaja: Marko Matvere. Kunstnik: Krista Tool. Liikumisjuht: Oleg Titov. Osades: Hr. Bodog – Peeter Jürgens. Pr. Bodog, tema naine – Leila Säälik. Vanda, nende tütar – Triinu Meriste. Dönci, nende poeg – Priit Võigemast. Saci, nende minia – Maria Soomets. Imrus, nende noorem poeg – Janek Vadi. Inimesepoeg, nende üüriline – Ott Aardam. Szücs, nende naaber – Arvo Raimo. Peetrus, jünger – Gennadi Gorjajev. Esietendus 25. veebruaril 2006 suures saalis. Väike Tjorven Soolavareselt Lastelavastus Astrid Lindgreni lasteraamatu ja dramatiseeringu põhjal. Tõlkija: Maarja Aaloe-Laur. Lavastaja: Peeter Tammearu. Kunstnik: Jaak Vaus. Osades: Kaj – Martin Kõiv. Gerda – Laura Peterson või Liisi Koikson. Vares – Alo Kurvits. Varesepiiga – Marika Villemson või Merle Aunpuu. Nõid – Merle Jääger. Lumekuninganna; Vanaema – Kaire Vilgats või Siiri Koodres. Röövlitüdruk – Helen Hansberg. Röövliemand – Valentina Kremen. Lapi nõid – Jaan Willem Sibul. Lillevõlur – Merle Jalakas. Prints – Ott Sepp. Printsess – Siiri Koodres. Toapoiss – Meelis Hansing. Tüdrukud – Helen Hansberg ja Merle Jalakas. Poisid – Ott Sepp ja Erkki Rebane. Röövlid – Meelis Hansing, Ao Peep, Tõnu Kattai, Ott Sepp. Mehed – Ao Peep, Tõnu Kattai, Meelis Hansing. Naised – Siiri Koodres, Milvi Luik, Tiina Tikk, Inge Õunapuu. Lilled ja Linnalapsed – Annika Kaasik, Saile-Johanna Langsepp, Liisa Laanisto, Johanna-Brigitta Tarand, Kelli Kustavus, Kertu Loot, Viktoria Valujevski, Maria Valujevski, Viktoria Lovjagina. Dokumentaalne koreograafilis-poliitiline tragöödia Richard Nixoni elust. Osades: Kuningas Ubu – Tõnis Mägi. Emand Ubu – Marika Vaarik. Kapten Porde – Tambet Tuisk. Kuningas Venceslas; Mihhail Fjodorovitš jt rollid – Gert Raudsep. Kuninganna Rosemonde; Nikolai Rensky jt rollid – Inga Salurand. Tobulski jt rollid – Risto Kübar. Boleslas jt rollid – Sergo Vares. Ladislas jt rollid – Andres Mähar. Juhmardiin Nurk; kindral Lascy, teised rollid – Kristjan Sarv. Juhmardiin Triip – Rasmus Kaljujärv. Juhmardiin Muhk – Mirtel Pohla. Stanislas Leczinski jt rollid – Jaak Prints. Yearbook of Estonian Theatre Statistics 2006 Kontsertmeistrid: Jaanika Rand-Sirp, Irina Oja. Valguskunstnik: Andres Sarv Nixon Muusikaline kujundaja: Peeter Konovalov. Liikumisjuht: Oleg Titov Osades: Melker Melkerson, kirjanik – Margus Vaher. Malin – Carita Vaikjärv. Johan – Janek Ingi – Niklas. Pelle – Karol Kuntsel. Tjorven – Jaana Kukk. Tema ema Märta – Kiiri Tamm. Tema isa Nisse – Arvi Mägi. Tema bernhardiin Pootsman – Jaanus Kask. Stina – Kadri Lepp. Tema vanaisa Söderman – Arvo Raimo. Vesterman – Andres Tabun. Väikesaare Kerstin – Maria Soomets. Petter Malm – Ott Aardam. Direktor Karlberg – Peeter Jürgens. Tema tütar Lotta – KataRiina Luide. Vanaproua Sjöblom – Leila Säälik. Lasse, noormees laevalt – Rein Soesoo. Lambad – Angelika Tõnissoo, Kristi Tirmaste, Sandra Raidsalu, Marite Juurik, Grete Sukk, Elis Rätsep, Helis Marleen Vahtra, Glea Habicht (külalistena. Rebane – Sten Aus (külalisena. Esietendus 22. aprillil 2006 suur saal. Kolm klaasikest kirsiviina Tragikomöödia Anton Tšehhovi novellide põhjal. Dramatiseerija: Peeter Tammearu. Tõlkijad: Fr. Tuglas ja V. Linask. Lavastaja: Peeter Tammearu. Kunstnik: Jaak Vaus. Muusikaline kujundaja: Peeter Konovalov. Liikumisjuht: Oleg Titov. Paljudes erinevates osades: Jaana Kukk, Kadri Lepp, KataRiina Luide, Vilma Luik, Triinu Meriste, Hilje Murel, Maria Soomets, Carita Vaikjärv, Anne Valge, Ott Aardam, Sten Aus (külalisena) Tanel Ingi, Peeter Jürgens, Jaanus Kask, Karol Kuntsel, Arvi Mägi, Arvo Raimo, Meelis Rämmeld, Aarne Soro, Margus Tabor (külalisena) Andres Tabun, Janek Vadi, Margus Vaher, Tarvo Vridolin, Priit Võigemast. Esietendus 16. juunil 2006 vabaõhulaval Ugala tiigi kaldal. Keisri hull Jaan Krossi romaani dramatiseering. Yearbook of Estonian Theatre Statistics 2006 Lavastajad: Peeter Tammearu, Jaak Allik. Kunstnik: Jaanus Laagriküll. Liikumisjuht: Oleg Titov. Osades: Timotheus Eberhard von Bock – Peeter Tammearu. Ewa Catharina von Bock ( Mättik) tema naine – Triinu Meriste. Jakob Mättik, Eeva vend – Aarne Soro. Kannuka Peeter, Eeva ja Jakobi isa – Tarvo Vridolin. Kannuka Anne, Eeva ja Jakobi ema – Anne Valge. Peter Zoege von Mannteuffel – Andres Tabun. Elsy (Elisabeth) Peteri naine, Timotheuse õde – Kata-Riina Luide. Aleksander I, Venemaa keiser ja Alexander Laming, Võisiku mõisavalitseja – Meelis Rämmeld. Maria Fjodorovna, keisri ema – Leila Säälik. Krahv Carl Christoph von Lieven – Arvo Raimo. Krahv Peter Ludvig von der Pahlen – Arvi Mägi. Markii Paulucci – Margus Vaher. Jean Frederik La Trobe – Peeter Jürgens. Georg von Bock, Timotheuse vend – Karol Kuntsel. Jüri, Bockide laps – Tobias Tammearu (külalisena. Jüri, mitšman, Bockide poeg täisealisena – Ott Aardam. Dr. Robst – Janek Vadi. Kohtunik – Enn Kose. Kohtukirjutaja ja keisri adjutant – Jaanus Kask. Võimu teenrid – Gennadi Gorjajev ja Tõnu Särki. Esietendus 30. septembril 2006 suures saalis. Igor Bauersima noortedraama. Tõlkija: Olev Mengel. Lavastaja ja muusikaline kujundaja: Priit Võigemast. Kunstnik: Mihkel Ehala. Videokunstnik: Jaanus Toomsalu. Osades: Julie – Carita Vaikjärv. August – Tanel Ingi. Esietendus 7. oktoobril 2006 väikeses saalis. Kes päästab koletise? Kristi Teemuski lastelavastus. Lavastaja: Kristi Teemusk. Kunstnik: Piret Räni. Muusikaline kujundaja: Üllo Kaur. Osades Ugala lastestuudio lapsed: Kärt – Heleri Aas. Reete – Egle Sild. Kaunitar – Kerstin Käärik. Koletis – Martin Loim. Spämmi – Sandra Roosimaa. Haldjate kuninganna – Liiu Matikainen. Kuri haldjas – Keit Triisa. Haldjasaadikud – Brenda Pastimäe, Kristiina Kalliver. Haldjad – Eliise Vainurm, Helen Linn, Mairi Närripä, Merilin Jürjo, Merili Otsma. Esietendus 28. oktoobril 2006 väikeses saalis. Martin Veinmann. Charley − Tõnu Aav. Bernard − Ott Sepp või Lauri Lagle. Howard Wagner − Margus Prangel. Jenny − Elina Reinold. Stanley, kelner − Aleksander Eelmaa. Naine − Külli Reinumägi. Preili Forsythe − Merle Palmiste. Letta − Elina Reinold. Hääled lindilt: Howardi tütar − Emma Lotta Kiviberg. Howardi poeg − Franz Malmsten. Howardi naine − Kaie Mihkelson. Howard − Margus Prangel. Administraator hotellis − Saima Dubro. Marilyn Esietendus 23. veebruaril 2006 väikses saalis. Muusikal. Teksti autorid: Eppu Nuotio, Tiina Brännare, Matti Seppänen. Tõlkijad: Peeter Tammearu (tekst) Kirke Kangro (laulutekstid. Must komöödia Lavastaja: Kalju Komissarov. Lavakujundus: Jaak Vaus. Kostüümid: Gerly Tinn. Muusikajuht: Peeter Konovalov. Koreograaf: Oleg Titov. Osades: Marilyn Monroe – Hilje Murel. Norma Jean 10aastasena – Egle Sild. Gladys, Norma ema – Triinu Meriste. Grace, ema sõbranna – Carita Vaikjärv. Reporter – Arvi Mägi. Allan, grimeerija – Meelis Rämmeld. Natasha, draamaõpetaja – Leila Säälik. Mandy, sekretär – Kata-Riina Luide. Joe DiMaggio, abikaasa – Priit Võigemast. Arthur Miller, abikaasa – Aarne Soro. Milton G., fotograaf ja Tony Curtis – Tanel Ingi. Jim, abikaasa ja Jack Lemmon – Jaanus Kask. Frank Sinatra – Ott Aardam. John F. Kennedy – Karol Kuntsel. Robert Kennedy – Janek Vadi. Psühhiaater – Peeter Jürgens. Režissöörid – Margus Vaher, Andres Tabun. Filmituus – Arvo Raimo. Sanitarid – Anne Valge. Rose, Millerite naaber – Vilma Luik. The Monroe Sistersi liikmed – Jaana Kukk, Kadri Lepp, Maria Soomets. Kõigis teistes osades TÜ Viljandi Kultuuriakadeemia teatrikunsti 7. lennu tudengid: Marilyn Jurman, Mairi Jõgi, Merilin Kirbits, Natali Lohk, Maarika Mesipuu, Kati Ong, Rauno Kaibiainen, Karl Kena, Taavi Lepik, Maarius Pärn, Anatoli Tafitšuk, Johannes Veski. Monroe Orchestra: Trompet – Kaido Pihelgas. Altsaksofon – Dagne Eskor või Sander Udikas. Tenorsaksofon – Marko Kask. Tromboon – Ruslan Trochynskyi. Klaver - Peeter Konovalov. Kitarr – Jan Viileberg. Löökriistad – Kalle Kindel. Kontrabass – Pavel Korotajev. Esietendus 1. detsembril 2006 suures saalis. EESTI DRAAMATEATER Peter Shafferi komöödia. Tõlkija: Hans Luik. Lavastaja: Andrus Vaarik. Kunstnik: Riina Degtjarenko. Muusika autor: Aare Kruusimäe Osades: Brindsley Miller − Taavi Teplenkov või Anti Reinthal. Carol Melkett − Maria Avdjushko. Preili Furnival − Laine Mägi. Kolonel Melkett − Guido Kangur. Harold Gorringe − Tõnu Oja. Clea − Viire Valdma. Schuppanzigh − Ain Lutsepp. Georg Bamberger − Raimo Pass või Anti Reinthal. Esietendus 28. märtsil 2006 suures saalis. Järelmäng Brian Frieli draama. Tõlkija: Krista Kaer. Lavastajad: Kersti Kreismann, Martin Veinmann. Kunstnik ja muusikaline kujundaja: Kersti Kreismann. Osades: Sonja Serebrjakova − Kersti Kreismann. Andrei Prozorov − Martin Veinmann. Esietendus 9. aprillil 2006 Maalisaalis. Kodukoht Lavastaja: Priit Pedajas. Kunstnik: Pille Jänes. Osades: Margaret O'Donnell − Harriet Toompere. Con Doherty − Ivo Uukkivi. Sally Cavanagh − Britta Vahur. Johnny MacLoone − Raido Ringmets või Villu Jõgi. Christopher Gore − Guido Kangur. David Gore − Lauri Lagle. Dr Richard Gore − Jaan Rekkor. Clement O´Donnell − Tõnu Oja. Perkins − Taavi Teplenkov. Mary Sweeney − Laine Mägi. Tommy Boyle − Mihkel Kabel. Maisie McLaughlin − Liisa Tetsmann. Gösta Berlingi saaga Esietendus 7. juunil 2006 Keila-Joa mõisas. Selma Lagerlöfi romaanil põhinev Ülev Aaloe dramatiseering. Tõlkija: Marje Pedajas. Lavastaja: Priit Pedajas. Kunstnik: Aime Unt. Koreograaf: Laine Mägi. Osades: Majoriproua Samzelius − Ita Ever või Kersti Kreismann. Major Samzelius − Priit Pedajas. Broby pastori tütar Anna-Lisz − Mari-Liis Lill. Gösta Berling − Tiit Sukk. Kolonel Beerencreutz − Anti Reinthal. Kristian Bergh − Tõnu Oja. Ruster − Tõnn Lamp. Patroon Julius − Jaanus Orgulas. Onu Eberhard − Tõnu Kark. Lövenborg − Raimo Pass. Mõisaomanik Sintram − Ain Lutsepp. Anna Stjärnhök − Pille Lukin. Krahv Henrik Dohna − Mihkel Kabel. Elisabet Dohna, tema naine − Harriet Toompere või Britta Vahuri. Märta Dohna, tema ema − Kaie Mihkelson. Mõisaomanik Melchior Sinclaire − Guido Kangur. Gustava Sinclaire, tema naine − Kersti Kreismann või Laine Mägi. Marianne Sinclaire, nende tütar − Maria Avdjushko. Lensmaniproua − Scharling Ester Pajusoo. Kõrtsinaine emand Karin − Maria Klenskaja. Broby pastor − Tõnu Mikiver. Kapten Lennart − Tõnu Mikiver. Luuaneiu − Laine Mägi. Esietendus 28. jaanuaril 2006 suures saalis. Müügimehe surm Arthur Milleri draama. Tõlkija: Peeter Sauter. Lavastaja: Ingo Normet. Kunstnik: Airi Eras. Osades: Willy Loman − Lembit Ulfsak. Linda − Mari Lill. Biff − Mait Malmsten. Happy − Ivo Uukkivi. Onu Ben − Andrus Kivirähki näidend. Lavastaja: Hendrik Toompere. Kunstnik: Ervin Õunapuu. Kostüümikunstnik: Riina Degtjarenko. Muusikaline kujundaja: Ardo Ran Varres. Osades: Paul / Breton − Mait Malmsten. Oskar / Vaché − Jan Uuspõld. Aleksander / Aragon − Tiit Sukk. Georg / Dalí − Hendrik Toompere. Tõde ja õigus, cum laude − Mari-Liis Lill. Luise, Lena / Gala − Merle Palmiste. Rikas proua; Kuulus kunstnik; Buñueli vanaema − Kaie Mihkelson. Syrrealistlik elund; Seltsimees − Margus Prangel. Syrrealistlik suguelund; Pavarotti − Anti Reinthal. Esietendus 14. juulil 2006 Viinistu Kunstimuuseumis. Tinasõdur, baleriin ja siga Lastelavastus Hans Christian Andreseni muinasjutu ainetel. Dramatiseerija: Mati Unt. Lavastaja: Ingo Normet. Kunstnik: Elo Soode. Muusika autor: Rein Rannap. Laulutekstide autor: Laur Kaunissaare. Liikumisjuht: Jüri Nael. Lauluõpetajad: Riina Roose, Anne-Liis Poll. Lavastaja assistendid: Robert Annus, Marion Jõepera, Maria Lee Liivak, Mart Kase, Uku Uusberg. Osades: Vana mees − Ago Soots. Poiss − Meelis Põdersoo. Tinasõdur − Robert Annus. Baleriin − Agnes Aaliste. Vana hiinlane − Andres Oja, Juss Haasma ja Martin Mill. Karjuseneiu − Maarja Mitt. Korstnapühkija − Marek Tammets. Kindral − Kristo Viiding. Siga − Uku Uusberg. Edev kuningas − Juss Haasma. Kaks petist-rätsepat − Martin Mill ja Kristo Viiding. Jaapani keiser − Ago Soots. Ööbik − Elina Pähklimägi. Kunstööbik − Maarja Mitt. Rott − Mart Kase. Boulgakoff Geeniuste algkursus Jaan Unduski näidend. Eeva Parki näidend. Lavastajana juhendas Raimo Pass. Lavastajana juhendas Lauri Lagle. Kõikides teistes rollides esinevad, laulavad, tantsivad ja mängivad mitmesuguseid pille: Agnes Aaliste, Robert Annus, Juss Haasma, Marion Jõepera, Mart Kase, Maria Lee Liivak, Martin Mill, Maarja Mitt, Jekaterina Novosjolova, Andres Oja, Meelis Põdersoo, Elina Pähklimägi, Ago Soots, Marek Tammets, Uku Uusberg, Kristo Viiding. Lugesid: Hendrik Toompere (Boulgakoff, kirjanik) Elina Reinold (Sidonija Sergejevna, tema kolmas naine) Tõnu Mikiver (Fock, kirjanik) Pille Lukin (Blondiin) Mait Malmsten (Paša Popov, filosoof) Margus Prangel (Faddejev, võimulähedane kirjanik) Ain Lutsepp (Tolstoi, kirjanik) Ivo Uukkivi (Yvain, Boulgakoffi esimene vend Pariisis) Raimo Pass (Nicolas, Boulgakoffi teine vend Pariisis. Lugesid: Ago Soots (Juhan Liiv, kahekümne ühe aastane) Juss Haasma (Eduard Vilde, kahekümne aastane) Martin Mill (Jaak Järv, kolmekümne kolme aastane) Maria Lee Liivak (Lonni) Agnes Aaliste (Fifi-Viiu) Uku Uusberg (Mees) Lauri Lagle (Liivi vari) Marion Jõepera (remargid. Küpsuskirjand 2005 Noortelavastus Riiklikus Eksami- ja Kvalifikatsioonikeskuses säilitatavate 2005. aasta emakeele riigieksami kirjandite põhjal. Tekst: Merle Karusoo. Esitati 21. aprillil 2006 Maalisaalis. Laura Ruohoneni näidend. Soome keelest tõlkinud Eeva Park. Lavastajana juhendas Aleksander Eelmaa. Osades: Taavi Teplenkov, Lauri Lagle, Nikolai Bentsler. Esitati 24. mail 2006 Maalisaalis. Kuu aega maal Kuningatar K Lavastajad: Merle Karusoo, Toomas Lõhmuste. Kunstnik: Anne-Mai Heimola. Liikumisjuht: Andrei Štšukin. Grafitikunstnik: Uku Küttis. Esietendus 30. septembril 2006 väikeses saalis. Esitati 12. detsembril 2006 Maalisaalis. Lugesid: Ain Lutsepp, Merle Palmiste, Mait Malmsten, Mari Lill, Margus Prangel, Külli Reinumägi. Henrik Andrei Hvostovi näidend. Unistaja soovikontsert Draama William Mastrosimone põhjal. Tõlkija: Anu Lamp. Lavastaja: Kadi Tudre. Kunstnik: Kristi Leppik. Etenduse juht: Aune Kuul. Osades: Naine − Ülle Lichtfeldt. Rose − Liisa Aibel. Cliff − Velvo Väli. Esietendus 20. jaanuaril 2006 väikeses saalis. Ivan Turgenevi näidend. Tõlkija: Hans Luik. Lavastaja: Mihhail Mokejev. Kostüümikunstnik: Ann Lumiste. Muusikaline kujundaja: Ardo Ran Varres. Valguskunstnik: Airi Eras. aaron:juuni Lugesid: Ain Lutsepp ja Mihkel Kabel (Henrik, piiskopi preester ja tõlk 13. sajandist) Taavi Teplenkov (Saunamees, mitmekülgne vaimuinimene 21. sajandist) Martin Veinmann (Bertold, Mõõgavendade ordu Võnnu konvendi pealik 13. sajandist) Ivo Uukkivi (Saarlane, mere ja -randröövel 13. sajandist; Taarausuline, muinasusu rekonstrueerija 21. sajandist) Tõnu Aav (Kõnekirjutaja, veel üks mitmekülgne vaimuinimene 21. sajandist) Mari-Liis Lill (Raikküla naine, 13. sajandi küüditatu) Külli Reinumägi (Arheoloog, muinasühiskonna uurija 21. sajandist) Raimo Pass (remargid. Draamalavastus tantsudega Hans Nordbergi näidendi alusel. Osades: Arkadi Sergejevitš Islajev, rikas mõisnik − Ivo Uukkivi. Natalja Petrovna, tema naine − Maria Avdjushko. Veera, kasvandik − Mari-Liis Lill. Anna Semjonovna Islajeva, Islajevi ema − Maria Klenskaja. Lizaveta Bogdanovna, seltsidaam − Viire Valdma. Schaaf, sakslasest guvernöör − Tõnu Aav. Mihhaila Aleksandrovitš Rakitin, majasõber − Mait Malmsten. Aleksei Nikolajevitš Beljajev, üliõpilane, Kolja õpetaja − Mihkel Kabel. Afanassi Ivanovitš Bolšintsov, naaber − Guido Kangur. Ignati Iljitš Špigelski, arst − Jaan Rekkor. Matvei, teener − Raimo Pass. Katja, teenija − Britta Vahur. Esietendus 5. novembril 2006 suures saalis. Kiirgav linn Conor McPhersoni draama. Tõlkija: Martin Algus. Lavastaja: Taago Tubin. Muusika autor: Märt-Matis Lill Osades: Ian − Margus Prangel. John − Ain Lutsepp. Neasa − Merle Palmiste. Laurence − Anti Reinthal. Esietendus 5. novembril 2006 väikses saalis. Päikesepoisid Neil Simoni komöödia. Tõlkija: Mihkel Mutt. Lavastaja ja muusikaline kujundaja: Ingomar Vihmar. Kunstnik: Jaanus Laagriküll. Esietendus 10. detsembril 2006 suures saalis. EESTI DRAAMATEATRI sarjas „Esimene lugemine”: Desdemona Paula Vogeli näidend. Inglise keelest tõlkinud Evelin Banhard. Lavastajana juhendas Harriet Toompere. Lugesid: Harriet Toompere (Desdemona) Mari Lill (Emilia) Elina Reinold (Bianca. Esitati 8. märtsil 2006 Maalisaalis. Tipus Paul-Eerik Rummo näidend. Lavastajana juhendas Priit Pedajas. Lugesid: Margus Prangel (Oliver Poliver) Tõnu Aav (remargid) Raimo Pass (Hääl lennukist; Insener; Hääl helikopterist; Päästeteenistuja) Harriet Toompere (Inglid; Ingel; Kajakad) Mari-Liis Lill, Lauri Lagle (Diktorid ja reporterid kõlaritest) Laine Mägi (Meteoroloog; Ajakirjanik) Britta Vahur (Ajakirjanik, tüdruk; Lapse hääl) Mari Lill (Ema; Ema hääl) Lauri Lagle (Ajakirjanik, poiss; Sõber) Tõnu Mikiver (Isa) Harriet Toompere (Lagled) Mihkel Kabel (Alpinist; Vend) Mari-Liis Lill (Tüdruk; Õde) Tõnu Oja (Psühholoog. Esitati 19. oktoobril 2006 Maalisaalis. Nokia 3310 Mart Kivastiku näidend. Lugesid: Tõnu Oja (Jürka – umbes neljakümnene murelik mees, kellele keegi ei helista) Laine Mägni (Mari – Jürka naine. Õnnetu naine, kuna ta mees on õnnetu) Britta Vahur (Tütar – viieteistaastane, tahaks Ericssoni) Lauri Lagle (Poeg – kaheteistkümnene, Nokia fänn) Mihkel Kabel (müüja telefonipoes. Voldemar Lavastajana juhendas Merle Karusoo. Lugesid: Tiit Sukk (Voldemar) Taavi Teplenkov (Lemmergas) Guido Kangur (August) Mari-Liis Lill (Helmi) Viire Valdma (Konduktor) Andrus Kivirähk (remargid. Esitati 22. novembril 2006 Maalisaalis. Lavastaja: Peeter Rästas. Koreograaf: Renate Valme. Kostüümikunstnik: Triinu deokunstnik: Taavi Varm. Etenduse juht: Aune Kuul. Osades: aaron – Helgur Rosenthal. juuni – Renate Valme. võõras – Üllar Saaremäe. laul – Marge Niller. Esietendus 27. jaanuaril 2006 lavatornis. Gupi Vassili Sigarevi komöödia või tragöödia kahes osas. Tõlkija: Peeter Volkonski. Lavastaja: Erki Aule. Kunstnik: Maret Kukkur. Valguskunstnik: Airi Eras. Etenduse juht: Aigi Veski. Osades: Tamara − Tiina Mälberg. Paša − Märt Avandi või Erni Kask. Leonid − Tarvo Sõmer. Mees akordioniga − Tarmo Kesküll. Esietendus 6. aprillil 2006 väikeses saalis. Käpipuu vennaskond Rünno Saaremäe ja Üllar Saaremäe seikluslugu lastele. Lavastaja: Üllar Saaremäe. Kunstnik: Vadim Fomitšev. Helikujundajad: Tarmo Linnas ja Peeter Volkonski. Etenduse juht: Eili Neuhaus Osades: Käpipuu − Anneli Rahkema või Marin Mägi. Habepea − Peeter Rästas. Veerev munamees − Liisa Aibel. Käpik − Marii-Ingriin Saaremäe või Anne-Marie Suomalainen. Külmking − Ülle Lichtfeldt. Röövel Rull − Margus Stalte. Vänt − Erik Ruus. Traat − Peeter Jakobi. Tasku − Dajan Ahmet. Esietendus 13. aprillil 2006 suures saalis. Vt Endla Teater. Isa August Strindbergi kurbmäng kahes osas. Tõlkija: Ülev Aaloe. Lavastaja: Eili Neuhaus. Helikujundaja: Erkki Sepp. Etenduse juht: Eili Neuhaus. Osades: Rittmeister − Erik Ruus. Laura, tema naine − Liisa Aibel. Bertha, nende tütar − Kersti Tombak. Pastor − Velvo Väli. Doktor − Urmas Lennuk. Amm − Viive Aamisepp. Esietendus 15. septembril 2006 suures saalis. Osades: Willie Clark − Tõnu Kark. Al Lewis − Lembit Ulfsak. Ben Silverman; patsient − Tiit Sukk. Miss O`Neill; põetaja − Ülle Kaljuste. Meditsiiniõde − Mari Liis Lill. Teleoperaator − Mihkel Kabel. Telerežissööri hääl − Anti Reinthal. Diktori hääl − Merle Palmiste. Diktori hääl − Tõnu Mikiver. Esitati 7. septembril 2007 Vanemuise väikese maja ovaalsaalis OMADraama festivalil ja 22. septembril Draamateatri suures saalis Teadlaste Öö raames. Yearbook of Estonian Theatre Statistics 2006 Esietendus 24. septembril 2006 suures saalis. Kuidas elad. Noortelugu Aidi Valliku jutustuse põhjal. Dramatiseerija ja lavastaja: Sven Heiberg∗. Kunstnik: Marion Undusk (Eesti Kunstiakadeemia. Muusika autor: „Ann-Believable” (Karl Kena − bass, Maarius Pärn − kitarr, Anatoli Tafitšuk − trummid, Johannes Veski – vokaal. Valguskunstnik: Priidu Adlas∗. Koreograaf: Kati Grauberg∗. Osades: Ann − Marilyn Jurman. Ema − Tiina Mälberg. Kätlin − Natali Lohk. Reena − Mairi Jõgi. Rita − Merilin Kirbits. Helle − Kati Ong. Uku − Rauno Kaibiainen. Lill − Maarika Mesipuu. Oleg − Anatoli Tafitšuk. Timo − Johannes Veski. Anti − Maarius Pärn. Ilus − Karl Kena. Marii-Kürii − Taavi Lepik. Jokker; Isa − Erni Kask. Esietendus 20. oktoobril 2006 suures saalis. Oscar ja Roosamamma Eric-Emmanuel Schmitti draama. Tõlkija: Indrek Koff. Lavastaja: Üllar Saaremäe. Muusikaline kujundaja: Tarmo Linnas. Etenduse juht: Aigi Veski. Osades: Oscar − Üllar Saaremäe. Roosamamma − Ines Aru. Teine etendus 16. novembril 2006 väikeses saalis. Lumumm Andres Noormetsa lastenäidend. Lavastaja: Peeter Rästas. Kostüümikunstnik: Liisa Soolepp. Videokunst: Taavi „Miisu“ Varm ja Aleks „Tencu“ Tenusaar. Muusikaline kujundus: Sander Udikas ja Tarmo Kesküll. Etenduse juht: Aune Kuul. Osades: Lumumm − Helgur Rosenthal. Rika − Marianne Kütt. Lint ja Moos − Anneli Rahkema. Vamm ja Kummkum − Margus Stalte. Masinaisaasianisam − Peeter Rästas. Muusikud-aurulaskjad − Sander Udikas ja Tarmo Kesküll. Laval: Nikolai Bentsler, Pavel Vorožtsov, Tatjana Jegoruškina, Dmitri Kosjakov, Aleksandr Kutšmezov, Natalja Popenko, Dmitri Ptšela, Sergei Furmanjuk. Esietendus 31. mail 2006 väikeses saalis. Kuningal on külm Lavastus lauludega A. Tammsaare näidendi põhjal. Tõlkijad: R. Minna, E. Rein. Lavastaja: Ingo Normet. Muusika autor: Valter Ojakäär. Muusikaline kujundaja: Urmas Lattikas. Valguskunstnik: Igor Kapustin. Koreograaf: Janek Savolainen. Laulutekstide autor: Jelena Skulskaja. Lauluõpetaja: Anu Aimla. Osades: Kuningas – Eduard Toman. Narr (Joosep) – Herardo Kontreras. Noorteener (Mattias) – Artjom Garejev. Teener (Adam) – Vadim Malõškin. Toatüdruk (Klara) – Natalja Murina. Kaitseminister – Tamara Solodnikova. Haridusminister – Liidia Golovataja. Siseminister – Oleg Rogatšev. Välisminister – Jelena Jakovleva. Rahandusminister – Ilja Nartov. Põllumajandusminister – Vladimir Antipp. Heaoluminister – Julia Jablonskaja. Ülempreester – Aleksandr Okunev. Angela – Alina Karmazina (Vanemuine) või Jekaterina Novosjolova (EMTA Lavakunstikool. Tema isa – Sergei Tšerkassov. Tema ema – Jelena Tarassenko. Teener, valvur – Kirill Käro. Esietendus 10. augustil 2006 Vene Teatri vastremonditud maja avamisel suures saalis. graafid: Elita Erkina, Saša Pepeljajev („Jussovi tants”. Osades: Võšnevski – Aleksandr Kutšmezov või Oleg Štšigorets. Võšnevskaja – Julia Jablonskaja. Jussov – Oleg Rogatsev, Juri Žilin. Žadov – Dmitri Kossjakov või Artjom Garejev. Belogubov – Sergei Furmanjuk või Dmitri Lomovski. Kukuškina – Lilia Šinkarjova või Jelena Jakovleva. Polja – Tatjana Jegoruškina. Julja – Natalja Murina, Julia Popova. Steša – Jekaterina Jegorova. Vassili – Ilja Nartov. Dosužev – Sergei Tšerkassov. Mõkin – Vadim Malõškin või Dmitri Ptšela. Anton – Dmitri Reitman või Vadim Stepanov. Poiss – Dmitri Lomovski või Sergei Furmanjuk. Ametnikud – Juri Žilin, Aleksandr Kutšmezov, Vadim Malõškin, Oleg Štšigorets, Oleg Rogatšev, Dmitri Ptšela. Esietendus 8. oktoobril 2006 suures saalis. Palat 6 Anton Tšehhovi jutustuse põhjal. Dramatiseerija: Aljona Anohhina. Lavastaja ja muusikaline kujundaja: Aljona Anohhina (Moskva. Kunstnik: Dmitri Razumov (Moskva. Helikujundaja: Nikolai Batšerikov. Valguskunstnik: Aleksandr Žedelev. Osades: Ragin – Eduard Toman. Gromov – Pavel Vorožtsov. Postimees – Aleksandr Okunev. Nikita – Vladimir Antipp. Hobotov – Artjom Garejev. Darjuška – Svetlana Dorošenko. Velsker – Oleg Rogatšev. Moiseika – Dmitri Kossjakov. Esimene haige – Dmitri Ptšela. Teine haige – Aleksandr Kutšmezov. Kolmas haige – Sergei Furmanjuk. Poiss – Paul-Oscar Soe. Esietendus 24. oktoobril 2006 väikeses saalis. As You Like It Kallimast ei lahkuta William Shakespearei komöödia. Tõlkija: V. Levik. Pildid ja mängud elust enesest. Aleksandr Volodini näidend. Lavastaja: Timofei Sopolev (Moskva. Kunstnik: Rosita Raud. Muusika autor: Aleksei Šelõgin (Moskva. Helikujundaja: Valeri Kazakov. Valguskunstnik: Igor Kapustin. Koreograaf: Oleg Gluškov (Moskva. Lavastajad: Viktor Rõžakov (Moskva) Aljona Anohhina (Moskva. Muusikaline kujundaja: Viktor Rõžakov. Helikujundaja: Irina Batšérikova. Valguskunstnik: Aleksandr Žedelev. Osades: Hertsog Frederic – Aleksandr Ivaškevitš. Amiens – Sergei Tšerkassov. Jaques – Eduard Toman. Le Beau – Vladimir Antipp. Charles – Oleg Rogatšev. Oliver – Dmitri Kosjakov. Jean – Aleksandr Kutšmezov. Orlando – Dmitri Ptšela. Luisk – Herardo Kontreras. Oliver Kirjaräänaja – Artjom Garejev. Corin – Aleksandr Okunev. Silvius – Sergei Furmanjuk või Dmitri Lomovski. Guillom – Oleg Štšigorets. Rozalind – Tatjana Jegoruškina või Julia Jablonskaja. Phebe – Jekaterina Žukova või Natalja Popenko. Odri – Natalja Popenko või Ksenia Agarkova. Õukondlased – Vadim Malõškin, Villu Loonde, Dmitri Simagin, Sergei Rõmar, Nikolai Smirnov, Darja Razinkova, Anastassia Mihhailova, Natalja Liski, Julia Agejeva, Margarita Margarjan, Anna Sergejeva, Anastassia Soskova, Alina Haritonova. Osades: Katja – Ksenia Agarkova. Mitja – Pavel Vorožtsov. Irina – Julia Popova. Kohtunik; Naine – Natalja Popenko. Mees-korraldaja – Dmitri Kossjakov. Nais-korraldaja – Julia Jablonskaja. Alferovid – Artjom Garejev, Jekaterina Žukova. Mironovid – Aleksandr Kut´mezov, Tatjana Jegoruškina. Kerilašvilid – Nikolai Bentsler, Julia Jablonskaja, Alina Haritonova. Kozlovid – Dmitri Ptšela, Jekaterina Žukova. Šumilovid – Ilja Nartov, Alina Haritonova. Nikulinid – Dmitri Kossjakov, Julia Jablonskaja. Beljajevid – Vadim Malõškin, Tatjana Jegoruškina. Mees – Dmitri Ptšela. Naine – Anna Sergejeva. Hamster – Sergei Furmanjuk. Elviira – Anastassia Solovjova. Madlain – Aleksandra Markova. Valera – Ilja Nartov. Vihik – Anastassia Solovjova. Neiu – Jana Pisarkova. Esietendus 8. septembril 2006 suures saalis. Esietendus 9. detsembril 2006 väikeses saalis. Lõikuspeo tantsud Tähepoiss Brian Frieli draama. Hitrovo-Šmõrov Lastelavastus Oscar Wilde´i muinasjutu ainetel. Lavastaja ja muusikaline kujundaja: Mihail Feigin (Moskva. Kunstnik: Vladislav Ogai (Moskva. Kostüümid: Tatjana Sonina. Helikujundaja: Irina Batšerikova. Koreograaf: Tatjana Borisova (Moskva) Tõlkija: T. Ozerskaja. Dramatiseerija ja lavastaja: Svetlana Krassman. Kunstnik: Marianne Kuurme. Muusika autor: Eduard Toman. Valguskunstnik: Sergei Mironov. Koreograaf: Elita Erkina. Osades: Ton – Oleg Rogatsev või Aleksandr Okunev. Linn – Julia Jablonskaja. Noormees – Sergei Furmanjuk või Vadim Malõškin. Direktor – Artjom Garejev või Ilja Nartov. Osades: Michael – Pavel Vorožtsov. Chris – Ksenia Agarkova. Agnes – Larissa Savankova. Rose – Tatjana Manevskaja. Maggy – Jelena Tarassenko. Kate – Ljubov Agapova. Isa Jack – Juri Žilin. Jerry – Ilja Nartov või Dmitri Ptšela Esietendus 26. aprillil 2006 Garaažis. Esietendus 16. septembril 2006 väikeses saalis. Tulus amet Osades: Kerjus – Lilia Šinkarjova. Tähepoiss – Dmitri Lomovski. Puuraidur – Sergei Tšerkassov. Puuraiduri sõber; Sant – Vladimir Antipp. Puuraiduri naine – Tatjana Manevskaja. Kerjupoiss; Jänku – Nikolai Bentsler. Kerjutüdruk; Orav – Alina Haritonova. Taat; Hunt – Aleksandr Kutšmezov. Mutt; Linnakodanik – Vadim Stepanov. Lind – Tatjana Kaur. 1. öökull; – Dmitri Ptšela. 2. öökull – Anastassia Solovjova. – Oleg Štšigorets. Puuraiduri lapsed – Nikolai Bentsler või Dmitri Ptšela; Anastassia Solovjova või Alina Haritonova. Esietendus 7. detsembril 2006 väikeses saalis. Casanova Urmas Lennuki komöödia. Lavastaja: Hardi Volmer. Kunstnik: Hardi Volmer. Montaaž: Kristi Leppik. Osades: Volmondo − Toomas Suuman. II režissöör − Tarvo Sõmer. Anna − Helgi Annast. Julia − Liisa Aibel. Valgustaja Jordano − Velvo Väli. Helimees Sergio − Volli Käro. Jumestaja Terrano − Eduard Salmistu. Staar Ferrari − Erik Ruus. Statist Eleanore Paarismees − Ülle Lichtfeldt. Nainesöögitädi − Viive Aamissepp. Operaator − Maiju Ingman. Filmis tegid kaasa: Tiina Mälberg, Siret Pukk ja Erni Kask. Esietendus 13. detsembril 2006 suures saalis. Yearbook of Estonian Theatre Statistics 2006 soo, Toomas Lõhmuste. Muusikaline kujundaja: Toomas Lõhmuste. Valguskunstnik: Igor Kapustin. Veerevad kivid ei sammaldu Barry Keefei näidendil „Gotcha. ” põhinev noortelavastus. Tõlkija: J. Bereznitski. Lavastaja ja muusikaline kujundaja: Nikita Grinšpun (Moskva. Kunstnik: Oksana Šimanovskaja (Moskva. Helikujundaja: Valeri Kazakov. Valguskunstnik: Sergei Mironov. Dokumentaal-lavastus Moskva Kunstiteatri stuudio tudengite kirjandite põhjal. Teksti koostaja: Merle Karusoo. Lavastajad: Merle Karu* Tartu Ülikooli Viljandi Kultuuriakadeemia. A. Ostrovski komöödia „ ”. Lavastaja: Mihhail Chumachenko. Kunstnik: Jaak Vaus. Muusikaline kujundaja: Mihhail Chumachenko. Koreo- Esietendus 15. detsembril 2006 suures saalis. Kuningas Rästahabe Esietendus 26. juulil 2006 Orissaare valla Maasi maalinnusel. Kaev Mänguline muinasjutt lastele vendade Grimmide muinasjutu ainetel. Kirjad emale Jaan Tätte näidend. Dramatiseerija, lavastaja ja muusikaline kujundaja: Polina Stružkova (Moskva. Kunstnik: Maksim Obrezkov (Moskva. Valguskunstnik: Aleksandr Žedelev. Koreograaf: Olga Privis. Dramatiseerija ja lavastaja: Garmen Tabor. Ruumikujundus ja rekvisiidid koostöös Muhu muuseumiga. Osades: Printsess – Tatjana Jegoruškina. Kuningas – Juri Žilin. Rästahabe – Dmitri Kosjakov. William Grimm – Sergei Furmanjuk. Jakob Grimm – Vadim Malõškin. Õed Wild – Jekaterina Jegorova, Natalja Popenko, Jelena Jakovleva, Larissa Tšerkassova. Osades: Ema – Anu Lamp. Poeg – Argo Aadli. Kakuke (IV ja V osa) Jevgenia Morozova lastenäidendi põhjal keeleõppe elementidega teatrisari. Lavastaja: Aleksandr Potužnõi. Kunstnik: Alina Korsmik. Muusika autor: Eduard Toman. Laulude teksti autorid: Leelo Tungal, Jelena Skulskaja. Valguskunstnik: Sergei Mironov. Koreograaf: Elita Erkina. Osades: Vanaema – Svetlana Dorošenko. Kakuke – Jelena Krivitskaja. Kass Amurka – Jelena Tarassenko. Koer Dik – Artjom Garejev. Vanamoor – Liidia Golovataja. Harakas – Silvia Kurr. Siil – Jekaterina Jegorova. Rebane – Tatjana Manevskaja. Hunt – Vadim Malõškin. Karu – Juri Žlin. Esietendus 18. märtsil 2006 Tallinna Õpetajate Majas. Poeetiline sõnalavastus Doris Kareva luulekogu „Aja kuju”, Marie Underi luuletuste „Üksteisest pimesi me mööda käime”, „Kurvad rõõmud”, „Sina ja mina”, A. H. Tammsaare „Kõrboja peremehe” ja Jaan Kruusvalli näidendi „Pilvede värvid” põhjal. Dramatiseerija, lavastaja ja muusikaline kujundaja: Garmen Tabor. Lavastuses kasutati Astor Piazolla muusikat. Kunstnik: Ketlin Bachmann-Põldroos. Valguskunstnikud: Garmen Tabor, Ketlin Bachmann-Põldroos, Ahto Matt. Koreograaf: Laine Mägi. Osades: Ema – Aime Käen. Isa – Mait Merivald. Tütar punases – Piret Rauk. Tütar valges – Garmen Tabor. Noormees valges pluusis, pilliga – Priit Lõhmus. Noormees ülikonnas – Aarne Mägi. Esietendus 1. märtsil 2006 teatrisaalis. Kogu pere komöödia. Juhan Peegeli jutu “Verine John ehk Sarapiku Juhan” dramatiseerija Jaan Kaplinski. Lavastaja: Raivo Trass. Kunstnik: Irina Vanhanen. Muusika autor: Indrek Kalda. Muusikaline kujundaja: Mihkel Mereäär. Valguskunstnik: Ahto Matt. Koreograaf: Marit Rauk. Kostüümikunstnik: Laivi Koppel. Pürotehnik: Priit Rüütel. Osades: Sarapiku Juhan – Hannes Prikk. Pärtel – Aarne Mägi. – Kaia Skoblov. Don Fernando – Arvi Mägi. Mereröövlid – Andres Tabun, Mati Talvistu, Priit Lõhmus. Mees; Morgan; Admiral; Preester – Indrek Saar. Don Alberto – Peeter Räästas. Donna Alberto – Kiiri Tamm. Fatima – Marit Rauk. Juhani ema – Aime Käen. Teistes osades, sh. baari seltskond, õukond – Merle Sillavee, Inge Jalakas, Helen Oll, Anni Tuulmägi, Riste Tamm, Mare Noot, Piret Rauk, Krista Riik, Risto Ränk, Renat Ränk, Kert Ränk, Tauri Viil, Martin Teras, Egert Kesa, Innar Viljaste. Esietendus 5. augustil 2006 Muhus Koguva külas Tooma talu rehetoas. Ivan Turgenevi draama. Tõlkija: H. Lavastaja ja muusikaline kujundaja: Alla Zorina (Moskva. Kunstnik: Kustav-Agu Püüman. Valguskunstnik: Ahto Matt. Helikujundaja: Andrus Unger. Osades: Natalja Petrovna – Piret Rauk või Garmen Tabor. Arkadi Sergeitš Islajev – Aarne Mägi. Aleksei Nikolajevitš Beljajev – Ott Aardam. Mihhaila Aleksandrovitš Rakitin – Tõnis Kipper. Veera – Helen Rekkor. Spigelski – Andres Lepik. Afanassi Ivanovitš Bolšintsov – Priit Lõhmus. Kolja – Kristjan Kuuser. Matvei – Urmas Lehtsalu. Katja – Anneli Sirel. Esietendus 7. oktoobril 2006 teatrisaalis. Lastelavastus muinasjutu ainetel. Tõlkija: Henrik Sepamaa. Dramatiseerija ja lavastaja: Aare Toikka. Kunstnik: Inga Vares. Muusikaline kujundaja: Rivo Laasi. Valguskunstnik: Triin Hook. Lavastus valmis Kuressaare Linnateatri ja VAT Teatri koostööna. Osades: Mustkunstniku abiline; Merineitsi – Garmen Tabor. Mustkunstnik; Prints – Janek Joost. Muusik – Rivo Laasi. Osades: Aksel – Allan Noormets. Robi – Andres Raag. Naine – Ursula Ratasepp. Esietendus 2. juunil 2006 lavaaugus. Rätsep Slawomir Mrožeki näidend. Tõlkija: Marius Peterson. Lavastaja: Mart Koldits. Kunstnik: Iir Hermeliin. Osades: Rätsep – Andres Raag. Klient Ekstsellents; Klient Munk; Klient Rätsepasell – Margus Tabor (külalisena. Rätsepasell – Ago Roo. Karlos – Bert Raudsep. Nana – Eva Klemets (külalisena. Rümp - Indrek Ojari. I barbar – Mart Toome või Mart Koldits. II barbar – Veiko Tubin. Jaak – Jaak Kaljurand. Jaan – Jaan Kaljurand. Esietendus 21. oktoobril 2006 väikeses saalis. Nii see on (kui teile nii näib) Luigi Pirandello näidend. Lavastaja: Adolf Šapiro (Venemaa. Lavastuskunstnik: Vladimir Anšon. Kostüümikunstnik: Kristine Pasternaka (Läti. Muusikaline kujundaja: Riina Roose. Valguskunstnik: Gleb Filštinski (Venemaa. Osades: Lamberto Laudisi – Roman Baskin (külalisena. Sinjoora Frola – Anu Lamp. Sinjoor Ponza – Elmo Nüganen või Tõnn Lamp. Etenduse juht ja Sinjoora Ponza – Elisabet Tamm. Nõunik Agazzi – Rain Simmul. Sinjoora Amalia – Anne Reemann. Dina – Hele Kõre või Ursula Ratasepp või Külli Teetamm. Sinjoora Sirelli – Epp Eespäev. Sinjoor Sirelli – Indrek Sammul. Prefekt – Kalju Orro. Komissar Centuri – Allan Noormets. Sinjoora Cini – Piret Kalda. Esietendus 11. novembril 2006 Taevalaval. Esietendus 6. detsembril 2006 teatrisaalis. Karin. Indrek. Tõde ja õigus. 4. Juri Klavdijevi näidendil „Anna” põhinev draama. A. Tammsaare „Tõe ja õiguse” IV osa dramatiseering. Lavastaja: Roman Iljin. Kunstnik: Maria Melnikova. Muusikaline kujundaja: Aleksandr Kohhantšuk. Valguskunstnik: Aleksandr Žedeljov. Koreograaf: Olga Privis. Dramatiseerija ja lavastaja: Elmo Nüganen. Lavastuskunstnik: Andris Freibergs (Läti. Kostüümikunstnik: Kristine Pasternaka (Läti. Muusika autor: Jaak Jürisson. Muusikaline kujundaja: Riina Roose, Jaak Jürisson. Valguskunstnik: Kevin Wyn Jones (Suurbritannia. Liikumisjuh: Triin Reemann (TÜ Viljandi Kultuuriakadeemia. Osades: Vitja – Zaven Ioannesjan. Anna – Tatjana Kosmõnina. Esimees – Aleksandr Ratšinski. Koljan – Sergei Pruul. Serjoga – Mihhail Boiko, Igor Rogatšov. Lena – Jekaterina Nikolajeva. Tot-kto-slušaet-spjaših – David Guguljan. Osades: Karin Paas – Hele Kõre. Indrek Paas – Indrek Sammul. Vesiroos – Andres Ots. Vargamäe Mari – Helene Vannari. Tiina – Evelin Pang või Ursula Ratasepp. Köögertal – Rain Simmul. Proua Köögertal – Epp Eespäev. Advokaat Paralepp – Andres Raag. Rönee – Andero Ermel. Kunstnik Mägar – Mart Koldits. Melesk – Ardo Ran Varres (Eesti Draamateater. Õpetaja Kalvi – Margus Tabor(külalisena. Kitty Itam – Piret Kalda. Härra Itam – Allan Noormets. Ida Langebrunn-Karim – Anu Lamp. Proua Horst – Ene Järvis. Proua Meeli – Anne Reemann. Atašee – Ago Roo. Nõunik; Politseiametnik – Mart Toome. Lapsehoidja Soonja – Marje Metsur. Ajakirjanik Pilu – Argo Aadli. Esietendus 9. aprillil 2006. Esietendus 12. märtsil 2006 Põrgulaval. Esietendus 14. juunil 2006. Jaanus Rohumaa ja Triin Sinissaare näidend. Kuritöö, kodutööd, karistus, raha, pensionäri tapmine Lavastaja: Jaanus Rohumaa. Kunstnik: Mae Kivilo. Muusikaline kujundaja: Tiit Kikas. Mattias Andersooni näidend. Tõlkija: M. Ljudkovskaja ja A. Polivanova (Moskva. Osades: Tristan – Alo Kõrve. Joosep – Indrek Ojari. Saara – Elisabet Tamm. Elf – Bert Raudsep. Sass – Kalju Orro. Heredy – Rein Oja. Lavastajad: Erki Aule ja Artjom Garejev. Kunstnik: Diana Yanson. Muusikaline kujundaja: Aleksandr Davidovitš. Valguskunstnik: Aleksandr Žedeljov. Esietendus 25. märtsil 2006 väikeses saalis. Mandragora P. I. Filimonovi näidend. Lavastaja: Tatjana Kosmõnina. Muusika autor: Jevgeni Zolotarevski (projekt „Yudzoka”. Koreograaf: Olga Privis. Osades: Zaven Ioannesjan, Sergei Pruul, Mihhail Boiko, Jekaterina Nikolajeva, David Guguljan, Anna Gejeva, Olesja Kenjuhh, Kristina Predbannikova. Osades: Merta – Silvia Laidla. Bjorn – Artjom Garejev Mereröövel vastu tahtmist Muusika: kasutatud Gustav Ernesaksa “Kutse” ja Raimond Valgre “Saaremaa valsi” teemasid Kaido Kelderi ja Tiit Kalluste esituses. Lavastaja: Indrek Sammul. Helikujundajad: Indrek Tiisel ja Tiit Kikas. Yearbook of Estonian Theatre Statistics 2006 Esietendus 19. detsembril 2006 väikese saalis. Luulepõimik Juhan Smuuli poeemidest ja luuletustest. (Vene Teater. Leila – Jekaterina Nikolajeva. Rasul Zaven Ioannesjan. Jasmin – Jelena Tarassenko (Vene Teater. Esietendus 2. novembril 2006. Esietendus 2. septembril 2006 Tallinna vanalinnas algusega Neitsitorni ees. Padjamees Sigamees Siimeon Martin McDonaghi näidend. Tõlkija: Pavel Rudnev (Moskva. Angela Randmetsa kirja pandud keskaja legend. Lavastaja: Vladimir Skvortsov (Moskva. Kunstnik: Maksim Obrezkov (Moskva. Muusika autor: Aleksandr Kohhantšuk. Video: Maksim Mjodov. Osades: Tupolski – Nikolai Šatohhin (Moskva. Katurjan – (Prantsusmaa. Ariel – Igor Rogatšov. Mihal – David Guguljan. Ema - Olga Privis. Tüdruk – Daniela Privis. Lavastaja: Hans Kaldoja. Kunstnik: Maite Kotta. Valguse ja heli kujundaja: Mati Kaljulaid. Osades: Siimeon – Meelis Sekk. Raehärra – Kalev Õunapuu või Hans Kaldoja. Ersilia – Jana Wolke. Pime tüdruk – Polina Tserkassova või Ester Kuntu. Willeke ja Ludeke – Andres Kask. Magdaleena – Pirge Sildmaa. Magdaleena ema; Agneta – Ilona Sillamaa. Haldjas – Anne Velt. Esietendus 2. detsembril 2006 Esietendus 25. novembril 2006 Drugoi teatris. NUKUTEATER LEPATRIINU Punch ja Judy Nukulavastus täiskasvanutele J. Gollieri komöödia põhjal. Tõlkijad: Margus Lattik, Igor Gavrilov. Dramatiseerija, lavastaja ja valguskunstnik: Jaan Urvet. Kunstnik: Mihhail Shirjaev. Muusika autor ja kujundaja: Aare Vaher. Osades: Punch – Vladimir Skrebnev. Judy; Pimemees; Hobune – Oleg Omeltšenko. Arst; koer Tobi; Ohvitseer; Kurat; Laps – Aare Vaher. Skaramuš; Jack Kage; Politseinik; Teener – Igor Gavrilov. Esietendus 10. mail 2006 Jõhvi Kunstikoolis. PÄRIMUSTEATER LOOMINE Lopi ja Lapi Eesti muinasjutu põhjal kokku pandud lastelavastus. Alustekst: Felix Kotta. Dramatiseerija, lavastaja ja kunstnik: Are Uder. Osades: Lopi; Lapi; Haldjas – Are Uder. Esietendus 22. aprillil 2006 Tallinna Toomklubis. Tagasipööre keelatud Liina Pihlaku näidend. Lavastaja: Vilja Nyholm-Palm. Kunstnik: Liina Pihlak Osades: Vanem naine – Mari Lill. Külanaine – Leida Rammo. Noorem naine – Erika Kaljusaar. Yearbook of Estonian Theatre Statistics 2006 Kangur, Kerttu Varimets, Märten Hermik, Henry Kuldkepp, Angela Randmets. Mart Kivastiku draama Elmar Kitse isiklike päevikute põhjal. Lavastajad: Raimo Pass, Aarne Üksküla. Muusikaline kujundaja: Raimo Pass. Valguskunstnik: Pille Jänes, Sven Põdra. Osades: Elmar Kits – Aleksander Eelmaa. Tema naine Linda – Rita Raave. Nende poeg Margus – Markus Luik. Lembit – Tõnu Oja või Raimo Pass. Esietendus 1. juulil 2006 Viinistu Kunstimuusemis, vanas sprotitsehhis. Minust jäävad ainult laulud Muusikaline draama. Lauri Vahtre, Mart Laari dokumentaalnäidend. Lavastaja: Tõnu Lensment. Muusika autor: Margus Põldsepp ja ansambel Untsakad. Muusikaline kujundaja: Tõnu Lensment. Valguskunstnikud: Tõnu Lensment, Liina Unt. Osades: Tõeleid Tammik, kehviku perest noormees – Janek Joost. Rein Vapper, perepoeg – Aarne Soro. Asta Küngas, peretütar – Maria Soomets. Õilme Metsis, kehviku perest tütarlaps – Maarja Jakobson. Siiri Pungas, taluneiu – Inga Proode. Viiu Kaal, valla partorg – Viire Valdma. Kalev Oks, metsavend – Meelis Rämmeld. Tõnis Vapper, taluperemees – Ain Lutsepp. Johannes Mets, metsavend – Peeter Jürgens. Sergei Vaino, julgolekumees – Andrus Vaarik (hääl lindilt. Vihtla poisid – Ansambel „Untsakad”: Jaanus Jantson, Margus Põldsepp, Ilmar Kald, Jaanus Põder, Tauno Uibo. Kaitseliidu Võrumaa Malev. Esietendus 3. juunil 2006 Tallinna Botaanikaaias. Esietendus 28. juulil 2006 Suurel Munamäel Haanjas. Vana Tooma pilgu all Under Tallinna vanalinna legendidel põhinev vabaõhulavastus. Autorid: Mart Laar ja Lauri Vahtre. Lavastajad: Andrus Vaarik ja Ivo Eensalu. Kunstnik: Killu Mägi. Muusikalised kujundajad: Polina Tserkassova ja Eva-Maria Eller. Valguskunstnik: Petri Parrik. Võitlusstseenid: Kalle Kõiv. Osades: Madis; Vana Toomas; Madis; Jakob – Hannes Prikk. Biedermann – Hans Kaldoja. Üexküll, Võõras – Sten Zupping. Liisa – Kärt Reeman, Kersti Tombak. Diakon ja bojaar – Ivo Eensalu, Priit Kiigemägi. Pesunaine; Teenijaemand – Iivi Lepik. Sepasell – Aivo Sadam. Herold – Kalev Õunapuu. Poisike – Alex Viik. Häbipostinaine – Jana Wolke. Häbikiviga naine ja Katariina – Pirge Sildmaa. Ulguv mees – Asko Mäusler. Raehärrad – Valmar Kass ja Andres Proode. Timukas – Rünno Reino. Pastor – Raido Aasoja. Tallinna vaim – Erika Kaljusaar. Agnes – Andra Kurviste. Teistes osades: Anu Suits, Kati Lepp, Triinu Lepp, Karolin Tikerpuu, Galina Tikerpuu, Eeva-Liisa Mustkivi, Mihkel Dokumentaalne luulelavastus. Marie Underi luuletuste ja arhiivi kirjade põhjal koostanud Katrin Saukas. Lavastajad: Merle Karusoo, Raimo Pass. Kunstnik: Jaagup Roomet. Muusika autor ja kujundaja: Urmas Lattikas. Valguskunstnikud: Jaagup Roomet, Sven Põdra. Osades: Marie Under – Katrin Saukas. Artur Adson – Sten Zupping. Friedebert Tuglas –Raivo Trass. Ants Laikmaa – Egon Nuter. Eduard Vilde – Ago-Endrik Kerge. Videol: Johannes – Semper Taavi Teplenkov. August Gailit – Kristjan Sarv. Hendrik Visnapuu – Alo Kõrve. Aleksander Tassa – Sulev Teppart. Nikolai Triik – Raimo Pass Lõbusad kurvid Rühmatööna valminud komöödia. Lavastaja: Dajan Ahmet. Kunstnik: Alina Korsmik. Laulusõnad: Erki Aule. Muusika autor ja kujundaja: Reet Kõiv. Valguskunstnik: Allan Räim. Erinevates rollides: Dajan Ahmet, Triin Jugapuu, Aivo Sadam või Erki Aule. Esietendus 24. veebruaril 2006 Taebla kultuurikeskus. Friedrich Reinhold Kreutzwaldi „Kilplaste lugude” põhjal. Dramatiseerija, lavastaja ja laulusõnade autor: Erki Aule. Kunstnik: Diana Yanson. Muusika autor ja kujundaja: Reet Kõiv. Valguskunstnik: Allan Räim. Osades: Kilpla küla elanik ehk kilplane – Venno Loosaar. Kilplane – Toomas Krall. Kilplane – Kaili Viidas (31. maini 2006 Triin Tüvi. Kilplane – Aivo Sadam. Esietendus 9. aprillil 2006 Kabli seltsimajas. Külmapühad Lastelavastus. Näidendi autor: Erki Aule. Lavastaja ja laulusõnade autor: Erki Aule. Muusika autor ja kujundaja: Reet Kõiv. Osades: Kukk – Joonas Parve. Kana – Kristel Mägedi. Tibu – Anti Rannus või Marko Matvei. Esietendus 8. detsembril 2006 Elva huviala- ja kultuurikeskuses Sinilind. Võinädal Kollektiivselt loodud lastelavastus. Muusikaline kujundaja: Vassili Jakovlev. Helikujundaja: Vassili Jakovlev. Liikumine: Tamara Matjanina. Osades: Igor Molotkov, Tamara Matjanina, Mihhail Rumjantsev, Jegor Jakovlev, Tatjana Vlasenko, Tatjana Jegorova, Juri Potapov, Anastassia Kruglova. Esietendus 1. märtsil 2006 lasteaia Põngerjas õuel. Haletsege sokukest P. Rimski nukunäidend. Lavastaja: Juri Mihhaljov. Kunstnikud: Juri Mihhaljov, Tamara Matjanina. Muusikaline kujundaja: Vassili Jakovlev. Liikumine: Tamara Matjanina. Osades: Sokuke – Tamara Matjanina. Hunt – Jegor Jakovlev. Vanamees – Igor Molotkov. Koer – Tatjana Vlasenko. Esietendus 5. mail 2006 Geneva keskuse väikesel laval. Võluvilepill Lavastaja ja kunstnik: Juri Mihhaljov. Muusikaline kujundaja: Vassili Jakovlev. Helikujundaja: Andrej Marõmov. Osades: Tamara Matjanina, Vassili Jakovlev, Tatjana Jegorova, Jegor Jakovlev, Igor Molotkov, Tatjana Vlasenko, Juri Potapov, Anastassia Kruglova. Esietendus 20. juunil 2006 Geneva keskuse pargis. Koer – Tuula. Kavalpea ja ohmu Esietendus 20. novembril 2006 KUMU Auditooriumis. P. Rimski komöödia lastele. Koreograaf: Tamara Matjanina. Esietendus 26. augustil 2006 Geneva keskuse väikesel laval. Ivan Tsarevitš Teatri trupi loodud lastelavastus. Osades: Ivan – Igor Molotkov. Vassilissa – Tamara Matjanina. Hunt – Mihhail Rumjantsev. Jõuluvana – Jegor Jakovlev. Ööbik – Anton Kolpakov. Tüdruk – Tatjana Vlasenko. thwaite – Mare Peterson. plestone – Maria Peterson. cColgie Gibbs – Aleksander Eelmaa. – Helvin Kaljula. Sir. Harcourt-Reilly – Marius Peterson. amberlayne – Anneli Tuulik. Õde-sekretär – Eva Eensaar. Mees teenindusfirmast – Tarmo Song. Sõnalis-muusikaline estraadietendus Priit Aimla sketšide ja vahetekstidega. Esietendus 12. detsembril 2006 Theatrumi saalis. Kaastegevad: Pille Pürg, Diana Klas, Marko Mäesaar, Meelis Sarv või Rene Soom ja Peeter Kaljumäe. Tare-tareke Nukulavastus S. Maršaki kirja pandud vene muinasjutu Esietendus 19. detsembril 2006 Kreenholmi gümnaasiumis. Dramatiseerija, lavastaja ja kunstnik: Irina Artsimovitšene. Muusika autor, muusikaline kujundaja ja valguskunstnik: Valeri Sõrtšenko. Koreograaf: Ljubov Bogdanova. THEATRUM Osades: Vanaisa – Vassili Alförov. Vanaema – Boriss Vatin. Kass – Kirill Tšerjukanov. Juveliiri poe ees Karol Wojtyla näidend. Tõlkija: Tiina Peterson. Lavastaja: Lembit Peterson. Kunstnik: Andres Koort. Muusikaline kujundaja: Marius Peterson. Valguskunstnik: Helvin Kaljula. Osades: Teresa – Maria Peterson. Andrzej – Andri Luup. Juveliir – Marius Peterson. Anna – Anneli Tuulik. Juhuslik möödakäija; Adam – Lembit Peterson. Mitmesugused mehed; Stefan – Helvin Kaljula. Teresa – Mare Peterson. Monika – Laura Peterson. Krzysztof – Ott Aardam. Esietendus 5. veebruaril 2006 Theatrumi saalis. Lugemisteater Aleksander Alleni märkmete põhjal. Dramatiseerija: Mart Aas. Esietendus 18. aprillil 2006 ühes Tallinna lasteaias. Kaksteist kuud S. Maršaki näidend lastele vene muinasjutu „Kaksteist kuud” ainetel. Dramatiseerija ja lavastaja: A. Artsimovitšene. Kunstnik: Gennadi Jeltsov. Muusika autor ja kujundaja: Valeri Sõrtšenko. Valguskunstnik: Valentina Fursova. Koreograaf: Ljubov Bogdanova. Esitajad: Mart Aas, Ott Aardam (hääled) Tõnis Leemets (muusik. Esietendus 19. märtsil 2006 Theatrumi saalis. Lesed Slawomir Mrožeki draama. Tõlkija: Hendrik Lindepuu. Lavastaja ja muusikaline kujundaja: Maria Peterson. Kunstnik: Laura Pählapuu. Valguskunstnik: Helvin Kaljula. Osades Vanalinna Hariduskolleegiumi teatrikooli gümnasistid Ragne Veensalu, Aliina Astrova, Kristjan Üksküla, Marili Salujärv, Elizabeth Paavel, Rasmus Toome, Gerty Villo, Rainar Aasrand. T. draama. Tõlkija: Toivo Pilli. Lavastaja: Lembit Peterson. Kunstnik:Andres Koort. Kostüümikunstnik: Laura Pählapuu. Helikujundaja: Marius Peterson. Valguskunstnik: Helvin Kaljula. Osades: amberlayne – Andri Luup. Mrs. Shuttle- Osades: Jelena Ivanovna – Marika Korolev või Kärt Reemann. Semjon Semjonõtš – Raivo Rüütel. Ivan Matveitš – Raivo Mets. Henrik Normann – Sakslane. Politseinikud – Toomas Tross ja Indrek Apinis. Keegi – Hannes Prikk. Mutter – Inga Allik ja Kärt Reemann või Eva Püssa. Timofei Andreitš – Jüri Aarma või Elmar Trink. Nikifor Nikiforõtš – Elmar Trink või Toomas Tross. Luka Vassilitš – Robert Gutman. Ignati Prokofitš – Jüri Karindi. Toimetaja – Indrek Apinis või Toomas Tross. Koor – Kärt Reemann, Inga Allik, Toomas Tross, Indrek Apinis, Robert Gutman. Esietendus 28. oktoober 2006 Salme Kultuurikeskuses. Tõlkija, dramatiseerija, lavastaja ja muusikaline kujundaja: Peeter Raudsepp. Valguskunstnik: Triin Hook VANA BASKINI TEATER Pepsie Pierrette Bruno komöödia. Tõlkija: Kätlin Pääsuke. Osades: Trekstor Tekstel – Margo Teder. Jerome Angust – Tanel Saar. Esietendus 13. aprillil 2006 Rahvusraamatukogu Teatrisaalis. Lavastaja: Eino Baskin. Kunstnik: Kustav-Agu Püüman. Muusikaline kujundaja: Jaak Ojakäär. Osades: Jean-Francois – Tõnu Kilgas. Pepsie – Marika Korolev. Hatch – Vello Janson. Cyprien – Toomas Tross. Marie-Aurore – Liina Tennosaar. Lavastaja: Aare Toikka. Kunstnik: Karmo Mende. Kostüümikunstnik: Aili Ahero-Mende Esietendus 22. veebruaril 2006 Salme Kultuurikeskuses. Väljaspool hooaega Osades: Ginnie Stevens – Ülle Kaljuste või Anne Paluver. Bess Gallagher – Katrin Karisma. Florence Wyler – Ines Aru. Sally Ann Sabatello – Helgi Sallo. Cora Browne – Terje Pennie. Esietendus 29. märtsil 2006 Salme Kultuurikeskuses. Kolme lillekese juubel Estraadilavastus Toomas Kalli vahetekstidega. Lavastaja: Eino Baskin. Kunstnik: Riina Vanhanen. Kaastegevad: Ita Ever, Anne Veski, Eda-Ines Etti, Hanrik Normann, Ivo Eensalu, Anne Paluver, Jüri Karindi, Raivo Mets. Esietendus 28. juulil 2006 Keila lauluväljakul. Plaadipood Urmas Vadi näidend. Muusikaline kujundaja: Robert Jürjendal. Koreograaf: Marge Ehrenbusch. Grimmikunstnik: Tiina Leesik. Osades: Kodanik S – Tanel Saar. Naine – Kaia Skoblov. Elvis 1 – Janek Sarapson. Elvis 2 – Margo Teder. Elvis 3 – Marika Vaarik. Esietendus 6. septembril 2006 Treffneri Gümnaasiumi hoovis festivalil OMADraama. Kokteiliõhtu Lavastaja: Mark Rozovski (Moskva. Kunstnik: Alexander Lisiyansky (Tel Aviv. Muusikaline kujundaja: Mark Rozovski. Esietendus 18. detsembril 2006 Rakvere koolis. Lavastaja: Anne Paluver. Kunstnik: Riina Vanhanen. Liikumisjuht: Jüri Nael. Esietendus 2. oktoobril 2006 Püha Katariina kirikus. Komöödia-viirastus Fjodor Dostojevski samanimelise jutustuse järgi. Dramatiseerija: Mark Rozovski. Tõlkija: Toomas Kall. Amélie Nothombi romaan dialoogis. Valged ööd Osades: Unistaja – Tarmo Song. Nastenka – Laura Peterson. Tegelased tegelikkusest – Erkki Penart. Krokodill Ohvitser – Vassili Alförov. Elinor Jonesi komöödia. Tõlkija: Jüri Karindi. Dramatiseerija ja lavastaja: Lembit Peterson. Kunstnik: Vladimir Anšon. Kostüümikunstnik: Jana Hanikova. Muusikaline kujundaja: Marius Peterson. Valguskunstnik: Kalle Karindi. Esietendus 15. oktoobril 2006 Estonia kontserdisaalis. Esietendus 19. aprillil 2006 Theatrumi saalis. Fjodor Dostojevski teose dramatiseering. Tõlkija: Aleksander Raid. Lavastajaja muusikaline kujundaja: Peeter Kaljumäe. Kunstnik: Riina Vanhanen. Tantsuseaded: Agne Kurrikoff. Osades: Talv – Oleg Marjapuu. Kevad – Artur Postol. Suvi – Vassili Alförov. Sügis – Kirill Tšerjukanov. Võõrasema – Ljubov Bogdanova. Tütar – Kirill Tšertjukanov. Võõrastütar – Irina Artsimovichene. Printsess – Sofia Bulanova. Professor – Boriss Vatin Lavastatud rühmatööna. Yearbook of Estonian Theatre Statistics 2006 Osades: Emilia – Tamara – Vassili Jakovlev. Tõnu – Jegor Jakovlev. Urmas – Igor Molotkov. Toatüdruk – Tatjana Vlasenko. Meeste varjupaik Kristof Magnussoni komöödia. Tõlkija: Eili Heinmets. Lavastaja ja muusikaline kujundaja: Christian Römer (Saksamaa. Kunstnik: Kathrin Hegedüsch (Saksamaa. Valguskunstnik: Triin Hook. Videokunstnik: Assaf Etiel (Iisrael. Osades: Helmut – Raivo E. Tamm. Lars – Janek Joost. Mario – Tanel Saar. Eroll – Margo Teder. Esietendus 21. oktoobril 2006 Viru Keskuse IV korrusel. Vt. Kuressaare Linnateater. Alkeemiline tragöödia zarti ooperi ja Sigismund von Krahli teksti põhjal. Dramatiseerija ja lavastaja Peeter Jalakas. Kostüümikunstnik: Reet Aus. Kunstnikud: Ervin Õunapuu, Peeter Jalakas. Muusikaline kujundaja: Eva Alkula, Sirje Mõttus. Valguskunstnik: Lauri Sepp. Koreograaf: Sasha Pepelyaev. Video- ja helikujundus: Ville Hyvönen. Osades: Pamina – Tiina Tauraite. Öökuninganna – Riina Maidre. Monostatos – Maarja Jakobson. Papageno – Erki Laur. Tamino – Taavi Eelmaa. Sarastro – Juhan. Ansambel: Sirje Mõttus (akordion) Eva Alkula (kantele. Esietendus 8. märtsil 2006 teatrisaalis. Tuleaed. Mu luiged, mu mõtted. Tõnu Kõrvitsa kammerooperid. „Mu luiged, mu mõtted” Marie Heibergi luule põhjal. Libretod: Maarja Kangro. Lavastaja: Peeter Jalakas. Maalide autor: Merike Estna. Kostüümid: Reet Aus. Muusikaline kujundaja ja dirigent: Tõnu Kaljuste. Valguskunstnik: Lauri Sepp. Video- ja helikujundajad: Lauri Sepp, Ville Hyvönen. Osades: „Tuleaed”: Õpetaja – Helen Lokuta. Õpilane – Kädy Plaas. Tallinna Kammerorkester. Nargen Opera naiskoor. „Mu luiged, mu mõtted”: Ingel – Helen Lokuta. Poetess – Kädy Plaas. Nargen Opera naiskoor. Faust Muusikaline tragöödia. Autor, lavastaja ja lavakujundaja: Taavi Eelmaa. Kostüümid: Annika Pakk. Muusika autor: Chalice. Muusikalised kujundajad: Taavi Eelmaa, Chalice. Valguskunstnik: Oliver Kulpsoo. Video- ja helikujundajad: Lauri Sepp, Ville Hyvönen. Osades: Mefisto – Rein Pakk. Faust – Chalice. Esietendus 6. oktoobril 2006 teatrisaalis. Hamletid Multimeedialavastus William Shakespeare´i näidendi ja „No fear Shakespeare” põhjal. Tõlkijad: Peeter Volkonski, Evelin Banhard. Dramatiseerija, lavastaja, lava- ja valguskujundaja ja koreograaf: Saša Pepeljajev. Muusika autor: Dmitri Šostakovitš. Muusikaline kujundaja: Sten Šeripov. Video, programmeerimine, heli, elektroonika, OSC: Taavet Jansen. Osades: Hamletid – Juhan Ulfsak. Kontrollpult – Taavet Jansen või Lauri Sepp. Esietendus 3. oktoobril 2006 proovisaalis. Erki ja Tiina Kaasaegse tantsu lavastus. Lavastaja: Mart Kangro. Kunstnikud: Tiina Tauraite, Erki Laur. Valguskunstnikud: Oliver Kulpsoo, Janno Jaanus. Video- ja helikujundus: Lauri Sepp. Esietendus 20. aprillil 2006 teatrisaalis. Osades: Tiina – Tiina Tauraite. Erki – Erki Laur. Esietendus 31. oktoobril 2006 teatrisaalis. Kaasaegne sõna- tantsu- ja muusiklavastus. Showcasei Beat Le Mot´i ja Von Krahli Teatri näitlejate ühistöö. Koreograafid: Angela Guerreiro, Tamas Moricz. Muusika: Albrecht Kunze. Osades: Nikolai Duric, Thorsten Eibeler, Dariusz Kostyra, Veit Sprenger (Showcase Beat Le Mot) ja Taavi Eelmaa, Maarja Jakobson (külalisena) Rain Tolk (külalisena) Juhan Ulfsak. Esietendus 19. mail 2006 Forum Freies Theatre´s. Eesti naiste laulud Yearbook of Estonian Theatre Statistics 2006 Von Krahli Teatri näitlejate soolod: SA EESTI TEATRI FESTIVAL / RÄNDTEATER Aabitsakukk Eesti Draamateatris 2004. aastal esietendunud lavastus. Vt. Eesti Draamateater Lavastus Veljo Tormise muusikale. Kilplased Lavastaja: Peeter Jalakas. Kunstnikud: Peeter Jalakas, Enar Tarmo, Reet Aus. Kineetilised objektid: Merike Estna, Max Surin. Muusikaline kujundaja: Tõnu Kaljuste. Lusti- ja laulumäng Friedrich Reinhold Kreutzwaldi ainetel. Stsenaristid: Katri Aaslav-Tepandi ja Tõnu Tepandi. Osades: Kädi Plaas, Iris Oja, Celia Roose, Maret Mursa, Anne Türnpu, Lidia Mägi, Kärt Johanson, Ingrit Vaher, Riina Maidre, Veronika Portsmuth, Meelika Hainsoo ja Nargen Opera koor. Esietendus 14. juunil 2006 Naissaarel Omari küünis. Kaasaegse tansu lavastus. Lavastaja, koreograaf, kunstnik: Saša Pepeljajev. Valguskunstnik: Ainu Palmu. Helikujundus: Niklas Ekman, Roger Wanamo. Osades: Maria Ahlroth, Jan Korander, Jan-Christian Söderholm. Esietendus 30. augustil 2006 teatrisaalis. Esietendus 30. jaanuaril 2006 saalis. Merikajakas ja kontrabass Kaasaegse tantsu lavastus Richard Bachi „Jonathan Livingston Merikajaka” ja Anton Tšehhovi „Kontrabassiromaani” ainetel. Idee ja teostus: Anu Vask, Irene Hütsi, Karol Kuntsel, Meelis Rämmeld. Kunstnik: Kaie Kal. Valguskunstnik: Siim Soop. Helikunstnik: Heikki Tikas. Muusikud: Kristiina Talen, Marek Kütt. Administraator: Madis Kaasik. Kaasproduktsioon: Kanuti Gildi SAAL ja loominguline ühendus P. V. Esietendus 9. veebruaril 2006 saalis. Undiin Kaasaegse tantsu lavastus Hoffmanni „Undiini” Koreograaf ja lavastaja: Dmitri Harchenko. Muusika: Lepo Sumera. Muusikalised improvisatsioonid: Taavi Kerikmäe. Kunstnik: Anne-Mai Heimola. Valgus: Priidu Adlas. Kaasproduktsioon: Kanuti Gildi SAAL ja Tantsuteater Zick. Esitajad: Helen Reitsnik, Einar Lints, Viktoria Vladimirova, Endro Roosimäe, Stella Suitso, Raido Bergstein Esietendus 15. veebruaril 2006 saalis. Idee: Tiina Mölder, Kaja Kann, Bush Hartshorn /UK. Koreograafia ja videorežii: Tiina Mölder. Montaaž: Taavi Varm. Originaalmuusika, lavakujundus ja valgus: Kalle Tikas. Kaasproduktsioon: Kanuti Gildi SAAL ja ZUGA. Tekstide autorid ja esitajad: Kaja Kann, Bush Hartshorn. Esietendus 26. veebruaril 2006 saalis. Dr Tõrva ja professor Sule süsteem Idee ja koreograafia: Triin Lilleorg ja Kärt Tõnisson. Graafika/ fotod: Martin Sookael. Kostüümid ja lavakujundus: Rele Liiv, Jaana Heinsalu, Kärt Tõnisson, Triin Lilleorg. Heli: Urmas Sepp. Tekst: Taavi Eelmaa, Kaisa Selde. Produtsent: Kanuti Gildi SAAL. Esitajad: Triin Lilleorg, Kärt Tõnisson. Lavastaja ja muusikajuht: Katri Aaslav-Tepandi. Hääletöö: Tõnu Tepandi. Lavalised heitlused: Hellar Bergmann. Abijuht: Sven Heiberg. Esietendus 6. märtsil 2006 saalis. Näitlejad ja musitseerijad VI lennu teatritudengid: Sven Heiberg, Sten Karpov, Liis Laigna, Triin Lepik, Priit Loog, Jaanus Mehikas, Veljo Reinik, Kaili Viidas. Lavastus sai teoks koostöös Viljandi Kultuuriakadeemia ja Papa Kreutzwaldi Õueteatriga. Esietendus 7. juulil 2006 Võrus eutzwaldi majamuuseumi õuel. 3006-must. Osa 2 Koreograaf, lavastaja ja valguskujundaja: Jarmo Karing. Kunstnik: Karel Rahu. Muusika: Peeter Rästas. Kaasproduktsioon: Kanuti Gildi SAAL ja ZUGA. Esitaja: Raido Mägi. Esietendus 18. aprillil 2006 saalis. Tallinn – Aegviidu KANUTI GILDI SAAL Idee: Mart Kangro. Valgus ja tehniline teostus: Kalle Tikas, Mart Kangro. Kaasprodutsendid: Kanuti Gildi SAAL ja THEOREM, EL Kultuur 2000 programmi toetusel koostöös National Dance Center Bucarestiga. Koreograafia ja esitus: Krõõt Juurak, Mart Kangro, Manuel Pelmus. Koreograafia: Kaja Lindal, Kaspar Aus. Muusika: MärtMatis Lill. Lavakujundus: Inga Vares. Konsultant: Mari Mägi. Kaasprodutsendid: Kanuti Gildi SAAL ja Kaja Lindal. Tantsijad: Kaja Lindal, Kaspar Aus. Esietendus 10. mail 2006 saalis. Sündmuste horisont Uneskõndijad Tuleviku mälestused Tsirkuse elementidega kaasaegse tantsu lavastus. Idee: Katrin Essenson. Teostus, koreograafia: Mari Savitski, Katrin Essenson. Produtsent: Kanuti Gildi SAAL. Lavastaja: Kaja Kann. Muusika: Johann Johannsson (Island. Häälekoolitus: Juha Valkeapää (Soome. Treenerid: Kadri Ridaste, Heidi Kann, Margus Terasmees. Valgus ja heli: Kalle Tikas. Produtsent: Eksperimentaalse Liikumise Keskus. Produtsent: ZUGA. Kaasprodutsent: Kanuti Gildi SAAL. Lavastaja, lava- ja valguskunstnik: Melanie Clark (Inglismaa. Koreograafid: Melanie Clark, Maija Mustonen (Soome. Esietendus 3. juunil 2006 saalis. Alkus Idee ja koreograafia: Sandra Zaneva. Muusika: Kaur Garšnek, Sander Saarmets, ansambel „Sale tips”. Valgus ja tehniline teostus: Kalle Tikas. Kunstnik/konsultant: Elerin Velling. Kaasprodustendid: Kanuti Gildi SAAL ja Sandra Zaneva. Esitajad: Liis Ilula, Irina Krotova, Risto Kübar, Liina-Karina Mikkor, Laura Kvelstein. Esitajad: OMAtsirkuse noored. Esietendus 28. detsembril 2006 saalis. „diplom06“ Sarjas esinevad erinevate kõrgkoolide tantsuerialade diplomandid oma lõputöödega. Osades: Melanie Clark, Maija Mustonen, Jasmiina Sipilä Esietendus 1. juulil 2006 Pärnu Teatri Endla Küünis. SÕLTUMATU TANTSU ÜHENDUS FINE5 TANTSUTEATER 2006 astusid üles: 13. mail – Triinu Hurt (lõputöö „Seesmiselt keerukas“) ja Viljandi Kultuuriakadeemia tudengite filmid; L´ampfiparnaso Esietendus 8. septembril 2006 saalis. 14. mail – Niina Rejeva („Jäta“) Silver Elvest („Barby matused“) Lavastaja, koreograaf ja kunstnik: Tiina Ollesk. Valguskunstnik: Juuso Voltti. Dirigent ja kunstiline juht: Risto Joost. Muusika esitaja: Voces Musicales. Idee: Krõõt Juurak. Dramaturg: Berno Odo Polzer. Kaas­ produtsendid: Kanuti Gildi SAAL ja dietheater Wien. Esitaja: Krõõt Juurak. Esietendus 12. oktoobril 2006 saalis. LOOMuSUND Idee ja koreograafia: Mari Mägi. Valgus ja tehniline teostus: Airi Eras. Kunstnik-konsultant: Inga Vares. Produtsendid: Kanuti Gildi SAAL ja Mari Mägi. 19. mail – Kerstin Mandel („Etendusprogramm“) Triin Reemann („Hea kuudis“) Esietendus 4. aprillil 2006 Estonia Kontserdisaalis. 25. mail – Mihkel Ernits („Pealkirja veel ei ole“) Liisi Kivinukk („Kõigest“) ja Maiken Schmidt („RAMS“) Darli Thomson („Creation“. „Hypekas“ Esitaja: Mari Mägi. Esietendus 29. oktoobril 2006 saalis. 2006 esinesid: ROOTS 13. märtsil – Jarmo Karing ja T-Stuudio („Liigu järele, mina mõtlen“) ning Janari Kintsiraud, Kristiina Kask, Maiken Schmidt ja Vootele Vaher; Idee, koreograafia, lavastus: Oksana Titova. Lavastus ja dramaturgia: Juhan Ulfsak. Koreograafia: Päär Pärenson. Lavakujundus, kostüümid: Elo Soode. Video, foto, trükk: Martin Sookael. Produtsent: Kanuti Gildi SAAL. Esitajad: Oksana Titova, Päär Pärenson. Esietendus 8. novembril 2006 saalis. Korduma kippuvad k… Algidee: Nele Suisalu. Idee arendus: Karmen Ong ja Nele Suisalu. Videoprojektsioon: Madli Teller. Valgustaja: Madis Kirkmann. Fotograaf: Anu-Laura Tutelberg. Produtsent: Tee Kuubis. Kaasprodutsent: Kanuti Gildi SAAL. Tantsijad: Laura Kvelstein, Dmitri Kruus, Rain Saukas. 22. mail – Janari Kintsiraud („Selle ilu“) Kristiina Kask („ edasi? “) Aksana Vedehhova („Kolm õde“) ja Veronika Vallimäe („Kokkupuude“) Sarja raames esitatakse nii avalikkuse poolt tundmatute kui ka juba tunnustatud noorte koreograafide ja teatrikunstnike poolt loodud lavastusi. Kaasaegse tantsuga O. Vecci madrigalikomöödia. 25. oktoobril – Triin Reemann („Hea kuudis“) ja Vootele Vaher („Penis of yourself“) 18. novembril – Tallinna Ülikooli koreograafia osakonna III kursuse (tantsuseade tööd läbi kursuste) ja Turu Rakenduskõrgkooli Kunstiakadeemia tantsuosakonna tudengid. Väike prints Yearbook of Estonian Theatre Statistics 2006 Esitajad: Mari Savitski, Katrin Essenson. Just Lavastaja, koreograaf ja kunstnik: Matteo Moles. Muusika autorid: Plasticman, Scanner. Muusikaline kujundaja ja valguskunstnik: Juuso Voltti Osades: Tiina Ollesk, Eneli Raud, Laura Kvelstein, Dmitri Kruus, Rain Saukas. Esietendus 9. mail 2006 KUMU auditooriumis. Reekviem Koreograafiline konseptsioon video- ja valgusega Giuseppe Verdi „Reekviemi” kontsertettekandele. Lavastajad, koreograafid ja kunstnikud: Tiina Ollesk, Rene Nõmmik. Dirigent: Eri Klas. Valguskunstnik: Margus Vaigur. Korraldaja: Tallinna Filharmoonia. Esitajad: ERSO, Moskva Novaja Opera. Lauljad: Anneli Peebo, Aile Asszonyi, Juhan Tralla, Mati Palm. Tantsijad: Eneli Raud, Laura Kvelstein, Nele Suisalu, Külli Roosna, Dmitri Kruus, Rain Saukas, Argo Liik, Kaarel Väli, Gert Preegel, Silver Soorsk, Tiina Ollesk. Ettekanne 19. augustil 2006 Birgitta Festivalil Pirita kloostris. Kaasaegse tantsu lavastus Antoine Saint Exupery teose Lavastaja, koreograaf, lava- ja valguskujundaja, muusikaline kujundaja: Kate Pringle (Inglismaa. Esietendus 28. novembril 2006 saalis. Osades: Pärnu koolide tantsustuudiote ja WAF tantsukooli noored. Sisuline teostus ja esitajad: Karmen Ong, Nele Suisalu, Ingrid Õun. Esietendus 17. juunil 2006 Pärnu Teatri Endla Suures saalis. Autori või teksti päritolumaa Authors or texts country of origin Autor / dramatiseerija author of the original material / dramatist, composer, script-writer Selma Lagerlöf Andrei Hvostov Jaan Kruusvall Paul Lucas William Shakespeare Brian Friel Oskar Luts / Priit Pedajas EKdr VNK VKdr Kevade Juhus on pime Hääled I-III (I lugemine) Hendrik (I lugemine) SL Geeniuste algkursus (I lugemine) Finis nihili Elluastuja Eeva Park ENK Boulgakoff (I lugemine) Madis Kõiv Jaan Undusk Andrus Kivirähk Tütarlaps, kes abiellus kalkuniga Tutti I ja Ludwig XIV Gunilla Boethius Oleks Jan Ekholm Viis kakskümmend viis Terry Johnson Martin Krimp Desdemona (I lugemine) Danila Privalov Paula Vogel Martin McDonagh Teksti tüüp Type of text Mattias Andersoon Lavastuse pealkiri Title of production Lavastuse liik Type of production Žanr Genre P. Filimonov D K lug mjutt Lavastaja Director/Choreoghapher Liisi Eelmaa Ervin Õunapuu Kersti Kreismann Kersti Kreismann, Martin Veinmann Priit Pedajas Ene-Liis Semper Riina Degtjarenko Aime Unt Pille Jänes Tiit Ojasoo Hendrik Toompere jun. Ingomar Vihmar Olivia Osik 2. 2005 9. 2006 8. 10. 2004 23. 2005 24. 01. 2006 22. 2006 28. 2006 12. 2006 19. 03. 2004 16. 02. 2002 8. 2006 21. 2006 4. 2005 20. 11. 2004 17. 2005 14. 2005 Daniil Ahmedov (SanktPeterburg) Maria Melnikova 12. 2005 Liga Korlaša (Läti) 25. 2006 2. 2006 14. 2006 Maksim Obrezkov Diana Yanson Anton Jegorov, Tatjana Kosmõnina (kunstnik Olivia Osik) Roman Iljin (Peterburg) Vladimir Skvortsov Erki Aule ja Artjom Garejev Tatjana Kosmõnina Kunstnik Artist Esietendus Premiere TK N Sihtgrupp Target group Maalisaal Narva mnt 7 Statsionaar Stationary venues Esituskorrad kokku Total times of performing 264 611 105 728 620 910 154 486 940 1 775 858 152 415 62 467 158 424 739 921 1 560 535 347 386 153 656 11 550 12 700 15 975 19 350 8 875 13 800 12 275 30 900 Piletitulu Box-office receipts 2 294 1179 5311 1 069 6 386 655 1 183 6205 3056 1646 610 405 376 238 Külastajaid kokku Total number of visitors Juri Klavdijev repertuaari koondnimekiri all repertoire Bulgaaria Merle Karusoo Jevgeni Švarts Geraldine Aron Peter Shaffer Arthur Miller Mart Kivastik Hristo Boytchev Roland Schimmelpfennig Neil Simon Michael Cooney Andrus Kivirähk / Ariel Dorfman Urmas Lennuk Tšiili Taksitrallitajad Suveöö unenägu Suured tüdrukud ei nuta Surm ja tütarlaps Savonarola tuleriit Rahauputus Push Up Polkovnik lendab õhku Othello Nokia 3310 (I lugemine) Minu oivaline lahutus Küpsuskirjand Kõik armastavad Ivan Turgenev John Patrick Kunksmoor ja kapten Trumm Aino Pervik / Urmas Lennuk Kuninganna K (I lugemine) Kits Laura Ruohonen Edward Albee Conor McPherson LL Trg L 3. 2003 Kersti Varrak Ain Prosa 14. 2006 26. 2004 5. 2003 8. 2005 Mati Unt 22. 2005 10. 2001 6. 2002 Andrus Vaarik 10. 2006 Jaanus Laagriküll 2. 2005 27. 2005 19. 2006 Hilda Hellwig (Rootsi) 23. 2006 Airi Eras 28. 2006 Ingo Normet 28. 2005 Reet Aus Kaie Mihkelson 14. 2004 Mare Raidma Ivo Eensalu 30. 2006 Anne-Mai Heimola Merle Karusoo, Toomas Lõhmuste 19. 2005 5. 2006 Mihhail Mokejev 22. 2004 Marge Martin 24. 2006 7. 2006 23. 2004 Mihkel Ehala Taago Tubin Viinistu katlamaja Keila-Joa mõis 138 370 1 197 780 77 062 743 634 51 273 90 708 226 271 1 377 912 334 040 340 908 78 440 54 839 2 075 334 049 1 146 675 991 112 60 860 260 435 421 083 338 362 75 055 672 320 82 580 81 648 1588 5336 688 5 274 447 806 1 625 10195 2 596 663 2561 7927 6322 2 229 3224 2 444 825 677 all repertoire repertuaari koondnimekiri TEATRITE 2006. AASTA REPERTUAARI KOONDNIMEKIRI KASUTATUD LÜHENDID ENK – eesti näitekirjandus VNK – välisnäitekirjandus EKdr – eesti kirjanduse dramatiseering EVNK – eesti ja välisnäitekirjandus SL – sõnalavastus ML – muusikalavastus LL – lastelavastus TL – tantsulavastus muu – erinevaid lavastusliike ühendav lavastus ATrg – alkeemiline tragöödia D – draama dok – dokumentaal estr – estraadilavastus film – teatraalne filmiversioon K – komöödia KOp – kammeroperett – kontsertetendus Klas – klassikaline tants KT – kaasaegne tants Lk – laulukava Lu – luulekava lug – näidendi ettelugemine lug. t – lugemisteater M – muusikal mD – monodraama mjutt – muinasjutt MTrg – muusikaline tragöödia mult – multimeedialavastus muus. j – muusikaline jutustus nuku – nukulavastus O – ooper OKo – ooperi kontsertettekanne Op – operett sõ – salongiõhtu Trg – tragöödia traK – tragikomöödia TK – täiskasvanud N – noored T – teismelised L – lapsed VL – väikelapsed Janno Põldma Elar Kuus / Reeda Toots-Kreen Vahur Keller Oskar Luts / Andres Dvinjaninov Hans Christian Andersen / Leino Rei Rein Agur Silvia Väljal / Anne Türnpu Oscar Wilde / Maria Usk Aino Pervik / Andres Alan Bennett Uno Leies, Helle Laas Jean-Claude Grumberg Donald Margulies Nukitsamees Mõmmik Memme musi Kuusepuu Kunksmoor Kiki ja Miki Karjatüdruk ja korstnapühkija Karjapoiss on kuningas Isekas Hiiglane Ise, ise ka! Õuedaam Õmblejannad Õhtusöök sõpradega Voldemar (I lugemine) Nuku mD Vahur Keller/ Andres Roosileht Andres Dvinjaninov Andres Roosileht Rosita Raud, Kalju Kivi Heiki Ernits Janno Põldma, Heiki Ernits Reeda Toots-Kreen Kalju Kivi Kaspar Jancis Rosita Raud Riina Vanhanen Ann Lumiste Elo Soode Leino Rei Anne Türnpu Maria Usk Roman Baskin Kadi Tudre Tipus (I lugemine) 13. 2005 8. 2004 8. 2006 11. 2004 27. 2003 11. 2001 16. 2005 17. 1981 8. 2002 5. 2005 18. 2004 28. 2001 22. 2006 24. 2006 VL T Ovaalsaal Kaminasaal puudub Vahesaal 86 550 47 695 67 275 15 525 1 222 815 21 220 122 135 41 585 32 250 7 960 14 400 98 705 43 730 114 345 92 630 365 469 322 259 328 930 1 370 316 150 Paul-Eerik Rummo 1497 1055 1512 16575 2419 691 2300 1076 2702 2098 2 956 2387 2 401 3 613 Renate Keerd Manusega mõtted Korduma kippuvad K... Dr. Tõrva ja professor Sule (Richard Bach/ Anton Tšehhov) P. V. Triin Lilleorg, Kärt Tõnisson diplom ‘06 erinevad Sandra Z 3006 - must. Osa 2 Jarmo Karing Katrin Essenson Vares Villem. Reis maailma otsa ja tagasi Vapper Keefir Wolfgang Amadeus Mozart / Emanuel Schikaneder Mari Mägi Henno Käo / Peeter Sauter Tulipunane lilleke Tsuhh, tsuhh, tsuhh... Karmen Ong, Nele Suisalu prantsuse muinasjutu modifikatsioonide ainetel Ivar Põllu Juba mängitud homme Hispaania Selma Lagerlöf / Göran Tunström Romeo & Julia Pöial-Liisi Carlos Pez Eesti/ W. Shakespeare/ A. Dvinjaninov / itmaa/ J. Kreem HYPEKAS Hans Christian Andersen / Helle Laas, Riho Tammert, Hans Nordberg / Kati Kivitar TL ML KT sari Anu Vask, Irene Hütsi, Karol Kuntsel, Meelis Rämmeld Suisalu, Ingrid Õun Finn Poulsen (Rootsi) Helle Laas, Riho Tammert, Are Uder M 2. 2006 Elerin Velling 9. 2006 30. 2005 Renate Valme 6. 2003 14. 2005 29. 2006 Kaie Kal Inga Vares 28. 2004 6. 2006 18. 2006 Karel Rahu Rele Liiv, Jaana Heinsalu, Kärt Tõnisson, Triin Lilleorg 14. 2006 9. 2005 30. 2000 5. 2003 27. 2002 3. 2005 25. 1996 20. 2006 Hardi Volmer Iir Hermeliin Leenamari Pirn Annika Aedma Kanuti Gildi SAAL Eesti Vabaõhumuuseum Siseõu 1 810 1 215 920 1 570 1 200 1 425 3 580 2 050 3 180 2 435 49 550 160 165 32 430 21 000 97 995 51 665 50 285 4 949 261 50 445 28 375 232 179 450 306 524 267 1026 2507 722 470 1710 1104 895 17418 1209 91 Tiina Mölder, Kaja Kann, Helen Reitsnik Kaja Lindal, Kaspar Aus Juhan Ulfsak Kaja Kann Saša Pepeljajev / Daniil Harms E. Th. Hoffman/ D. Harchenko Silvi Väljal / Kiti Kaur Juhan Smuul Juhan Peegel / Jaan Kaplinski Juhan Ulfsak, Oksana Titova Trademarks: The Diaspora Project There are laika dogs living in Estonia The Last Hairy ZUGA lastekas Start, Based on True Story Lu Raivo Trass Alla Zorina (Moskva) Garmen Tabor Piret Rauk Dmitri Hartšenko Saša Pepeljajev Irina Vanhanen 26. 2006 5. 2006 koostöös Muhu muuseumiga Kustav-Agu Püüman 27. 2006 Liina Tepand Liina Unt 15. 2006 29. 2005 7. 2005 12. 2005 3. 2004 3. 2006 Jaanika Terasmaa Oksana Titova, Taavet Jansen M. Plakso, T. Mölder, K. Kann Kalle Tikas Kaja Lindal, Kaspar Aus T. Mölder, K. Kann, H. Reitsnik 27. 2006 Juhan Ulfsak, Oksana Titova 30. 2006 Mart Kangro, Krõõt Juurak, Manuel Pelmus 12. 2006 Krõõt Juurak Tiina Mölder Maasi ordulinnuse varemed Teatrisaal Tooma talu rehetuba stuudio 261 225 52 845 11 925 15 435 2 470 1 720 1 050 4 470 1 130 4 340 5 990 1 600 2 710 3212 486 1420 260 512 161 241 373 989 333 Kaja Kann, Tiina Mölder Mart Laar, Lauri Vahtre Lully Gustavson Jane Gollier Thornbjørn Egner Mihkel Ulman Patrick Marber August Kitzberg Astrid Reinla Jaan Kaplinski Arne Sultan, Earl Barrett, Ray Cooney John Millington Synge Andersen / Ingo Normet, Hando Runnel Jim Ashilevi Kiti Kaur Liina Pihlak Felix Kotta / Are Uder Jaan Tooming, Anne Triin Sinissaar Mihhail Lermotov Angela Randmets D. Kareva, M. Under, A. Tammsaare, J. Kruusvall Muinasjutt Pöial-Liisist Martini ja Mary lugu Linda tahab lahutada Kaval-Ants ja Vanapagan Diileri valik Agnes Sööbik ja pisik Lugu kirjudest sulgedest Soolaev Lemminkäinen. Mäng Kalevala teemal Salongiõhtu pealinnast eemal muus. j. traK nuku Tiit Palu Enn Keerd Madis Kalmet Jaan Urvet Peter Stelly Harri Gustavson Andrus Vaarik, Ivo Eensalu Vilja Nyholm-Palm Hans Kaldoja Anne Türnpu, Jaan Tooming Aare Toikka Silver Vahtre Andrus Jõhvik Leen Võrno Aira Rautsoo Mihhail Širjaev Mihhail Širjajev Killu Mägi Kristiina Münd Maite Kotta Alice Kirsipuu Ketlin BachmannPõldroos 21. 2005 2. 2006 13. 2004 11. 2005 1. 1999 11. 2004 9. 2005 28. 2005 6. 2006 Soontagana maalinn Tallinna Botaanikaaed liikuv lavastus Tallinna vanalinnas statsionaari ei ole Muuseumiait Küün Kullo Laste Galerii Tallinna Toomklubi Sinine saal 144 825 238 168 57 912 1 407 631 25 685 360 822 139 892 319 786 158 194 129 589 99 804 6 495 28 755 135 310 9 257 68 495 8 234 2 014 46 420 36 845 15 950 1002 2713 2149 15037 222 3387 2176 2990 1735 1401 552 2658 1000 893 Venemaa, Prantsusmaa, Poola EduardTubin Igor Stravinski, Maurice Ravel, Fryderyk Chopin Friedebert Tuglas/ Katrin Saukas Kenneth Lonergan Shelagh Stephenson Anton Hansen Tammsaare/ Urmas Lauri Vahtre, Mart Laar Liisu Krass, Sandra Sillaots Eva Koff Boris Kabur / Kiti Kaur Willy Russell Barbara von Tisenhusen Armastuse ja kirega (kolmest lühilavastusest koosnev) Külmetava kunstniku portree Kunstnike triloogia Viimane näitus Vee mälu Robot Robi Reispass O Klas/ Ago-Endrik Kerge Andrea / Jaagup Roomet Merle Karusoo/ Raimo Pass Attila Egerházi (Ungari) Jorma Elo (Soome) Tiit Härm 8. 2004 20. 2006 3. 2004 30. 2005 15. 2006 25. 2005 Tõnu Lensment Kaarel Kurismaa Raimo Pass, Aarne Üksküla Aleksander Eelmaa Jaanika Arum Jaanus Rohumaa Egon Nuter Andrus Kivirähk/ Viinistu Kunstimuuseum Kumu auditoorium Tammsaare majamuuseum Paikuse-Reiu Vabaõhulava Piibel kahe tunniga 114 922 273 191 266 814 594 706 608 604 278 966 207 936 816 281 93 644 65 675 113 502 46 954 781 606 85 950 301 420 58 650 86 283 618 859 94 917 800 2290 1416 3256 4134 2527 339 4820 789 750 1521 591 4813 1770 4652 1071 7020 923 Adam Long, Reed Martin, Austin Tichenor Ungari/ Eino Tamberg Mozart René Eespere ärm Franz Schubert, Heinrich Berte Lõbus lesk Tšehhi / Franz Lehár Villu Valdmaa, Martin Lindam Tõnis Kaumann, Villu Kangur Giuseppe Verdi Pjotr Tšaikovski Sergei Prokofjev Jean Sibelius Villu Valdmaa, Heini Vaikmaa scagni/ R. Leoncavallo Vaino Vahing, Katri Aaslav-Tepandi Giacomo Puccini Gioachino Rossini Uinuv kaunitar Tuhaktriinu Tosca Teatriromanss Talupoja au. Pajatsid Suur munamägi Shannon Rose Romeo ja Julia Padaemand Nabucco Mina-Napoleon Maria Joosep ja Inglike La Traviata Kolme neitsi maja Gurmaanid-2 Don Giovanni Léo Delibes Coppelia Cyrano de Bergerac Cassandra Marco Schiavoni Carmen Georges Bizet Klas Op O Ko K Op Michiel Dijkema (Holland) Sergejus Bocullo Raimundas Banionis (Leedu) Enn Suve Krista Tool Charles Cusick Smith (Šotimaa) Jane Kaas Katri Aaslav-Tepandi Neeme Kuningas Michael Scott György Youri Vamos (Ungari) 19. 1997 10. 2005 11. 2006 20. 2003 1. 2000 Michael Forssen 16. 1996 11. 2002 28. 2002 19. 1997 18. 1999 25. 2002 10. 2002 24. 1998 Eldor Renter Liina Keevallik Anna Kontek (Soome) Mauro Bigonzetti (Itaalia) Nicola Rubertelli (Itaalia) Tiit Härm Mai Murdmaa Arne Mikk Tõnu Tamm Monika Wiesler (Austria) Luciano Cannito (Itaalia) Albert-André Lheureux (Belgia) Kammersaal 314 161 863 499 1 561 784 24 560 1 133 369 78 528 439 944 866 644 799 436 581 403 604 195 341 114 384 695 513 447 1 524 964 598 508 171 960 78 515 1 338 997 248 823 206 232 783 047 53 537 179 942 163 698 1 343 722 2312 5287 8916 294 7341 1391 2882 5023 5699 3165 3322 5150 4908 3391 15632 3143 1124 8156 2582 2653 4426 399 1781 1384 7365 David Lee Coburn Vassili Sigarev August Strindberg Juhan Liiv, Juhan Smuul, Juhan Viiding / Üllar Saaremäe, Toomas Suuman, Rünno Saaremäe, Üllar Saaremäe Harold Pinter Eric-Emmanuel Schmitt Thomas Vinterberg, Mogens Rukov Astrid Lindgren / Georg Riedel Merle Karusoo doku- Eesti mentaalprojekt Pipi Pikksukk Pidusöök Majahoidja Lollid Kuidas elad. Ann? Aidi Vallik / Sven Heiberg Kaduviku riik Johannese passioon Džinnimäng Boob teab Öö Veneetsias Andres Noormets, trupp Hans Nordberg Johann Strauss Viini veri Aare Laanemets Peeter Rästas Sven Heiberg Eili Neuhaus Erki Aule Kalju Komissarov Toomas Hõrak Jaanus Vahtra Kristi Leppik Maret Kukkur Vadim Fomitšev Marion Undusk Reili Evart Triinu Pungits 4. 1998 28. 2001 7. 2004 13. 2006 15. 2006 6. 2003 13. 2006 10. 1994/ 5. 2000 6. 2003 Sagadi mõis Väikese maja kolakaber Suure saali lavatorn Vargamäe tõde ja õigus 563 570 113 590 82 992 31 148 68 170 234 756 224 539 316 559 474 953 44 500 51 560 290 596 52 694 4 665 383 589 26 112 34 130 587 382 1 570 538 124 602 10612 1148 557 897 3319 2973 6475 6834 3654 872 2281 468 4151 9713 1099 Tõnu Raadik/ AgoEndrik Kerge SA Theatrum Fjodor Dostojevski A. de Saint Exupery Friedrich Reinhold Kreutzwald Rühmatöö Rahvusvahelise trupi ühislooming Slawomir Mrožek Karol Wojtyla Aleksander Allen/ Mart Aas Anton Tšehhov Tammsaare / Urmas William Mastrosimone Eva Eensaar, Maria Peterson Fr. Echrenbusch Pirkko Saisio T. Eliot SA Valgete Ööde Festival Tuisuliblikad Päevapiltnik Mehine Mikko Lavakava Tšehhovi novellide ja vene romansside ainetel Laulud Täismäng Tundetus Talv laua all Siiralt valetades Roland Topor Reedel ja alati Antony Nielson lug. t. SÕ Dajan Ahmet Kate Pringle Melanie Clark (Inglismaa) Lembit Peterson Maria Peterson rühmatöö Peeter Raudsepp Eduard Toman 9. 2005 Alina Korsmik Andres Varustin 17. 2006 Kate Pringle (Inglismaa) 1. 2006 Vladimir Anšon / Jana Hanikova 19. 2006 17. 2003 9. 2003 Laura Pählapuu Andri Luup Andres Koort / Laura Pählapuu Andres Koort Marianne Kuurme Jule Käen Pärnu Endla Katariina kirik Theatrumi saal 28 000 4 840 560 24 590 15 835 16 750 5 635 26 030 47 240 31 345 1 237 122 149 920 649 177 8 915 10 495 627 873 488 327 609 697 8262 2066 6720 113 7280 Natalja Golemska Narva Teater Ilmarine Tommi Kitti Matteo Moles Tiina Ollesk, Renee Nõmmik Külli Roosna, Kaarel Väli Lepo Sumera / Silence Panus 24tundi Ära vihasta, peremees! Vares Karabuta Vaimukas Vassili Vaat siis, kui pikk päev tuleb Kuidas Voitek Barbarkale saatana viiulit hankis Puutare ja jäätare Kaelakott täis tarkust Jõuluvana ja joulupukki Külli Roosna/ Kaarel Väli Tiina Ollesk/ Renee Juri Mihhaljov Robert Drobjuh 5. 2006 Tamara Matjanina Juri Mihhaljov, Tamara Matjanina 27. 1999 29. 1998 Tatjana Jegorova taas 28. 2004 14. 2003 3. 2005 26. 2002 18. 2005 Tatjana Vlasenko, Tatjana Jegorova 10. 1992 19. 2002 Ap-tsihh Roman Seff Geneva keskuse park Geneva Keskus park Geneva keskus väike lava suur saal Geneva keskuse väike lava Abieluettepanek 28 750 4 500 1 995 34 812 8 065 23 220 885 9 130 540 8 490 30 827 38 090 15 613 8 420 320 169 2570 1001 1672 407 1799 2770 1127 Sõltumatu Tantsu Ühendus William Wharton / Rikard Bergqvist Frank McGuiness Jaanus Rohumaa, William Butler Yeats / Jaanus Rohumaa Ivan Turgenev / Adolf Šapiro Jaan Tätte välisautor Fjodor Dostojevski / Elmo Nüganen Tom Murphy Luigi Pirandello Anton Tšehhov / A. Adabasjan, N. Mihhalkov Evelin Waugh / Triin Sinissaar Viktor Pelevin / Mart Koldits Tammsaare / Elmo Nüganen David Auburn Nicolas Wright Michael Cimino Erinevate rahvaste muinasjutud Johannes Aavik Alfred Jarry Tammsaare/ Elmo José Sanchis Sinisterra Hispaania Keeleuuenduse lõpmattu kurv Kirsiaed Vincent Tõestus Tõde ja õigus. Teine osa Tšapajev ja Pustota Sild Sebastian Pianoola ehk Mehhaaniline klaver Naeruta paik Meeletu Kuritöö ja karistus Karin ja Indrek. Tõde ja õigus. 4. Isad ja pojad Impro 3. Punane Hanrahan Eesti teatri laulud Et keegi mind valvaks Birdy Ay, Carmela! Lk Aleksander Pepeljajev Anu Lamp Mart Koldits Eva Klemets Indrek Sammul Eva-Maria Gramakovski 5. 2005 Elina Beekman, Laura Kõiv 21. 2002 12. 2005 13. 2000 2. 1995 11. 1999 12. 2002 21. 2006 1. 2002 Mae Kivilo Vladimir Anšon Andris Freibergs / Kristine Pasternaka (Läti) Andris Freibergs (Läti) Mae Kivilo, Kersti Varrak Lilja Blumenfeld, Iir Hermeliin Haapsalu lennuväli Salme Kultuurikeskus 941 046 77 994 114 652 31 120 55 419 114 662 299 745 180 675 626 265 138 780 216 645 262 535 255 840 68 405 260 520 287 715 835 875 164 430 1 025 870 1 314 360 147 540 526 152 548 868 377 330 1 403 855 356 725 398 083 868 1129 1755 960 3302 850 1191 1501 1540 465 1571 1951 5271 924 5911 10614 795 3596 3276 2001 8536 2358 2817 S. Maršak vene muinasjutud / Irina Artsimovitšene Mark Twain / Rein Agur Richard Kipling / Aleksandr Altrov Mihhail Sadovski Valentina Fursova, Ottfried Preussler Gioachino Rossini/ Gaetano Rossi John Gray/ G. F. Händel Pip Utton Imre Kalman/ Ferenc Lehar jt Lewis Caroll/ MaiEster Murdma Carlo Gozzi / Oleg Marjapuu, Irina Artsimovitšene Mihhail Suponin Alice imedemaal Ah, ilma naisteta Adolf Väike nõid Unelmate kuningriik Tark Mašake Tare-Tareke Muinasjutt vanast TamTammist Maailma loomine Külmataat Hõbedane vihmapiisk Juhtumised päkapikkude maal Armastus kolme apelsini vastu Anželika ja sõbrake Venemaa/ Andrei Tarkovski, vennad Strugatskid, Sebastian Hartmann Mai-Ester Murdmaa Ervin Õunapuu (vastutaja) Aarne Mikk /Kristine Jurijane (Läti) 7. 2004 10. 2001 30. 2001 17. 1994 30. 2006 Peter Schubert (Saksamaa) Indra Roga (Läti) Taisto Noor Andres Smirnov Tiit Ojasoo/ Ene-Liis Semper Suur maja Väike maja Püssirohukelder 30 245 57 510 252 380 97 916 120 857 23 114 25 010 31 340 115 350 37 293 2 925 20 410 168 130 24 850 8 650 18 785 150 347 274 948 1 153 314 590 783 2927 1515 1721 958 1458 1845 6050 2064 792 3782 756 484 1028 2810 12750 Tiit Ojasoo, Ene-Liis Saksamaa, Andrew Lloyd Webber Benny Andersson, Björn Ulvaeus / Tim Rice P. Tšaikovski/ W. A. Axel Hellstenius, Ingvar Amjornsen, Peter Naess Guiseppe Verdi Ken Kesey, Dale Wasserman Leelo Tungal/ Olav Ehala Carlotte Jones Johan Strauss / Karl Haffner, Richard Genee Dokumentaaldraama, Janek Savolainen Edvard Grieg / Hendrik Ibsen Gabriel Garcia Marquez/Toomas Hussar Katja Krohn Felix Mendelssohn Bartholdy, William Shakespeare Igor Stravinski / Charles Ferdinand Ramuz Ülle Kauksi Eugen Kapp Talvemuinasjutt Taarka Sõdurilugu Suur kuri hunt Sekstett´a la carte Salemi nõiad Sada aastat... Nagu teile meeldib Mesimees Madame Butterfly Lotte reis Lõunamaale Lendas üle käopesa E-duur Cats Ain Mäeots Rachid Tika (Belgia) Hugo Fanari (Belgia) Jüri Lumiste Hendrik Toompere jun Pär Isberg (Rootsi) Mare Tommingas Janek Savolainen Guntis Gailitis (Läti) Janek Joost Toomas Edur Georg Malvius Elise Neirinck (Belgia) 30. 2005 4. 2004 Bo-Ruben Hedwall (Rootsi) Ervin Õunapuu /Pille Jänes 27. 2003 24. 2004 Anita Znutina 21. 2005 Marion Undusk, Sirly Oder 28. 2005 Liina Unt, Liina Tepand Peter Farmer (Inglismaa) Ellen Cairns (Šotimaa) Seto Seltsimaja Tartu Saksa Instituut 44 100 869 558 20 005 91 478 217 468 1 049 441 176 847 382 316 129 487 179 012 12 751 834 598 41 255 431 576 75 248 962 194 507 384 35 046 33 626 685 297 26 646 29 078 2 273 293 553 748 968 1 579 4323 11072 4783 4016 2 279 307 9291 658 5070 938 12 975 7 661 454 7861 588 14 032 3 695 Tipsutajad KanadaUSA Mati Unt /Ingomar Vihmar Eric Emmanuel Leonard Bernstein Jerry Bock Ljudmilla Razumovskaja Toomas Kall M. Rozovski Alan Ayckbourne Pierrete Bruno Priit Aimla (vahetekstid) Norm Foster Francis Veber Elinor Jones Viimane sent Tüütu tüüp Pentsik pere Mul tuli idee! Vladimiri väljak Viiuldaja katusel West Side Story Verevennad Tuletikke laenamas Aleksander Galin Maiju Lassila / estr lu 25. 2005 Anne Paluver Eino Baskin Vello Janson Peeter Kaljumäe 10. 2006 Alexander Lisiyansky (Iisrael) Mark Rozovski (Moskva) Hans Dieter Schaal Arila Siegert, Marie-Luise Strandt (Saksamaa) 1. 2003 18. 2001 5. 2005 Katri Aaslav -Tepandi Jaan Tooming Sütiste maja Väikse maja ovaalsaal Tantsumaraton 1 047 313 118 725 845 916 83 697 90 037 887 812 333 278 421 371 369 014 993 771 455 448 101 301 238 936 407 936 574 791 870 354 194 655 4 631 189 845 322 489 777 351 86 306 9608 1251 8060 744 901 8039 3376 4254 3244 10667 4824 1 559 3070 3 476 5438 9762 2200 2 682 3593 8903 1664 Horace McCoy / Rainer Jancis Bertolt Brecht Kristof Magnusson Ferenc Molnar / Amélie Nothomb H. Ch. Andersen Jevgenia Morozova Urmas Vadi Kai Hensel Austraalia Stefo Nantsou, Tom Lycos Andri Beyeler eutzwald / Markus Zohner Ellen Niit / Aare Toikka Kakuke III Kakuke II Kakuke I Ivanov As you like it... Alasti tõde Teener Siim ja saladused Kohtume trompetis Kivid Kick & rush Foorumteater 1. 2001 Raul Õitspuu Kathrin Hegedüsch (Saksamaa) Bengt Andersson (Rootsi) Christian Römer (Saksamaa) 7. 2005 Aleksandr Potužnõi 23. 2005 Jevgeni Nikonorov (Venemaa) Nikolai Krutikov (Venemaa) 12. 2003 2. 2003 Igor Kapitonov (Venemaa) 30. 2002 16. 2004 Timofei Sopolev (Moskva) Vladimir Petrov (Venemaa) Raimo Pass 1. 2005 Karmo Mende 30. 2003 15. 1999 Piret Räni Rahvusraamatukogu teatrisaal Peeglisaal Viru Keskuse IV korrus 1 940 2 330 3 450 37 619 329 355 38 695 93 190 37 130 27 029 90 930 7 902 222 273 212 914 56 840 38 800 144 559 20 395 15 928 269 216 99 334 76 745 13 324 457 2749 548 2081 657 1074 1210 244 4799 1831 709 2242 541 3093 4888 962 577 104 Pierre Chesnot Vennad Grimmid Leonhard Gershe Aleksandr Ostrovski Oscar Wilde Barry Keefe Deniss Fonvizin Aleksandr Volodin Äbarik Valedetektor Preili Julie Prantsuse kired Moskva lähedases suvilas Palju õnne argipäevaks! Palat nr 6 Liblikad on vabad Kes aevastas? Kallimast ei lahkuta... Kakuke V dok Svetlana Krassman Oksana Šimanovskaja Nikita Grinshpun Jaak Vaus Nikolai Krutikov (Moskva) Mihail Tšumatšenko Juri Nikolajev (Venemaa) Aljona Anohhina Vladislav Ogai (Venemaa) Dmitri Razumov Mihail Feigin (Moskva) Polina Stružkova Valeri Filonov (Venemaa V. Rõzhakov, A. Anohhina (Moskva) 4. 1997 24. 2005 31. 2000 24. 2006 16. 1993 10. 2004 18. 2006 Vene Teatri Garaaž Restoran “Gloria” Õpetajate Maja Kakuke IV 15 154 68 124 37 711 86 061 394 216 209 522 4 158 63 104 100 454 79 788 56 126 57 659 62 970 360 309 9 498 71 860 41 397 4 850 13 680 274 881 640 831 3147 2228 721 1058 2956 857 346 Kornei Tšukovski / Jaanika Juhanson Jaan Kross / Peeter Tammearu Kristi Teemusk Peeter Tammearu Koturnijate trupp Andersen / Kristi Teemusk Peter Horsler Antonio Buero Vallejo Eppu Nuotio, Tiina Brännare, Matti Seppänen Nikolai Gogol Arnold Wesker Hella Wuolijoki Jean Anouilh Enn Vetemaa Karoly Szakonyi Vladimir ja Oleg Presnjakov Astrid Lindgren Alistair Beaton Igor Bauersima Lev Tolstoi / Mihhail Tšumatšenko Šotimaa Robert Louis Stevenson / Peeter Õnnetunne Terrorism Püha Susanna ehk Meistrite kool Orkester Onu Vanja Niskamäe kired Neli aastaaega Naise võtmine Lõõmav pimedus Lõika maha ja lase jalga Koturnijad ehk Kui nalja ei saa, siis meie ei mängi Helesinine vagun End-Sa-Pese Anna Karenina Aarete saar Jaak Allik Priit Võigemast Marko Matvere Leila Säälik Kaarin Raid Mihhail Tšumatšenko Jaak Vaus / Gerly Tinn Oleg Titov Andres Lepik Maria Soomets Peeter Tammearu, Jaak Allik Jaanika Juhanson (TÜ Viljandi Kultuuriakadeemia) 4. 2004 21. 2004 1. 2003 29. 2003 16. 2003 12. 2004 Olustvere loss Heimtali Rahvamaja Ugala esine tiigi kallas 306 917 272 905 53 384 465 351 237 178 6 090 122 400 84 009 26 768 40 135 34 448 365 674 172 731 56 710 85 740 91 295 383 538 844 840 67 600 320 898 51 210 168 678 286 500 223 430 3241 4279 863 3230 513 556 2549 2181 653 1714 1478 4692 6382 1455 3890 667 3012 1972 3406 Sven Kuntu, Liina Keevallik Katri Aaslav-Tepandi, Tõnu Tepandi Kustutage kuuvalgus ATrg film mult M Trg Margus Kasterpalu Katri Aaslav - Tepandi Peeter Jalakas Sarnet/ Kõrver/ Tammiksaar/ Kilmi/ Maimik/ Raat Kristian Smeds (Soome) Taavi Eelmaa Angela Guerreiro, Tamas Moricz 15. 2005 Reet Aus, Ain Nurmela, Jaana Jüris, Liisi Eesmaa, 25. 2006 Ervin Õunapuu, Peeter Jalakas / Reet Aus 8. 2006 31. 2005 Anne-Mai Heimola / Kristian Smeds 30. 2006 Taavi Eelmaa / Annika Pakk Tiina Tauraite, Erki Laur Saueaugu teatritalu Von Krahli Omari küün 38 130 Tundekasvatus Tuleaed. Mu luiged, mu mõtted. W. Peeter Jalakas Tõnu Kõrvits/ Maarja Kangro/ Marie Sarnet/ Kõrver/ Tammiksaar/ Kilmi/ Maimik/ Raat Tabamata ime Arto Paasilinna / akespeare/ stojevski/ peljajev EVNK William Shakespeare/ Saša Pepeljajev Saksa/ Eesti Showcase Beat Le Mot/ Von Krahli Mart Kangro/ Tiina Tauraite/ Erki Laur Peeter Jalakas, Enar Tarmo, Reet Aus 2222 2079 2993 1196 3140 3350 1050 1639 3300 1170 1480 Veljo Tormis SA ETF/Ränd­ teater.

Dev Patel has the prettiest smile I've ever seen. No joke. 7. 8 / 10 Votes: 88 Kenneth Branaghi teater - Talvemuinasjutt Without Paying Hd-720p no registration. &ref( Stars=Miranda Raison, Kenneth Branagh 3Hour 0min review=King Leontes of Bohemia (Sir Kenneth Branagh) suspects his wife, Hermione (Miranda Raison) and his friend, Polixenes (Hadley Fraser) of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events that lead to death, a ferocious bear, an infant left in the snow, young love, and a statue coming to life genre=Drama Writed by=William Shakespeare ���ͥ����֥�ʡ�(Kenneth Branagh)�ˤĤ��� �Dz�ǡ����١���. Stream Films en FranÃ��ais Kenneth Branaghi teater - Talvemuinasjutt Watch Online Full Free 2018. �֥�ʡ��������������饤��2016����ʪ�� - ���� - Yahoo! �Dz�. "Kenneth Branaghi teater. There read more Kenneth Branaghi teater - Talvemuinasjutt (HDRip. ���ͥ����֥�ʡ��ȤϢ��ȥ����󥹡����������κ���ɤȸƤ 쥷���������ԥ���ԤȤ���̾���ڤ��륤���ꥹ�α鵻����ͥ. �Ĥ�������鵻��ؤӲ�Ω�鵻�ع������. ������ش�� 顧����ȡ����������. �֥�ʡ��������������饤�֣�����������ʪ��2015. ��ʪ��١ա٤�2015ǯ�αDz�. �ءԥ֥�ʡ��������������饤�֡���ʪ��١ա٤�� ���ߤ�ʤ�ɾ���䥯�����߾���Dz�ۤξ�ǥ������塼��ե��ȥ����꡼��ư�襯��åפʤɤ�Ҳ𤷤Ƥ��ޤ�. ����������. ������, 2016ǯ11��4���ʶ��. Nov 4, 2016 �֥�ʡ��������������饤��2016 ����ʪ��פ�DVD���֥롼�쥤. �֥�ʡ��������������饤��2016 ����ʪ��פ˴ؤ��뤪������DVD���֥롼�쥤��Ҳ�. Rating 3. 0 (17.

I thought they are... innocent. Get married u two r so cute😊. With Rob our king of the North and the sweet Rose from Downton Abbey. ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰e.a.c.h. Dunkirk „Dunkirk“ on eepiline märulipõnevik, mis kujutab liitlasvägede sõdurite uskumatut evakuatsiooni Belgiast, Suurbritanniast ja Prantsusmaalt, kui Natsi-Saksamaa sõjavägi neil tee ära lõikas ja neid Prantsusmaal Dunkirki rannal 1940. aastal teise maailmasõja ajal Prantsusmaa lahingus 27. maist 4. juunini piiras. Lavastaja ja stsenarist Christopher Nolan (“Tähtedevaheline”, “Algus”, “Pimeduse rüütli" triloogia. Osades Kenneth Branagh, Cillian Murphy, Fionn Whitehead, Aneurin Barnard, Harry Styles, James D'Arcy, Jack Lowden, Barry Keoghan, Tom Glynn-Carney, Mark Rylance ja Tom Hardy. 1h 47min Kinodes alates: 21. 07. 2017.

Tervitus! Ja veel teatrist! Pealkiri: Lantimiskunstnikud Teater: Linnateater (Salme Kultuurikeskuses) Kestus: 1h 50 min Lavastaja: Paavo Piik ja Diana Leesalu Osades: Maiken Schmidt, Liis Lass, Kaspar Velberg, Mart Toome, Henrik Kalmet, Priit Pius, Märt Pius Esietendus: 29. 09. 2012 Millal nähtud: 23. 10. 2015 Minu hinnang: 4. 5/5 pilt kodulehelt Ühte näidendit ei satu ma just tihti teist korda vaatama, kuid “Lantimiskunstnikud” kutsub sulnilt ja järjekindlat mind end uuesti kaema juba pikka aega. Otsustasin järgi anda, kuigi ega ma niiväga vastupanu ei osutanud ka. Tegelikult üldsegi mitte. Mis teeb antud tüki nii eriliseks, et teist korda 21 eurot välja käia? Näidend on läbi immutatud huumorist, tõesti ka naljakast huumorist, mis tekitab vaevatult kaasaelamise tuhina ning loob ülihea õhkkonna ja tänu sellele vastava tuju ka vaatajas. Peale selle on väärt kvaliteedimärk ka see, et tegu on tükiga, mis juba aastast 2012 on Linnateatri repertuaaris, kuid mis suudab siiani tuua täismaja ning tekitada publikus õhinat ja valjut naeru otse südamest. Kõik kelledega vesteldes on välja tulnud, et antud etendust on nähtud, kiidavad seda taevani. Pealtnäha on tegu suhteliselt lihtsakoelise ja ebaoriginaalse näidendiga nii sisult, sõnumilt ning ülesehituselt. Ja sügavamale sissepoole vaadates see pilt ei muutu. Lihtsuses aga seisnebki võlu, kuid kahtlemata on antud tüki tõmbenumbrid ikkagi tohutult mahlane ja vaimukas tekst ning sarmikad noored näitlejad, kes ilmselgelt naudivad antud rolle üliväga. Seda illustreerib muuseas tõsiasi, et nii esimesel vaatamisel kui teisel, leidus stseene, kus näitlejad ise naerma purskasid või pihku itsitasid, sest lihtsalt niivõrd naljakas oli neid koomilisi dialooge pidada ning totakaid stseene läbi viia. Mäletan, et nalja tegi neile näiteks seik, kus nohkar seletab, miks tal pükstele nii palju taskuid õmmeldud on. Kindlasti leidub inimesi, kes näitlejate rollist välja koperdamiste peale just positiivselt ei vaata, kuid minu jaoks sõltub see kontekstist. Antud juhul on tegu komöödiaga ning siin ei ole ükski itsitus või naer, kas siis publiku poolt või lavalt, mitte kuidagi mitte mingites tingimustes vale reaktsioon, otse vastupidi. Minu jaoks on see väga sümpaatne, kui ka näitleja ise suudab pärast mitmekümneid kordi ühte tükki esitatuna ikka selle üle rõõmu tunda, kaasa naerda ja selle lõbususes õige veidi kontrolli kaotada. Sellised reaktsioonid tekitasid vaatajas omakorda veel rohkem lõbu ja lusti. naer on nakkav. Loo keskmes on kolm luuserit: kampsun (Kaspar Velberg) nohkar (Henrik Kalmet) ja priimus (Märt Pius. Üks põletavamaid ühisosi neil on, et kellelgi neist ei ole naiste hulgas menu. Seda nutust olukorda püüab parandada aga lantimiskunstnike kursus, kus kitsastes nahkpükstes naistemehest pahapoiss kutte koolitama hakkab, et kuidas siis lõpuks süütusest lahti saada. Otse loomulikult teevad poisid piinlikke, kuid koomilisi prohmakaid, saavad nõuandeid, mis on samalaadsed ning lõpuks, leiavad tee naiste seelikute alla. Seega, ei midagi uuenduslikku või ennekuulmatut. Süžee aga toimib sajaga, sest pakett on tehtud ligitõmbavaks kui kõige ekstravagantsem pühademuna, kuigi seestpoolt on tegu tavalise keedumunaga. Loomulikult võimaldab poiste siiras tahe ja vankumatu järjekindlus leida publikus sajaprotsendilist poolehoidu ning lõppkokkuvõttes on keeruline kolmele luuserile mitte, sõrmed ja varbad ristis, kaasa elada. Olgugi siis, et nende eesmärk ei ole just õilsate killast. Kuidas siis naisi lademetes jalust rabada? Nimelt on vaja meelde jätta vaid üks tegutsemisreegel: kui ego on suur, siis alanda, kui ego on väike siis tõsta. Kõlab lihtsalt ja isegi loogiliselt, iseasi, aga kas ta reaalsuses ka toimib ning keskmiselt, mitu protsenti sajast. Lantimisekoolis oli psühholoogial õpetatus märkimisväärne osa. Endalgi oli huvitav naiste krabamise pärleid kuulata, näiteks kuidas tähelepanu haarata, seda hoida ning konkurentsi neutraliseerida. Mind veidike aga häiris, et naissugu esindasid tükis vaid tibi tüüpi naised või siis valiti meelega sellised eksemplarid või siis lähtuti reaalsusest, kus klubides väidetavalt enamasti just sellised näitsikud ringi liiguvadki. Mis siis ikka. Vähemalt ühe poisi tõelise kiindumuse objekt omas veidi rohkem sisu ning immuunsust naistemeeste vastu, tõestamaks, et ka teistsuguseid naisi peale beibede võib leiduda. Mis aga juhtub kui eesmärk on saavutatud ning naisi voolab sisse nii uksest kui aknast? Psühholoogiast lähtudes, liiga palju üht ja head asja ei too alati lõpmatuseni rahuldust. Kursus õpetas vaid kuidas naisi saada, kuid juba teine tase on, kuidas naisi hoida ja kuidas edasi käituda. Samas peab aga ka järgmisteks sammudeks huvi olema, mida meie kangelastes suures mahus ei leidunud. veel. Kuigi tekst on näidendis vaieldamatu staar, olles voolav, terav, ja kohati lausa pisaraid silmi toovalt koomiline, leidus mitmeid aspekte, nii väiksemaid detaile kui silmapaistvamaid võtteid, mis omas elemendis ka hiilgasid ja meelde jäid. Poiste õppekatsed tüdrukuid oma äsjaõpitud trikkidega rajalt maha võtta ja n-ö tagasikeritud vigadeparandused oli omapärased vaated sellele kuidas ühte ja sama asja saab teha edukalt või siis täielikult läbi kukkuda. Riietuse hoogne, särtsu täis ning vahva vahetusstseen, kus nunnudest piimanägudest said tõelised mehed, oli efektne ning lausa tiris kaasa elama. Peab ka mainima, et, kuigi jah, riietus ei riku meest, võib just see õige outfit taset tõsta sajakordselt. Kuigi väidetav Eesti tipplaulja Mai-Liis Juuni (Liis Lass) mind just jalust ei rabanud, langes samasse auku kuhu ülejäänud tükis esinenud beibed, oli teda võõrustav totakalt koomiline muusikasaade kentsakalt nauditav vahepala kolme poisi ponnistustele saada naisi. Meeldejääva ning igati toimiva detailina võib mainida ka tegelaste monolooge, mis jagatud üle etenduse, ning kus karakteritele anti veidi aega publikule pajatada enda motivatsioonidest, muredest ja soovidest. Need võimaldasid, muidu suhteliselt pealiskaudsetele tegelaste, rohkem värvi ning andsid vaatajale võimaluse naerust nutta. Samas aga suutsid näidendile laiali pillutud fraasid nagu "marineeritud morsk. kiiksud nagu nohkari kiindumus oma vanadesse tossudesse ja kampsunil soov olla pärast muutust hoopis tagi, vaevatult ise ka naeru välja meelitada. Värskeid, punapõskseid ja entusiasmi täis noori näitlejaid on alati meeldiv jälgida, eriti kui nad ilmselgelt naudivad laval olemist ning kui tüki sisu võimaldab neil vabalt ennast väljendada ja lõdvaks lasta. See ei ole tükk, kus otsida geniaalset näitlejameisterlikkust või hingematvaid etteasteid, tegu on heatuju etendusega ning seda pakuvad ka näitlejad oma karakterite kaudu. Igal ühel kolmest "kangelasest" olid oma kiiksud ning erisused, näiteks meeldis mulle nohkari eripärane kõnemaneer. Ka vaoshoitud ning tõsine kampsun ning tagasihoidlik ja poisilik priimus leidsid mu poolehoiu. Samuti meeldis mulle, et Maiken Schmidt kehastas niivõrd vastandlikke tegelasi nagu kena krapsakas beibe ning hommikumantlis mammalikku nohkari muretsevat ema. Viimane oli ootamatult kihvt tädi, vaatamata sellele, et oli nagu iga teine lapse pärast sabiv memm. Boonusena siin tundsin ma tõelist keemiat kampsuni ja emme vahel, millel oli tõeliselt potentsiaali. Siinkohal oli lõbus tõsiasi ka see, et kampsuni ja nohkari vahel tundus arenevat tõeline sõprus. Miks mitte teha tükile järg? Mamma ja kampsuni armuromanss ning nohkari põrgupiin sellest tulenevalt? Kõlab lustakalt! Jedimeister (Mart Toome) ehk härra lantimiskunstniku enda väike saladus oli ka ootamatu, kuid koomiline väljavõte sellise kõva võrgutamiseksperdi elust. Kõik ei ole nii kui paistab. Kindlasti aga on mainimise ära teeninud tema ülikitsastes nahkpükstes pepu. tegu oli otsekui päris eraldi tegelasega. Kolmele hurmurile vastukaaluks oli tegevustesse lisatud ka üks tavaline alfa-isane (Priit Pius) kes naisi leiab ka ilma lantimiskursuseta, ning tema segadus olukorra üle, kus kolm uustulnukat oma vingete psühholoogiaoskustega kõik chickid ära korjavad, oli omamoodi sümpaatne ja nunnu. Ärgem unustagem ka "taustatantsijaid" ehk hipstereid kohvikutes "arukat" ja "ülitähtsat" juttu puhumas. Kuigi Salme kultuurikeskus mahutab märksa rohkem publikut, meeldis mulle Hobiveski omapäraseid lahendusi võimaldav ning intiimsem keskkond hulganisti rohkem. Seal tunneb publik end otsekui näidendi osana ning tegevus ja tegelased on lausa käega katsutavad. Samuti meeldisid mulle Hobuveskis olnud versiooni ruumilised lahendused, sest võimalusi oli kõvasti rohkem kui klassikalisel laval. Esimest korda nägin antud tükki vist aasta 2014 alguses ning kindlasti on selles toimunud muudatusi. Näiteks, Mart Toome on asendanud Karl-Andreas Kalmeti ning, kui ma ei eksi, siis oli mitmeid stseene või detaile putitatud või üldse eemaldatud. Näiteks, mäletan palju rohkem stseene mannekeennukkudega, kuid uuemas versioonis neid pea üldse ette ei tulnud. Sellest tulenevalt tundus esimene versioon kuidagi enam õpetlikum, teelusikatäis tõsisem ning inetuma reaalsusega. Vaatamata kõigele, oli tükk aga just nii hea kui mäletasin seda olevat.

ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰e a u.
Does anyone know what the song is that's used in the video? Thank you.
ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰et à la solidarité.
No wayyy! Matt and Lily suit the look great together.

Who is the cast for this may I ask

7:14 Well this is awkward.

ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰et à l'innovation. ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰e.a.r. 2.

She is one of the best actresses that has ever should be watching more of her work

More information Brain Man, Ikuta Toma, absolutely loved it. Toma plays an amazing character, he was brilliant. Great psychological thriller. What others are saying As far as surprises go, no film at the Japanese Film Festival was more of one than Brain Man, a psychological thriller epic about a mur. Brain Man, Ikuta Toma, absolutely loved it. More information A Grande Ilusão What others are saying The Angriest Man In Brooklyn More information Would You Make A Good Hitman? What others are saying Leon, The Professional with Natalie Portman and Zac Renau. Leon, The Professional with Natalie Portman and Zac Renau. Jean Reno & Natalie Portman as Leon & Mathilda in Leon Jean Reno y Natalie Portman en 'El profesional' Léon) Luc Besson, Leon the professional jean reno movie stills wallpaper. Fresh HD wallpapers for your desktop. Mathilda: Leon, what exactly do you do for a living. Mathilda: You mean you're a hit man. Leon: The Professional I got: You'd Make A Killing! 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Notes to myself: Diebenkorns 10 rules for painting, Blog, Royal Academy of Arts More information Inside Llewyn Davis What others are saying ‎Inside Llewyn Davis on iTunes Inside Llewyn Davis More information The Red Cockatoo (2006) What others are saying The Red Cockatoo (2006) Poster More information In This Corner of the World (2016) What others are saying Kono sekai no katasumi ni (In This Corner of the World) Sunao Katabuchi, In this corner of the World. Set in Hiroshima during World War II, an eighteen-year-old girl gets married and now has to prepare food for her family despite the rationing and lack of supplies. As she struggles with the. See full summary Neste Canto do Mundo Legendado Newlywed Suzu Urano moves to her new life in Kure City on the coast of Hiroshima Prefecture, where she perseveres through World War II with pluck and determination. As she struggles with the daily loss of life's amenities she still has to maintain the will to live.

ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰et à manger. 2:10:00 bookmark. Vilepi juubel, väikelasteraamat ja puudeliste hooldajatoetus 29. märts 2010 kell 09:33 ( Asjatamised, Muiduelu, Töised asjad) Tere esmaspäeva! Tartust olen tagasi, nädalavahetus oli päris väsitav, aga vahva oli ka kogu aeg. Raamatuesitlus oli selline tagasihoidlik ja mõnus, õhtune/öine Vilepi juubelipidu oli aga tõeline tulevärk. No ikka tõsine pidu. Lauad lookas ja jooki voolas ojadena, tantsu lõhuti hommikuni ja möll käis. Päris lõpuni me Otiga küll seda kõike kaasa ei suutnud teha, väsimus vedas meid ikka enne hommikut juba Heiki poole koti peale nurru lööma. Eile õhtul jõudsime koju, kütsime, saatsime plika koos kodinatega Noarootsi kooli (uus veerand hakkas ju pihta) ja peaaegu siis kohe varisesin minagi. Nii kella poole kümne paiku õhtul. Ei mäletagi, millal ma viimati nii vara magama läksin. Lootus oli hinges, et magan oma väsimuse välja ja ärkan hommikul tegusa ja virgana. Aga kus. Kell üks öösel olid silmad lahti ja mõte peas. Mõte, reo, ajas üles. Ja siis muudkui mõtlesin oma mõtet edasi ja magama enam ei jäänud. Read formeerusid ajus ja pildikesed juba jooksid silmade ees. Lõpuks andsin alla, kobisin voodist üles ja läksin kirjutasin arvutis mõtte üles. Terve väikelasteraamatu teksti. Igavese hooga. Tuli, nii et kohises. Nüüd saabki ühe sellise 2-3-aastaste raamatu. Hästi lihtsatest asjadest. Lugu kirja pandud, tuli uuesti ka uni peale. Ainult et hommik oli juba käes. Nüüd on keskpäev, sest vahepeal ma ikka magasin ka. Ja kõik see, mis ma täna kindlasti poidin tegema, on veel tegemata. Aga väikelasteraamatu tekst, jah, on valmis. Plaanivälisena. Lihtsalt unes tuli mõte, ja see, raibe, ei lasknud edasi magada. Saa siis niimoodi rütmi sisse. Võimatu. Aga ma ei olegi nii rahuolematu. Mul on hoopis hea meel, et see lugu sai kirja. Ainult hirm on, kuidas ma nüüd nende tänaste muude asjadega jõuan. Ah jaa. Invaliidide hooldajatoetus kaotatigi reedel ära. Opositsioon sõdis küll kõvasti, aga häälteenamus on häälteenamus. Meil on ju demokraatia. Lääne Elu tegi sellest ootamatult pika loo. Ja juhtkirja ka. Põhiloo kommentaarid on enamuses tegelikult sellised nukrakstegevad. Noh, ma loodan, et kommenteerijatest ja praeguse linnavõimu pooldajatest keegi ise kunagi töövõimet ei kaota, kedagi armsat invaliidistunud sugulast/sõpra täismahus ja ainult oma jõududega hooldama ei pea… Küllap see muudaks nende vaatenurka oluliselt, aga see selleks. Lisa kommentaar Vist tagasi inimeste maailmas 26. veebr. 2010 kell 10:27 ( Asjatamised, Muiduelu) Olin kaua kadunud. Pole olnud kõige säravam aeg või enesetunne. Selmet luua ja lehvitada, kudusin mütse, sokke ja kindaid, vahtisin telekast leebeid loomafilme, süütut suusatamist ja ilusat uisutamist, lugesin mõnd raamatut, mõtisklesin… tahtsin omaette olla. Kahekesi oma egoga. Ott juba ahastab mu kudumise ja kudemise peale, nii et võib-olla hakkan jälle sotsiaalseks ja näiteks üritan hakatuseks natuke blogida. Nagunii olen juba väga palju asju valmis kudunud: endale tutiga bareti, Üllale heegeldasin bareti, Marile kudusin sokid ja kindad, isale sokid, Otile kindad, emal kindad, Ivarile kindad, Kristelile kindad, endale kah ühed kindad, aga heegeldatud. Kõik kindad on muidugi sõrmikud, värvilised, mustrilised ja soojad, ka sõrmed on soojuse mõttes mustris. Ma nõustun Otiga, et see tegevus näeb juba maniakaalne välja. Kui inimene pole kümme aastat käsitööd teinud ja siis korraga jälle hakkab pihta ning niisuguses kvantiteedis, siis see hirmutab iga hooliva abielumehe ära. Aga. Täna lähen Noarootsi Gümnaasiumi nõukogu koosolekule. Ma loodan, et ma pole oma sotsiaalseid oskusi täielikult minetanud ja saan seal ikka hakkama. Ja homme õhtuks kutsun kõiki Haapsalu kultuurikeskusse, kus rõdusaalison väga vahva kontsert: Svjata Vatra koos Klotsiga. Vahepeal näidatakse ekraani pealt Kiku suusatamist ka ja avatud on baar ja pidu käib ööni. Svjata Vatra, kui keegi veel seda ägedat folkbändi ei tea, stiilinäide on. Klotsist on juba varem natuke juttu olnud, see on siis see folkrokk-kollektiiv, milles mängivad Ott, Marek Lamp, Haapsalu Indrek Kalda ja Anto Siimson. Kahjuks ei ole nad Youtubei mitte midagi veel üles pannud, kuigi olen neid selle eest hurjutanud kõvasti. No sel kontserdil on neil plaanis lasta end üles ja sisse võtta, nii et ehk tekib netimaailmasse ka nende stiilinäiteid. Igatahes ma olen sügavalt veendunud, et homne kontsert tuleb väga äge ja pilet on ka ainult 75 krooni. Ürituse plakati panen igatahes siia üles. Ajalooline tõde 1990. a teisest pühast 5. jaan. 2010 kell 00:48 ( Muiduelu) Mis juhtus. 1) Sain selle tänase töö siis nüüd umbes kolmveerand tunni eest valmis (see lühifilmi stsena) 2) Segasin ajusurma tundega endale ühe kokteili ja siirdusin riiulisse üht vidinat otsima. 2) Leidsin hoopis üles oma pardaka aastatest 1990 – 1998. Pardakast ei selgu tõde 1989. aasta teise püha õhtusöögi kohta. Nimelt sellepärast ma teda lappama hakkasin, et see teema oli hiljuti ju jutuks. See pardakas algab 1990. aasta suvel. Teise püha õhtusöögi asjus selgus, et 1990. aastal kandis üritus nime “Festival Trollitalv” ja see kestis kolm päeva, st 25. – 27. detsember. Festivali kajastused avab niisugune sissekanne ühe tolleaegse väga armsa sõbra poolt: Tähelepanu, tähelepanu! 25. dets, jõulu I pühal Atslas on just algamas suur talvine festival “Trollitalv 90”. Kohal on ATS, Liisi, Rosinante, Klink, Pank, kaks dešifreerimatut inimest ja muidugi allakirjutanu, s. o … ja peale selle minu “äraolev” poeg. Häbi! Mind pole elu sees nii palju labase käitumisega šokeeritud. Minu poolt kõik. ” (Selgituseks: me olime oma seltskonnaga enam-vähem kõik tol ajal kaasatud veidrasse suguvõsa-mängu, milles kõik olid kellegi lapsed, vanaisad, täditütred ja jumal teab kes. Minu mäletamist mööda oli Merca mu üks vanaema. Liisi oli õde. Meil olid terved skeemid selle kohta. Kahjuks pole minu käsutuses enam ühtegi alles. ) Edasiste erinevate inimeste sissekannetest selgub, et kindlasti olid kohal veel Raica, see Tom, kellega Liisi siis käis, Lilli, Ulla, Ruth, Eva, Jan, Ummi, Klink… kaks dešifreerimatut inimest olid tõenäoliselt agropunkarid (agropunkareid ühendas mingi põllumajandusliku kallakuga kutsekool) kelle nimesid ma ei mäleta, aga nad on kuskil vanade fotode peal olemas. Ja Tintsust ega Tomist ei ole tookord ühtegi jälge… nii et võib-olla nad olidki hoopis tol päris esimesel, 1989. aasta üritusel? 27. detsembri õhtupoolikul võetakse ühe külalise poolt üritus kokku nõnda. “Praeguse seisuga ei oskagi öelda, kas “Trollitalv 90” tuleks lugeda läbikukkunud ürituseks või mitte, sest ei toimunud peaaegu ühtegi kavas olnud üritustest (suur tuli jms. Samas oli mõneski mõttes päris tore. Minna oleks võinud veel palju hullemini. ” Ja hetk hiljem on Eva dokumenteerinud juba Deep Purplei saatel toimuvad koristustööd. Vahepeal on dokumenteeritud esinemised punase plastmasspasunaga ja ära märgitud täiendava õlle seda veeti ikka umbes kastikaupa, nii et äramärkimisest saan ma aru. Nii et jah, niisugune asi oli 20 aasta tagusel peol. Mina nägin siis välja selline: ja minu selleaegset enesetunnet kirjeldab vististi taas Amanda, kuigi 20 aastat hiljem. Loomulikult, kallid tolleaegsed, ma tervitan teid kõiki armastusega, kus te ka poleks. Ja tahan vabandada oma kursusejuhendaja ja noh, kõigi täiskasvanute ees, kes püüdsid teha kõik, et mind aidata, aga see polnud määratud õnnestuma. (Vähemalt mitte nii ruttu. Alles umbes 28. eluaastast alates suudan ma end stabiilse täiskasvanud inimesena tunda. Ma tunnen end siiani sellepärast natuke süüdi. 1 kommentaar Kohe aasta algul hoog sisse 4. 2010 kell 15:20 ( Kallid loomad, Muiduelu, Töised asjad) Niipalju siis mu mõttest, et aasta algul puhkan nädala või isegi kaks, enne kui seda Promenaadi näidendite sarjaga edasi lähen. Et puhkan ja koon omale baretti ja võib-olla teen veel midagi ilusat ning mängulist. Säh sulle nüüd aga puhkamist ja mängimist, juba olen endalegi ootamatult hoogsalt töös lühifilmi stsenaariumiga, mida Tuuli tahaks produtseerida ja Ergo Kuld oleks siis režissöör. Kirjad lendavad edasi-tagasi ja eks ma nende vahel üritan muudkui edasi kirjutada. Mis põhiline, jälle üks asi, mis peaaegu et põleb, nii kiire on. Täna ööseks võiks nagu esmane versiooni lausa valmis olla. Aga ma arvan, et saab ka. Kusjuures, ma saingi aasta lõpuks need kolm “Saladuste” stsenaariumit valmis. Ise ka ei uskunud. Ühesõnaga, kogu see asi on ilmselt nagu nõudepesu: mida kauem edasi lükkad, seda hirmsam see kõik tundub (ja eriti ekstreemsel juhtumil hakkab haisemagi. Tuleb lihtsalt ilma midagi mõtlemata ning mingisuguseid emotsioone ligi laskmata pihta hakata… siis tuleb sisseelamine, hoog ja kõik see muu, ja siis on ühtäkki asi valmis. Ja mingid baretid ei tule enam meeldegi. Aastavahetusel olime sõprade pool Sadama 5-s. Täitsa armas oli. Ja vist hakkame vanaks jääma me kõik – laud oli täiesti erakorralisel moel lookas, kohas, kus muidu tavapäraselt viimase juustutükikese peale duellile minnakse või loosi tõmmatakse või midagi sihukest. Seekord otsustas Kristel ORGANISEERIDA, ja organiseerimise tulemusena laekus toitu nii tohutult, et tõenäoliselt toitub kogu Sadama 5 sõbralik kollektiiv sellest siiamaani (kui nad maja põletamise ja kustutamise kõrvalt muidugi mahti saavad. Meil plika jäi sama erakorraliselt üksinda koertega koju, sest tema sõbrad, nagu välja tuli, olid kõik aastavahetuse ajaks Haapsalust nii laiali lennanud, kui vähegi andis. Nii ta siis vahtis kodus telekat ja rõdult ilutulestikku. (Me muidugi kutsusime teda Sadama viide kaasa, aga ta keeldus järsult ja mitu korda järjest, sest tahab jah üks kuueteistaastane koos majatäie keskealiste pässidega pidus olla. Kui ma paar minutit pärast südaööd talle helistasin, et head uut aastat soovida ja küsisin, mis koerad teevad (sest eks ma olin veidi mures küll koerte vaimse tervise pärast, kui ümberringi kõva paugutamine lahti läheb) siis vastus oli konkreetne: “Koerad magavad”. Nagu oleksid kutsikast saadik polügooni ääres elanud. Iseenesest võib sellist ükskõiksust seletada elamisega lossipargi kõrval… eriti suviti lõpeb iga suurem pidu või kontsert seal ilutulestikuga. Nii et nad on vist harjunud jah. Olen sellest aastast tõesti juba väsinud 30. dets. 2009 kell 16:41 ( Muiduelu) Küll on hea, et otsa saab. Detsembris sai vist ennast sodiks rahmeldatud, ma pole siiamaani õieti toibunud. Muudkui magaks ja magaks, 10 – 11 tundi öösel ja siis veel paar tundi keset päeva kah. Seda, et ma vabatahtlikult õhtul kella üheteistkümneks magama kobin, pole vist aastaid juhtunud. Ja veider, et see väsimus ei taha kuidagi üle minna. Tegelikult peaksin praegu veel tööd tegema, ma lubasin aasta lõpuks veel kolm Saladuste lugu valmis kirjutada, aga pole jaksanud. Pea on nagu pada. Selsamal põhjusel pole ma nii röögatult kaua ka siia midagi kirjutanud… kuigi tegelikult saatis mu jõulukuiseid ettevõtmisi ikkagi ju edu ja kirjutada nagu oleks olnud küll. Aga sel pühadeaegsel nädalal ei teinud ma ei telekat ega arvutit lahtigi mitte, kuplaminemise tunne tuli peale ekraani meenumisestki. Viimased paar päeva olen ettevaatlikult käinud nii veerandtunniks ikka kirjakasti ja mõnd foorumit vaatamas… ja eile vaatasin telekast “Doktor House–i” kah. Ja suutsin pärast seda isegi natukeseks sõpradega välja minna. Nii et ikka liigub paremuse poole. Aga uue aasta esimeseks nädalaks panin perearstile igaks juhuks numbri kinni, midagi peab selle närvinõrkuse ja kommunikatsioonitõrkega vist ikka ette võtma. Mis veel. Ma tänan kõiki toredaid inimesi, kellega elu mul sel aastal kohtuda lasi. Ja ma tänan oma sõpru, kes pole kõigi oma tööde ja laste ja askelduste keskel meid Otiga siin unustanud mitte ja kes kogunesid ka sel aastal kord meie söögituppa teise püha õhtusöögile. Siinkohal tervitused ja head soovid kõigile neile, kes kunagi varem minu majapidamises sellest traditsioonist on osa saanud, kuid kellega elu nüüdseks lahku on viinud! Sel aastal nimelt toimus Teise Püha Õhtusöök 20. korda. See tähendab, 20 aastat järjest on jõulu teisel pühal mu sõbrad minu juurde kogunenud. Koosseisud on mõistagi vaheldunud ja muutunud ja sel aastal polnud kahjuks kohal kedagi, kes oli aastal 1989 mu Vee tänava korteris. Aga inimesi aastast 1990 juba oli, Tints ja Tom nimelt. Kui ma nende aastate peale mõtlen, siis tuleb küll sihuke igivana tunne peale… Nujah, küllap seletab see ka seda mu viimase aja imelikuvõitu tervisehäiret, mida postituse alguses juba kirjeldasin. Aga olgu. Vanadusnõtrusest tudisedes soovin ma head vana aasta lõppu ja ilusat uut kõigile. Et kuulu järgi olevat selle aasta “Jõulutunneli” saade olnud pühendatud perevägivalla all kannatajate aitamisele, ja et Margus Saar on kena inimene ning see teema oli tal minu arust väga õige mõte, siis olgu ka selle blogi uusaastatervitus kantud vastavatest mõjudest: 8 kommentaari Päevad nakkuskolletes 13. 2009 kell 19:37 ( Muiduelu, Töised asjad) … on oma tulemuse andnud. Oleme Otiga mõlemad põdurad. Otseselt võib-olla haiged isegi mitte, aga mingi viirusega pihta saanud küll. Palavikku pole, aga nohune ja kurguvalune on, pea uimane ja silmad valutavad. Kui üleeile suutsin veel lava peal luuletusi lugeda, siis täna hommikul ei tahtnud enam üldse mingit häält teha. Päeva laadal pidasin aga vastu. Homse Vigalasse mineku otsustasime ära jätta. Hulluks ka ei saa minna ja nüüd peaks ennast paar päeva rahulikult kodus ravima, mitte mööda ilma ringi tolmutama. Tähtede seis ilmselt soosib järgmisel nädalal kodus haige olemist: ka meie plika oskas laupäeval peaga vastu asfalti kukkuda. Kohe hullusti. Aitäh sellele naisterahvale, kes ta sealt tänavalt üles korjas ja traumapunkti sõidutas, kuid kuskil oma nime ei ütelnud, nii et ma isiklikult tänama ei saagi minna! Situatsioon iseenesest oli hullumeelne: laupäevane ennelõunane aeg, laat paksult rahvast täis ja meie raamatute ümber käis tõsine tunglemine. Müüsin ja signeerisin, nii et nahk seljas sõna otseses mõttes märg, kogu aeg said mingid raamatud otsa, Ott jooksis auto vahet ja tassis neid juurde (müüsime eile Haapsalus 96 raamatut, mis on meil absoluutne laadarekord. – ja siis helistas plika traumast. Et nüüd on nii. Mina olin laua juures kinni nagu pulk augus, kogu aeg inimesed. Ott siis kimas autoga haiglasse plika juurde, et mis värk. Siis oli mingi tund aega segast aega, kus polnud selge, mis saab – plika taheti haiglasse jälgimisele jätta (peapõrutuse kahtlus) aga lõpuks sai Ott ta ikka koju viia. Ja õhtupoolikul, kui rahvast vähemaks jäi, sain mina ka otseallikast juhtunu kohta reportaaži kuulda. Nüüd on plika järgmise nädala kodus rahulikus olekus, puhastame, plaasterdame, seome ja määrime tema arvukaid pindmisi haavu näos, käes ja põlves. Nii et ta kukkus ikka korralikult ja hoo pealt. Aga “soolikad ei paista” ja “pulmadeks paraneb ära”, nagu vanarahvas ütleb. Kahjuks on muidugi olemas võimalus, et ta saab minult ja papalt viiruse juurde… aga pole midagi teha. Iseenesest, kui tervis korras, on väga lahe laatadel käia ja inimestega suhelda. Kui palju huvitavaid tüpaaže. Kui põnev on inimesi jälgida ja kuulata. Üks minu üsna ammune idee on küll nende laadalkäimiste käigus oma realiseerimiseks kinnitust leidnud. Ma rääkisin natuke sellest juba Elina Sildrega ka, keda tahan selle projekti kunstnikuks. Aga asjast endast ma igaks juhuks veel suure suuga ladrata ei taha. Igatahes see intrigeerib mind ennast täitsa kõvasti ning ma usun. et uuest aastast hakkangi sellega pihta. Asja sisuks on sellised… mmm… teistmoodi väikelasteraamatud. Sellised kaheaastaste raamatud. Mitte mingid “Minu kannid” või “Koduloomad” või muud taolist, vaid… aga ma ei räägi praegu. Kuigi jubedalt tahaks. 2 kommentaari Täna on mul küll puhkepäev 8. 2009 kell 13:10 ( Muiduelu) Pärast seda läinud töist nädalat ja nädalavahetust ning esmaspäevagi teen nüüd tõesti väikse vahe sisse ega liiguta täna tööasjades sõrmeotsagi mitte. Kirjutada küll oleks, isegi mitu asja, mis enne jõule peavad valmis saama, aga kui ma vahepeal natukestki ei puhka, siis ei pruugi ma ikkagi neid asju valmis saada. Järgmist nädalavahetust mul ju ka ei tule, üritused nii laupäeval kui pühapäeval. Ei, nüüd ma tõesti vedelen natuke. Eilne Tallinna-esitlus läks kenasti, enne seda Paides ka enam-vähem plaanipäraselt. Nii et võib rahul olla. Peale selle oli võimalus jälle üle väga hulga aja Türil sõber Jaanil külas olla, tema pool me Otiga ööbisime. Jaan kostitas meid jumalike ahjukartulite ja Kenneth Branaghi “Võluflöödiga” – mida ma enne näinud ei olnudki ja mis on jaburaim ning naljakaim “Võluflööt” üldse, mida oskaks endale ette kujutada. Tegevus on pandud toimuma I maailmasõja aegsetes kaevikutes. Igatahes selle filmi tegijad on kõvasti lõbutsenud. Tunnen kohe tungivat vajadust endalegi see film hankida. You Tubeis on treiler ka täitsa olemas: Siis veel algusest tükike, kus Tamino peaaegu ära gaasitatud saab, kuid Öökuninganna teenijannad päästavad ta ära. “Pintsu ja Tutsiku” trükikotta minemise eelõhtul 24. nov. 2009 kell 15:12 ( Muiduelu, Töised asjad) … ei suuda me kuidagi ära otsustada, kas kaane kiri peaks tulema punane või kollane. Kujundaja ja kujundaja naine arvavad, et kollane. Mina arvan, et punane, ja Ott arvab, et punane, sest mina arvan, et punane, aga muidu ta arvab, et kujunduslikus mõttes on kollane parem, sest kujundaja ju arvab, et kollane on parem. Vot nii. Kui keegi sellest lausest aru sai, siis on ta asjast õigesti aru saanud. Kaks korrektuuri on küljenduse pealt loetud ja muidugi tuleb ikka ja veel apsakaid välja. Lisaks selgus, et ma pean hakkama Scanpixilt välja ostma ühte fotot, mis autori ja Tutsiku kohta tagakaanele platseerub ja mis mul muidu endal on arvutis täitsa olemas, aga kahjuks, tuleb välja, pole minu oma. Sest on ajakirja fotograafi tehtud ja seega ka mitte fotograafi, vaid Scanpixi oma, sest fotograafile ei kuku selle pildi kasutamise pealt sentigi. Taevas neist autoriõigustest aru saab. Ja homme pärastlõunaks peavad trükifailid trükikojas olema. On kah, ma olen selles päris veendunud. Me oleme siin ju tublid. Numminumminumminummi. Aga ma lõpetan nüüd selle jahmerdamise ära, sest mul on juba pea sellest kõigest täiesti paks, ja lähen Elliga jalutama. Õhtul tuleb Ülla ja mul mõlgub meeles ka üks koogiküpsetamismõte. Paljudest erinevatest asjadest, sh Amandast 20. 2009 kell 20:52 ( Aed, Asjatamised, Kallid loomad, Muiduelu, Töised asjad) Nii. Kulkale taotlus koos, eelarve koos, luulekogu koos, kõik saadetud. Üks “Saladuste” stsena sai ka vahepeal viie või kuue stseeni osas ümber kirjutatud, vastavalt režissööri soovidele. Joonasel on tänaõhtuse seisuga lõpuks “Pintsu ja Tutsiku” II osa pildid ja tekst kõik käes, andku aga nüüd küljendusega minna, et esmapäeva õhtul korrektuuri saaksin lugema hakata. Eile õhtul peale kümmet koju laekudes pidin küll peaegu infarkti saama, kui Ott ütles, et ftp-serveriga oli kogu päeva mingi jama ja ta ei saanud Joonasele neid materjale üles laadida… pealegi olevat tal ikkagi kahele peatükile veel pildid tegemata! Siis mul oli küll tunne, et ma lihtsalt lähen hulluks. Kogu see kupatus pidi ju küljendaja käes olema juba kolmapäeval! Kiireks tal läheb, päris selge, sest lõpuks tuli välja, et erinevas suuruses pilte ning vinjette on seal ligemale poolteistsada. Ja kui Joonas selle Heraklese tööga toime tuleb, siis kolmapäeval on Pintsud-Tutsikud trükikojas ning detsembri keskel poodides. Ma hoian pöialt, et jõuaks. Paaril viimasel päeval olen intensiivselt panustanud ka parteitegevusse, vedasin eile meie Haapsalu “rakukese” koosolekut, modereerisin analüüsi, miks meil valimistel ja koalitsiooni moodustamisel seekord läks, nagu läks. Loomulikult valmistasin analüüsi baasi ette, põhjalik ikka, nagu ma olen. Ja et homme paar meie naist siirdub IRL naiskogule Tallinna, kus üle-eestilises kontekstis umbes samasisuline arutelu toimub, siis oli muidugi vaja kogu eilne materjal korralikult ära vormistada, et nad saaksid homme selle kaasa võtta ja oma sõnavõttudes sellele toetuda. Nii et minu hommik algas kulka taotlusele lõpliku lihvi andmise ning ärasaatmisega, jätkus eilse ürituse materjali dokumenteerimisega, kõigele muule lisaks tuli vahepeal hirmsa kiiruga kirjutada valmis lullamilla homsesse lehte, taotleda “Pintsu ja Tutsiku II raamatule” ISBN-i number, teha rida telefonikõnesid homse Taeblasse mineku suhtes (oleme homme oma MTÜ raamatutega Taebla kadrilaadal)… ja veidi enne kahte tuldi mulle järele, et viia mind Noarootsi gümnaasiumi nõukogu koosolekule, mis kestis miski poole viieni või sedamoodi. Nii et aeda ma jälle ei jõudnud. Homme ka kindlasti ei jõua. Aga tulbid on maas ja puhastamata on ainsatena veel läänepeenar ja roosipeenar. Roosidega on veel suts aega muidugi, neid pole siinkandis enne jõule erilist mõtet katta. Ja vaesed koerad on ka juba mitu päeva järjest jalutamata, peavad aias tolknemisega piirduma. Oh, kole lugu. Aga pühapäeval viin nad metsa. Muidu pole hullu, aga hilja õhtuti hakkab suurest väsimusest hale meel peale tulema. Vahin Amandaga You Tubeis tõtt ja mõtlen, et sellel naisterahval on ka kindlasti oma lapsepõlvega mingi kana kitkuda. Aga ma vist ei ole Amanda Palmerist teile kirjutanudki. See on mu sellesügisene kiiks, mis algas õigupoolest juba kevadel. Üks artist, kes veidral kombel on nii minu kui mu tütre palava sümpaatia pälvinud. Näitleja ja muusik. Ise teeb oma lugudele sõnu ja muusikat, kõike. Suurepärane. Peale muu on ta mõnuga dramaatiline ja tal tundub olevat selline kiiksuga huumorimeel, mis mulle väga sobib. Ja nagu juba ütlesin, tal on vist mingi teema mingi lapsepõlvetraumaga. See video on näiteks esimene lugu tema tsüklist (on ka sellenimeline album ja raamat) “Who killed Amanda Palmer”. Kirjanike tuur oli eile järjega Haapsalus 30. okt. 2009 kell 09:06 ( Muiduelu, Töised asjad) Viimastel aastatel on Kirjanike Liidus juurdunud tore traditsioon: ringsõidud mööda Eesti raamatukogusid. Koostatakse hulk ekipaaže, igaühes neli-viis kirjanikku, iga grupp saab tavaliselt neli esinemist erinevates raamatukogudes. Eelmine aasta olin ka ise ühes sellises kambas, koos Katrin Reimuse, Heiki Vilepi, Ilmar Trulli ja Jaanus Vaiksooga moodustasime n. ö lastekirjanduse löögirusika. Sel aastal aga läks nii pahasti, et pidin ringreisist loobuma: selgus, et meie grupp pidi teele minema täpselt samal päeval, kui minul oli juba Viimsi esinemine kokku lepitud. Nii pidingi Kirjanike Liidule hoopistükkis ära ütlema. Hirmus kahju muidugi, aga kokkulepe Viimsiga oli lihtsalt varem paigas ega andnud ennast enam kõigutada, kuigi pärisin ka sellise võimaluse järele. Selle eest käisin eile õhtul hoopis oma Haapsallu sattunud kolleege kuulamas-vaatamas. Hiiu- ja Läänemaal tuurlesid sel aastal Karl Martin Sinijärv, Jürgen Rooste, Jan Kaus ja Birk Rohelend, vägagi kuulatavad-vaadatavad inimesed kõik. Huvitav oli. Ikka on huvitav vaadata kolleegide esinemisi, sellest võib alati midagi õppida, kõrva taha panna, järeldusi teha. Pealegi polnudki ma neist kedagi enam kaua aega näinud… hakkasin mõtlema, kui kaua ma Kirjanike Liidu majja pole enam jalga saanud? Üle aasta kindlasti, võib-olla kaks. Tallinnas on on kogu aeg igasugust muud asjaajamist ja graafik täis, nii et kui otsest tarvidust ei ole, ega siis niisama lobisema satu jah. Mulle meeldib hirmsasti, kui Jan ette loeb. Väga hästi loeb, väga atraktiivselt, nauditavalt. Nagu oleks temas näitleja kaduma läinud. Aga kuni jan esineb, seni ju tegelikult pole midagi kaduma läinud. Kohal viibis ka Paljasmaa, kel igasuguste esinemiste ja ettelugemiste peale on väga tundlik kõrv, ja tema ka kiitis. Vean kihla, et ta juba mõttes mõlgutas, kuhu lavastusse niisuguse ressursi võiks kohe ära paigutada 🙂 Kuid see selleks. Ettelugemistest olenemata on nagunii väga vajalik, et sellised kirjanike esinemised toimuksid. Kes viitsivad end neile üritustele kohale vedada, saavad kindlasti elamuse pluss mõtteainet pluss veidi avarama pilgu kirjanduse kui nähtuse peale üldse. Sellised esinemised annavad lihtsalt raamatulugejale aimu ka sellest, kuidas vaatlevad kirjandust kirjanikud ise, ja kui erinev on kirjanduse hindamine kummagi grupi poolt, millistest kriteeriumidest lähtuv, mis eesmärgiga. Ja kui tähtis on rahvusriigi jaoks rahvuskeelne kultuur, mille säilimise ja arengu eestvedaja on rahvuskeelne kirjandus, sest just kirjandusel baseerub ka kõik muu – haridus, teater, kino, vähemalt vokaalmuusika… Ja samas saab üsna selgelt aduda seda, miks kirjanduse hindamisel on tarbetu takerduda 20. sajandi esimese poole normidesse, nagu hästi suur osa eesti inimestest oma koolihariduse sunnil teeb. Meie kirjandusharidus on siiani ju olnud väga klassikakeskne. Lapsed peavad pähe õppima Koidulat, Liivi, Anna Haavat, Ennot, võib-olla ka mõnd 60-ndate klassikut…. ja siis hindavadki nende alusel ka seda luulet, millega ülejäänud elu kokku puutuvad. Sellepärast leiavadki, et ETV “Luuletuse” saates ei loeta mingeid normaalseid luuletusi, vaid mingit jama. Aga see pole nende viga. See on hariduslik puudujääk. Kui pool sellest aurust, mis klassikute õppimiseks kulub, kasutada kaasaegse luule lugemiseks, õppimiseks, selle üle arutlemiseks, siis oleks ka tänapäevane kirjandusteadlikkus palju parem. Sest teate, meil on ju väga hea kirjandus. Meil on palju häid ja väga häid kirjanikke. Ja on tõsiselt nukker, kui kooliharidus jätab meid ilma oskusest kaasaegses kirjanduses orienteeruda, jätab ilma oskusest kirjanduse muutumisest ja arenemisest aru saada. Kirjanike tuurid aitavad siin natuke. Vähemalt loovad mingi kontakti elusa kirjanduse ja eesti rahva vahel. Ja see on väga hea. Ürituse lõpus muidugi ei saanud Aidi Vallik ka teisiti, kui pidi püünele ronima – tahtsin oma kingituse kallitele kolleegidele üle anda. Eesti Kirjanike Liidu mitteametliku Haapsalu rakukese poolt… mille ainus liige olen mina, ja seda ka mitteametlikult (Paju Juss oli ka, aga Paju Juss on surnud; Puhmi Mati pole pullivend ja Mihkel Mutt on geograafiliselt ebastabiilne. Ja siin me Janiga embame südamliselt: « Older entries Newer entries ».

It's slightly abridged, with some of the sheep-shearing scene cut. Still, a masterful rendering. Already saw her in the film she was fabulous as always. love her. I go on an Epcot ride here in orlando disney,judi is the narrator, she has such a beautiful voice. Where can I download this movie. Published on Nov 16, 2012   Aastaraamatu „Teatrielu 2010“ koostaja on Madis Kolk, kroonika koostaja Aivi Reimand. Kujundaja Kersti Tormis, korrektor Tiina Lias. Teatria. Teatria...

The way they look at each other is so adorable. Best summary EVER XD. Adore these two 😍😍 why are they not a real couple? 😱. I love this play that he wrote. Someone put these two in another movie please. ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰et à l'étranger. His eyes go perfectly with that suit.

34 Best MiLHAMa. images, Art, Palestine art, Palestine history. DEV IS AMAZING! SO HOT, SO TALENTED ACTOR.

Does anyone know what the accompanying piece of music is

ÖãƒãƒŠãƒ¼ãƒ»ã‚ã‚ター・ãƒã‚ブ2016 「冬ç‰e.a.r. This has got to be one of my favorite episodes! I can't stop laughing. Dame Judy Dench has such a clever knack for comedic timing. The johnny Depp line was hilarious. Avastasin ühtäkki, et olen oma meediumis enam kui kuu aega vait olnud. Justkui poleks midagi juhtunud. Justkui oleks suvepuhkus. Mõlemad väited on tegelikult õiged - aga suvepuhkus on sellisel juhul blogil, mitte minul - juuli on igal juhul töötähe all kulgenud, sekka paar säravamat elamust: laulu- ja tantsupidu; Moby, laulupidu ja Mahavok Õllesummeril, hiljem veel pisut Mahavokki ja Madonnatki, mis - tõsi. ei jätnud nii eredat elamust, kui 2006. aastal, ent mis sellest hoolimata üks vahva pidupäev-õhtu-öö oli. Ning, kui vaadata oma Facebooki kontot, siis jääb sellesse kuusse ka ohtralt raadiotööd. Et mitte mõtteisse auku jätta, otsustasin oma Facebooki revideerida ning sealsed emotsioonikillud siia mälestuskildudeks panna. Ma varsti vanainime (juba teisipäeval alustan euroraha toel isiklikku tugiprogrammi "Vanane väärikalt. tuleb ju oma mälu klaar hoida. Nii kutsungi koos endaga rännakule "Walk down the memory lane. Ja kui midagi segaseks jääb, tasub vaadata ajaliselt eelnevaid sissekandeid, siis saab natuke enam mõhku (kuigi mul endalgi läks mõne sissekande puhul aega, et aru saada, mis jura ma suust välja olen ajanud. 8. august "Finishing my morning show - now, it's time to leave town. Täna peaks ikka linnast välja saama - on urrimalt ilus hommik, päev tuleb ka. Punkt üks. Venna, palju õnne sünnipäevaks! Punkt kaks. Mis laulu tahad. 7. august "Aargh, hommik. Madis: Tere hommikust, Andri Andri: Terommikust sulle ju ka. Nüüd tee rindu ja tööle. Nämm! Kristi: tere hommikust, kallid: ilm on imeline, naudime päikest või on teil mõni parem plaan:P? Triin: Hommikust, Andrike. Sa täna na hiline. Fagira: mmm, mõnus hommik. viimane tööpäev enne puhkust. jee. :D 6. august "See kõik tuletab mulle meelde stseeni filmist "Sister's Act" Reverend Mother: Girl groups? Boogie woogie on the piano? What were you thinking? Delores: I was thinkin' more like Vegas, y'know, get some butts in the seats. Reverend Mother: And what next? Popcorn? Curtain calls? This is not a theater or a casino. Loe edasi Delores: Yeah, but that's the problem. See, people like going to theaters, and they like going to casinos, but they don't like coming to church. Why? Because it's a drag. But we could change all that, see? We could pack this joint. Reverend Mother: Through blasphemy? You have corrupted the entire choir! Põhjast tagasi! Ja lõunas on tõepoolest soojem. Aga Helsingis on ka huvitav - eriti, kui üritada Madonna hotelli piiravast inimrõngast läbi pressida. Põhja. 2. august. childhood home" No Vikerhommik on igal juhul täies purjes ning tuju hea - vanaema 80. juubel ju ometi. 1. august "Mahavok oli lihtsalt super. Ning Kare lihtsalt võrratu. Tuju on rõõmuskurbrõõmus. Haapsallu! Ja siis muidugi suve favoriidile, Mahavokile kaasa elama. 31. juuli "üksindus ja surmauni. hmm, ei teagi, kumb sitem on. :S" 30. juuli "Ja kõlab mu überlemmik: Kui käes on loojang, metsas tõuseb kuu, ma seisan uksel kodu ees. Tere hommikust, Eestimaa. 29. juuli "Mida kõike Youtube'ist märgusõnaga "Men are pigs. ei leia:S" iPod mängib "O Holy Night" ning tuju on hea. Keset suve jõululaulud - selge, hakkan ära pöörama. Jõuluusku nähtavasti. Tänan tähelepanu eest. Ülla-ülla! Müüa paar piljeetikut Madonnale. Huvilisi. 28. juuli "Nõukogude Naine" Ivo: Miks? Kas elu on nii igav ja halb või. Margit: ja mina siis? Andri. hetkeemotsiooni ajel lubab facebook kõike kirjutada Margit: tundub jah. 27. juuli "Back in business. Kristo: mina veel ei suuda, ikka viljandis. Andri: hehee, jäidki sinna! ma vaatasin lõppkontserdi juba elioni digiTVst ning jõudsin öö hakul ikka pealinna, kaasas soe Tartuffi fliis! Selle saad tagasi, kui trehvame. Ja olgu Viljandit tervitatud, seal on ikka ilus. Jaanika: Aga jõudu! Varsti kohe endalgi taas suund argiellu... Korraks sai veel tehtud peatus akadeemias, minu "nahkdiivaniga lavamanageritoas. Andri: Tead, argielust väljas oli päris tore olla. Veel toredam oleks, kui me kohtuksime lavamanageridega mõnes punanurgas ka muul ajal, kui vaid folgil. Janno: mõistuse sootuks kaotanud! Jaanika: Minul on kaaslavamanagere ikka hea meel näha, John võib teha näo, et ta meid ei tunne (aga kohale võiks ikka tulla. Andri: John on lihtsalt ülbe, sellepärast tal sõpru polegi. Kristo: Tegelikult on John lihtsalt realist. aga egas me ju kohtu nii ehk naa. Tööalaselt ja folgialaselt ja krt teab veel mis alaselt. 27. juuli "Folk tehtud, kaktused kastetud. Öö on. 24. juuli "Viljandis. Folgil. Esimene vaba hetk. Kasutan seda magamiseks. 22. juuli "Euroopa kultuuripealinn 2011 läheb Viljandi folgile. Tarmo: Ehk, et sina lähed või kuidas? Või in corpore, ühise bussi ja lauluga? Arno: Jep. Andri and All The Euroopakultuuripealinn 2011 Maimets läheb Viltsu:D Andri: Ähäh! No mina võtan automobiili ja laulan tee peal ise: Triin: Näeme! Laulame. Andri: Ja Arno, ma nüüd ei saagi aru, et kas oled ikka tulemas-olemas? Tarmo: Võta mikko ka kaasa. Ta kibeles tulema. Andri: Ta on meil võõrsil. Kultuuri maale viimas. Kaiko: kultuuripealinn vs j6mmipealinn: Arno: Ma olen kohal aga mitte paigal:P Andri: Jõmmipealinn maiäss, kõik jõmmid lükkame eest! Aitad? Arno: Aita me:D Kirsti: Tervita paadimeest! 22. juuli "Weird dreams. It's because I was tired, I guess. Burn the bike thieves! The thing I have to deal with:S" Andri: Mulle üldse ei meeldi. Ilus ratas oli. Mis siis, et vana. Mulle kallis ja vajalik. No kuradi masu, maivõi, murtakse ustest sisse, lõigatakse lukud läbi ja bye-bye, velosipeed! Lauri: võib koguda kokku ülejäänud kaaskannatajad ja siis teha pättidele üks suur lõke nagu Jaanipäeval. loodan, et leian oma mootorratta varga ka selleks ajaks üles. Andri: Kusjuures tundub, et teema on tõsiselt aktuaalne - selliste sõiduriistade vargused on juba ülipopulaarsed. :S Katrin: Jah, minu kontaktides on koos minu sissekandega kolm ratta-varguseteemalist ainuüksi sellest nädalavahetusest: Ja meie perel läks korraga 2 ratast: Tõesti ajab kurjaks ja teeb nukraks. pidime oma Võsu-Käsmu väljasõidu teise päeva jalgsimatkaga jätkama. Andri: Ma nägin jah, et olid sissekande teinud samal teemal. Just mõtlesin kohtlaselt-jõuetult käsi rippu lastes sinu sissekandele, kui täna tühja seina jõllitasin! Marko: Andri, soovitan sinul kui praktiseerival ringhäälinguesindajal olla väljenditega ettevaatlik. Meenutaksin kohtulahendit aastast 2005, kus ahjuajamisele üleskutsumine tunnistati vaenuõhutavaks. Andri: Ma ei saa kuidagi salata, et õhutan vaenu varaste ja mittevaraste vahel. Kummale poole jääd. Marko: ma ei saa vastata küsimusele, kas olen hommikuse konjakijoomise juba maha jätnud, kui ma ei ole seda kunagi alustanudki. samuti ei tähenda, see, et ma laulupeole ei lähe, et ma ei armasta eestit või ei ole õige eestlane. vaenu õhutamist ei poolda, vargaid ei armasta. rattast on muidugi kahju: 20. juuli "Tallinna Merepäevad - grreat succeess. What happened to sunny sky? Well, at least it's a regular work day. 19. juuli "Munamägi on rahulik nagu Jaan Tätte. 18. juuli "Morning has broken. Walking on air. 17. juuli "I love when the plan comes together. See päev on teel. 15. juuli "Ahjaa, ja Leedu valitsus elab endiselt 15. sajandi nõiajahiajastul. Lihtsalt pidin seda märkima. Nüüd läks juhe kokku. Aitab. Tuleb näiteks valge veiniga lahti rullida. 14. juuli "Andri Maimets @ KKK. (Koosolekud, konsultatsioonid, kooskõlastused. 13. juuli " t was everywhere. i'm good. Katrin: tubli, tubli, väga tubli, istu, istu, puhas 5! Väss. Väga väss. Parim suvepäev esitluslõuna tegemiseks: aianurgas suitseb grill. 12. juuli "Segakoor Hästi Pakitud. Katrin: proove hakkame pärast minu tööpäeva lõppu sinu juures tegema:p:D "Entukas raadios. Katrin: kuidas su laulmine läks? Andri: oo, suurepäraselt! loed ju, et olen nüüd taas koorilaulu-entukas: Katrin: must pole entukas lahkunudki:p kui ainult oleks koht, kus saaks laulmas käia: Andri: hehe! teeme siis oma pottide-pannide-segakoori. eile tuli mul hea mõte avada segakoor Hästi Pakitud. Nii oli nimelt kirjas kõikidel Õllesummerilt soetatud vihmakeepidel: koorivorm odavalt käes! 11. juuli "Tuldagu nüüd poplaulupeole. Ega iga päev Andrit kooris laulmas näe. Kuulan ja kuulan seda laulu. Kurb on sees. Vastikult kurb. 10. juuli " On läinud aastad, hetked ilusad. Mahavok laulab ikka hästi. A Muumitroll on muusikaliselt mu jaoks ikkagi tühi. Evelyn: böööö. vähe kuulasid juuu! Andri: No a sellepärast kuulasingi vähe. See "A mis nüüd mina" oli tore pala, aga ülejäänu oli mu kõrvadele ikka tüütu tümin. Evelyn: no " korallidest" ja veel mitu-mitu-mitu lugu kohe olid väga coolid. ja tekstid. need on ikka päris deebid: Andri: Mis selle "Mis nüüd mina" pealkiri oli? Ehk et kuidas ma seda juutuubikust leian? Taivo: Mahavok oli super! Andri: Onjueksju! Küll ikka on osatud lugusid teha! Markko: Mahavok oli ikka ülisuper aga Muumitroll oli ka tore, täna olid kohe ka sellised õed tööl, kes ka olid eile kohal ja päris lava ees rokkinud ja kiljunud: mul on hea meel, et muumitrolli muusikaga sain tutvuda Andri: Ptüi, ma panen teile alles ilusa ansambli! 9. juuli "Lift me up, Lift me up, Higher & Higher. Fagira: liftimees on pugend alateadvusesse? D Margit: ei high on. Andri: oh, ma ei mõelnudki, et see moby lugu võiks minu liftiromaaniga kuidagi seostuda. :D tegolt oli kontsert! 8. juuli "I hate typos in Kultus's menu: värksed pannkoogid. Jõuad küll kontorisse vara ja hakkad tööga pihta - aga näe, siis vaatad, et kell on juba urrima palju! Kuhu see aeg kaob, palun" 7. juuli "CNN tahab, et ma enda kõrval istuva persooni kätt suudleksin. On Jacko palve aeg. Aga minu kass ei anna end kätte ning nii pean ma end ise musitama. Väh. Tere hommikust, Eestimaaaa. Urmas. et, eeter? Andri: nii tõepoolest on. Siim: Head ööd Nicaragua: Andri: Päh! Tervisi kaugele maale, sõber! Heiti: kas ma san sind onlines ka kuulata? tervitused sydneyst. 7. juuli kell 7:02 Pepe: hommikul vara pannakse juba eetrit? võäh. aga noh, lõunamaa värk. Andri: no puhas õuka, noh! rahvusõuka. 6. juuli "Luulepäevik jätkub: Viin vajalike inimestega kokku, selgitan, täpsustan, aitan ja paitan. Vara üles, hilja voodi. Katrin: A kui on "vara voodi, hilja üles. mis siis saab? sinu puhul teame, et nõnda rikkus majja toodi:D Andri: Vara voodi, hilja üles, ärkasingi sinu süles! D See on meie Andri luule, mida iga päev ei kuule! Meenub taas rida "Ema Maiga, seisa paigal. Katrin:D:D:D aint et kus ja kelle süles ma küll ärkama peaks. ahjaa, õige-õige, ega sinu nimetatud tingimustel kah rikkust majja saa: Andri: äi saa siin midagi, ikka olen vaene kui kirikurott Kirke: Hakkan otsima inspiratsiooni, et sünniks viis. nagu lubatud sai! Katrin: no seda ma sulle, Andri (ja endale ka) räägingi. üks suur paks vale on see vanade eestlaste jutt:D Andri: aga äkki saame Kirke lauluga rikkaks - autoritasud kukuvad kõmm ja kõmm meie pangakontodele. :D Katrin: Kirke! aitab suve imetlemisest! hakka ruttu inspireeruma! Gert: võin ka Kirket selle raske ülesande täitmisel aidata! sest nagu sa tead, kaks pead on ikka kaks pead. mul tuli siuke riim ka: vara üles, hilja voodi, lõpuks ennast surnuks joodi. Kirke: Vaadake sellega on nii - Pegasus lendab siis, kui ta lendama mina olen nõus autoritasusid ainult poolitama, kolmeks või enamaks jagamine ei tule kõneeeeee alllaaagiiiii:D Gert: kallis, ega ma ei tahtnudki sult mitte leiba laualt ära võtta, vaid aidata sellele ka võid peale hankida (või nagu eestlasele kohane- muretseda) 5. juuli "Laulupidu oli tore. Isegi väga tore. 3. juuli "Näed! Jälle! See mees töötab meie majas. Ja jälle on ta liftis käinud. Ma muutun juba kergelt liftiperverdiks:D" Tanel: aga pühenda siis üks päev lifti jaoks:P et ole kogu aeg liftis ja nuusuta kõik üle:P Katrin: kas sul on SEE käik juba käidud? aga jah, hakka liftipoisiks - saad kindlasti lõhna jälile: Mirjam: Ma ka soovitaks Sul oma töö paariks päevaks liftipoisi ameti vastu vahetada. Ja vabade hetkede lugemissoovitus oleks Süskindi "Parfüüm. Ja kui suudad seda lõhna kirjeldada, siis võib leidmisel abiks olla Fagira: sa jäta lifti mingi kirjakene, salapervo Katrin: oh, aga see on ju täitsa pandav mõte - pane tühi leht liftiseinale, kuhu kõik sõitjad peavad kasutatava lõhna kirja panema. siis võtad papri kaasa ja lähed poodi nuusutama:D Andri: Tere. Olen sinu lõhna salajane austaja. Lõhnad hästi. Mis lõhn on? Jäta näidis nurgale. Nii vä? D Fagira: Einoh, ära nüüd siis selle lõhnanäidisega üle ka pinguta, ega ta ei hakka ennast vastu su paberit nühkima kui ise ka pervo pole just, haha. A vaata et sa oma kirjakese juurde pastaka vms jätad, muidu ta eiviitsi äkki kirjutada. :D A muidu kui sa nüüd ntx satuks taga koos lifti, et siis tammuksid tummalt jalalt jalale või teeksid suu lahti ja küsiksid? Ma võin pea anda, et ta arvaks, et sa lööd talle külge. Markko: piisab, kui lihtsalt ta jätab lõhna nime hakkab ka juba huvitama see, leidsin oma lõhna kunagi u 10 aastat tagasi oma maja liftist, meeldib siiani ja kasutan. Andri: No ma ju räägin! Sõber, tule appi, nuusutame koos:D:D:D Tanel. ei aitäh mul on lõhn olemas:P Merilin: kasuta treppi! Andri: eiei, jummala lõbus on: Marek: äkki kutsutakse seda toredat meest hoopis koristajatädiks. 2. juuli "Ma tundsin liftis täna ühte lõhna. Ma ei tea, mis lõhn see on. Ma tahan seda. Fagira: keegi oli liftis asjal käind? Heili: alati peab kohe küsima. Mis sest on, et teine sind siis imelikult vaatab, mis sul kaotada on. Andri: Eiei, kedagi ei olnud liftis noh. Üks mingi jorss marssis välja küll, aga no ma ei hakanud järgi tormama, et härra, härra, millega te end piserdate. Oliver: Soovitan soojalt INCENSE KYOTO Comme des Garcons. Ja pärast seda ei taha sa enam ühtegi lõhna. See on tõeliselt hea! Kristo: Andri, lõpeta lifti(s) nuusutamine ja nuhutamine. NHL-i üleminekuaken sulgub kohe. Aga nagu ütleb Eesti rahvatarkus: Kui kusagil sulgub aken, siis kusagil tehakse uks ikka lahti. Mida kõike tänu spordiuudistele teada ei saa. Raadioonu hommikune mõttemäng: Postimees on paberil, tutvustust ei ole. Päevalehel on tutvustus, paberil ei ole. Ekspressil pole tutvustust ega paberit. On koduleht. Maalehe tutvustus on vigu täis, parem lugeda paberlehte. Kas ma olen mingi iluvõimleja, et need lehed loetud saaks. 1. juuli "Häh, milles küsimus! Loomulikult rattaga laulupeole. 30. juuni "I'm terribly sorry but I do NOT miss Jacko! And I do NOT want to participate in any group concerning missing him. Minu 2009 hüppab nagu Põhjala kummik! Tervitused kunagisele füüsikaõpsile) Markko: mismismis? Andri: Mult küsiti, et kas ma siis enam suuremaid tekstilisi tellimustöid teha ei võtagi. Vastasin eitavalt ning lisasin, et võiblat mõne kuu pärast: eks see elu aastal 2009 ongi hüplik kui Põhjala kummik. Seda väljendit kasutas meie, kunagiste õpilasrüblikute kohta mu füüsikaõpetaja: Mis sa hüppad siin nagu Põhjala kummik. Markko. meil oli emakeele õpetajal "puurikass" kes siis kella peale hüppas.